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Lot 906
Cyril Henry Barraud (1877-1965) - Drypoint etching - View of a quarry with a horse and cart to foreground, 8ins x 12ins, signed in pencil, and a portfolio containing a selection of etchings of miscellaneous subject matters, and a few small oil sketches, etc - various sizes, mostly unsigned (all unmounted and unframed)
Lot 373
William Tillyer, British b.1938- Untitled from the Courthorpe Collection, 1977; etching with aquatint printed in colours, signed and numbered 4/60 in pencil, 49x38cm: Philip Braham, British b.1959- "Forest Path, Pinkle" and "Study for an Apparition"; drypoint etchings, a pair, both signed, titled, dated `87 and numbered 7/10 in pencil, in a shared mount and frame, ea. 22.5x29.5cm: David Austen, British b.1960- "Untitled"; lithograph printed in colours, 81x71cm, (3), (may be subject to Droit de Suite)
Lot 383
George Frederick A Belcher, British 1875-1947- "Two Veterans", Aug 1918; hand coloured etching, signed in pencil beneath the plate, 32.5x23.5cm: Alfred James Hipkins, British 1826-1903- Musical Instruments, Historic, Rare and Unique, two plates, publ. Adam & Charles Black, 1888; chromolithographs, two, ea. 35.5x23cm, (3) (may be subject to Droit de Suite)
Lot 422
Dame Elizabeth Frink RA CH DBE, British 1930-1993- "The Physician`s Tale", 1972; etching with aquatint, signed in pencil, 50x34cm: Harry Thubron, British 1915-1985- "Salamanca"; screenprint in colours, signed, titled, numbered 48/70 and dated 78 in pencil, 73x66cm., (2) (part unframed) (may be subject to Droit de Suite)
Lot 504
Dmitry Plavinsky, Russian 1937-2012- Derelict Barn; etching, signed, titled and numbered 4/60 in pencil, 48.5x64cm: together with two further by the same artist depicting the Crucifixion, aquatint, signed in pencil, 62x45.5cm and A wooden loom with a hanging oil lamp, etching with aquatint, signed in pencil, 36.5x48.5cm, (3), (unframed)
Lot 578
Attributed to Luigi Rossini, Italian 1790-1857- Figure in a ruined temple; etching, 51x74cm: French School, late 18th/early 19th century- Party of figures in an elegant interior; pen and brown ink and grey wash on laid, 21x29.5cm: Dutch School, 18th century- Harbour scene with shipping; pen and brown ink and watercolour on laid, 16.5x28cm: British School, 19th century- Studies of baskets; pencil, four in a shared mount and common frame, all bear inscriptions, 8x10cm., (max): together with two steel engraved book plates of Rouen and Lyons, various sizes, (6)
Lot 612
Martin Ware, British 1946- "Still Life With Two Birds"; etching with aquatint printed in colours, signed, titled and numbered 14/150 in pencil, 36.5x44cm: together with fourteen further etchings with aquatints printed in colours by the same hand, each signed, titled and numbered, some dated, various sizes, (15), (unframed), (may be subject to Droit de Suite)
Lot 613
After Romain de Tirtoff, Erté, Russian/French 1892-1900- "Erté", publ by Sevenarts Tokyo, The Erté Gallery, printed in England by Coriander (London) Ltd; poster/screenprint in colours, 75.3x49.2cm: Orotle, late 20th century- "Skokiaan, Louis Armstrong"; etching printed in colours, signed and numbered 125/200 in pencil, 67x42.5cm: together with a further etching printed in colours by the same hand depicting musical instruments, signed and dated 1986 within the plate, signed and numbered 29/150 in pencil, 32x26.5cm: S Dal Baulo, late 20th century, "Start Cord"; collage with mixed technique, signed and titled, 64x95cm: Soderqvist, Scandinavian School, late 20th century- "Abyss 3"; screenprint, signed and titled in pencil, 56.5x47: together with two other late 20th century etchings printed in colours entitled "Adagio I" and "Adagio II", 40.5x30.5cm, (7), (unframed)
Lot 614
Terry Willson, British b.1948- "Landscape Fragments No 9"; etching with aquatint, signed, titled, dated 1974 and numbered 9/20, 29.5x29.5cm: together with seven further prints by the same artist including two etchings with aquatints from the same series entitled "Landscape Fragments No 10" and "Landscape Fragments No 8", both signed, titled and inscribed in pencil, 35x31.5cm and 44x59.5cm, four other lithographs printed in colours entitled "Theatre of the Absurd No 3", "Theatre of the Absurd No 2", "Self Portrait" and "Portrait of Lynda"; each signed titled and numbered, various sizes, and one mixed technique mezzotint depicting screaming heads, signed and inscribed `3rd State Proof 1/1` in pencil, 30x43cm, (8), (unframed), (may be subject to Droit de Suite)
Lot 615
John Swanson, American b.1938- "Flying Trapeze"; etching with aquatint printed in colours, signed, titled, dated 1986 and numbered 12/50 in pencil, stamped with a blind stamp, 25x28cm: together with two further etchings with aquatints printed in colours by the same hand entitled "Circus Gallop" and "Acrobats" both signed, titled, dated 1986 and numbered 90/150 and 29/100, 25x27.5cm and 27.5x20.5cm respectively: M Andrews, late 20th century- "Nimrod I"; etching with aquatint printed in colours, signed, titled, numbered 39/200 in pencil, 60x50cm: James Cox, British b.1956- "Flowers I"; etching with aquatint, signed, titled and numbered 139/200 in pencil, 58x44cm: together with one further etching with aquatint printed in colours by the same hand entitled "Sigma VI": Terence Millington, British b.1943- Bandstand; etching with aquatint printed in colours, signed and numbered 6/75, 21x20cm: together with two further etchings with aquatints printed in colours, one from the same series depicting a bandstand and one entitled "Spiral Staircase II", various sizes, (9), (maybe subject to Droit de Suite), (unframed)
Lot 616
Richard Spare, British b.1951- "Summer Flowers"; etching printed in colours, signed, titled and numbered 7/150 in pencil, 10x10cm: together with two further etchings printed in colours by the same hand entitled "Yellow Gladioli" and "Cornish Landscape", various sizes: Michael Pettersson, British b.1938- "Flooded Marshes, Dedham"; etching with aquatint printed in colours, signed, titled, dated 86 and numbered 7/150: together with two further etchings with aquatints printed in colours by the same hand, various sizes: Barbara Munns, British b.1937- "Orchard Mill"; etching with aquatint printed in colours, signed, titled and numbered 248/250, 22.5x27.5cm: together with two further etching with aquatints printed in colours by the same hand entitled "Orwell" and "Elmswell Church", various sizes: together with six other contemporary prints by different hands including examples by Annabel Manwell, Daniel Landou, Peter Easton (A Shamet) and Langmead, (15) (may be subject to Droit de Suite) (unframed)
Lot 619
Terrance Warren, British b.1948- "A Window on Venice"; a suite of three etchings with aquatints, each signed and inscribed A/P, titled on wraps, 14.7x11cm: Martin Leman, British, b.1934- "Cornish Memories I"; etching with aquatint, signed, titled, dated `87 and inscribed A/P in pencil, 15x15cm: together with one mezzotint and three lithographs by the same hand entitled "Panda", "Rosie", "Hill Street Blues" and "Good Companions", all printed in colours, signed, titled and numbered in pencil, various sizes: Bob Saunders, British b.1945- "Purbecks"; screenprint, signed, titled, inscribed 139/175 and embossed with publishers blind stamp, 18.5x22cm: together with a further screenprint by the same artist from the same series entitled "Clevelands", signed, titled, inscribed 139/175 and embossed with publishers blind stamp,18.5x21cm, (10), (may be subject to Droit de Suite), (unframed)
Lot 620
Xavier Degans, French b.1949- Vase of lilies; mezzotint printed in colours, signed, titled, numbered 166/175 and dedicated in pencil, 63x47cm: Sarah Dunton, British b.1952- "The Dove"; etching with aquatint printed in colours, signed, titled and numbered 7/40, 14x12cm: together with a further etching printed in colours by the same hand entitled "Neoclassical Spring": Christopher Penny, British b.1947- "Ruined Croft"; etching with aquatint printed in colours, signed, titled, numbered 34/200,40x30cm: Arthur Byrne, British b.1947- "Garden 4", lithograph printed in colours, signed, titled and numbered 55/200, 29x21.5cm: together with seven further contemporary prints and watercolours depicting various scenes by different artists including examples by Annie West and C Penny and two mezzotints printed in colours depicting still life subjects with apples, various sizes, (17) (may be subject to Droit de Suite), (unframed)
Lot 629
Josef Kostka, Slovakian 1912-1996- "Nude with Hand behind Back"; pen and black ink and wash, signed with initial, 43.5x31cm Provenance: with The Grosvenor Gallery, London, according to label attached to the reverse of the frame: Jacques Villon, French 1875-1963- Portrait of a lady seated at a table; etching with aquatint and drypoint, signed and numbered 12/50 in pencil, 19x14cm: 20th Century- Woman on a horse; pen and black ink, 24.5x19.5cm., (3) (may be subject to Droit de Suite)
Lot 632
Central European School, early 20th century- `Kino`, crowd watching a film at the cinema; pen and ink on buff, signed with initials `CH`, dated `17 and titled, 29x20.5cm: L Stemer, early 20th century- Ploughing the fields; etching, signed, titled and numbered 1/9 in pencil, 23.5x26.5cm, (2) (unframed)
Lot 638
Leon Auguste Jules Desbuissons, French 1870-1940- "Obernai" and "Ammerschwihr"; etchings, a pair, signed and titled within the plate, ea. 34x22.5cm: Georges Le Meilleur, French 1861-1945- Cathedral; etching, signed and dated 1923 within the plate, 49x63.5cm: Jean-Joseph Balechou, French 1716-1746- "La Naissance" after Bardon; etching, 38.5x27.5cm: Jean-Louis Bremond, French 1858-1943- River scene with figure on a path; etching, signed in pencil and within the plate, 42x64.5cm, (5) (may be subject to Droit de Suite)
Lot 644
Frederick Stafford, British, early-mid 20th century- Yacht racing; watercolour, signed, 27x40cm: Philip G Needell, British 1886-1974 exh 1910-1928- "Kennack Sands"; watercolour, signed, inscribed and dated 1913, 25x34.2cm: British School, 20th century- Village landscape; watercolour, 25x39cm: British School, mid 19th century- Portrait of a lady, head and shoulders turned to the left; hand-coloured stipple engraving, 24x18cm: Edith Scannell, British act 1870-1921- Portrait of a Jim; watercolour, oval, signed and dated 1919, 26x20cm: Daniele Noël, French, mid 20th century- "Soldats de bois et chemin vers la ville"; hand-coloured etching, signed, titled, numbered 4/30 and dated 1966 in pencil, 45x30.3cm., (6) (may be subject to Droit de Suite)
Lot 354
WENCESLAUS HOLLAR (1607-1677) BYRSA LONDINENSIS VULGO THE ROYAL EXCHANGE OF LONDON ETCHING, MOUNTED TO IMAGE, 29.5 X 39CM, J C STADLER (FL LATE 18TH/EARLY 19TH C) AFTER J FARRINGTON, RA (1747-1821) PUTNEY BRIDGE; VIEW OF BLACK FRYERS BRIDGE FROM SOMERSET PLACE, AQUATINTS AND HENRY DIXTON (PHOTOGRAPHER) (1820-1892 - CANONBURY TOWER, CARBON PRINT NUMBERED IN THE NEGATIVE 25, ON THE ORIGINAL LIGHT BLUE PAPER MOUNT, PUBLISHED BY THE SOCIETY FOR PHOTOGRAPHING RELICS OF OLD LONDON, 1879 (4)
Lot 85
* Payne (William, 1755/60-c.1830). View on the Tamar, hand coloured etching, grey wash border, title in ink to lower margin, 20 x 25cm (8 x 10in), together with three others similar titled Ivy Bridge, Cottage near Milbrook and Cottage near Crabtree, all uniformly framed & glazed. Abbey, Scenery, 286. These four prints along with two others were published as “Six Views near Plymouth” about 1810. (4)
Lot 90
* Wallis (E., pub.). Bristol Hot-wells, on the Avon, with Steam Packets, c.1823, uncoloured aquatint etching, plate dimenisons 25.3 x 35cm (10 x 13.75in), framed & glazed. Depicting the George IV of Bristol and St. Patrick of Liverpool, rival steam packets on the Bristol to Cork route in 1823. (1)
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71082 item(s)/page