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AUGUSTUS E. JOHN (1878-1961). ETCHING. `The Glass of wine` plate 45,. signed `John` in the plate and signed in pencil. further inscribed indistinctly in pencil and replicated in ink with plate number,. title and edition number 20/25. on laid paper, with full margins. 5 1/2" x 4" (14cm x 10cm) plate, sheet 11 1/2" x 9" (29cm x 23cm) unframed.
THOMAS MAJOR AFTER D. TENIERS. ENGRAVING. `The Laboratory`. 14" x 10 3/4" (35.6cm x 27.3cm). BERNARD EYRE WALKER (1862-1972). ETCHING. `Langdale`. signed and titled in pencil. 3 1/3" x 3 3/4" (8.3cm x 12.1cm). SET OF 12 UNFRAMED BLACK AND WHITE LITHOGRAPHS. Bygone Manchester and Salford Street scenes. 11" x 15" (28cm x 38.1cm) approx (14).
Sir Henry Moore, RA (1898-1986) "ELEPHANT SKULL XI" signed and numbered BL. XI 2/100 in pencil etching from the series "Elephant Skull Portfolio"; complete with title folder "Skull side view - jaw articulation" etching, published by Gerald Cramer, Geneva 1970 (See Cramer (Gerald) Henry Moore, The Graphic Work vol. 1) 25 x 19.5cms; 9 9/8 x 7 5/8in. (plate size), unframed. See illustration
T. Gainsborough - A pastoral scene with figures and animals, pen and ink with wash, bears signature, 27 x 33 cm to/w A.L. Armitage - 'A loyal friend', etching of a spaniel, pencil signed and titled to margin and legend 'with the artist's compliments', 17 x 12 cm (2) Condition Report Pen and ink good condition, etching with foxing
**AN ETCHED SAXON HALBERD FOR THE GUARD OF CHRISTIAN II, ELECTOR OF SAXONY (591-1611), CIRCA 1602with robust central spike,curved axe blade formed with a pair of lugs top and bottom, down-curved rear spike, tapering socket, and a pair of straps, etched on each side of the head with the Saxon arms within a scrollwork cartouche, a strapwork panel in the centre, and the abbreviated inscription`CDAHZSC` for Christian der Andere Herzog zu Sachsen Churfurst (extensively pitted and worn, etching obscured), on a wooden haft70 cm; 27 1/2 in headProvenanceThe Saxon Electoral Armoury, DresdenMarch Brown, Surrey, England, 14th April 1930JWHA Inv. No. 1275
**A COMPOSITE ETCHED NORTH ITALIAN CAP-A-PIE FIELD ARMOUR, LATE 16TH CENTURYcomprising close helmet with one-piece skull (patched at the rear) rising to a high roped medial comb and fitted at the nape with a plume-holder of brass, visor, upper bevor and bevor (the first two associated) attached by common pivots (replaced), the visor pierced beneath its stepped, centrally-divided vision-slit with six vertical ventilation-slots, the prow-shaped upper bevor trimmed to fit its present context, the skull and bevor fastened to one another at the left of the neck by a pierced hasp and turning-pin, and formed at their lower edges with a hollowed rim serving to lock over and rotate on the upper edge of the collar, the latter formed of two lames front and rear, breastplate formed of a main plate of deep "peascod" fashion, fitted at is arm-openings with movable gussets, pierced at the right of the chest with a pair of holes for the attachment of a lance-rest and flanged outwards at its lower edge to receive an associated fauld of one lame and a pair of pendent tassets each of six lames (the first two of the left restored and the third patched), one-piece backplate (patched) flanged outwards at its lower edge, two large symmetrical pauldrons (not a pair), each of seven lames, the third of which is fitted with a detachable haute-piece (the left associated and the right restored), that of the left extending over the entire front of the pauldron, pair of fully articulated vambraces formed of a tubular turner and upper cannon (the right associated) linked by a winged bracelet couter of three lames to a tapering tubular lower cannon opening at the front, two gauntlets (not a pair) each formed of a flared and pointed one-piece cuff closed by rivets at the inside of the wrist and fitted with five metacarpal-plates, the last of the left shaped between the knuckles and the last of the right fitted with the greater part of its transversely-ribbed knuckle-plate, long one-piece cuisses (the right restored) each fitted with an associated poleyn of four lames, the third furnished with a small centrally-puckered side-wing and decorated at the point of the knee with a roped medial rib, ankle-length greaves (with various corrosion losses and perforations), each fitted at its outside with a hinged side-plate, open at its inside rear, and pierced at its lower edge with holes for the attachment of mail shoes, now represented by fragments of Oriental mail, and a pair of later toe-caps (restored) pierced around its edges with similar holes, the main edges of the armour otherwise formed with inwards turns, mostly roped and bordered at points by roped ribs terminating, in the case of those decorating the neck of the cuirass and the front and rear of each pauldron, in volutes, and its surfaces etched and gilt overall (the latter surviving only as traces) with bands and borders of classical trophies and dolphins on a stippled and blackened and ground enclosed in each case by narrower bands, mainly of guilloche, and enclosing in the interspaces of the fronts and rears of the main plates of the pauldrons cartouches framing figures of classical warriors (the etching of the visor and upper bevor of the helmet, the top three lames of the right pauldron, the vambraces, the gauntlets, the right cuisse, the poleyns and all restored elements later)See note at front of catalogue for information concerning stands Provenance:Baron de Viga de Hoz, MadridSenor Don Alberto Gonzales, Abreu, SevilleDuveen Bros, New York, No. 244445, 18th January 1928 JWHA Inv. No. 429.a-tExhibitedWorcester Art Museum, Worcester, Massachusetts, 1928-30Springfield Museum of Fine Arts, Springfield, Massachusetts, March 1943-June 1944Science Fair, Worcester Polytechnic Institute, Worcester, Massachusetts, 19-21 April 1956

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78391 item(s)/page