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Lot 69

A sterling silver mounted glass Bowl with floral etching and an Edward VII silver lidded glass Jar engraved initials, Birmingham 1905

Lot 433

LOWES DALBAC LUARD. Percherons, etching, numbered 12/40, unframed, Pl. 3 3/4 x 6 in. Provenance; Ex Denzil Elizabeth Blaxter Collection.

Lot 449

T. THOMPSON: A Figure by a farmhouse, sepia wash drawing, 3 1/2 x 4 1/2 in; two etchings by Robert Greenhalgh; and an etching by Pamela Hughes depicting beached sailing Boats; four (4)

Lot 467

HERBERT DICKSEE, R.E. `Down to the Sea`, artist`s proof etching, Pl.23 1/2 x 17 in

Lot 507

MANNER OF EDGAR HUNT. Poultry and Chicks by a Bucket, oil on canvas, oval, 9 x 7 in; and an etching by Claude Rowbotham titled `Swanpool, Falmouth`; two (2)

Lot 1728

Cornelis Schut (1597-1655)etching,The death of St. Sebastian,7.5 x 5.75in.

Lot 1902

Augustus John (1878-1961)etching,The Amorous Tramp, 1919,signed in the plate and in pencil in the margin (Dodgson 98),4.5 x 5in.

Lot 1940

William Lee Hankey (1869-1952)coloured etching,Portrait of a Dutch Couple,signed in pencil,8 x 6in.

Lot 2002

Anthony Gross RA (1905-1984)etching,`Children going out to the fields`,signed in pencil, 44/75,8.75 x 11in.

Lot 254

A gilt framed and glazed limited edition coloured etching "fault," signed in pencil Michael Caslord 96.

Lot 225

AUGUSTUS E. JOHN (1878-1961). ETCHING. `The Glass of wine` plate 45,. signed `John` in the plate and signed in pencil. further inscribed indistinctly in pencil and replicated in ink with plate number,. title and edition number 20/25. on laid paper, with full margins. 5 1/2" x 4" (14cm x 10cm) plate, sheet 11 1/2" x 9" (29cm x 23cm) unframed.

Lot 233

PATRICK PROCKTOR. COPPER PLATE ETCHING WITH AQUATINT. `A Portrait of Roger Bevan, Director of the New Academy for Art Studies. and `Aesthete`. signed in pencil and numbered 27/98. 16 1/2" X 11" (42cm x 28cm) plate. Acquired from the Redfern Gallery, London.

Lot 239

COPLEY SINGLETON. ETCHING ON WOVEN PAPER. `Self Portrait holding a palette and brushes`. Signed in pencil and numbered 70/75. 12" x 8 1/2" (30.5x21.5cm) plate. 16 1/2" x 11 1/2" (42x29cm) sheet. unframed.

Lot 240

W. WESTLEY MANNING. ETCHING ON WOVEN PAPER. `The Avenue, Normandy`. Signed and inscribed in pencil, numbered 12. 10" x 7" (25.5x18cm) plate. 15 3/4" x 10 1/4" (40x26cm) sheet.

Lot 243

MICHAEL AYRTON. ETCHING. Naked female with ravaging Minotaur. signed and numbered 71/75 in pencil,. on wove paper with margins. 21 1/2" x 13 1/2" (54.5cm x 34.5cm). unframed.

Lot 244

MICHAEL AYRTON. ETCHING. Two female figures with slain Minotaur. signed and numbered 70/75 in pencil. on wove paper with margins. 13 3/4" x 21 1/2" (35cm x 54.5cm). unframed.

Lot 281

JOHN COPLEY. ETCHING. A Chinese boy. signed in pencil in lower margin. 10" x 7" (25.5x18cm) plate. (Acquired from Colnaghi, London 1973).

Lot 293

ALF COBMANN? (CONTINENTAL SCHOOL). DRY-POINT ETCHING. A symbolist study of young girl`s head entwined with briar, a church beyond. Signed indistinctly in pencil. 4 1/4" x 4 1/2" (11x11.5cm) image.

Lot 296

A. APPIAN. ETCHING. A continental river landscape with a fisherman, a bridge beyond. Signed and dated 1870 in the plate. 8 1/2" x 14 3/8" (21.5x37.5cm) image. and two others by same hand, smaller (3).

Lot 297

ANDREW F. AFFLECK. ETCHING. A Continental Townscape. Signed with initials in the plate. Signed in pencil with margins. 16 1/2" x 12" (42x30.5cm) plate.

Lot 298

D. LAW. DRY-POINT ETCHING. Lancaster from the river Lune. Signed in the plate. 6 3/4" x 10" (17x25.5cm) image. a steel-plate engraving by W. Woolnoth after P. De Wint `Stockport` together with fourteen other Georgian and later prints (16).

Lot 303

WILLIAM LIONEL WYLIE (1851-1931). ETCHING. View of the Nile with dhow`s and paddle steamer, Pyramids in the distance. signed in pencil to the margin and No. XL. 6 1/4" x 14 3/4" (15.9cm x 37.5cm).

Lot 304

THOMAS MAJOR AFTER D. TENIERS. ENGRAVING. `The Laboratory`. 14" x 10 3/4" (35.6cm x 27.3cm). BERNARD EYRE WALKER (1862-1972). ETCHING. `Langdale`. signed and titled in pencil. 3 1/3" x 3 3/4" (8.3cm x 12.1cm). SET OF 12 UNFRAMED BLACK AND WHITE LITHOGRAPHS. Bygone Manchester and Salford Street scenes. 11" x 15" (28cm x 38.1cm) approx (14).

Lot 307

REMBRANDT HARMENSZ VAN RIJIN (1606-1669). EIGHTEENTH CENTURY IMPRESSION OF AN ETCHING. `The Gold weigher` 1639. the impression 9 3/4" x 8" (24.8cm x 20.3cm). unframed

Lot 308

ALBANY E. HOWARTH (1876-1936). ORIGINAL ETCHING. `Eastgate, Chester`. signed in pencil, circa 1929. 9 1/2" x 11 3/4" (24cm x 30cm).

Lot 309

ALBANY E. HOWARTH (1876-1936). ORIGINAL ETCHING. `Chiddingsone, Kent`. signed in pencil. 9" x 12" (23cm x 30.5cm).

Lot 310

JOHN BRUNSDON (b.1933). ETCHING WITH AQUATINT IN COLOURS. `Welsh Village, Autumn`. signed, inscribed and numbered 125/158 in pencil. 14 3/4" x 17" (37.5cm x 43cm) plate. with wide margins.

Lot 330

NORMAN JAQUES (b.1922). ARTIST SIGNED LIMITED EDITION ETCHING. `River Medlock, Charles Street, Manchester` (3/50). signed in pencil. 11 3/4" x 9" (29.9cm x 22.9cm).

Lot 376

Eileen A Sopey: Children skipping, drypoint etching

Lot 1060

Hardy (Thomas) Collected Works, 20 vols, 8vo, gilt cloth with frontispieces in photogravure and original etching, 1895-1898. (20)

Lot 1211

An 18th Century hanger, the 18in. (46cms) fullered blade (shortened) bearing remnants of etching, the decorative hilt with white metal reeded and scrolled cross guard, metal ribbon bound shagreen grip and lion mask pommel, 24in. (61cms) overall.

Lot 223

Thomas "Tom" McGuinness (1926-2006) "DRILLER" - A MINER AT THE COAL FACE signed, inscribed and dated '77 soft-ground etching in blue ink, numbered 42 from an edition limited top 50 8.2 x 12cms; 3 1/4 x 4 3/4in.

Lot 227

Thomas "Tom" McGuinness (1926-2006) "PUTTER NO. 1" signed, inscribed and dated '81 etching and aquatint, numbered 5 from an edition limited to 24 impressions 6.5 x 10cms; 2 1/2 x 3 7/8in.

Lot 236

Chris Gollon (b1953-) "THE WHISPER" signed and inscribed with title in pencil etching with aquatint numbered 2 from an edition limited to 50 36.5 x 24cms; 14 1/4 x 9 1/2in.

Lot 239

Graham Clarke (b1941-) "THE NASTY TURN" signed and inscribed with title in pencil and numbered 240 from an edition limited to 250 coloured etching 54 x 68.5cms; 21 1/4 x 27in. (plate size), unframed.

Lot 241

William Lionel Wyllie, RA, RE (1851-1931) "YACHTING OFF ISLE OF WIGHT" signed in pencil drypoint etching 17 x 35cms; 6 3/4 x 13 3/4in. (image size).

Lot 242

Dame Laura Arms Johnson Knight (1877-1970) TWO FEMALE MUSICIANS ON STAGE signed in pencil aquatint and etching 20 x 15cms; 8 x 6in.

Lot 243

Sir Frank Brangwyn, RA, RWS (1867-1956) "LONDON BRIDGE" signed in pencil etching 42 x 55.5cms; 16 1/2 x 21 7/8in. (image size).

Lot 250

Sir Henry Moore, RA (1898-1986) "ELEPHANT SKULL XI" signed and numbered BL. XI 2/100 in pencil etching from the series "Elephant Skull Portfolio"; complete with title folder "Skull side view - jaw articulation" etching, published by Gerald Cramer, Geneva 1970 (See Cramer (Gerald) Henry Moore, The Graphic Work vol. 1) 25 x 19.5cms; 9 9/8 x 7 5/8in. (plate size), unframed. See illustration

Lot 255

Bill Jacklin (b1943-) "DUSK ON 42ND STREET" - FIGURES AND HORSES signed and inscribed in pencil etching and drypoint, numbered 11 from an edition limited to 30 impressions, published c.1989 45 x 34.5cms; 17 1/2 x 13 3/4in.

Lot 532

Louis Icart - coloured etching, oval-shape, entitled Le Bonnet Bleu, unsigned, 16 x 12in.

Lot 536

Frank H. Mason - etching, coastal view with boating, signed in pencil on mount, 4 x 9in.

Lot 539

A pair of oil paintings, rocky coastal views, 9.5 x 14in., line engraving after Paul Sandby, four various watercolours and an etching

Lot 16

W.L. Wyllie (1851-1931) - 'Battle of Trafalgar', etching, pencil signed to margin, 21 x 42 cm Condition Report Good crisp impressions, spotting to top half of picture, extending into image, crease and damage to top left corner, framed and with dark green/grey mount

Lot 24

W.L. Wyllie (1851-1931) - 'Battle of Trafalgar', etching, pencil signed to margin, 20 x 39.5 cm Condition Report Some foxing overall

Lot 27

W.L. Wyllie (1851-1931) - 'Oban Regatta', etching, pencil signed to margin, 16 x 38 cm cm Condition Report Faint staining to margin beside mount

Lot 33

Dennis Rich - An artist proof etching of women, ltd ed 2/10, pencil signed to margin, 37 x 45 cm

Lot 57

T. Gainsborough - A pastoral scene with figures and animals, pen and ink with wash, bears signature, 27 x 33 cm to/w A.L. Armitage - 'A loyal friend', etching of a spaniel, pencil signed and titled to margin and legend 'with the artist's compliments', 17 x 12 cm (2) Condition Report Pen and ink good condition, etching with foxing

Lot 430

Robert W. McBeth, After Fred Walker, "The Mushroom Gatherers", etching, 31 x 51cms.

Lot 157

FRAMED ETCHING BEARING SIGNATURE A. STAFFORD, 17 X 14CM

Lot 405

PROF. JOSEF EIDENBERGER - a 19th Century Continental coloured etching of a harbour boat scene, signed in pencil to the lower right.

Lot 1790

A quantity of Pictures incl. birds painted on wood, a coastal scene, signed 'M. Green', a print of an etching of St. David's Cathedral, Photograph frames, etc.

Lot 476

One Sydney Lee etching - ``The Spanish Courtyard``, another etching by S.Tushingham - a Continental scene, two prints after John Webb - ``The Embarkment of the Queen of Sheba`` and ``Death of Nelson`` (4)

Lot 330

Sir Frank Brangwyn, RA (British, 1867-1956) Deathbed Scene signed lower right "Frank Brangwyn" etching 22 x 26cm (9 x 10in)

Lot 331

Sidney Tushingham (British, 1884-1968), On the Riva, Venice, etching, 17.5 x 28cm; (see "Etchings & Drypoints by S. Tushingham" published by James Connell & Sons, Ltd., London number 48); and a coloured engraved map of the General and Coasting Trade Winds..., by Dr Halley, 21 x 53cm (2)

Lot 408

Rowlandson, `L`estrange`, coloured etching (faded)

Lot 642

Holtman, a limited edition etching of a bee, signed in pencil 8/8

Lot 673

A collection of Edwardian cigarette cards; two Lafayette hand-coloured photographs of the King of Hearts; Andy English (British, 20th Century), Cabbage Eaters, signed etching; and a 19th Century English watercolour of Lilies (4)

Lot 248

**AN ETCHED SAXON HALBERD FOR THE GUARD OF CHRISTIAN II, ELECTOR OF SAXONY (591-1611), CIRCA 1602with robust central spike,curved axe blade formed with a pair of lugs top and bottom, down-curved rear spike, tapering socket, and a pair of straps, etched on each side of the head with the Saxon arms within a scrollwork cartouche, a strapwork panel in the centre, and the abbreviated inscription`CDAHZSC` for Christian der Andere Herzog zu Sachsen Churfurst (extensively pitted and worn, etching obscured), on a wooden haft70 cm; 27 1/2 in headProvenanceThe Saxon Electoral Armoury, DresdenMarch Brown, Surrey, England, 14th April 1930JWHA Inv. No. 1275

Lot 278

**A COMPOSITE ETCHED NORTH ITALIAN CAP-A-PIE FIELD ARMOUR, LATE 16TH CENTURYcomprising close helmet with one-piece skull (patched at the rear) rising to a high roped medial comb and fitted at the nape with a plume-holder of brass, visor, upper bevor and bevor (the first two associated) attached by common pivots (replaced), the visor pierced beneath its stepped, centrally-divided vision-slit with six vertical ventilation-slots, the prow-shaped upper bevor trimmed to fit its present context, the skull and bevor fastened to one another at the left of the neck by a pierced hasp and turning-pin, and formed at their lower edges with a hollowed rim serving to lock over and rotate on the upper edge of the collar, the latter formed of two lames front and rear, breastplate formed of a main plate of deep "peascod" fashion, fitted at is arm-openings with movable gussets, pierced at the right of the chest with a pair of holes for the attachment of a lance-rest and flanged outwards at its lower edge to receive an associated fauld of one lame and a pair of pendent tassets each of six lames (the first two of the left restored and the third patched), one-piece backplate (patched) flanged outwards at its lower edge, two large symmetrical pauldrons (not a pair), each of seven lames, the third of which is fitted with a detachable haute-piece (the left associated and the right restored), that of the left extending over the entire front of the pauldron, pair of fully articulated vambraces formed of a tubular turner and upper cannon (the right associated) linked by a winged bracelet couter of three lames to a tapering tubular lower cannon opening at the front, two gauntlets (not a pair) each formed of a flared and pointed one-piece cuff closed by rivets at the inside of the wrist and fitted with five metacarpal-plates, the last of the left shaped between the knuckles and the last of the right fitted with the greater part of its transversely-ribbed knuckle-plate, long one-piece cuisses (the right restored) each fitted with an associated poleyn of four lames, the third furnished with a small centrally-puckered side-wing and decorated at the point of the knee with a roped medial rib, ankle-length greaves (with various corrosion losses and perforations), each fitted at its outside with a hinged side-plate, open at its inside rear, and pierced at its lower edge with holes for the attachment of mail shoes, now represented by fragments of Oriental mail, and a pair of later toe-caps (restored) pierced around its edges with similar holes, the main edges of the armour otherwise formed with inwards turns, mostly roped and bordered at points by roped ribs terminating, in the case of those decorating the neck of the cuirass and the front and rear of each pauldron, in volutes, and its surfaces etched and gilt overall (the latter surviving only as traces) with bands and borders of classical trophies and dolphins on a stippled and blackened and ground enclosed in each case by narrower bands, mainly of guilloche, and enclosing in the interspaces of the fronts and rears of the main plates of the pauldrons cartouches framing figures of classical warriors (the etching of the visor and upper bevor of the helmet, the top three lames of the right pauldron, the vambraces, the gauntlets, the right cuisse, the poleyns and all restored elements later)See note at front of catalogue for information concerning stands Provenance:Baron de Viga de Hoz, MadridSenor Don Alberto Gonzales, Abreu, SevilleDuveen Bros, New York, No. 244445, 18th January 1928 JWHA Inv. No. 429.a-tExhibitedWorcester Art Museum, Worcester, Massachusetts, 1928-30Springfield Museum of Fine Arts, Springfield, Massachusetts, March 1943-June 1944Science Fair, Worcester Polytechnic Institute, Worcester, Massachusetts, 19-21 April 1956

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