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Lot 143
*Jose Ramon Alejandro (Italian b. 1943) Abstract construction Signed numbered 45/50 and dedicated Pour Rudolf Nureyev avec mon amitie Etching unframed 63 x 45cm; 24¾ x 17¾in (sheet size) With a lithograph titled Du Cabinet de M. Le Brun after Bouchardon unframed (2) 1. Some light staining and creasing around the margins ink stain top right 2. quite a bit of marginal damage especially on the right hand margin partially trimmed and grubby.
Lot 156
Dame Elisabeth Frink, CH, DBE, RA (1930-1993). Anthony and Cleopatra, 1982. Colour etching. Signed lower right. Numbered A/P VII/XXV lower left. 75cm x 56cm. Provenance: British Rail Property Board, Hamilton House, Appold Street, London. Some of the works illustrated in their booklet `The Art Portfolio: Art at work in the Property Board`. Visit www.dnfa.com for condition reports.
Lot 163
Mike Wells (20th/21st century). Facade I, 1988. Colour etching with aquatint. Signed lower right. Inscribed lower centre. Numbered 19/200 lower left. 86cm x 60cm. Provenance: British Rail Property Board, Hamilton House, Appold Street, London. Some of the works illustrated in their booklet `The Art Portfolio: Art at work in the Property Board`. Please note this lot may be subject to Droit de Suite. Visit www.dnfa.com for condition reports.
Lot 425
* Piranesi (Giovanni Battista). Veduta dell"avanzo de Castello, c. 1780, double page uncoloured etching, 400 x 605 mm together with another three double page and six single page etchings of capitals, columns and architectural reliefs, very occ. marginal soiling. The etching is "signed" Piranesi Architetto, others are signed Cavalier Piranesi. The paper is laid and the watermark appears to indicate paper made in Rome in c.1762. Good dark impressions with no sign of re-working to the plates. (10)
Lot 783
Circle of Jean François Millet 1814-1875- "La Bouillie"; black chalk heightened with white on buff paper, bears signature, backboard (now detached) bears labels for The Leicester Galleries, London attached to the reverse, 36x26cm., (unframed). Provenance: Exhibited, item no 12, `Paintings, Drawings and Sculpture from the Collection of the Late Hugh Blaker`, The Leicester Galleries, London, March 1948. It is traditionally held that Millet made an etching based on this subject circa 1861. A photocopy of part of the original catalogue is available with this lot
Lot 854
Sir John Everett Millais Bt PRA HRCA HRI 1829-1896- "The Young Mother", publ for the Etching Club, 1857; etching, signed with monogram, inscribed and titled within the plate; etching, 14x18cm: together with one other etching by the same hand titled "Going to the Park", publ for The Etching Club, 1872; etching, signed with monogram, inscribed and titled within the plate, 18x13cm: British School, early 19th century- The Baptism; mezzotint, in an oak frame of plain form, 60.5x46cm., (3)
Lot 914
Patrick Prockor RA 1936-2003- Orchids; lithograph in colours, signed and numbered 8/150 in pencil, 77x57cm: Richard Beer b.1928- "West Pier at Brighton"; lithograph in colours, signed, titled and numbered 2/150 in pencil: Terrence Millington b.1942- Fireplace; etching with aquatint, signed, numbered 20/60 and dated 74 in pencil: Alan MacKenzie-Robinson, late 20th century- Two waistcoats and a suit; lithograph in colours, signed and numbered 77/150 in pencil: de Sanctis, European late 20th century- Standing surreal figure; etching in colours, signed, numbered 1/15 and dated 75 in pencil: Lawrence Mynott b.1954- Flowers in a vase; lithograph in colours, signed and numbered 28/150 in pencil: Richard Walker b.1954- Portrait; coloured crayon and collage, signed and dated 77 in pencil: together with a other artists prints, reproductions and watercolours by and after different hands, all late 20th century, (a lot), (unframed)
Lot 924
Charles Conway Plumbe b.1881 exh 1926-1927- Landscape; oil on canvas board, signed and dated 1934, bears label for he Medeci Society Ltd., London attached to the reverse, 34x49.5cm: Percy Robertson RE 1869-1934- Beached vessels; etching, signed within the plate, signed in pencil: Frederick Marriott ARE 1860-1941- "A Court Yard, France`, publ by Alfred Bell & Co 1918; etching printed in colours, signed and titled in pencil: together with other etchings including: E Mary Shelly, (2), Frederick Marriott ARE 1860-1941, (3), and others, (3), (10)
Lot 672
Sir Henry George Rushbury RA RWS RE 1889-1968- "Les Baux, Provence"; etching, signed in pencil, bears inscription on the margins, 23.7x34.2cm: together with two other etchings by the same hand, "Canal de la Dounne, Marseilles" and "St Victoire, Marseilles", the latter signed in pencil, 21.7x23 and 18.5x22cm: Gwen Mary Raverat 1885-1957- Artist painting at an easel by a canal; woodcut, signed in pencil: together with a wood engraving of a steam engine by the same hand, unsigned: Derrick Harris 1919-1960- "Handy Spandy Jack-a-Dandy..."; hand-coloured woodcut, signed in pencil, (6), (unframed)
Lot 287
Edward J. Cherry The view across Thames towards the Tower of London, etching, signed by the artist in pencil, 5 1/4" x 3 3/4"; two Oriental pictures of flowers painted on rice paper and further decorative pictures and prints, together with an Arts and Crafts letter holder with embossed Art Nouveau decoration in copper (8)
Lot 635
Five Le Blond prints including "Good News", "The Village Spring", "Moonlight" 17cm long, four small Baxter prints including the Victorian royal family, a pair "Evening/Morning", two Chinese figure studies on rice paper, a coloured etching "Old Chelsea Church" and a watercolour titled verso "Roseneath Castle,a sketch from nature 1953", (13).
Lot 145A
Cameron, Sir D.Y. - Cunninghame Graham, R.B. The district of Menteith. Stirling, 1930. Edition de luxe, folio, number 14 of 250 copies, signed by the author and illustrator, signed etching by Cameron as frontispiece, original quarter calf gilt, dustwrapper, slipcase; Lang, Andrew Essays in little. London, 1891. 8vo, number 80 of 150 copies, later half morocco gilt, some fading, spotting to title; Buchan, John Homilies and recreations. London, 1926. 8vo, number 165 of 200 large paper copies, signed by the author, original quarter cloth, some fading to lower board; [Idem] The northern muse. London, [no date]. 8vo, number 31 of 150 copies, signed by the author, original quarter cloth, some foxing to boards; Crockett, S.R. The stickit minister... London, 1894. 8vo, one of 350 copies, signed by the author, illustrated, original cloth gilt; [Idem] The grey man. London, 1896. 8vo, one of 250 copies signed by the author, illustrated, original blue cloth gilt, some foxing to endpapers, bookplate; Maclaren, Ian Beside the bonnie brier bush. London, 1896. 8vo, number 395 of 415 copies, illustrated by William Hole, original cloth gilt, backstrip slightly faded, some foxing to endpapers; Alexander, William Johnny Gibb of Gushetneuk. Edinburgh, 1880. 8vo, illustrated, later half morocco gilt; Barrie, J.M. Five volumes of "Barrieana", 1924-38, a collection of newspaper cuttings and ephemera relating to J.M Barrie, titled on spines Freedom of Dumfries, Freedom of Jedburgh & Edinburgh, Freedom of Kirriemuir, The boy David and In Memoriam, including a dinner invitation signed by J.M Barrie, 1924; uniformly bound in half red morocco gilt, some foxing to edges; [Idem] Auld licht idylls. London, 1895. 8vo, number 114 of 550 copies, signed by the author, illustrated by William Hole, original blue cloth gilt; [Idem] A window in Thrums. London, 1892. 8vo, number 46 of 560 copies, signed by the author and artist, illustrated by William Hole, original blue cloth gilt, some fading to backstrip (15)
Lot 712
A 1796 pattern light cavalry officer`s sword, broad, curved, shallow fullered blade 33", with faint traces of etching overall and a little gilding at forte, regulation steel knucklebow with langets, plain pommel and backstrap with ears, wirebound leather grip, in its steel scabbard (throat mount and one hanging ring missing). Basically GC (dark rust patina to hilt and scabbard)
Lot 588
Alphonse Legros (1837-1911) portrait head, etching. P Depadi, Villa Medica, watercolour. Affleck, archway, etching. Charles Grignion, The Cure of the Soul, etching. Johann Sadeler, Descent into Hell. After Morland, Kiev Cathedral, lithograph. After Philips two lithographs (foxed). After isaac Oliver, portrait. Robert White, Thirlestone, Glamis, Lauder, etchings. Group of engravings of Abbeys
Lot 257
AFTER JEAN ETIENNE LIOTARD La Chocolatier, coloured lithograph, published by Zolmmer of Dresden, 16" x 10 3/4"; after Paul Gavarni, `Petite Servante` from the Physionomies Parisiennes, published by Le Mercier of Paris, 11 1/4" x 7 1/2", another Gavarni lithograph, `Therese`, from Etudes d`Enfant, 8 x 6 1/4"; after Felicine Rops, `Beurre d`Isiguy aux Halles`, signed in the margin and dated November `75, etching, 6 3/4" x 5"; and nine further prints (13)
Lot 260
AFTER L F PENET `Young Maiden and a Cherub`, engraving, 4 1/4 x 2 1/4", Folio Society label verso; after Claude Gillot, `Bacchus`, etching, 11" x 6 3/4", two etchings after Maxime Lalanne, one of Paris the other Bordeaux, together with further prints and seven Chinese watercolours, all unframed
Lot 274
FRANK GREENWOOD (British, 20th Century) Market Place, Manchester, first stage etching with blank spaces left for re-etching marked with an X, 15 3/4" x 11 1/2", `Gossips`, signed in pencil in margin, 5" x 6 1/2"; another trial proof of a young child and a dog outside a grand stone building; `Whalley Abbey`, etching, 11 1/4" x 8" and `Russell School`, 13 1/2" x 13 1/4", and five further etchings including views of Whalley Abbey and Chateau Gaillard, all unframed (10)
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71082 item(s)/page