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Lot 864
HENRY ALKEN 'THE WINNING POST' AND 'TATTENHAM CORNER', a pair of prints with hand colouring, published 1871 from the engraving by W Summers, mounted, framed and glazed, approximate size 50cm x 77cm, together with a J McIntosh Patrick framed print 'The Old Course St Andrews, signed 63/100, Sherree Valentine Daines, framed print 'The Ryder Cup', Edwin Penny framed print 'Goldfinches', signed and R J Bromhead etching 'Hedgesparrows' (5)
Lot 876
PAINTINGS AND PRINTS to include George Willott 'Little Moreton Hall', oil on board, framed, approximate size 60cm x 74cm, flamingos wading by E.Bennett, dated 1898, oil on board, two paintings of boats on the Norfolk Broads, late 18th/early 20th century, John Cother Webb etching, Willie Rawson etchings, two stained glass window panels and framed needlework picture
Lot 511
A 19th cent Spanish officer's sword, curved blade 30", with narrow back fuller and similar to top third length of fore edge, faint traces of etching, pierced, ornamental brass hilt incorporating the Spanish R Arms on flags with 2 rosettes, knopped knucklebow, forward sloping foliate pommel cap and backstrap, wirebound polished darkwood grip, in its black painted scabbard with 2 rings to leading edge. GC (refurbished overall). Plate 7 .
Lot 512
A 17th century continental, probably Polish, cavalry trooper's sword, almost flat, straight DE blade 34", with traces of etching, rounded tip, plain steel crossguard with slender langets and large thumb loop for gloved hand, knucklebow curled at top to fit the swollen horn grip. GC for age (some wear, dark rust pitting overall).
Lot 76
A scarce Georgian Royal Naval Purser's smallsword, hollow triangular section blade 32½", with traces of etching including crowned fouled anchor, gilt hilt, the flat oval guard with line engraved border to top and hinged, turn down inner portion, facetted crossguard and quillons, pas d'ane rings, and knucklebow into ball pommel with prominent stud, wirebound swollen fishskin grip with applied plate engraved with crossed fouled anchors, in its black leather scabbard with gilt locket, lions head frog stud and ring, middle band and ring, and chape. Good Condition, the hilt retaining virtually all original gilt, the scabbard mounts approx 25% gilt (some wear to blade). Plate 19
Lot 3013
Norman Ackroyd CBE, RA (b.1938) ''St Kilda - Stac Lee and Stac an Armin'' Signed and dated 1990, inscribed and numbered 47/90, etching and aquatint, 49cm by 64cm Provenance: Purchased from the artist See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Norman Ackroyd's penchant for depicting inhospitable, remote locations is reminiscent of J.M.W. Turner's desire to render the sublimity of the landscape. Ackroyd first travelled to St Kilda in July 1989, stating of his experience: ''For many years St. Kilda has been an obsession. Previous attempts to make the crossing have foundered on the hostility and unpredictability of the Northern Atlantic. The archipelago, the most isolated and spectacular of all British islands, situated 50 miles west of the Outer Hebrides and 100 miles west of the Scottish mainland is, even today, difficult to access. My recent visits to the extremities and islands of Cork, Kerry and Clare only strengthened my resolve to make the journey. In July of this year, in spite of heavy seas, I finally set sight and foot on the magical land.''
Lot 3015
Norman Ackroyd CBE, RA (b.1938) ''Summer Isles'' ''Altnaharra'' ''Achiltibuie'' Each signed and dated (19)91, artist's proof, etching with aquatint, 19cm by 24cm and 19.5cm by 22.5cm respectively (3) Provenance: Purchased from the artist Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 3014
Norman Ackroyd CBE, RA (b.1938) ''Interior at Oranmore Co Galway'' Signed and dated (19)91, inscribed and numbered 25/90, etching and aquatint, 21cm by 25cm Provenance: Purchased from the artist Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 3020
David Hockney OM, CH, RA (b.1937) ''The Cook'', From the Story of Fundevogel for Six Fairy Tales from the Bother's Grimm, 1969 Etching and aquatint from and edition of 400, 22.5cm by 23.5cm Provenance: Goldmark Gallery, Rutland Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 2167
WILLIAM PAGE ATKINSON WELLS (1872-1923) ETCHINGS: THE ARTIST'S WIFE; STREET IN APPLEDORE; THE SEAWEED CART; THE SMELT AT PORT ST. MARY; BOAT AT APPLEDORE; KENTRAUGH, ISLE OF MAN; COTTAGES Eight etchings, printed in sepia ink, on wove, restrikes, framed as six The largest 14.5 x 22.5cm; the smallest 11.5 x 8cm. (6 frames) * Etching was a practice that Wells only ever pursued for `just playing around - fun` and these subjects were printed in 1972 by Professor Rees at the Bournemouth College of Art. Wells had been taught etching by Alphonse Legros at the Slade. It is thought that he only produced eleven plates and his etchings are heretofore unknown on the commercial market.
Lot 1970
WILLIAM GILES (1872-1939) WHEN WINTER WANES Colour woodcut (?), published by Colnaghi Ltd, c.1923-4, signed and numbered No4, from an edition of c.100 27.5 x 33.5cm. * Giles developed a complex technique of making evenly-coloured relief prints from numerous shellac-coated zinc plates. The British Museum and the V&A describe this subject as a colour woodcut; other sources describe it as a `relief etching from zinc plates`. ++ Good condition
Lot 1969
•ANTHONY GROSS, CBE, RA (1905-1984) GALATEA SPURNING POLYPHEMUS (from `SIXE IDYLLIA OF THEOCRITUS`) Etching, 1971, signed, published by Clover Hill Editions, New York, unframed 21 x 16cm.; with an assortment of unframed prints, by or after John Kay, Sydenham Edwards etc. (12) ++ Gross excellent; others generally good
Lot 31
Marc Chagall, French/ Russian (1887 - 1985) Color Etching and Aquatint on Imperial Japan Paper "The Painter in front of the Easel 1975-76" Pencil Signed and Numbered 6/25 on Lower Margin. Published by Editions Maeght, Paris. Original invoice included. Measures 18" H x 13-1/2" W, frame measures 28-1/2" H x 24-1/4" W. Condition: Some toning and very light foxing Estimate: $2000.00 - $4000.00 Domestic Shipping: $165.00
Lot 231
Fernando Pereznieto Castro, Mexican (20th C) Etching "A Veces Siento Un Hueco En El Corazon" Signed, Numbered 39/50, and Title on Lower Margin. Tag affixed to frame. Measures 12" H x 8-1/4" W, frame measures 21-1/4" H x 17-1/4" W. Condition: Toning Estimate: $200.00 - $400.00 Domestic Shipping: $125.00
Lot 1200
University and City of Oxford, bird's-eye view, aquatint etching after Nathaniel Whittock, dedicated to Duke of Wellington and members of the university, published by James Ryman (publisher details partially trimmed at lower margin), mounted on canvas stretcher, framed & glazed, 35cm by 55cm
Lot 1251
Collection of five framed prints, comprising: Cecil Aldin (1870-1935), Talbot Inn, Chaddesley-Corbett, colour print signed in pencil l.l., Fine Art Trade Guild blind-stamp, published by Eyre & Spottiswoode, period frame bearing publisher label verso, 39cm by 42cm; Joseph F. Pimm, An Ancient Relic, signed l.r., etching, 19.5cm by 25cm (plate-mark); Joseph F. Pimm, The Customs House, Kings Lynn, signed l.r., etching with drypoint, 25cm by 30cm (plate-mark); T. A. Phillips, K.E.S. New Street Birmingham, 1937, signed l.r., etching, 15cm by 20cm; 'Set Too', cock-fighting scene, hand-coloured aquatint etching, engraved by R. G. Reeve after Henry Alken, dated 1840, 15.5cm by 20.5cm (5)
Lot 1218
Charles Laborde (French, 1886-1941), a high street and man with wife and daughter, signed l.r., etching with aquatint in colours, plate 28 by 23cm, with Marcel Vertes (French, 1895-1961), street scene, artist proof, and a park scene with fashionable figures, No.44/50, signed in pencil l.r., largest 46 by 63.5cm, unframed (4)
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78391 item(s)/page