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‡ Ben Nicholson OM (1894-1982) Turkish Forms with leaf, from Greek and Turkish Forms Portfolio Paper stamped, inscribed BN copy, Artist's copy Etching with drypoint 32 x 28cm (plate size) Provenance: The Collection of the late Dr. Peter Mangold ++Considerable foxing to margins and quite a lot of foxing to image but less than margins -
‡ Ben Nicholson OM (1894-1982) Untitled Signed, numbered 16/50 and dated 67 Etching with drypoint, of irregular shaped plate 21 x 14cm Provenance: The Collection of the late Dr. Peter Mangold ++A small stain lower margin of paper and a few scattered very faint fox marks to margins, image good, generally good condition -
‡ Stanley William Hayter Hon. RA (1901-1988) The Principle of Flight Signed, titled, inscribed 6th State and dated 44 Engraving, soft ground etching, mounted, unframed 37.5 x 25cm Provenance: William Weston Gallery, London, 24.01.2009, No. 15595 The Collection of the late Dr. Peter Mangold Literature: Black and Moorhead, The prints of Stanley William Hayter, no. 159 ++Good condition -
‡ Stanley William Hayter Hon. RA (1901-1988) Caribbean Sea Signed, titled, numbered 36/50 and dated 69 Etching with aquatint in colours 65 x 49cm Provenance: Robert Douwma Prints & Maps, London, 31.3.90, No. 16902 The Collection of the late Dr. Peter Mangold ++Paper slightly rippled, good condition -
‡ Max Beckmann (German 1884-1950) Die Kriegserklarung Signed Etching with drypoint, 1914, from an edition of 50 [Gallwitz 57] 19.5 x 24.5cm Provenance: Kestner Museum Hanover William Weston Gallery, London, 23 October 1978, No.3151 The Collection of the late Dr. Peter Mangold ++Good condition, very faint fine crease to paper below centre -
Camille Pissarro (French 1830-1903) Le Femme sur la Route, Peasant woman on a country Road, 1879 Etching with aquatint, from an edition of c.14 (no issued edition) [Delteil 18, second state of 4] Ley marie-melot, p.18 15 x 21cm Provenance: William Weston Gallery, London, 30.04.97, No. 10212 The Collection of the late Dr. Peter Mangold Literature: Exhibition Camille Pissarro, London, Paris, Boston 1981 (another impression 4th state) ++Some staining around margins and slight discolouration to paper, image good
LEON UNDERWOOD [1890-1975]. Nude Study, 1922. etching, edition of 50, 1/50 [very rare, so we think very few were printed], signed. 15 x 11 cm [overall including frame 33 x 27 cm]. [very good condition - unexamined out of frame ]. 'Opening price' is NOT the reserve. Buyers premium 20% + vat payable.
ELISABETH FRINK R.A. [1930-93]. The Canterbury Tales 11 [the complete set of 19 etchings], 1972. etching and aquatints [x 19] in black, drawn on copper plate, on Crisbrook paper, printed at White Ink with their blindstamp. Edition of 50 [not all the same number] and each signed. 79 x 59 cm sheet size [overall including original aluminium frame - 84 x 62 cm]. Provenance: Waddington Galleries, London [with their label on the reverse of each]; corporate collection, London. Literature: Wiseman 58 to 76. good condition - glass cracked on one frame]. The Tate Gallery collection includes these etchings. 19 prints in the lot. 'Opening price' is NOT the reserve. Buyers premium 20% + vat payable.
MICHAEL AYRTON [1921-75]. Wyndham Lewis, 1973. etching, edition of 100 [34/100]. Signed. 21 x 13 cm [overall including frame 36 x 28 cm]. Sold together with a book 'Roaring Queen' by Lewis, signed by Ayrton and Lewis's wife. [very good condition - unexamined out of frame]. 'Opening price' is NOT the reserve. Buyers premium of 20% + VAT is payable.
ROBERT CLATWORTHY R.A. [1928-2015]. Standing Figure, 1952. etching, edition of 50 [38/50], signed. Provenance: private collection, UK - acquired directly from the artist. 44 x 36 cm [overall including frame 60 x 42 cm]. Literature: 'Robert Clatworthy', K. Chapman, Sansom, 2012, p.18. [very good condition - unexamined out of frame]. 'Opening price' is NOT the reserve. Buyers premium of 20% + VAT is payable.
ROBERT CLATWORTHY R.A. [1928-2015]. Three Figures, 1952. etching with hand-colouring, not editioned and only 4 or 5 artist proofs exist, signed. 36 x 27 cm [overall 52 x 43 cm including frame]. Provenance: private collection, UK - acquired directly from the artist. [very good condition - unexamined out of frame]. 'Opening price' is NOT the reserve. Buyers premium of 20% + VAT is payable.
ROBERT CLATWORTHY R.A. [1928-2015]. Standing Figures, 1952. etching with some hand colouring, uneditioned and only 4 or 5 artist proofs exist all with very different colouring [brown, green, blue]. Signed. 44 x 34 cm [overall 60 x 50 cm including frame]. Provenance: private collection, UK - acquired directly from the artist. Literature: 'Robert Clatworthy', K.Chapman, Sansom, 2012, p.17 [brown version]. [good condition - unexamined out of frame]. 'Opening price' is NOT the reserve. Buyers premium of 20% + VAT is payable.
ROBERT CLATWORTHY R.A. [1928-2015]. Standing Figures, 1952. etching, uneditioned - only 4 or 5 artist's proofs exist. Signed. 21 x 17 cm [overall including frame 38 x 32 cm]. Provenance: private collection, UK - acquired directly from the artist. [good condition - unexamined out of frame]. 'Opening price' is NOT the reserve. Buyers premium of 20% + VAT is payable.
FELIM EGAN [b. 1952]. Inis Eoghain [c]. etching, ed. 40, 29/40. signed. 69 x 60 cm [sheet size - overall including frame 80 x 77 cm]. Provenance: Ingleby Gallery; private collection, UK. [very good condition - unexamined out of frame]. 'Opening price' is NOT the reserve. Buyers premium of 20% + VAT is payable.
FELIM EGAN [b. 1952]. Inis Eoghain [d]. etching, ed. 40 [29/40], signed. 60 x 60 cm [sheet size], overall including frame 80 x 77 cm. Provenance: Ingelby Gallery; private collection, UK. [very good condition - unexamined out of frame]. 'Opening price' is NOT the reserve. Buyers premium of 20% + VAT is payable.
LEON UNDERWOOD [1890-1975]. The Banjoist, 1921. etching, edition of 35, artist's proof. signed. 20 x 16 cm [overall including frame 45 x 35 cm]. Provenance: Wolseley Fine Art, March 2006, no.47 [£1000] - the catalogue entry is on the reverse of the frame. [very good condition - unexamined out of frame]. There are more prints by Leon Underwood later in the auction - lots 128 to 138 and 195 to 199. 'Opening price' is NOT the reserve. Buyers premium of 20% + VAT is payable.
MARIO DUBSKY [1939-85] Head, c. 1964. etching and aquatint, artist's proof, probably unique. Signed lower left and with studio stamp lower right. 23 x 16 cm [image size]. In a wide black frame. Provenance: Artist's estate; private collection, UK. [good condition]. Buyers premium of 20% + VAT is payable.
MICHAEL AYRTON [1921-75]. Minotaur - Pent, 1971. etching, edition of 75, artist's proof X/X, signed in pencil [rare - most of the edition was unsigned, with studio stamp signature only]. 59 x 78 cm sheet size [overall including frame 65 x 85 cm]. [very good condition]. 'Opening price' is NOT the reserve. Buyers premium of 20% + VAT is payable.
MICHAEL AYRTON [1921-75]. Minotaur - as Yearling, 1971. etching, edition of 75, artist's proof X/X. Signed in pencil [rare, very few in the edition were signed - studio stamp signature only]. 59 x 78 cm [overall including frame 65 x 85 cm]. [very good condition - unexamined out of frame]. 'Opening price' is NOT the reserve. Buyers premium of 20% + VAT is payable.
MICHAEL AYRTON [1921-75]. Minotaur - Embryo, 1971. etching, edition of 75, artist's proof X/X. Signed in pencil [rare, most of the edition was signed with the studio stamp signature]. 59 x 78 cm [overall including frame 65 x 85 cm].] [very good condition - unexamined out of frame]. 'Opening price' is NOT the reserve. Buyers premium of 20% + VAT is payable.
MICHAEL AYRTON [1921-75]. Minotaur - Rising, 1971. etching, edition of 75, artist's proof X/X. Signed in pencil [rare, most were stamped with studio stamp signature only]. 59 x 78 cm [overall including frame 65 x 85 cm]. [very good condition - unexamined out of frame]. 'Opening price' is NOT the reserve. Buyers premium of 20% + VAT is payable.
India. 1855 (Sep) part outer letter sheet to Mauritius, 8a rate paid by two horiz pairs 1854 2a green tied by diamond of dots and with m/script marks, face also bears PAID in red, revrese bears fine oval PACKET LETTER/MAURITIUS in black, sender's h/s (SCHOENE KILBURN & Co CALCUTTA) and Calcutta despatch cds for 22 SEP 1855, some ink etching and other imperfections
A Vic Royal Navy officer’s sword, claymore blade 31½”, by Ledger Smith & Co, 9 Dowgate Hill, London, etched with Vic crowned fouled anchor on one side and crowned R Arms and supporters on the other, in foliate panels; regulation gilt half basket hilt incorporating crowned fouled anchor and with turn down inner portion, lion’s head pommel and backstrap, wirebound sharkskin grip. Basically GC, the hilt retaining some original gilt (some heavy pitting patches to blade, partially obscuring the etching).
A Geo V 1897 pattern infantry officer’s family sword, very slightly curved, fullered blade 32½”, etched on both sides with crowned VR cypher in scrolled panels, regulation plated pierced hilt incorporating crowned GVR, plain pommel and chequered backstrap, wirebound fishskin grip, with leather knot (worn) in its leather FS scabbard. Basically GC (etching rather faint, some rust patches mostly to inside of hilt).
A very good .177” BSA Cadet air rifle, number B18304 (1946-49), the metalwork having blued finish, the air chamber etched “The Birmingham Small Arms Co Ltd” etc, the walnut stock formed from 2 pieces and with BSA logo impressed into the butt. VGWO & almost as New Condition retaining virtually all original blueing, the etching very clear; with a padded slip case, and a photocopy of the original receipt dated 26.7.1946 from Currys of Kettering, for £4/19/6d. Plate 10
Edward Prust, 'Victoria Embankment of Westminster Bridge', signed pencil sketch, dated 1935, 16.8 x 23.3cm, a pen and ink sketch 'Admiralty Arch, London', signed and dated 1935, 12 x 17cm, another, 'Woodford Bridge, Essex', signed and dated 1934, 11.5 x 15.5cm and a signed etching 'The Tate Gallery, London', 17.5 x 24.5cm overall, all unframed, (4).
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71174 item(s)/page