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Lot 184
WALTER DENDY SADLER, ENGRAVED BY CHARLES H BOUCHER, SIGNED BY BOTH IN PENCIL TO MARGIN, TWO BLACK AND WHITE ETCHINGS (PUBLISHED BY L H LEFEVRE 1908/9), “Whig and Tony”; and “Grandfather”, 14” x 11”, unframed; plus WALTER DENDY SADLER, ENGRAVED BY OSWALD BURNS, SIGNED BY BOTH IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “After Rest”; plus WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “A Letter from Overseas”, 15” x 11”, unframed (4)
Lot 455
ART REFERENCE. HARDIE (MARTIN) WATERCOLOUR PAINTING IN BRITAIN second edition, three vols, illustrated, London 1967, F L Leipnik - A history of French etching, 1924, C Petitjean and C Wickert - Catalogue de l`oeuvres gravé de Robert Nanteuil, wrappers and portfolio of loose plates, Paris 1925, F H Man - One hundred and fifty years of artists` lithographs 1802-1953, 1953 and about seventy others, fine and applied art, including Faber & Faber`s series of ceramic monographs (10) (approximately 80)
Lot 567
BY AND AFTER RICHARD WESTALL, RA (1765-1836) CROSSING THE BURN soft ground etching coloured by the artist or his assistant, 64 x 49cm Generally rather time stained but the colours still reasonably well preserved, a few very minor surface blemishes, some staining in the lower margin, mounted to plate mark in the original Regency giltwood and composition frame with small losses
Lot 570
AUGUSTUS EDWIN JOHN, OM, RA (1878-1961) SELF PORTRAIT IN A STRAW HAT etching, signed in the plate, one of an edition of 50, signed by the artist in pencil, 10 x 7.5cm In fine condition with wide margins, very slight staining from the mount around the periphery of the margin; unexamined out of the frame
Lot 572
SIR FRANK WILLIAM BRANGWYN, RA, RWS, RE (1867-1956) THE BEER SHOP (LE MASTROQUET) etching on japon, a particularly fine, rich impression, signed by the artist in pencil, 42.5 x 30cm Etched in 1919. Gaunt 269. In very good condition, mounted approximately 1cm clear of the platemark, unexamined out of the frame
Lot 573
LUIGI SERVOLINI (1906-1981) I PREDESTINATI woodcut, signed and dated 32 in the block, signed by the artist and inscribed in ink, 21.5 x 21.5cm, an etching by Josef Israels (1824-1911) of an elderly lady and a drypoint by Sidney Tushingham, ARE (1884-1968), The Madonna of San Remo, one of an edition of 75, both signed (3) All in apparently very good condition, none examined out of the frame
Lot 575
CHARLES WILLIAMS (FL LATE 18TH/EARLY 19TH CENTURY) A SHREWD GUESS OR THE FARMERS DEFINITION OF PARLIAMENTARY DEBATES (BM 12143) etching in fresh contemporary colour, numbered 311 in upper right margin, published by T Tegg [?1831] watermarked 1822, 25 x 35cm, and THE FALL OF THE TEMPLE ! - OF ROME (BM 10722) April 20th 1807, Paul Pry [W Heath] A QUARTETTE IN CHARACTER (BM 15746) May 1829 and about forty others, all early 19th c caricatures, unframed (approximately 44) Condition poor to good; mostly `average` with minor creases, handling marks etc
Lot 576
NOTTINGHAM SUBJECTS. ISAAC CRUIKSHANK (1756-1811) AFTER GEORGE MOUTARD WOODWARD (C1760-1809) PRIDE AND EXALTATION IN A SEDAN CHAIR (BM 9147) etching in fresh contemporary colour, Plate 84 in upper left margin, published by Allen & Co, April 1 1797, 20.5 x 27cm and James Parry (1805-1871) after David Henry Parry (1793-1826) - MR PHILIP WOOTTON OF NOTTINGHAM [the steeeplejack], etching in contemporary colour, published by H Parry, Salford, 36.5 x 21.5cm, both unframed (2) The first print depicts a rainy night in The High Pavement and was issued as a response to the near impossibility of being able to procure a sedan chair in Nottingham (see R Ilffe & W Baguley, Victorian Nottingham, Vol 2, 1971, p14.) Both in good condition with minor handling marks; the first cut to just outside the platemark and with marginal browing; the second with reasonable margins. Both scarce.
Lot 577
ROBERT DIGHTON (1752-1814) A VIEW FROM JESUS COLLEGE OXFORD (BM 11071) etching in contemporary colour, published May 1808, 28 x 20.5cm and twenty-three similar caricatures by the same and Richard Dighton (1795-1808) unframed (24) All in good/average condition, with good margins, handling marks and creases; some light surface dirt
![[CHARLES WILLIAMS (FL LATE 18TH/EARLY 19TH CENTURY)] ANTI-DANDY INFANTRY TRIUMPHANT OR THE VELOCIPEDE CAVALRY UNHOBBY`D (BM 1](http://lot-images.atgmedia.com/SR/10086/2800032/579-2010826154334_468x382.jpg)
Lot 579
[CHARLES WILLIAMS (FL LATE 18TH/EARLY 19TH CENTURY)] ANTI-DANDY INFANTRY TRIUMPHANT OR THE VELOCIPEDE CAVALRY UNHOBBY`D (BM 13412) etching in fresh contemporary colour, number 353 in upper right margin, published by T Tegg, 1819, 24 x 33cm Solitary spot of foxing, vertical crease, minor surface grime, generally very good
Lot 288
Scottish history and archaeology -- Thornton, T. A sporting tour through the northern parts of England, and great part of the Highlands of Scotland. London: Vernor & Hood, 1804. First edition, 4to, 16 engraved plates, morocco-backed cloth, some dampstaining, boards slightly marked; Crawfurd, G. & W. Semple The history of the shire of Renfrew. Paisley: A. Weir, 1782. 4to, errata slip, contemporary calf, some dampstaining, hinges weak, rubbed; Scott, G. The memoires of Sir James Melvil of Hal-Hill. London: R. Boulter, 1683. 4to, modern calf-backed cloth, spine gilt, title spotted; Pont, T. Cuninghame... continued by the late James Dobie of Crummock. Glasgow, 1876. 4to, plates, folding map, contemporary blue half morocco, rubbed; Cunninghame Graham, R.B. The district of Menteith. Stirling, 1930. Folio, edition de luxe, number 96 of 225 copies signed by the author and D.Y. Cameron, original signed etching by D.Y. Cameron, original calf-backed cloth, dust-jacket, in original (broken) box; Balfour, J.A. The book of Arran. Glasgow, 1910. 4to, map in pocket repaired, original buckram; Anderson, D.B. The vale of Anworth. 1899. 8vo, original cloth, rubbed; Macleod, W. Royal letters and other historical documents selected from the family papers of Dundas of Dundas. Edinburgh, 1897. 4to, number 125 of 135 copies, plates, original cloth, a few ink annotations, very worn; and 17 others on Scottish history and topography (25)
Lot 174
Algernon Talmage R.A. (1871-1939) By Cornish Seas Signed Etching 27 x 17.5cm; 10½ x 7in With two signed numbered unframed etchings titled A Norfolk Pastoral and The Old Favourite also an award certificate to Talmage from the Carnegie Institute Pennsylvania 1920 for his painting By the Cornish Seas (4) ++1. Very light foxing; 2. discolouration to margins only; 3. one fox mark creases to margins; 4. foxing worm holes and worn
Lot 175
Algernon Talmage R.A. (1871-1939) Huntsman and hounds Signed Etching unframed 23 x 30.5cm; 9 x 12 With 3 further signed numbered unframed etchings titled By Cornish Seas A Norfolk Pastoral and the Old Favourite also a framed lithographic print signed and dated 37 of The Founding of Australia by Capt. Arthur Phillip 1788 (5) ++1. Some worm holes and light foxing; 2-4 Small push to all slight discolouration and foxing to margins; 5. Some discolouration to margins
Lot 585
Søren Hjorth-Nielsen, Danish 1901-1983- Portrait of a woman; drypoint etching, signed in pencil, 12x10.3cm: H N Hansen, late 19th century- "Finale"; etching, signed, inscribed `Roma` and dated 1900 within the plate, 39x30cm: F Schwartz, late 19th century- "Halma"; etching, signed with initials, titled and dated 94 within the plate: together with a quantity of late 19th/early 20th century etchings by different hands, many Danish, all mounted, (a lot) (unframed)
Lot 597
* Dieter Roth, German 1930-1998- Untitled; lithograph printed in blue and violet, signed, numbered 1/28 and dated 72 in pencil, 63.5x89cm: together with one other similar lithograph by the same hand, similarly signed, numbered 1/28 and dated 72 in pencil: G Lowry, mid-late 20th century- "Night Sleep"; etching with aquatint, signed, titled, inscribed `AP` and dated 72 in pencil, 69.8x53cm: Gerald Scarfe b.1936- Emperor of cats; lithograph printed in colours, signed, titled, numbered 27/99 and dated in pencil, 64.5x50cm: Tavee, mid-late 20th century- Doorway; etching, signed, dedicated and dated 15 September 1984 in pencil, 56.5x75.5cm: After Ernst Fuchs, Austrian b.1930- "Ernst Fuchs, Munchen Wolfgang Ketterer Villa Stuck Das Graphisch Werk 1945-67 6.9.-15.10.67 Prinzregenten Straze", publ by Brenner Brahm & Co., Frankfurt am Main; lithograph/poster printed in colours, 86x60.5cm: Feliks Topolski, Polish 1907-1989- Autobiography; mixed technique screenprint, and off-set lithograph printed in colours, signed and inscribed `AP` in pencil, bears publisher`s blind stamp, 100x75cm: together with a further nine artist`s prints and reproductions by and after different hands, all mid-late 20th century, many signed, (17) (unframed) (may be subject to Droit de Suite)
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71174 item(s)/page