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Lot 107
Barrie Cooke HRHA (b.1931)PUNAKAIKIcarborundum etching; (no. 2 from an edition of 75)signed in the margin lower right; titled centre; numbered lower left; with blind stamp of Lemon Street, Dublin lower right23 by 23.75in., 58.42 by 60.325cm.Sheet size: 31 by 30in. Punakaiki is a small community on the west coast of the South Island of New Zealand, between Westport and Greymouth. Barrie Cooke has been based in Ireland since the 1950s, frequent travels to places such as New Zealand, Borneo, Lapland and Malaya have strongly influenced his expressionist, semi-abstract paintings inspired mainly by elements of nature and landscape.
Lot 314
Mary Farl Powers (1948-1992)BLUE SPOTTED TORSO and TORSO II (A PAIR)etching; (2); (the first, no. 13 from an edition of 45, the second, no. 7 from an edition of 15)each signed, title and numbered in the lower margin13.75 by 11.75in., 34.925 by 29.845cm.Dimensions of second title, 8.75 by 8.75ins. Both framed.
Lot 317
Diarmuid Delargy (b.1958)ETCHING, 1986etching; (no. 2 from an edition of 30)signed, indistinctly titled, dated and numbered in the lower margin12.5 by 15.25in., 31.75 by 38.735cm.The Estate of Liam O`Keeffe-AyudhkijLiam O`Keeffe-Ayudhkij, who was born in Dublin in 1945, relocated to Thailand at the age of eighteen and is renowned in both the country of his birth and in South East Asia for his contribution to business, arts and charitable organisations in Thailand. O`Keeffe-Ayudhkij was a keen art collector and built up lasting friendships with Irish artists such as Patrick Scott. The meditative quality of Scott`s oeuvre appears to have connected with him and his collection of early Scott canvases offered in this sale is testament to this. In Thailand O`Keeffe-Ayudhkij`s love of art manifested itself in his support of Asian artists, the setting up of `Liam`s Gallery` in Pattaya and a book written by him on Thai art. He was also director of the Phya Thai Palace Restoration Committee. After travelling Thailand from 1963 he settled in Bangkok where a surge in the local property market in the 1970s opened up employment opportunities particularly in the property care services industry. In 1989 he led the management buyout of the company he worked for and formed his own business, which he grew from the mid 1990s. By 2007 the company was employing 23,000 people. As an Irish expatriate O`Keeffe-Ayudhkij was invited in 2009 to the Global Irish Economic Forum in Farmleigh. He was also a founder and director of the Irish Thai Chamber of Commerce and a past president of the Bangkok St. Patrick`s Society among other accolades. Outside of the business arena O`Keeffe was a true philanthropist and committed to many charitable organisations including Support the Children Foundation and the Bangkok Nursing Home Hospital. His obituary in the Irish Times this year noted, "He will be remembered for his business acumen, charity work, love of art and boundless enthusiasm.
Lot 337
John Kelly RHA (1932-2006)HARLEQUIN, 1974etching with aquatint (no. 47 from an edition of 56)signed and dated in the margin lower right; titled centre; numbered lower left; with typed label on reverse detailing the commission of the edition by Aerlingus; also with Neptune Gallery label on reverse9.5 by 8in., 24.13 by 20.32cm.Commission by Aerlingus as a gesture of appreciation for the judges of the Young Scientists Exhibition, 1975.
Lot 359
Gertrude Degenhardt (b.1940)MADAME CHIQÚEetching; (épreuve d`artiste)titled in the margin lower left; with edition centre; indistinctly signed lower right19.5 by 13.25in., 49.53 by 33.655cm.Gertrude Degenhardt is one of Germany`s leading painters and graphic artists. She came to Ireland first in the early 1970s, when she was commissioned to do illustrations for a German edition of a book of short stories by Liam O`Flaherty. She fell in love with the West of Ireland and has returned regularly since. Her work has been shown regularly over the years with the Kenny Gallery in Galway.
Lot 447
A large Victorian etched glass goblet inscribed within a roundel "A present from EPA to Mary Palmer, Southwold 1854" with opposing panel depicting a clipper in full sail on the high seas inscribed "Isabella" within scrolling vine and tendril borders on a waisted stem to a circular foot, 16.5 cm high CONDITION REPORTS Overall with wear and scuffs, small chip to rim, scuffs and scratches to base, some roughness to the etching of the inscription.
Lot 506A
F.M. (?). 20thC School. A portrait of a young woman, pastel, signed to l.r., oil painting of an old Arab man signed G. Chuzltai, dry point etching, portrait of a young man wearing a hat, D. Headley oil on board of a young girl by a tree and a small oil painting of an alpine scene with church. (5).
Lot 19
*DS Emma Stibbon (b.1962) Stair Hole Lulworth Colour woodcut Initialled and dated 99 in pencil, lower right, numbered 4 from an edition of 5, 109 x 120cm (43 x 47 1/4in). Exhibited: Royal Academy, Summer Exhibition, 1999. With an abstract etching and aquatint by Hugh O`Donnell, with an indistinctly signed screenprint, by John Ichel, and the frontispiece to the Paragon Press`s The London Portfolio (4)
![AUGUSTUS EDWIN JOHN, OM, RA, RP (1878-1961) A GIRL`S HEAD - J. WEARING A HAT [DODGSON 134] etching, a rich impression with to](http://lot-images.atgmedia.com/SR/10086/2851316/962-2012111611527_468x382.jpg)
Lot 962
AUGUSTUS EDWIN JOHN, OM, RA, RP (1878-1961) A GIRL`S HEAD - J. WEARING A HAT [DODGSON 134] etching, a rich impression with tone on Strathmore cream laid paper with watermark, signed by the artist in pencil, 15 x 10cm (s.27 x 20cm), unframed In fine condition, lightly hinged on card window mount
![DAVID HOCKNEY, OM, CH, RA (1937-) HE ENQUIRED AFTER THE QUALITY FROM FOURTEEN POEMS BY C P CAVAFY [MCA TOKYO 49] etching with](http://lot-images.atgmedia.com/SR/10086/2851316/963-2012111611529_468x382.jpg)
Lot 963
DAVID HOCKNEY, OM, CH, RA (1937-) HE ENQUIRED AFTER THE QUALITY FROM FOURTEEN POEMS BY C P CAVAFY [MCA TOKYO 49] etching with aquatint on Crisbrook handmade paper 1966, signed by the artist in pencil, dated `66 and numbered 7/75, published by Editions Alecto London, 35 x 22.5cm (s. 38.5 x 25cm) Undisturbed in the original c1960s silvered frame, lightly mount stained in the upper part but apparently not laid down and in generally good condition, unexamined out of the frame
Lot 965
VALERIE THORNTON (1931-1991) VICTORIA TOWER WESTMINSTER etching with aquatint in colours on wove with margins, signed by the artist in pencil, dated 1958 and inscribed Artist`s proof, 46.5 x 23cm In good condition undisturbed in the original Rowley Gallery`s frame, c1958, the green window mount stained, the print unaffected, unexamined out of the frame
Lot 966
WENCESLAUS HOLLAR (1607-1677) BYRSA LONDINENSIS VULGO THE ROYALL EXCHANGE OF LONDON etching, mounted to image, 29.5 x 39cm, J C Stadler (fl late 18th/early 19th c) after J Farrington, RA (1747-1821) Putney Bridge; View of Black Fryers Bridge from Somerset Place, aquatints and Henry Dixton (Photographer) (1820-1892 - Canonbury Tower, carbon print numbered in the negative 25, on the original light blue paper mount, published by The Society for Photographing Relics of Old London, 1879 (4) All in good condition, the pair of aquatints in non-matching frames, the carbon print a fine vintage print
Lot 967
GEORGE GRAHAM (FL LATE 18TH/EARLY 19TH C) AFTER JOHN RISING (1753-1817) POVERTY mezzotint, mounted to within platemark, 1792, 32.5 x 39cm, T Cook (1744-1818) after William Hogarth (1697-1764) Before; After engravings with margins, 1798 and c and an etching of John Wilkes by Hogarth, 1763 (4) All in modern gilt frames and in good condition, unexamined out of the frame
Lot 969
JOHN BLUCK (FL 1791-1819) AFTER AUGUSTUS CHARLES PUGIN (1762-1832) TRINITY COLLEGE CHAPEL hand coloured etching with aquatint mounted to platemark from Ackermann`s History of Oxford, 1813, 23.5 x 28cm, English School, early 19th c, military subjects, a pair, watercolour and two decorative prints (5) The pair of watercolours stained and faded but all uniformly mounted in orange silk and ebonised frames by or for Henry Sotheran Ltd, London, a decorative group
Lot 970
JAMES GILLRAY (1756-1815) LUBBER`S HOLE ALIAS THE CRACK`D JORDAN hand coloured etching, mounted to or within the platemark, 1791, printed later, 16.5 x 22cm, two other caricatures, John Leech - A Cavalier and thirteen various other decorative prints (17) As a lot in good condition, Lubber`s Hole caricature with small creased tear extreme upper centre and cleaned, unexamined out of the frame
![BY AND AFTER FRANCIS NICHOLSON, OWS (1753-1844) NO 4 [ROBINS HOOD`S BAY YORKSHIRE] hand coloured etching with aquatint, first](http://lot-images.atgmedia.com/SR/10086/2851316/974-2012111611557_468x382.jpg)
Lot 974
BY AND AFTER FRANCIS NICHOLSON, OWS (1753-1844) NO 4 [ROBINS HOOD`S BAY YORKSHIRE] hand coloured etching with aquatint, first state before the title from the scarce folio of twelve plates A Selection of Fac-Similes of Water-Colour Drawings from the Works of the Most Distinguished British Artists, 1825, 26.5 x 34cm, contemporary maple frame
![SIR FRANK WILLIAM BRANGWYN, RA, RWS, RE (1867-1956) CARAVAN ALBI [GAUNT 264] etching on off white wove with margins, signed b](http://lot-images.atgmedia.com/SR/10086/2851316/975-2012111611559_468x382.jpg)
Lot 977
BY AND AFTER JAMES GILLRAY (1756/7-1815) MORE PIGS THAN TEATS hand coloured etching on wove, No IV upper right, 1847, trimmed to or within the plate mark, creased where folded, c25.5 x 33.5cm, another, The Genius of Literature presenting her pupils to Minerva by Chapman after Dodd and a hand coloured etching of The Pig-faced Lady of Manchester Square [1815] (3)
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71174 item(s)/page