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§ Kenneth Green, RP (British, 1905-1986) Study of a Walberswick Fisherman, signed lower left "Kenneth Green 1926", oil on canvas, unframed, 36 x 26cm (14 x 10in); together with a pen and ink sketch of Walberswick Fishermen, signed lower left "Kenneth Green 1925", 28 x 39cm (11 x 15.5in); Portrait of Miss Silcox, Headmistress, St Felix School, Southwold, signed lower right "Kenneth Green '25", etching, 27 x 23cm (10.5 x 9in); and a watercolour of Rome, signed lower left "Kenneth Green 22.9.34", 30 x 40cm (12 x 16in); with three other sketches in charcoal and another in pen and ink (8) Various sizes, some creasing, unframed.
1827 Pattern Rifle Officer's Sword 32 1/4 inch, single edged, slightly curved blade. Large fuller. Traces of etching. Chrome plated guard with Victorian crowned, strung bugle cartouche. Plated backstrap with part checkering. Shagreen covered grip with wire binding. Contained in its blackened steel scabbard with two loose hanging rings. Some dents.
Walter Dendy Sadler (British 1854-1923) Untitled Artist Signed Etching Depicting three Georgian gentleman in cottage courtyard setting. Signed in pencil by the artist lower left margin and by the engraver to lower right. Published by The Art Union Of London, 1892, framed and mounted under glass with inner gilt mount, 19.5 x 17 inches including margin. Please see accompanying image
Herbert Thomas Dicksee British ( 1862 - 1942 ) Coloured Etching, Printed In Sepia. Title ' The Wishing Pool ' Date 1903, From a Poem by Tennyson. Period Frame. Size 18.5 x 27 Inches - 47 x 68.5 cm. Mounted and Framed Behind Glass, Excellent Condition In All Aspects, No Foxing or Fading. Provenance - Original Label to Back Reads - T. Bromley & Son, Fine Art Gallery, Fold Street Bolton.
Norman Wilkinson (1878 - 1971) drypoint etching - An early 20th Century illustrator and maritime artist, well known for his work illustrating Railway posters throughout his life. This etching entitled 'Trout Fishing on Loch Awe' depicts two fisherman on the Loch with the silhouette of a castle and hills to the background. Signed in pencil to the corner being framed and glazed, circa 1930.
Mark Myers (20th century) H.M.S Kelly, signed in pencil to border, print, 30 x 54cm, together with an etching after H.L. Boyle, 'Off Jutland 6.21pm May 31st 1916', two GEC-Marconi guide to military Aircraft cardboard pictures, a photograph of a sailor in uniform, a queen Elizabeth 'Official Cunard Cober', and two books, 'Weekly Illustrated Queen Mary' and 'Flight' etc.
BY AND AFTER ROBERT DIGHTON (1752-1814) A FASHIONABLE LADY IN DRESS & UNDRESS hand coloured etching, published 1807, 25 x 20cm and four contemporary furnishing prints (5)++Fashionable lady print with stained vertical tear through title lines and generally slightly stained and discoloured, the four other prints including a brightly coloured woodcut of the Gleaner, the three remaining small prints generally browned
MONOGRAMMIST W S, C1824 DAVID LOVE AGED 74 [THE PEDLAR POET OF NOTTINGHAM, 1750-1827] hand coloured etching, 12 x 7.5cm, hammered frame and two pairs of smaller contemporary furnishing prints similarly framed (5)++Print of Love lightly time stained but good, the others more heavily stained, the frames oxidised, the two smallest frames with small corner losses
NORMAN JAQUES (1926-2014) TWO WORKS ARTIST SIGNED COLOURED ETCHING 'Sea Shore, S. Wales', '64 22" x 17 ½ (56cm x 44.5cm) COLOUR LITHOGRAPH Pulled up fishing boats with village in the background Unsigned, colours off-set and margins clipped 16" x 20 ½" (40.7cm x 52.1cm) Both unmounted and unframed, (2) (from the Jaques Studio of Works)
Major General Foster Stalker 1798-1857, Commander of the North Indian Division against Persia in 1857, his Punjab medal with Mooltan clasp, together with Ghuznee medal and miniature, plus his gold miniature Order of the Dooranee Empire (5.2g), also in the lot a daguerrotype photograph of him in full uniform, a large etching with card negative, two ambrotype images of relatives, original ribbon, and official hand written correspondence (parcel)here is only naming on the Punjab medal, the dagguerro type is badly faded with discolouration to the edges, and is only visible from certain angles, please see additional images, would suggest viewing if possible
A miscellaneous group of prints, including Johannes Graadt van Roggen (1867-1959) etching 'Woman Sweeping a Courtyard', signed in pencil to margin, 22.5 cm x 17.5 cm; Jeremy Sancha (Contemporary) linocut, 'Interior of a Narrow Boat' signed and numbered in pencil to margin, 29/50, 22 cm x 15 cm; Christopher Hues (19th Century) 'Great Bedwyn Old Town Hall', 17 cm x 24 cm; a contemporary etching on metal after Jan Luyken (1649-1712) 'Schreyers Tower, Amsterdam', 21.5 cm x 28.5 cm, framed, together with three further prints and a 1904 photograph of Brightlingsea Hard, 1904, all framed and glazed (8)
Francisco Goya (Spanish, 1746-1828)'SI RESUCITARA?'Etching, 1814-1815, plate 80 from the portfolio ‘The Disasters of War’ (Los Desastres de la Guerra), comprising 82 prints. Five editions were published between 1863 and 1937, with a total of over 1000 impressions of each printplate 17 x 22cm
Auguste Delatre (1822-1907) - Two etchings - Swineherd with pigs, 2.75ins x 2.5ins, signed in plate and numbered 62, and Landscape with cattle drinking at a tree lined pond, 2.5ins x 3.75ins , and 19th Century Continental school - Etching - Wood with rural pathway, 6ins x 9ins, all framed and glazed
Joyce Ntobe AKA Beezy Bailey (South African 1962-) I DREAMED I FLEW AWAY WITH THE AMERICANS IN THEIR CADILLAC signed, dated '15, editioned A/P and inscribed with the title in pencil in the margin softground, hardground and aquatint etching with hand-embellished blind embossing In 1992 the South African National Gallery acquired three works on paper by a little known “township artist Joyce Ntobe” who had been overlooked by the selection panel of the Cape Town Triennale. When the institution wanted to pay the artist a furor erupted as it was revealed that Joyce Ntobe in fact did not exist. Joyce Ntobe was in reality, the constructed personae of artist Beezey Bailey, grandson of Randlord Sir Abe Bailey and heir to a prestigious collection of 18th century British Art on Permanent Loan to the National Gallery. With cheque in hand, Bailey held a press conference and arrived dressed in housekeeper’s uniform, half his face painted white and the other black. In a playful dig at the collecting policies of the South African National Gallery at the time of post-democratic inclusivity in 1991, Bailey produced works under cover of his ”alter-ego”. After the ploy was exposed, the works remained attributed to Joyce Ntobe because once accepted by the Acquisitions Committee, works of art in the national collection are inviolate and protected ad infinitum by an act of parliament. Building on this success, Bailey created many new works and a website that tracks Joyce’s development. Here is a unique opportunity to acquire a striking work by the now well-known Joyce Ntobe who is celebrated both locally and abroad … and is included in the National Collection! sheet size: 124 by 59cm

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78408 item(s)/page