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Lot 593

A set of four coloured equestrian prints showing 19th century winners of the Derby, 24 x 29 cm approx in burr wood style frames with gilt slips together with a coloured print after Juliet McLeod showing the racehorse Brigadier Gerard, 46 x 57 cm in a wooden frame, a study of a racehorse before the start, indistinctly signed Fairlauf (?) and dated 75, a pair of signed limited edition coloured prints of golfing subjects after Terry Marmagon, a 19th century engraving of Jenny Lind, a coloured etching portrait of Napoleon, etc.

Lot 636

A signed limited edition black and white etching showing Soho House, Houndsworth, signed bottom right S Howard, dated 1996, edition 10/100, 42 x 55 cm approx in black and gilt frame together with a 20th century tapestry panel after a design by Kaffe Fasset, a pair of paintings on velvet of birds, fruit, etc., a pair of mirrors in the Art Nouveau style, etc.

Lot 460

Stanley William Hayter (British 1901-1988), a limited edition etching depicting a horse, signed in pencil and dated '31, marked 14/50 also in pencil, mounted and in a metal frame 22 x 28cm

Lot 237

PAIR OF NINETEENTH CENTURY SMALL HAND COLOURED FLORAL ENGRAVINGS 'GREENHOUSE SHRUBS' ETCHING BY J.C. SMITH AFTER J.K. MILLER SKETCH 'CLIFFORD HALL, SUFFOLK' AN ORIGINAL ARTIST SIGNED ETCHING 'LLANBEDR' SET OF THREE REPRODUCTION HUNTING PRINTS AND 7 OTHER SMALL COLOURED PRINTS (14)

Lot 113

A pencil signed black and white etching depicting a Continental river scene

Lot 395

W. Alison Martin drypoint etching, Bruges, 20 x 22.5cm20 x 22.5cm20 x 22.5cm

Lot 182

DOLLARSANDART, 'Prince', from the 'Di$ruptive$' collection, German etching, AP signed, titled and numbered, 60cm x 60cm, framed and glazed.

Lot 2350

'Whitby', 19th century hand finished proof etching after George Chambers pub.G Chambers & E Fisher London 1826, 43cm x 60cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 2106

Two Tugs Pulling a Three Masted Sailing Vessel, etching after Harold Wyllie (British 1880-1973) signed in pencil 22cm x 28cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 110

Georges Labadie, PILOTELL, (1844-1918) 'Portrait of Henry Moore R.A', Etching, 13.5 x 18cm

Lot 116

Peter Grahame 'Old Buildings of Shrewsbury School' Etching, signed in pencil, in a glazed frame, 22 x 18cm together with John Forrest 'Cumberland House' Etching, signed in pencil and framed, 13 x 22cm, and another etching of 'Fountain Abbey' by Alex F.Smith, (3)

Lot 154

'Maida Hill', London drypoint etching after William Lionel Wyllie (British 1851-1931) signed and titled in pen 18cm x 25cm unframed, Battle of Flamborough Head, 19th century watercolour unsigned and four other engravings max 26cm x 36cm (6) Condition Report Click here for further images, condition, auction times & delivery costs

Lot 157

'Bootham Bar York', hand coloured etching after A Dupont signed in pencil with Academy Proof blind stamp and one other max 32.5cm x 22.5cm (2) Condition Report Click here for further images, condition, auction times & delivery costs

Lot 302

FRANK BRANGWYN. Framed, signed, etching on paper, ancient building site, 52cm x 61.5cm.

Lot 282

SIR HENRY GEORGE RUSHBURY R.A. Framed, signed in pencil, etching on paper, 'City of Durham', urban scene, exhibited Royal Academy 1934 no 1934 (provenance verso), 25.5cm x 35cm.

Lot 286

Framed, indisctinctly signed in pencil, etching on paper, street scene with two men in conversation, 35.5cm x 45.5cm.

Lot 309

SIR FRANK BRANGWYN R.A. Framed, signed in pencil, etching on paper, hunters And traveller cross paths, 38.5cm X 41cm.

Lot 312

NOEL WOODWARD SPENCER (b.1900). Framed, signed in pencil, etching on paper, 'Southwark Bridge', River Thames scene with boat,

Lot 279

HENRY NEILSON? Framed, signed in pencil, limited edition 89/200, etching with painted background, two dogs, 27cm x 36cm.

Lot 618

MAGARET LAND etching on paper framed, signed together with Brian Osbourn black and white pictures etc.

Lot 306

SIR FRANK BRANGWYN R.A. Framed, signed, etching on paper, crowds surrounding tree, 40.5cm x 38cm.

Lot 2

Gerald Leslie Brockhurst RA, RE (1890-1978) ''The Amberley Boy'' Signed in pencil, a black and white etching, together with a further signed etching by the same artist ''The Two Melisandes'', 19cm by 14.5cm and 14cm by 8.5cm respectively (2) Melisandes depicts Anais Folin, the artist's first wife, holding their baby daughter. Reputedly Anais could only stand for a brief 20 minutes following the birth, and as such the artist etched the image onto the plate in this time. See illustration

Lot 1

After Rembrandt Harmensz van Rijn (1606-1669) Dutch ''The Adoration of the Shepherds with the Lamp'' Thought to be an impression of the second final state Bartsch no.45, c.1654, etching, 10cm by 12.5cm See illustration

Lot 89

Christopher Richard Wynne Nevinson (1889-1946) ''Survivors at Arras'' Signed in pencil and dated 1918, a black and white dry point etching, 28cm by 23cm See Illustration The Tate Gallery holds an example of this 1917-8 work illustrated: British Artist's at the Front, No. 1 1918. A brief commentary noted that ''The rest of Arras after the War will have to be built again''.

Lot 392

William Lionel Wyllie (1851-1931), Etching,Fishing boats in a harbour, Signed, 24cm x 36cm, Framed and glazed

Lot 601

Norman Alfred William Lindsay (1879-1969) "Under The Stars", facsimile etching, edition 175/550, impressed seal lower right, certificate verso, 25cm x 20cm

Lot 593

Szonyi Istvan, Hungarian (1884-1960) Cat in Window etching, signed lower right and dated 1958 in plate, 25 X 30 cms approx.

Lot 173

Boxed Swarovski Crystal Holiday Etching ornament 1989

Lot 175

Boxed Swarovski Crystal paperweight Merry Christmas 1990 & a boxed Swarovski 1989 Holiday Etching ornament

Lot 516

A Double Sided Strip Map, depicting Arundel, Chichester and London, highlighted in watercolour (later glazed frame), possibly early XVIII Century, an XVIII Century London to Pool hand coloured map, potentially taken from a book, No 262 in top left, hand coloured hunting scene, Skipton Castle and church scene etching etc:- One Tray

Lot 338

Ebonised framed numbered & signed etching of a riverside medieval city monogramed

Lot 1636

WILLIAM LIONEL WYLLIE, RA (1851-1931) SEA SCOUTS AT PORTSMOUTH Etching, signed in pencil 15 x 24.5cm. ++ Foxing and staining

Lot 1626

WILLIAM LIONEL WYLLIE, RA (1851-1931) BATTLE CRUISER SQUADRON AT JUTLAND Etching, signed in pencil 17 x 42.5cm. * HMS Tiger, Princess Royal, Lion, Warrior, Defence and Onslow ++ Good condition

Lot 1808

•NORMAN ACKROYD, CBE, RA (b.1938) DERWENT, EVENING Etching, signed, titled, numbered 73/90 and dated 89 15.5 x 13.5cm. ++ Good condition

Lot 1629

WILLIAM LIONEL WYLLIE, RA (1851-1931) NAVAL FLEET MANOEUVRES WITH ESCORT VESSELS Etching, signed in pencil 8.5 x 35cm. ++ Good condition

Lot 1637

WILLIAM LIONEL WYLLIE, RA (1851-1931) HMS PROBUS ENGAGING A SUBMARINE Etching, signed in pencil 14.5 x 22.5cm. ++ A little pale foxing; mount burn

Lot 1625

WILLIAM LIONEL WYLLIE, RA (1851-1931) ATLANTIC FLEET COMING INTO PORTSMOUTH HARBOUR Etching, signed in pencil 17 x 35cm. ++ Some time-toning and mount burn

Lot 1621

A COLLECTION OF DUTCH ETCHINGS to comprise works by or after Abraham Hondius (see illus.), Adriaen van de Velde, Karel Dujardin, Jan van Goyen (?), Pieter van Laer, Aelbert Cuyp, Hendrik de Goudt, Allart van Everdingen, Adriaen Verboom and other hands; also a soft-ground etching by John Crome (`Wagon wheels, tree trunk and beams`), two framed (34 images) ++ Mixed; a little worn; some with pale stains; some trimmed to within image; foxing etc

Lot 1627

WILLIAM LIONEL WYLLIE, RA (1851-1931) THE MOUTH OF THE TYNE Etching with drypoint, signed in pencil 16 x 37.5cm. ++ Some mount burn

Lot 1822

WALTER RICHARD SICKERT (1860-1942) THE OLD BEDFORD (THE SMALL PLATE) (Bromberg 135) Etching, 1910, the only state, on tan wove paper 11 x 8.2cm. * This image was etched in 1910 but the music hall had been pulled down 12 years before. The venue had been a particular favourite of Sickert's and he had produced etchings of it as early as 1888. Selective wiping has varied the tone of some of the impressions but the tightly-pressed crowd - some eager and attentive, some perhaps inclined to rowdier participation - capture well the artist's obsession with the spirited atmosphere of a music hall. The total edition size is unspecified as there was a numbered edition of 50 impressions on wove and also unnumbered impressions on laid (some of which were signed). ++ Wide margins, folded to fit the frame; slightly rubbed on the platemark; characteristic discolouration of the paper

Lot 1624

WILLIAM LIONEL WYLLIE, RA (1851-1931) JUTLAND, OR A `SECOND GLORIOUS 1st OF JUNE`: HMS IRON DUKE AT WINDY CORNER Etching, signed in pencil 25.5 x 49cm. ++ Good condition

Lot 1634

WILLIAM LIONEL WYLLIE, RA (1851-1931) MINESWEEPERS LEAVING PORTSMOUTH, 1916 Etching, signed in pencil 9.5 x 25cm. ++ A little pale foxing; slightly bruised

Lot 1810

•MICHAEL CANNEY (1923-1999) RHINOCEROS Etching with aquatint and plate tone, 1947, signed and dated 14.5 x 21cm. * Evidently inspired by Albrecht Durer's famous woodcut of 1515. The animal in Dürer's print was a gift from an Indian sultan to King Manuel of Portugal and was the first to have been seen in Europe for nearly 1500 years. The King donated the rhino to Pope Leo X but the beast died en route to Italy. Durer never saw a rhino and based his famous print upon a sketch and a descriptive letter. ++ Slight time toning

Lot 773

Signed etching of Exeter Cathedral by A Brewer

Lot 768

Signed etching by Norman Ackroyd ‘The Dovecote at Chateau Palmer’ no 69 of 500 *With Royal Academy Exhibition label 1987

Lot 1270

WILLIAM LIONEL WYLLIE (1851-1931) An early 20th century Victorian etching of  London Thames barges entitled Londons River 1900 being set in a good ornate wooden frame with glaze to front. Signed by artist in pencil with notation around picture.  William Lionel Wyllie (5 July 1851 – 6 April 1931) also known as W L Wyllie was a prolific English painter of maritime themes in both oils and watercolours.[1] He has been described as "the most distinguished marine artist of his day."[2] His work is in the Tate, the Royal Academy, the Imperial War Museum, the National Maritime Museum and many other institutions around the world. 36x51cmd

Lot 5

James Gillray, (British 1757-1815). The Real Cause of the present High-Price of Provisions or a View on the Sea Coast of England with French Agents smuggling away supplies for France, etching, 1795, uncoloured, published by H Humphrey; (not examined out of frame) 31 x 42cm (12 x 16in)

Lot 6

W. Hollar after Albrecht Durer. A lion standing, etching on laid paper published by C. Galle c.1649, 10½ x 15½cm (4 x 6in) See Metropolitan Muesum of Art Accession Number:20.81.3.308 for another example of this print.

Lot 12

A collection of prints and drawings by or after Old Masters and others The Judgement of Paris engraved by R. G. Woodman after Rubens, 1813; and another similar; Circle of Michel Corneille the Younger, Landscape with huntsmen and a barge, red chalk on laid paper, 20 x 30 cm; Luca Giordano, 'Sancta Anna', engraving on laid paper, 31 x 22 cm, framed, with folds, heavy creasing and staining throughout; After Honoré Daumier, Court Scene, photogravure, François Perrier, two engravings after ancient statues in Rome, no. 62 from a set of 100 and a Roman consul from the Villa Ludovisi; After Guercino, The Guardian Angel, by Stephanie Keeth Goldman, 1994, no. 2/30, signed lower right, etching, After Albrecht Durer, The Knight, Death and the Devil, later impression, engraving on laid paper, 22.5 x 16.5 cm; Giovanni F. Venturini after Galles, Polidoro, etching on laid paper, 18 x 18 cm; together with some portrait engravings, mostly 18th and 19th century; few watercolours of London river views and other hand-coloured prints, some modern including Hedley Fitton etc. (a quantity, approximately 100)

Lot 4

Six portrait or figural engravings. L. J. Cathelin after Vanloo. Joseph Vernet, Peintre du Roi, engraving, 1770, 39 x 30cm , moulded gilt frame; D. Martin after A. Carpantiers, portrait of D. F. Roubiliac, mezzotint, 1765, 38 x 26cm; J. Simon after Lancret, Spring, a reverse glass coloured print, c.1758, 25 x 36cm; R. Dighton, 'A Walk from Bridge Street to St John's Hall', coloured etching 1815, 36 x 26cm; After Reynolds, Caroline Duchess of Marlborough, mezzotint, for Robert Sayer, 37 x 25cm; one other (6)

Lot 375

A signed limited edition etching, the Bridge of Sighs, Venice, 25/80, in gilt frame, and a companion etching, Venetian canal scene, 48/70

Lot 390

Pair of Framed Etching "Enclosure" and "Articles of Faith" by Stephen Newton

Lot 792a

Framed Etching "The Old Church" Percy Robertson

Lot 653

After Georg Ehrlich (1897-1966), child crouching with dog, drypoint etching, signed in pencil, mount printed with the artist's name and presented by the artist, 15.5cm by 11.7cm, unframed, together with an unframed etching of a fishing boat, after Briscoe, 12.5cm by 17.5cm

Lot 730

After Balthasar Denner, portrait of an old man, etching by C B Bird, 1910, 39cm by 29.5cm

Lot 704

WWII 8th Army two printed personal messages from Field Marshall Montgomery to his troops dated Tunisia 14th May 1943 and 8th April 1943 and a collection of related photographs, ephemera, RAF magazines and an etching of a Cairo street, framed £40-60

Lot 378

A framed and glazed unsigned watercolour of a church and graveyard scene. Together with a framed and glazed coloured etching of a Victorian street scene. Largest approx. 33 x 23cm.

Lot 387

Charles William Cain (1893-1962) signed etching of fishing vessels off the coast in a choppy sea, 30 x 41cm

Lot 350

Framed hand-coloured etching "Denderah (Tentyris)" of Egyptian decoration

Lot 363

V Balfour-Browne: A pair of signed prints of deer in Highland landscapes, further print "Monarch of the Glen" and coloured etching of racehorse Tarrare

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