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Lot 215

§ Anthony Whishaw, RA (British, b. 1930) Woman with pink shoes signed with initials and numbered "AW 93/94" etching with watercolour, pen and ink 22.50 x 34cm (9 x 13in)

Lot 289

§ Kenneth Green, RP (British, 1905-1986) Study of a Walberswick Fisherman, signed lower left "Kenneth Green 1926", oil on canvas, unframed, 36 x 26cm (14 x 10in); together with a pen and ink sketch of Walberswick Fishermen, signed lower left "Kenneth Green 1925", 28 x 39cm (11 x 15.5in); Portrait of Miss Silcox, Headmistress, St Felix School, Southwold, signed lower right "Kenneth Green '25", etching, 27 x 23cm (10.5 x 9in); and a watercolour of Rome, signed lower left "Kenneth Green 22.9.34", 30 x 40cm (12 x 16in); with three other sketches in charcoal and another in pen and ink (8) Various sizes, some creasing, unframed.

Lot 529

1827 Pattern Rifle Officer's Sword 32 1/4 inch, single edged, slightly curved blade. Large fuller. Traces of etching. Chrome plated guard with Victorian crowned, strung bugle cartouche. Plated backstrap with part checkering. Shagreen covered grip with wire binding. Contained in its blackened steel scabbard with two loose hanging rings. Some dents.

Lot 978

Walter Dendy Sadler (British 1854-1923) Untitled Artist Signed Etching Depicting three Georgian gentleman in cottage courtyard setting. Signed in pencil by the artist lower left margin and by the engraver to lower right. Published by The Art Union Of London, 1892, framed and mounted under glass with inner gilt mount, 19.5 x 17 inches including margin. Please see accompanying image

Lot 990

Herbert Thomas Dicksee British ( 1862 - 1942 ) Coloured Etching, Printed In Sepia. Title ' The Wishing Pool ' Date 1903, From a Poem by Tennyson. Period Frame. Size 18.5 x 27 Inches - 47 x 68.5 cm. Mounted and Framed Behind Glass, Excellent Condition In All Aspects, No Foxing or Fading. Provenance - Original Label to Back Reads - T. Bromley & Son, Fine Art Gallery, Fold Street Bolton.

Lot 1212

Edgar Lawrence Pattison (1872-1950) - a coloured etching on artists stock paper being entitled ' Old Bridge, Stirling ' Signed in pencil by the artist to the corner, framed and glazed. Measures 34cms x 26cms / 48cms x 57cms

Lot 1351

Norman Wilkinson (1878 - 1971) drypoint etching - An early 20th Century illustrator and maritime artist, well known for his work illustrating Railway posters throughout his life. This etching entitled 'Trout Fishing on Loch Awe' depicts two fisherman on the Loch with the silhouette of a castle and hills to the background. Signed in pencil to the corner being framed and glazed, circa 1930.

Lot 354

Mark Myers (20th century) H.M.S Kelly, signed in pencil to border, print, 30 x 54cm, together with an etching after H.L. Boyle, 'Off Jutland 6.21pm May 31st 1916', two GEC-Marconi guide to military Aircraft cardboard pictures, a photograph of a sailor in uniform, a queen Elizabeth 'Official Cunard Cober', and two books, 'Weekly Illustrated Queen Mary' and 'Flight' etc.

Lot 430

After Piranesi (Giovanni Battista, 1720-1778) 'A View of St.Andrews Church della Valle at Rome' hand-coloured etching in carved gilt frame, 26 x 41cm, together with 'A View of Piazza Navona', after 'Le Geuy Del'? hand-coloured etching in matching gilt frame, 26 x 41cm (both trimmed)

Lot 424

Cannon, Margaret, 'September Ditch', etching, numbered 1/1, mounted, glazed and framed, approx. 32x42cm, together with a watercolour of a countryside scene and a lithograph entitled 'Postcard from Brighton', artist's proof and four further works by the same artist, all signed bar one (7)

Lot 395

William Lionel Wyllie RA (1851-1931), The Iron Duke Class battleships at sea, with bi-plane overhead, signed in pencil, etching on paper, 17x43cm

Lot 423

Eric Ravilious (1903-1942) 'HAMS' lithograph as published in 'High Street', approx. 23x15cm, mounted, glazed and framed, together with a limited edition etching 'Seaside Fish and Chips', a silhouette of a tree frog and a small print of two children eating marmalade (4)

Lot 382

BY AND AFTER ROBERT DIGHTON (1752-1814) A FASHIONABLE LADY IN DRESS & UNDRESS hand coloured etching, published 1807, 25 x 20cm and four contemporary furnishing prints (5)++Fashionable lady print with stained vertical tear through title lines and generally slightly stained and discoloured, the four other prints including a brightly coloured woodcut of the Gleaner, the three remaining small prints generally browned

Lot 364

JOHN SAMUEL AGAR (1773-1858) AFTER RICHARD COSWAY MRS DUFF; LADY HEATHCOTE a pair, stipple engravings and soft ground etching partly hand coloured, 38 x 30cm (2)++Some light staining and general surface dirt

Lot 345

MONOGRAMMIST W S, C1824 DAVID LOVE AGED 74 [THE PEDLAR POET OF NOTTINGHAM, 1750-1827] hand coloured etching, 12 x 7.5cm, hammered frame and two pairs of smaller contemporary furnishing prints similarly framed (5)++Print of Love lightly time stained but good, the others more heavily stained, the frames oxidised, the two smallest frames with small corner losses

Lot 375

IGIUSEPPE VAS (1710-1782) IL POSPETTO PRINCIPALE DEL TEMPIO E PIAZZA DI S. PIETRO IN VATICANO etching from two plates on two sheets joined, backed on linen, 1774, a later impresion, 86 x 112 (sheet) unframed++Vertical crease where folded, old handling marks and surface dirt. Not laid down

Lot 369

FRANCIS JUKES (1745-1812) AFTER ROBERT POLLARD VIEWS OF BALDOCK HERTFORDSHIRE a pair, hand coloured etching with aquatint, 31.5 x 45.5cm (2)++Both stained and somewhat dirty long undisturbed in the present early 19th c gilt frames

Lot 679

Sinclair. The *** Tree, dry point etching, signed in pencil and titled, plate size 19cm x 29cm.

Lot 482

Attributed to Adrian Van Ostade. Peasant leaning in his doorway, etching, 11cm x 10cm.

Lot 484

•Cyril H Barraud (1877-1965). Horse drawn caravans in the distance with path in the foreground and clouds gathering, coloured etching, signed, 26cm x 30.5cm.

Lot 237

Hubert Andrew Freeth (1912-1986), La Nonna Bellini, signed in pencil, dated 1935, etching, 35 x 12cm (PL), together with a collection of etchings by different hands.

Lot 172

John Verling (1943-2009), Mythical landscape with nude figures, signed and inscribed in pencil 'artists proof', dated Jan '75, etching, 24.5 x 24.5 cm (PL)

Lot 130

Cecily Sash (South African, born 1925), Abstract, signed and dated '73, inscribed 'artists proof', etching, 25 x 20 cm (PL)

Lot 158

•JULIAN TREVELYAN (1910 - 1988) ETCHING WITH AQUATINT PRINTED IN BLUE/GREY 'Market , Bolton' Signed, titled and numbered 2/30 in pencil, labelled verso 16 3/4" x 21 1/2" (42.5 x 54.6cm) plate (Exhibited at the Preston Art Gallery, Bolton)

Lot 156

•JULIAN TREVELYAN (1910 - 1988) ETCHING WITH AQUATINT, PRINTED IN BLUE/GREY 'Bolton, Washing Day' Signed, titled and numbered 4/30 in pencil 16 1/2" x 21 1/2" (41.9 x 54.6cm) (Exhibited at the Preston Art Gallery)

Lot 176

GEORGE EDWARDS 1742 HAND COLOURED ETCHING 'The Porcupine from Hudson's Bay' 7 1/2" x 10 1/4" (19cm x 26cm)

Lot 187

HENRY WILKINSON ARTIST SIGNED ORIGINAL COLOURED ETCHING Two basset hounds in long grass Signed in pencil and numbered 2/25 9 1/2" x 11 1/2" (24 x 29cm)

Lot 177

PETER FORD (Contemporary) DRYPOINT ETCHING AND WATERCOLOUR 'A Cat's Dream of Love and Power' Signed and inscribed in pencil 11 3/4" x 11 3/4" (30cm x 30cm)

Lot 157

•JULIAN TREVELYAN (1910 - 1988) ETCHING WITH AQUATINT, PRINTED IN BLUE/GREY 'Bolton' Signed, titled and numbered 11/30 in pencil 16 1/2" x 21 1/2" (41.9 x 54.6cm) (Exhibited at the Preston Art Gallery)

Lot 170

EILEEN ALICE SOPER (1906 - 1990) ARTIST SIGNED PROOF ORIGINAL ETCHING 'Swinging' 1927 Signed in pencil and labelled by John Mathieson & CO., Edinburgh, verso 7" x 9" (17.7 x 22.8cm)

Lot 383

NORMAN JAQUES (1926-2014) TWO WORKS SIGNED ARTIST PROOF COLOURED ETCHING 'Tree Landscape in Spring' 12" x 16" (30.3cm x 40.7cm) AND A MATCHING ETCHING IN DIFFERENT COLOUR WAY UNTITLED AND UNSIGNED, Both unmounted and unframed, (2) (from the Jaques Studio of Works)

Lot 382

NORMAN JAQUES (1926-2014) TWO WORKS ARTIST SIGNED COLOURED ETCHING 'Sea Shore, S. Wales', '64 22" x 17 ½ (56cm x 44.5cm) COLOUR LITHOGRAPH Pulled up fishing boats with village in the background Unsigned, colours off-set and margins clipped 16" x 20 ½" (40.7cm x 52.1cm) Both unmounted and unframed, (2) (from the Jaques Studio of Works)

Lot 186

HENRY WILKINSON (1921 - 2011) ARTIST SIGNED ORIGINAL COLOURED ETCHING Two spaniels in long grass Signed in pencil and numbered 37/40 9 1/2" x 11 1/2" (24 x 29cm)

Lot 487

JULIAN TREVELYAN; 'QUARRIES', Artist's proof etching, from 'Malta Suite' 1959, with Bear Lane Gallery, Oxford label

Lot 453

Two military silks of Royal Horse Guards and Horse Artillery by Cashs, together with a Hussars etching, and etching entitled 'Departure of the Grenadier Guards', all framed and glazed (4)

Lot 357

Graham Clarke (b.1941) coloured etching and aquatint, 'Crabbers Retreat', signed, titled and numbered in pencil to margin, no. 297/350, Christie's blindstamp, 27 cm x 34 cm, framed and glazed. ARR may apply to this lot.

Lot 348

John Brunsdon (1933-2014) limited edition coloured etching and aquatint, 'Llansannan', signed titled and numbered in pencil to margin, no. 4/150, Christie's blindstamp, 37 cm x 44 cm, framed and glazed. ARR may apply to this lot.

Lot 349

John Brunsdon (1933-2014) limited edition coloured etching and aquatint, 'Salt House', signed titled and numbered in pencil to margin, no. 50/350, Christie's blindstamp, 45 cm x 60 cm, framed and glazed. ARR may apply to this lot.

Lot 354

Graham Clarke (b.1941) coloured etching and aquatint, 'Gruntled', signed, titled and numbered in pencil to margin, no. 8/300, Christie's blindstamp, 34 cm x 54 cm, framed and glazed. ARR may apply to this lot.

Lot 353

Graham Clarke (b.1941) coloured etching and aquatint, 'The Snook Cocker', signed, titled and numbered in pencil to margin, no. 4/300, Christie's blindstamp, 34 cm x 54 cm, framed and glazed. ARR may apply to this lot.

Lot 489

Major General Foster Stalker 1798-1857, Commander of the North Indian Division against Persia in 1857, his Punjab medal with Mooltan clasp, together with Ghuznee medal and miniature, plus his gold miniature Order of the Dooranee Empire (5.2g), also in the lot a daguerrotype photograph of him in full uniform, a large etching with card negative, two ambrotype images of relatives, original ribbon, and official hand written correspondence (parcel)here is only naming on the Punjab medal, the dagguerro type is badly faded with discolouration to the edges, and is only visible from certain angles, please see additional images, would suggest viewing if possible

Lot 356

Graham Clarke (b.1941) coloured etching and aquatint, 'Vita's White Garden', signed, titled and numbered in pencil to margin, no. 179/350, Christie's blindstamp, 27 cm x 34 cm, framed and glazed. ARR may apply to this lot.

Lot 325

A miscellaneous group of prints, including Johannes Graadt van Roggen (1867-1959) etching 'Woman Sweeping a Courtyard', signed in pencil to margin, 22.5 cm x 17.5 cm; Jeremy Sancha (Contemporary) linocut, 'Interior of a Narrow Boat' signed and numbered in pencil to margin, 29/50, 22 cm x 15 cm; Christopher Hues (19th Century) 'Great Bedwyn Old Town Hall', 17 cm x 24 cm; a contemporary etching on metal after Jan Luyken (1649-1712) 'Schreyers Tower, Amsterdam', 21.5 cm x 28.5 cm, framed, together with three further prints and a 1904 photograph of Brightlingsea Hard, 1904, all framed and glazed (8)

Lot 350

John Brunsdon (1933-2014) limited edition coloured etching and aquatint, 'Stubble Burning', signed titled and numbered in pencil to margin, no. 64/150, 43.5 cm x 38 cm, framed and glazed. ARR may apply to this lot.

Lot 351

John Brunsdon (1933-2014) limited edition coloured etching and aquatint, 'Border Country', signed titled and numbered in pencil to margin, no. 55/150, Christie's blindstamp, 38 cm x 43.5 cm, framed and glazed. ARR may apply to this lot.

Lot 322

Francisco Goya (Spanish, 1746-1828)'SI RESUCITARA?'Etching, 1814-1815, plate 80 from the portfolio ‘The Disasters of War’ (Los Desastres de la Guerra), comprising 82 prints. Five editions were published between 1863 and 1937, with a total of over 1000 impressions of each printplate 17 x 22cm

Lot 347

Elizabeth Frink (1930-93) - Bull, etching, ltd ed 86/100, 1986, pencil signed to lower right margin, 29.5 x 27.5 cm paper size c/w receipt from Beaux Arts, Cork Street dated 1993ARR may be applicableGood condition, no tears, marks, frame in good condition also

Lot 513

Edouard Manet (1832-1883) - Etching - "Le Guitariste oder le Chanteur espagnol", 11.75ins x 9.5ins, plate signed "ED. Manet" to upper right, in ebonised frame and glazed Provenance: Robert Dunthorne & Son Ltd, the Rembrandt Gallery, 5 Vigo Street, London W1

Lot 516

Camille Pissarro (1830-1903) - Etching - "Paysage à Rouen (Côte Sainte-Catherine)", 5ins x 6.825ins, fourth state, signed to lower right and inscribed to lower left, in ebonised frame and glazed

Lot 532

Auguste Delatre (1822-1907) - Two etchings - Swineherd with pigs, 2.75ins x 2.5ins, signed in plate and numbered 62, and Landscape with cattle drinking at a tree lined pond, 2.5ins x 3.75ins , and 19th Century Continental school - Etching - Wood with rural pathway, 6ins x 9ins, all framed and glazed

Lot 514

Edouard Manet (1832-1883) - Drypoint etching - "Le Fumeur", 9.25ins x 6ins, in ebonised frame and glazed Provenance: Robert Dunthorne & Son Ltd, the Rembrandt Gallery, 5 Vigo Street, London W1

Lot 448

LEONARD BREWER ARTIST SIGNED ORIGINAL ETCHING 'Through the Portico of the Whitworth Art Gallery' Signed and titled in pencil 11 1/2" x 6" (29.5cm x 15.5cm) and G.E. MARSDEN ORIGINAL ETCHING 'Country Inn' Signed in pencil 6 1/4" x 7 3/4" (15.9cm x 19.7cm)

Lot 400

HEATHER POWER (TWENTIETH/ TWENTY FIRST CENTURY) LIMITED EDITION ARTIST SIGNED ETCHING 'Oddington Crossing', silhouette of a bare tree,(1/50) 18 ½" x 13 ½" (47cm x 34.3cm)

Lot 11

Hedley Fitton (British, 1857-1929), 'Rue St Romaine - Rouen', etching, signed and titled in pencil to lower margin, framed and glazed, 31 x 33.5cm

Lot 35

Hedley Fitton (British, 1857-1929), Interior scene of Notre-Dame, Paris, etching, signed in pencil to lower margin, framed and glazed, 61 x 40cm

Lot 6

Hedley Fitton (British, 1857-1929), Architectural study, etching, signed to lower margin, 54 x 36cm

Lot 623

An etching after Anthony Gross, rustic path, signed and dated 1924, 10 x 7.5inCONDITION REPORT - FRAMED

Lot 601

An etching, William Walcott, The House of Sallust, 8 x 7.5in

Lot 618

An etching, after Percy Lancaster, River Lune, signed, 4 x 5in and a similar etching, castle, 4 x 5in

Lot 110

Joyce Ntobe AKA Beezy Bailey (South African 1962-) I DREAMED I FLEW AWAY WITH THE AMERICANS IN THEIR CADILLAC signed, dated '15, editioned A/P and inscribed with the title in pencil in the margin softground, hardground and aquatint etching with hand-embellished blind embossing In 1992 the South African National Gallery acquired three works on paper by a little known “township artist Joyce Ntobe” who had been overlooked by the selection panel of the Cape Town Triennale. When the institution wanted to pay the artist a furor erupted as it was revealed that Joyce Ntobe in fact did not exist. Joyce Ntobe was in reality, the constructed personae of artist Beezey Bailey, grandson of Randlord Sir Abe Bailey and heir to a prestigious collection of 18th century British Art on Permanent Loan to the National Gallery. With cheque in hand, Bailey held a press conference and arrived dressed in housekeeper’s uniform, half his face painted white and the other black. In a playful dig at the collecting policies of the South African National Gallery at the time of post-democratic inclusivity in 1991, Bailey produced works under cover of his ”alter-ego”. After the ploy was exposed, the works remained attributed to Joyce Ntobe because once accepted by the Acquisitions Committee, works of art in the national collection are inviolate and protected ad infinitum by an act of parliament. Building on this success, Bailey created many new works and a website that tracks Joyce’s development. Here is a unique opportunity to acquire a striking work by the now well-known Joyce Ntobe who is celebrated both locally and abroad … and is included in the National Collection! sheet size: 124 by 59cm

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