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Lot 1
JAMES ABBOTT McNEILL WHISTLER (1834-1903) THE LITTLE PUTNEY, No.1 (Kennedy 179) Etching, 1878, the second state of two, with the blindstamp of the Printsellers' Association Plate 13 x 20.5cm.; with "Bain-Froid Chevrier" (S.93) by Charles Meryon, fifth state, posthumous edition, pl.12.75 x 14.2cm.. (2) ++ Whistler with foxing; Meryon good, with some foxing
Lot 1
WILLIAM WALCOT (1874-1943) TRAFALGAR SQUARE Etching with drypoint, signed in pencil, unframed Image 16 x 30cm.; with a colour etching of "Magic Music" by Fred Millar after Averil Burleigh, signed by the etcher, unframed. (2) ++ Walcot with some damp marks and gum stains in margin only; a very little surface soiling; Millar generally good.
Lot 1
JOHN TAYLOR ARMS (1887-1953) Lace in Stone, Rouen etching signed and dated 1928 and inscribed 'To my Friend H.E. Carling, John Taylor Arms 1948, ; cut at plate edge on three sides and marginally on fourth with discolouration and some yellowing and other defects sold unexamined out of frame 14 x 11 1/2in (35.6 x 29.3cm)
Lot 1
WILLIAM MONK, R.E. (1863-1937) St Osyth, Essex signed (lower left) 'Monk' watercolour 10 x 13 1/2in (25.4 x 34.3cm) three pencil drawings depicting 'A Foundry'; View towards a Barn; and 'Moreton Old Hall'; an etching of flowers and bird nest by the same artist ; and a watercolour by Boddington titled 'The Hayfield on the hillside, 1891' (5)
Lot 1
S. Curnow Vosper 'St. Nicholas Priory, Exeter - The Crypt'; 'St. Nicholas Priory, Exeter - the Kitchen'; 'Le Bagage' The first and second lithograph The third etching The first and second signed within the plate Thethird signed in pencilwithinthemarginlower right The first and second s. 28.5cm x 30cm The third p. 9cm x 12.5cm and three watercolours
Lot 1
John Hoyland (b. 1934) Abstract composition in pink, mustard and mint Limited edition lithograph Signed and dated 73 in pencil within the margin lower right Inscribed 16/75 within the margin lower left S. 55.5cm x 76cmand Richard Smith (b. 1931) Abstract composition in red and grey Limited edition aquatint and etching Signed, dated 73 and inscribed 16/75 in pencil within the margin lower left S. 32.5cm x 56.5cm
Lot 1
A collection of late 19th and early 20th century prints comprising Gants de Sude (Levy 40), 1890, lithograph by J.A.M. Whistler; three etchings of architectural views by John Taylor Arms; three etchings by A. Legros; one etching of a street scene with Westminster Abbey by William Walcot; The Prodigal Son (Binyon 10), etching, 1882, by William Strang; two etchings of landscapes by H. Moore; one etching of weary workers by R. Schwabe; Coaching, lithograph by W. Nicholson, The Stone-breaker and his family, lithograph by K. Lawson; and five etchings and one lithograph by unidentified artists, in varying conditions S. 370 x 535mm. (and smaller) (20)
Lot 1
Augustus John (1878-1961) The Old Haberdasher (Campbell & Dodgson 36) etching, 1903, on laid paper, numbered 25/25, with margins, a small crease at the extreme upper left sheet corner, very pale discoloration at the extreme left sheet edge, otherwise in good condition, framed P. 175 x 152mm., S. 278 x 233mm.
Lot 1
Augustus John Old Scott etching and drypoint, on laid paper, signed in pencil, titled, inscribed 'Plate no. 33' and numbered 25/25 in ink (faded), with margins, pale light-staining, discoloration at the sheet edges, minor paper loss at the extreme upper right sheet corner, a fox mark in the left margin, backing staining to the reverse, otherwise generally in good condition, framed P. 127 x 127mm., S. 285 x 225mm.
Lot 1
Augustus John A Man Etching (Self-portrait) (C&D. 136) etching, 1919, on laid paper, signed in pencil, second (final) state, from the edition of 50, with margins, occasional soft creasing and surface dirt in the margins, remains of old tape to the reverse at the upper sheet edges, otherwise in good condition, framed P. 150 x 98mm., S. 285 x 225mm.
Lot 1
Christopher Richard Wynne Nevinson (1889-1946) Le Pont Royal, Paris etching and aquatint, 1934, on wove paper, signed in pencil, dark mount-staining, pale light-staining, a little remains of old glue in the upper left margin, soft creasing at the left and right sheet edges, remains of old tape and backing staining to the reverse, otherwise in good condition, framed P. 275 x 425mm., S. 380 x 555mm.
Lot 1
Samuel Palmer (1805-1881) The Homeward star, from An English Version of the Ecologues of Virgil (Lister 16) etching, on laid paper, second state (of four), published in 1884, with margins, pale light-staining, remains of old glue to the upper sheet edge on the reverse, otherwise in good condition, framed P. 132 x 190mm., S. 217 x 320mm.
Lot 1
Pierre-Auguste Renoir (1841-1919) Femme nue couche (Delteil 14) etching, 1906, on laid paper, a posthumous impression, with margins, dark mount-staining, otherwise in good condition, framed P. 167 x 110mm., S. 233 x 165mm.; and Sur la Plage, a Berneval (D. 5), etching, on laid paper, a posthumous impression (2)
Lot 1
James Abbott Mcneill Whistler Old Putney Bridge (K. 178IV) etching and drypoint printed with tone, 1879, on laid paper, fourth (final) state, signed in pencil, published by the Fine Art Society, London, with irregular margins, a vertical printer's crease in the right of the image, pale mount-staining, a little rippling at the left sheet edge, otherwise in good condition, framed P. 200 x 294mm., S. 235 x 320mm.
Lot 1
A collection of early 20th century prints comprising Atom, etching and aquatint by Harry Sternberg; The artist's daughter, etching and drypoint by [J. Kohl]; an engraving of a country road by John F. Greenwood; a lithograph of an armaments factory by Sir George Clausen; Les Amoures du Rossignol et de la Rose, engraving by [Roger Hieillared]; two engravings and six lithographs in green by [Fritz Eudell] depicting designs on Greek and Etruscan mirrors of mythological scenes, and two other engravings by the same hand; a lithograph of two women on a beach by an unidentified artist; all of the above signed in pencil; and Fa Marhali, a lithograph with re-working in ink and white paint, by F. Staeger, in varying conditions S. 515 x 385mm. (and smaller) (17)
Lot 1
Jean Arp Vers le Blanc Infini, La Rose des Vents, Lausanne and Paris, 1960 (A. 405-412) the set of eight etching and aquatints, on Rives, with title, text and justification, signed by the artist on the frontispiece, number 166, from the edition of 499 (there was also an edition of 100 numbered in Roman numerals), with full margins, in very good condition, loose in a grey paper-covered card folder and slipcase, foxing on the spine, unobtrusive handling marks to the slipcase, otherwise in good condition (portfolio)S. 385 x 290mm. (overall)
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78388 item(s)/page