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Lot 641
Antique original etching on paper depicting a musical composer portrayed in profile. Name and date in plate on center left: illegible 1924. Edition number in pencil on lower left: 1/100. Signature in graphite on lower right: illegible. Artwork dimensions: 9.50"L x 12"H. Mat size: 11"L x 14"H. Artwork can be unframed and rolled for shipment. Issued: 1924Dimensions: See DescriptionEdition Number: 1 of 100Condition: Age related wear.
Lot 640
Antique original etching on laid paper featuring the Portrait of a Man in three-quarter view made in a Realist style. Signature and date in plate: illegible 1926. Signature in graphite on lower right: illegible. Edition number on lower left: 1/100. Artwork dimensions: 9.25"L x 12"H. Mat size: 11"L x 14"H. Issued: 1926Dimensions: See DescriptionEdition Number: 1 of 100Condition: Age related wear.
Lot 642
Original etching on laid paper featuring the Portrait of General Douglas Mac Arthur in three-quarter view. He is surrounded by war scenes and a bold eagle rising above his head. Written on lower center: I shall keep the soldiers faith. On the upper left: Andre Tellier, New York City 1942. Artwork dimensions: 8.25"L x 12.75"H. Issued: 1942Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear. Sporadic soiling.
Lot 643
Original double portrait etching on laid paper entitled Grandparents made in a Pop illustration style with shades of black, white and grey to depict an extreme close-up of a couple who looks straight at the viewer. Title and dedication on lower left: Grandparents. On the occasion of their 59th wedding anniversary. Signature and date in graphite on lower right: B. Sheiffer 11/65. Artist: B. Sheiffer (American 20th century)Issued: 1965Dimensions: 19.50"L x 15"HCountry of Origin: United StatesCondition: Age related wear.
Lot 52
PIERRE SOULAGES (1919-2022)Eau-forte XXII, 1973 (BNF, 23)Eau-forte, aquatinte et carborundum en noir sur FabrianoSignée et numérotée 61/90 Editée par 2RC, Rome 94 x 94 cmEtching, aquatint and carborundum in black on Fabriano, signed and numbered 61/90Footnotes:ProvenanceCollection particulière, MilanThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 114
JAUME PLENSA (NE EN 1955)Symetrie, 2018 Eau-forte sur papier fait mainSignée en bas au centreEdition à 30 exemplairesEditée par la Galerie Lelong, Paris155 x 100 cmEtching on handmade paper, signedThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 12
JOAN MIRÓ (1893-1983)Chanteur des Rues II, 1981 (Dupin, 1137)Eau-forte en couleursSignée et numérotée 12/8056,8 x 42,2 cmColour etching, signed and numbered 12/80Footnotes:ProvenanceCollection particulière, BarceloneThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 47
AFRO BASALDELLA (1912-1976)Grande Grigio, 1975 Eau-forte et aquatinte sur Fabriano Signée et numérotée 48/50 Editée par 2RC, Rome 108 x 218 cmEtching and aquatint on Fabriano, signed and numbered 48/50Footnotes:ProvenanceCollection particulière, MilanThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 48
VICTOR PASSMORE (1908-1998)The abstract, 1972 Eau-forte et aquatinte sur Fabriano Signée, datée et numérotée 12/25Editée par 2RC, Rome 230 x 100 cmEtching and aquatint on Fabriano, signed, dated and numbered 12/25Footnotes:ProvenanceCollection particulière, MilanFor further information on this lot please visit Bonhams.com
Lot 113
JAUME PLENSA (NE EN 1955)Sans titre, 1983 (Lelong, 36)Aquatinte et eau-forte en noir Epreuve d'essai signée et numérotée 1/1Imprimée et éditée par Joan Barbarà, Barcelone 69 x 47 cmAquatint and etching in black, proof signed and numbered 1/1For further information on this lot please visit Bonhams.com
Lot 54
EDUARDO CHILLIDA (1924-2002)Urrutiko, 1973 (Maeght, 119)Eau-forte et aquatinte en noir sur FabrianoSignée et numérotée 87/90Editée par 2RC, Rome95 x 95 cmEtching and aquatint in black on Fabriano, signed and numbered 87/90 Footnotes:ProvenanceCollection particulière, MilanThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 46
SAM FRANCIS (1923-1994)Island Plate, 1973 (Lembark, SFE-1H) Eau-forte et aquatinte sur Fabriano Signée et numérotée 22/36 Porte le timbre sec de l'éditeur, 2RC, Rome 75 x 91 cmEtching and aquatint on Fabriano, signed and numbered 22/36Footnotes:ProvenanceCollection particulière, MilanThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 23
PABLO PICASSO (1881-1973)Modèle accroupi, Sculpture de Dos et Tête barbue, La Suite Vollard, 1939 (Bloch, 188; Baer, 347)Eau-forte sur papier vergé Montval avec filigrane PicassoExecutée en 1933 dans une édition à 260 exemplaires Editée par Vollard, Paris45 x 34 cmEtching on Montval laid paper with watermark Picassoexecuted in 1933 and from an edition of 260Footnotes:Provenance:Galeria Elvira González, Madrid. Collection particulière, Espagne (acquis auprès de celle-ci en 1995).© Succession Picasso 2024.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 125
ALEX KATZ (NE EN 1927)Still Life, 1974 (Maravell, 73)Aquatinte et eau-forte sur vélin Signée et numérotée 16/62Editée par Brooke Alexander, Inc. et Marlborough Graphics, Inc., New York 56 x 78 cm (à vue)Aquatint and etching on wove paper, signed and numbered 16/62Footnotes:ProvenanceCollection particulière, FranceFor further information on this lot please visit Bonhams.com
Lot 53
PIERRE ALECHINSKY (NE EN 1927)Ombres occidentales, 1974 Eau-forte et aquatinte sur vélin Signée, datée, titrée et numérotée 40/63Porte le timbre sec de l'éditeur 2RC Edizioni d'Arte, Rome102,5 x 201,5 cmEtching and aquatint on wove paper, signed, dated, titled and numbered 40/63Footnotes:ProvenanceCollection particulière, MilanThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 700
John Sell Cotman (1782-1842), 'North Wales' soft ground etching, no.21 in 'Liber Studiorum: A Series of Sketches and Studies' 1838 Bohn edition, together with 'Norwich Thorpe', no.18, 1834 (originally created 1805-14), 18x11cm, 14x12cm respectively, framed and glazed (2) From Christopher Glanville RWA collection.
Lot 735
Thomas Lound (1802-1861) 'Etchings and Drypoints; A Set of New Impressions', first issued in 1974 by Christopher Drake Ltd and printed at the Octopus Press, London. The edition was announced as 75 sets with 10 hors de commerce. However, from that edition of 75, 35 sets remained unpublished. The prints in this edition are those that were printed but unpublished in 1974 and have been numbered 41-75 and presented in folio / slip case made by Smith Settle in Yorkshire. The original etching plates are now the property of the Castle Museum, Norwich. This is set number 48, published in 1997 by Robin Garton (Garton edition) Ltd, Wiltshire.
Lot 613
Nicolas Beatrizet (French, 1515–ca. 1566), after Baccio Bandinelli The Combat between Reason and Love Rome, 1545 Published by Antonio Salamanca Etching Inscribed in plate lower right 'Ant Salamanc excudeb Roma 1545 NB F' and in centre 'Baccius Brandin. inven' See British Museum (1869,0410.2147) Dimensions: (Frame) 20.75 in. (H) x 26.25 in. (W) (Paper) 19.25 in. (H) x 24.75 in. (W)
Lot 626
Jim Dine (American b.1935) Louisiana Hearts 1982 Offset lithograph in colours with etching on wove paper, signed, dated and inscribed A/P in pencil, an artist's proof aside from the standard edition of 100, dedicated for Claire from Jim. London. October 1982 in pencil, published by Louisiana Museum, Humlebaek, framed. Literature D'Oench and Feinberg 119 Dimensions: (Frame) 19 in. (H) x 19.5 in. (W) (Paper) 17 in. (H) x 17.5 in. (W)
Lot 505
Frederick Christian Lewis the Elder (English, 1779-1856) A pair of etchings after Poussin, in His Majesty's Collection Etching and aquatint Published by L. Chamberlaine, London Property of a gentleman From the collection of Peter Roe Dimensions: 14.25 in. (H) x 16.5 in. (W) To be sold without reserve
Lot 1131
A George VI Officer's Dress Sword, presented to Second Lieutenant R G Bellam, Royal Engineers, on the occasion of him passing out from the Royal Military Academy at Sandhurst July 21st 1950, 32ins plated proved blade with decorative etching, plated pierced guard, shagreen wire bound hilt, leather mount and acorn, in leather covered scabbard with hangers, 40ins overall in leather carrying case for same Note: You must be over 18 to purchase this item. We cannot post this item but we can recommend a shipper
Lot 315
Horst Janssen(1929 Hamburg - 1995 ebenda)"Svanshall B". OriginaltitelFarbradierung/Velin, 1976. R. u. sign., dat. sowie bez. "Svanshall exp.". In der Platte betitelt. Plattenmaß 11,3 cm x 18,5 cm. 13,5 cm x 20,5 cm (Passepartoutausschnitt). Rahmen. Etching in colours on wove paper, 1976. Hand-signed, dated and inscribed "Svanshall exp.". Inscribed with title in the plate.
Lot 254
Salvador Dalí(1904 Figueras - 1989 ebenda) nach"Der Bräutigam hüpft über die Berge". OriginaltitelRadierung mit Pochoir und Goldauflage/Velin, 1971. Bez. und nummeriert 54/250. Aus der Folge "Das Hohe Lied des Salomon". Vgl. Wvz. Michler/Löpsinger 473. Plattenmaß 40,2 cm x 25,2 cm. Blatt 56,5 cm x 38,3 cm. Rahmen.After Salvador Dalí (1904 - 1989). Etching with stencil colouring and gold on wove paper. Inscribed and numbered 54/250.
Lot 281
Pablo Picasso(1881 Málaga - 1973 Mougins)"Le peintre au cirque" (Der Maler im Circus). Originaltitel Kaltnadelradierung/Rives-Velin, 1970. In der Platte dat. "23.(0)5.(19)70). Blatt Nr. 55 aus der posthumen Edition der "Suite 156" mit der Picasso-Stempel-Signatur in Schwarz (wie herausgegeben), nummeriert in Bleistift "36/50" (es gab überdies 15 Épreuvres d'artiste), gedruckt von Aldo und Piero Crommelynck in Mougins, herausgegeben von der Galerie Louise Leiris in Paris 1978. Wvz. Bloch 1910, Baer 1916, Orozco 2943. Schöner Abzug mit breiten Blattrand und sichtbaren Schöpfrändern. Plattenmaß 27 cm x 34,8 mm, Blatt 41,5 cm x 47,5 cm.Etching (drypoint) on Rives wove paper, 1970. Plate no. 55 from "Séries 156". Print from the posthumous edition, stamp signed (as issued), numbered 6/50 in pencil (there were also 15 or 18 artist's proofs), printed by Aldo and Piero Crommelynck in Mougins, published by Galerie Louise Leiris in Paris, 1978. In a very good condition with wide full margins. Plate 27 cm x 34,8 cm, sheet: 41,5 cm x 47,5 mm.
Lot 1648
Michelangelo Maestri(Tätig um 1800 - 1812 in Rom) attr.;Allegorie der Ewigkeit oder auch Venus im TriumphwagenDarstellung vor schwarzem Grund mit einer jungen, weiblichen Figur in einem Triumphwagen, gezogen von zwei schwebenden Amoretten mit brennenden Fackeln. Motiv und Stil des klassizistischen Blattes lassen es Maestri zuschreiben, der durch die antiken Fresken in Pompeji und Herculaneum sowie Raffael und Romano inspiriert wurde. Viele Gouachen Maestris erwarben wohlhabende Reisende und Adelige während ihrer Grand Tour. Das vorliegende Blatt entstand in enger Anlehnung an eine "Venus" betitelte Radierung Tommaso Pirolis in "Peintures de la Villa Lante à Rome" (1. Ausgabe Paris 1803), der hierin wiederum ein um 1520 geschaffenes Fresko von Giulio Romano wiedergibt, das sich einst in der Villa Lante in Rom befand und heute im Palazzo Zuccari zu finden ist. Gouache (über Umrissradierung?)/Papier. Unterhalb bez. "Giulio Romano (/) Michelangelo Maestri". Blatt ca. 40 cm x 53 cm. Rahmen.Attributed to Michelangelo Maestri (active circa 1800-1812 in Rome). Gouache (over etching?) on paper. Inscribed "Giulio Romano (/) Michelangelo Maestri".
Lot 257
Salvador Dalí(1904 Figueras - 1989 ebenda)"L'Académie de Paris" (Die Akademie in Paris). OriginaltitelFarbradierung/Arches-Velin (Wasserzeichen), 1971. R. u. sign., nummeriert 184/250. Wvz. Michler/Löpsinger 514. Platte 42,5 cm x 59,5 cm. Blatt ca. 56,5 cm x 75,5 cm. Rahmen.Graveur-Arbeit nach einer Zeichnung, die Dalí anlässlich seiner Aufnahme in die Académie des Beaux-Arts in Paris anfertigte.Etching in colours on Arches wove paper (watermark). Hand-signed, numbered 184/250.
![Cromwell meeting George Fox at Hampton Court.- [Spence (Robert, painter and etcher, 1871-1964)] "Taking Boat, I went down to](https://cdn.globalauctionplatform.com/1af08fce-2052-435b-a0d8-b22d00bf2bad/6728147f-2a3e-4c2b-882b-b22d00c2ae87/468x382.jpg)
Lot 155
Cromwell meeting George Fox at Hampton Court.- [Spence (Robert, painter and etcher, 1871-1964)] "Taking Boat, I went down to Kingston, and from thence went toward Hampton Court, to speak with the Protector about the Sufferings of Friends. I met him Riding into the Park and as he rode in the Head of his Lifeguard I saw and felt a Waft (or Apparition) of Death go forth against him: and when I came to him, he look'd like a dead Man... 1658", original copper plate of the etching, 178 x 228mm., [c. 1900]; and another, a calligraphic manuscript of William Blake's poem, "The Echoing Green", framed and glazed, n.d. (2).
Lot 202
André Bicât (French, 1909-1996). A collection of six artists proofs, including "Tuscan Church", 1965-66, etching and aquatint, signed to lower right, 44 length x 32.5cm width, a watercolour and ink print, depicting a hilly terrain with sparse trees, numbered 88/110 to lower left, signed to lower right, 44.5 length x 33.3cm width, 'Autumn wood', print depicting a abstract depicting of trees, signed to lower right, 37 length x 22.5cm width, 'White Flowers', etching, signed to lower right, 28 length x 35cm width, a abstract print of various shapes and colours, 30 length x 36cm width, a abstract colourful print of shapes, 28 length x 45cm width. (6) Provenance: Born in Essex to French and Anglo-Irish parents, Andre Bicat was a painter, printmaker and influential teacher. From 1966-74 he worked as a tutor in the Printmaking Departments at the Royal College of Art and the City and Guilds Art School in London, where he was known as an inspiring and committed teacher. Condition Report: all mounted in frames.
Lot 1011
THE ETCHING CLUB Etch'd Thoughts 1844, London, 60 etchings by T. Fearnley, T. Creswick, H.J. Townsend & others, fol. orig. gt. dec. cl. worn & loose with some leaves det. lacks spine, plus RETIREMENT PRESENTATION hand written & illustrated cl. bnd. 4to volume by J. McConochie 'Life's Pleasures and Pitfalls illustrated by Reproduced Water Colour Painting with Poetical References by J. Mc.C. London, 31st.Dec. 1923' to E. Howard on his retirement from Deloitte, Plender & Griffiths (2)40-70
Lot 1305
Prynne (William), Canterburies Doome, or the first part of a compleat history of the commitment, charge, tryal, condemnation, and execution of William Laud late Arch Bishop of Canterbury, folio, calf, illus. with an etching by W. Hollar and two portrait engravings, printed by John Macock, 1646.
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