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Lot 1352

Julian Williams (b.1953). Cockney Sparrow, artist signed limited edition etching, Creative Picture Framing label verso, 25cm x 23cm.

Lot 1017

Henry George Rushbury (1889-1968). Figure before boat, etching, signed to the mount, Chas. A. Jackson Fine Art Dealer Carver and Gilder label verso, 28cm x 32cm.

Lot 1354

Julian Williams (b.1953). Geese, artist signed limited edition etching, 104/150, 77cm x 59cm.

Lot 1351

Julian Williams (b.1953). Chicken, artist signed limited edition etching, 239/500, Creative Picture Framing label verso, 14cm x 12cm.

Lot 1176

Willi Kissmer (b.1951). Lang Halbakt I, artist signed limited edition etching number 58/200, labelled verso, 71cm x 20cm.

Lot 1221

Sir William Walcott (1875-1943). Figures before building, etching, signed, 16cm x 23cm.

Lot 298

Mila Fürstová (Czech, born 1975): 'True Love I' Artwork From Coldplay's 'Ghost Stories' Album, 2014 , numbered A/P, hand-printed etching with ink and paint on heart-shaped paper, inscribed in ink For Marianne & Mike with love titled True Love and signed and dated 2014 by the artist, on raised mount, framed and glazed, artwork 46 x 40.5cm (18 x 16in). Footnotes: Provenance: Gifted to the vendor by the artist. Lyrically, 'True Love' talks about heartache and how the protagonist can't bear the pain of losing his lover. The song's lyrics were addressed to be about Chris Martin's divorce from his wife Gwyneth Paltrow, a recurrent theme on the whole album. Martin has claimed that 'True Love' is the band's favourite track it has ever written. Fürstová, whose work has been described as 'dazzling images [that] are both contemporary and personal, searching in the surreality of dreams, tales and fables that can map the framework of our consciousness', and has won numerous awards, including the Royal College of Art Society Award in 2001 and becoming the youngest academician at the Royal West of England Academy in 2009, was invited by Coldplay to etch artwork for their new album in January 2013. She described the collaboration between her and the band as 'a most inspiring journey and a truly humbling experience to cooperate with such talented people'. This lot is subject to the following lot symbols: AR AR Goods subject to Artists Resale Right Additional Premium. For further information on this lot please visit Bonhams.com

Lot 299

Mila Fürstová (Czech, born 1975): 'Midnight Forest' Artwork From Coldplay's 'Ghost Stories' Album, 2014, numbered A/P, hand-printed etching on paper, titled, signed and dated 2014 in yellow ink by the artist, this artwork being the only print made in this size, framed and glazed, 53 x 85cm (21 x 33 1/2in). Footnotes: Provenance: Gifted to the vendor by the artist. This lot is subject to the following lot symbols: AR AR Goods subject to Artists Resale Right Additional Premium. For further information on this lot please visit Bonhams.com

Lot 418

William Lionel WyllieShipping on the Thames before the Tower of LondonAn EtchingSigned in pencil to the margin25 x 37cmTogether with a Trial proof, of Shipping on the Clyde at Govan 23 x 37.5cm and another etching 22 x 37.5cm both unsigned

Lot 1

Stanley Roy Badmin (1906-1989) British, 'Tanyard Farm, Sussex', etching, signed and numbered 17/40 in pencil, plate size 5" x 6.75" (12.5 x 17cm).

Lot 10

Auguste Brouet (1872-1941) French, travelling families, etching, signed and numbered 77/100 in pencil, plate size 5.25" x 8.25" (13 x 21cm).

Lot 3

James Abbot McNeil Whistler (1834-1903), 'Billingsgate', etching, Aitken Dott and Son label verso, 6" x 9" (15 x 22.5cm).

Lot 43

George Soper (1870-1942), 'Timber Hauling, No. 11', etching, signed in pencil, plate size 8" x 11.75" (20 x 30cm).

Lot 44

George Soper (1870-1942), 'Timber Hauling, No. 1', etching, signed in pencil, plate size 6" x 10.75" (15 x 27cm).

Lot 45

Leigh Harrison Hunt (1858-1937), boats in a harbour, etching, signed in pencil, plate size 14" x 17.75" (36 x 45cm).

Lot 63

Fred W. Goolden, 'Manchester Royal Infirmary', etching, signed in pencil, Thos Agnew & Sons, Manchester, trade label verso, 11.5" x 18", (29x46cm).

Lot 7

Andrew Fairbairn Affleck (1874-1935), 'Zaandam Zaw Mill', etching, signed in pencil, plate size 9" x 13.75" (23 x 35cm).

Lot 79

John Brunsden, 'Farm', a colour etching, inscribed, numbered 36/100 and signed in pencil, 8.75" x 11.75", (22.5x30cm).

Lot 8

Geoffrey Garnier (1889-1971), 'The Old Mill, Molesworth', etching, signed and inscribed 'Trial' in pencil, 10.5" x 12" (27 x 30cm).

Lot 2212

† ELYSE ASHE LORD (1900-1971); a limited edition coloured etching, 'The Immortals, 66/75, signed and numbered in pencil, 44.5 x 57cm, framed and glazed.

Lot 1512

JEAN BAPTISTE CAMILLE COROT (1976-1875); etching, 'Dans le Dunes', 15 x 21cm, framed but unglazed.

Lot 1524

EDWARD JULIUS DETMOLD (1883-1957); etching, figures and camels in a desert, signed lower left, 18 x 35cm, with a further Detmold engraved of an eagle, signed M Detmold in pencil, both framed and glazed (2).Condition Report: The etching of the camel and figures has mould blooming to the right hand said which has encroached onto the paper.

Lot 1531

A collection of 19th century and later engravings and prints, various subjects to include an unframed etching of Greenwich Beach by William Washington, an unframed print of a bridge in Peking, a watercolour study of birds, with Abbott & Holder label verso, etc.Condition Report: Two framed, all others unframed. All items from a deceased Cheshire. There is one one William Washington engraving in this lot - please see additional images.

Lot 1535

EDWARD JULIUS DETMOLD (1883-1957); etching, Lilytrotter, signed and initialled in pencil, 24.5 x 23.5cm, framed and glazed.

Lot 1547

PAUL SANDBY (1725-1809); aquatint with etching, 'Part of Warwick Castle from the South East', 31.5 x 46.5cm, another Paul Sandby engraving 'Briton Ferry in Glamorganshire', published Sept 1775, 36.5 x 47.5cm, with a pencil and watercolour sketch of figures in a woodland in the manner of Paul Sandby, all framed (3)

Lot 1706

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'Sitting Hare', signed lower right, dated (19)26, 14 x 19cm. Catalogue Raisonné no.29.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1707

† CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Kestrel', signed lower right, 1926, Catalogue Raisonné no.32, framed and glazed. Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1708

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Cattle Fair/Cattle Market, Water's Green, Cheshire', signed with faint pencil mark lower right, 1928, 20.5 x 28cm, framed and glazed, Catalogue Raisonné no.51.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1709

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, untitled, cattle in farmyard, signed lower right, date unknown, 30 x 38cm, framed and glazed.Provenance: This is omitted from the Catalogue Raisonné, but confirmed by Robert Meyrick as the first one to turn up that is omitted from the Catalogue Raisonné since publication. Also confirmed by the family.These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1711

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Wheat Field', signed lower right, titled lower left, 1927, 16 x 28cm, framed and glazed, Catalogue Raisonné no.43.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgvery minor foxing to the top portion of the image otherwise in good condition.

Lot 1712

† CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Mowing Machine', signed lower right, titled on the mount, with PP lower left, all in pen, 1928, 16.5 x 24cm, framed and glazed, Catalogue Raisonné no.61.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgStaining round the edges from the mount otherwise appears in good condition.

Lot 1713

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Black Angus', signed lower right, 1929, 15.5 x 23cm, framed and glazed, Catalogue Raisonné no.86.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1714

† CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Hovel Doorway' (titled by the artist lower left as 'The Smithy Door'), limited edition no.57/75, signed lower right, 1927, 19.5 x 25cm, framed and glazed, Catalogue Raisonné no.49.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org There is a slight crease in the bottom right hand corner, there is a 2cm mark in the top centre section of the image.

Lot 1715

† CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Bull', signed lower right, marked 'Trial Proof' lower left, 1926, 22.5 x 28cm, framed and glazed, Catalogue Raisonné no.30.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1716

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The New Calf', unsigned, 1928, 21.5 x 30cm, framed and glazed, Catalogue Raisonné no.54, with note 'Ref Studio No. 442 Trial Proofs'.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org Slight foxing to the top section on the image otherwise good condition.

Lot 1717

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The New Calf', unsigned, 1928, 21.5 x 30cm, unframed, Catalogue Raisonné no.54, 'Reference Studio No. 442 Trial Proofs'.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1719

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Singing Ploughman', signed lower right, 1928, 20 x 28cm, framed and glazed, Catalogue Raisonné no.71.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgAppears in fair condition.

Lot 1720

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Sheep Doctor', signed lower right, 1928, 17.5 x 19cm, framed and glazed, Catalogue Raisonné no.59.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgAppears in fair condition.

Lot 1721

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'A Hard Winter', signed lower right, 1928, 22.5 x 27.5cm, framed and glazed, Catalogue Raisonné no.60.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org Appears to be in fair condition.

Lot 1722

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Milking Stool', signed lower right, 1926, 23 x 18cm, framed and glazed, Catalogue Raisonné no.34.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1723

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Water Trough', signed lower right, 1926, 15 x 15cm, framed and glazed, Catalogue Raisonné no.36.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1724

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'Evans', a life drawing of the back of a semi-nude male, sat on chair, signed lower right, dated 1929, 11.5 x 10cm, framed and glazed, Catalogue Raisonné no.89.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1753

† MARC CHAGALL (1887-1985); signed limited edition etching, 'The Birth', elderly lady washing a baby in a bucket with nude female in a bed, signed lower right, 77/770, 20 x 16cm, framed and glazed.

Lot 1756

† LEONARD GRIFFITH BRAMMER (1906-1994); etching, 'Etruria Hall', signed lower right, 23 x 27cm, framed and glazed.

Lot 1780

† JOHN MCNULTY; a group of three signed limited edition etchings, to include 'Meadow Bank I', 'Impressions I' and 'Impressions II', together with a limited edition signed etchinG, 'Pines', largest 34 x 30cm, all signed lower right, all unframed.

Lot 456

Michael Blaker R.E. born 1928, "Village Band" origianal etching with aquatint and colour wash, the plate signed in pencil No.19/125, 12.5cm x 22cm 

Lot 460

Leonard Russell Squirrell, pencil signed etching "The Cat House Jetty, River Orwell" pencil sign to mount, limited edition 17/50, circa 1949, 15cm x 25cm 

Lot 66

A framed etching signed R. W. Arthur Rouse depicting cattle and an oxford townscape (34 x 39cm), alongside a hand coloured framed print signed, A J Meyer, of a village street (40 x 33cm). Condition Report:Available upon request

Lot 89

2 FRAMED PRINTS BY PAUL TAVERNOR ON THE TRAIL 23/225 & COMBAT 145/225 & AN ETCHING OF A HARE BY MEYR-PUCHERELT

Lot 148

Samuel Henry Baker (British 19th century), Coston Hackett, study of a country church, pencils. 21x32cm approx. Together with A Watson Turnbull, uncoloured etching of a Windmill, signed in pencil. 20x27cm approx. Framed. Together with an original engraving of Swansea Post Office. 28x37cm approx. Framed. (3) (B.P. 21% + VAT)

Lot 261

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'Gaw End Swing Bridge' (1928),Etching on paper,Signed to lower margin,15cm x 23.5cm,Framed and glazed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society.

Lot 262

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'The Fruit Of The Tree' (c1925),Etching on paper,Signed to lower margin,30cm x 21.5cm,Framed and glazed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society. CONDITION REPORT:The work is framed under glass and has not been removed for inspection.  The paper shows the odd small fox mark to the top edge of the sheet, and the odd pin head fox mark to the printed area.  It is possible that the paper may have darkened somewhat over time.  The right side of the mount shows a hanging trim approximately 7mm long.

Lot 264

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'The Forest Of Macclesfield' (1929),Etching on paper,Unsigned,20cm x 30cm,Framed and glazed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society. CONDITION REPORT:The print is framed under glass and has not been removed for inspection.  The printed surface appears to be in good condition, showing no obvious damage.CONDITION REPORT:The print is framed under glass and has not been removed for inspection.  The printed surface appears to be in good condition, showing no obvious damage.

Lot 265

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'Mowing Bullocks Meadow' (7th state, 1929),Etching on paper,Signed and inscribed "7th state" to lower margin,19.5cm x 29.5cm,Framed and glazed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society. CONDITION REPORT:The work is framed under glass and has not been removed for inspection.  The printed surface appears to be in good condition, however the paper shows what appears to be the odd small fibre visible on the top half of the sheet, and on the underside of the glass at the lower left corner.   There is also a small mark to the left hand margin, and another smaller mark to the right hand margin.  It is possible that the paper may have darkened somewhat over time.

Lot 266

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'Sheep At Kemps Croft Farm' (1928),Etching on paper,Signed to lower margin,19.5cm x 37.5cm,Unframed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society. CONDITION REPORT:The printed surface appears to be in good condition.  Under the hinged mount, the top left and right corners show what appears to be damage caused by tape removal.  The left and right  margins  both show marks commensurate with historic handling, as does the reverse of the sheet.  It is possible that the paper may have darkened somewhat over time.

Lot 267

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'Virgin & Child' (1929-32),Etching on paper,Signed in the print,10.5cm x 9cm,Framed and glazed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society.

Lot 281

After William Stott of Oldham (British, 1857–1900),"Le Passeur" [The Ferryman],Etching on paper by George Percy Jacomb-Hood (British, 1857-1929),Signed and inscribed "After Stott" to lower margin,13cm x 20cm,Framed and glazed

Lot 283

After Rembrandt van Rijn (Dutch, 1606-1669),Twelve prints of Rembrandt etchings, 19th century prints on laid paper,Signed in the plate, each with type set number below,The sheets 44cm x 31.5cm,Unframed (at fault),With a further unframed etching on laid paper, "Le Bossu a La Canne" [The Hunchback with a Cane] after Jacques Callot (French, 1592–1635), the sheet 24.5cm x 32.5cm (13)

Lot 291

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'To The Slaughter' (1925),Etching on paper,Signed to lower margin,31cm x 22cm,Framed and glazed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society. CONDITION REPORT:The print is framed under glass and has not been removed for inspection.  The printed surface appears to be in good condition, however there are signs of wear and handling to the lower right corner, with further slight discolouration extending up the lower part of the right margin.  The top margin shows some fine foxing (possibly dirt or wear) along the margin side of the plate mark, and the left margin show the odd pinhead fox mark.

Lot 13

Brilliant clear crystal Annual Edition, Inspiration Africa, The Lion in a sitting position. This item has its original box which measures: 7.5"L x 7"W x 7.5" H. Certificate of Authenticity included. Signed Adi Stocker and Swarovski factory etching on the bottom. Issued: 1995Dimensions: 5€L x 3.5€W x 2.75€HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

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