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Lot 226

James Gillray Counsellor OP - defender of our Theatric Liberties! hand coloured etching, published 1809 by Humphrey, 34 x 24cm (max); John Martin `Satan contemplating Adam and Eve in Paradise` Book 4, Line 502 mezzotint marked `proof` to lower right corner margin, 22 x 29.5cm including margins (2) 34 x 25cm (13 x 10in) A little browned.

Lot 428

GUICHARD (Kenneth M) British Etchers 1850-1940, London: Robin Garton 1977, 4to, signed vignette etching and two full page plates by Robin Tanner, occasional light finger marking, morocco backed cloth; together with a loose folded aquatint signed Michael Gabriel numbered 4/10

Lot 450

CUNDALL (H M) Birket Foster, edition de luxe (500), A & C Black 1906, with etching `Sheep Feeding` frontispiece, colour plates, t.e.g. others untrimmed, replaced endpapers, original cloth; BATES (H E) My Uncle Silas, illustrated by Ardizzone, first edition 1939, dust wrapper (2)

Lot 458

Cecil Charles Windsor Aldin, R.B.A. (British, 1870-1935) What about a Walkie ? etching signed and numbered 39/150 below in pencil 16½ x 22cm (6 x 9in)

Lot 3

HM Queen Victoria (1819-1901). Waldmann and Eos. Etching, on wove paper. Signed in the plate, with inscribed date 1840 24/9, lower right 10 x 15 cm. Provenance: Belgravia Gallery, London (gallery label on reverse)

Lot 4

Jackson Simpson - A Spaniel, etching and another signed etching of a dog (2). Condition report: see terms and conditions

Lot 8

Meta Plukebaum - "Bzzzz" signed etching in decorative gilt frame. Condition report: see terms and conditions

Lot 1271

A WWI period R Artillery officer?s sword, almost straight blade 35?, by Samuel Bros. with winged lightning and ?Royal Artillery? (most etching obscured by rust), triple bar hilt, leather FS scabbard. QGC

Lot 1271

A WWI period R Artillery officer’s sword, almost straight blade 35”, by Samuel Bros. with winged lightning and “Royal Artillery” (most etching obscured by rust), triple bar hilt, leather FS scabbard. QGC

Lot 219

After George Cruickshank (19th century) "Indigestion" inscribed and originally published in 1835, coloured etching, possibly a later re-strike, 21.5 x 28 cm, together with three Japanese prints, entitled, "Spinning from Cocoons," "Buffalo Cart," "Turning Lathe," (4)

Lot 870

*Anna Pugh (b.1938). Camarque I, artist signed etching 27/150, 30cm x 27cm, Mary Ford (b.1944), sailing boats, artist signed print 18/150, 19cm x 48cm (2)

Lot 897

After D Deighton. The Glory Hole Lincoln, signed etching, 15cm x 10cm and other signed etchings and prints

Lot 916

After Edward Cherry. Timber framed building, signed etching, also two others. (3)

Lot 917

After George Weston. A signed etching of Lincoln Cathedral and four other etchings

Lot 918

Edward J Cherry. Building, possibly London, a signed etching, another of York, signed Barker and an etching signed Fred Slocombe (3)

Lot 41

A Victorian mahogany framed chaise longue with carved top rail, spindle supports with floral and foliate etching, fabric and button back upholstery, raised on turned legs, 200cm wide

Lot 274

A mid 20th century artisan circular glass bowl or centre piece with spiral etching, 48cm diameter, together with a mid 20th century Charlotte Rhead baluster shaped vase with multicoloured floral and foliate designs, 22cm high

Lot 289

Two mid 20th century circular brass Oriental table tops or wall hangings with profuse etching and pie crust moulding to the rims, 58cm wide

Lot 294

Two oriental brass circular tabletops or wall hangings with elaborate etching to the main bodies, the largest 57cm diameter

Lot 870

*Anna Pugh (b.1938). Camarque I, artist signed etching 27/150, 30cm x 27cm, Mary Ford (b.1944), sailing boats, artist signed print 18/150, 19cm x 48cm (2)

Lot 897

After D Deighton. The Glory Hole Lincoln, signed etching, 15cm x 10cm and other signed etchings and prints

Lot 918

Edward J Cherry. Building, possibly London, a signed etching, another of York, signed Barker and an etching signed Fred Slocombe (3)

Lot 1192

Admiral Lord Nelson Interest, to include framed memorial etching, Trafalgar battle plan, three Nelson related picture postcards, Edwardian period, glass etched with Nelson & HMS Victory, large resin Scrimshaw style ornament depicting ""HMS VICTORY"" approx 18cm long, boxed Nelson commemorative medal and a Spode plate ""The Cunard Steam Ship Company Ltd.

Lot 1192

Admiral Lord Nelson Interest, to include framed memorial etching, Trafalgar battle plan, three Nelson related picture postcards, Edwardian period, glass etched with Nelson & HMS Victory, large resin Scrimshaw style ornament depicting ""HMS VICTORY"" approx 18cm long, boxed Nelson commemorative medal and a Spode plate ""The Cunard Steam Ship Company Ltd.

Lot 145

William Lionel Wyllie (British, 1851-1931). Maritime study of sailing ships at harbour, signed in pencil lower right, etching. H: 37cm W: 49cm

Lot 247

Glyn Thomas (Contemporary British school, b.1946). 'Pisa', signed lower right, limited edition, aquatint etching on paper, 32/150. H: 22cm W: 20.5cm together with one other similar 'Tuscan Window', signed lower right, limited edition aquatint etching on paper no. 148/150. H: 15cm W: 13cm

Lot 255

Contemporary British school. A study of a sleeping cat, signed indistinctly in pencil lower right, limited edition etching no. 36/95. H: 23cm W: 23cm together with one other similar by the same hand, signed lower right. H: 28cm W: 35cm

Lot 339

Roland Batchelor R.W.S. (British, 1889-1990) 'Self Portrait', 1936, signed lower right in pencil, gallery label to verso, limited edition etching on paper, no. 11/40. H: 16cm W: 12cm Provenance: The Catto Gallery

Lot 364

Sir Lionel Lindsay (Austrailian, 1874-1961). 'Grenada', signed lower left in pencil, gallery label to verso, dry point etching on paper. H: 24cm W: 14cm Provenance: Abbott & Holder, London

Lot 368

Simon Turvey (20th century British school). 'Wild Cat', monogrammed in plate, signed in pencil lower right, limited edition aquatint etching on paper no. 14/75. H: 21cm W: 20.5cm

Lot 370

Arthur Ralph Middleton Todd, R.A. (British, 1891-1966). 'Ponte Vecchio', signed lower right in pencil, gallery label to verso, dry point etching on paper. H:18cm W: 17cm Provenance: Abbott & Holder Gallery, London

Lot 382

John Bulloch Souter (British, 1890-1972) 'Canadian Woman', a head and shoulder portrait, signed lower right, limited edition etching on paper no. 35/40. H: 19.5cm W: 17.5cm

Lot 433

Irina Makoveeva (Contemporary Russian School) "Relaxation", study of a reclining tiger, signed and dated 2001 in pencil lower right, dry point etching in colours. H. 6.5cm

Lot 135

After Jean-François Millet (1814-75, French), `Two Cows`, etching, info verso, 8.6 x 14.5cm, a 19th Century engraving, `La Vue de Venise` (Venice), 12.5 x 33cm, Cruikshank, 19th Century etching, `Public Bathing at Bath, or Steaming Alive`, 9.4 x 18.4cm and an 18th Century coloured print `Comforts of Bath`, 12.6 x 19cm. (4)

Lot 218

Paul Iris? (20th Century), study of a bottle of wine and spider`s web, etching, 31 x 24cm.

Lot 625

Five small containers holding a selection of early fishing flies of varying composition together with a pewter Cut Cast box with hinged lid, a copy of A Handy Guide to Fish Culture or Fish Culture Made Easy by J J Armistead, published by The Angler Limited and dated 1897, also together with a framed and glazed humorous hand coloured etching of a perplexed young fisherman

Lot 661

A black and white etching after Sir Peter Paul Rubens showing a bust length study of Helene Fourment, inscribed Louis Senaum and Rubens, with further blind embossed stamp from the Louvre Museum, 18 x 13 cm in wooden frame

Lot 664

An 18th century black and white engraving showing a section of St Paul`s Cathedral decorated according to the original intention of Sir Christopher Wren and dedicated to His Royal Highness George Prince of Wales, by Sam Wale Junior and indistinctly dated, 85 x 52 cm in pine frame with gilt slip together with a signed coloured etching showing the Statue of Liberty, indistinctly signed bottom right Andrew Ingamells and dated 1996, 132 x 49 cm approx in gilt frame with distressed finish

Lot 674

A collection of three 18th and 19th century engravings relating to culinary subjects including example after Gabriel Metzu showing La Cuisiniere Hollandoise, a study (probably after Morland) of butter churning and a study of a Newhaven fish woman selling oysters, various sizes, 40 x 30 cm maximum together with three further pictures including a black and white etching of Minehead by Nora M Parker, signed bottom left and a black and white engraving of an 18th century pastoral landscape after P Bril (all framed)

Lot 708

A limited edition coloured signed etching of a misty river scene with single arched bridge, signed bottom right M Ware and titled Bridge, edition 99/180, 41 x 49 cm together with a further signed limited edition coloured etching of a country landscape with oast house, signed bottom right P Bisson and inscribed Uddles Green, artist`s proof 35/35, 33 x 42 cm, both framed

Lot 725

A humorous pen and ink study of the interior of a doctors` surgery with FLU victims together with an etching of school children at play and also together with a further black and white etching of a baby lying on a bed, various sizes, 17 x 25 cm maximum (all framed)

Lot 1922

A FOLIO OF ASSORTED PRINTS to include a tinted lithograph of `Nelson, New Zealand` by J. Needham, poor condition; a tinted lithograph of `The Little Lucy` by T. G. Dutton; eight wood engravings of `The Drunkard`s Children`after George Cruikshank, signed and dedicated by the artist on the cover, tears; engravings of `Portrait d`Hassan Pacha` and `Aborde de la Ville d`Alexandrette` by Miger after L. F. Cassas; a mezzotint of `Pointers` by W. Ward after J. N. Sartorius [see illus.]; an etching of `The Earl of Crawford and Balcarres` by G. L. Brockhurst, signed; four etchings by or after C. Meryon, M. Lalanne (inscribed), J. B. Jongkind; and a few others (a lot) ++ Very mixed conditionCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

Lot 1924

WILLIAM WALCOT (1874-1943) LONDON BRIDGE Etching with drypoint, signed in pencil 9.5 x 14.5cm. ++ Generally goodCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

Lot 1932

•GWEN RAVERAT (1885-1957) LA MORT DE DAVID; JEU DE BOULES, VENCE; BOWL PLAYERS Three wood engravings, c.1921-1922, each signed in pencil 13.5 x 11.5cm.; and 10 x 15cm. approx.; with an etching by another hand. (4) ++ Each with some foxing; damp spots etc.Condition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

Lot 1933

WILLIAM WALCOT (1874-1943) THE LIBRARY OF ST. MARKS, VENICE Etching with drypint, signed in pencil 11.5 x 17.5cm. ++ Some slight mat burnCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

Lot 1934

WILLIAM LIONEL WYLLIE, RA (1851-1931) FISHING LUGGERS OFF DOVER Etching, published by R. Dunthorne, 1905, signed in pencil within the image, unframed 27.5 x 43.5cm. ++ Some foxing and time staining; tape stains in marginsCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

Lot 824

Folio of etching & prints to include three sepia prints after C. Lorraine & etchings after Lopez & Chauvel

Lot 572

Etching 'Lincolnshire Fens' by Walter Wm Burgess 1881 44 cm x 31.5 cm

Lot 372

After Havell, set of four shooting prints; two prints of Darlington, etching of Westminster, etc (8)

Lot 572

Etching 'Lincolnshire Fens' by Walter Wm Burgess 1881 44 cm x 31.5 cm

Lot 625

Five small containers holding a selection of early fishing flies of varying composition together with a pewter Cut Cast box with hinged lid, a copy of A Handy Guide to Fish Culture or Fish Culture Made Easy by J J Armistead, published by The Angler Limited and dated 1897, also together with a framed and glazed humorous hand coloured etching of a perplexed young fisherman

Lot 661

A black and white etching after Sir Peter Paul Rubens showing a bust length study of Helene Fourment, inscribed Louis Senaum and Rubens, with further blind embossed stamp from the Louvre Museum, 18 x 13 cm in wooden frame

Lot 664

An 18th century black and white engraving showing a section of St Paul`s Cathedral decorated according to the original intention of Sir Christopher Wren and dedicated to His Royal Highness George Prince of Wales, by Sam Wale Junior and indistinctly dated, 85 x 52 cm in pine frame with gilt slip together with a signed coloured etching showing the Statue of Liberty, indistinctly signed bottom right Andrew Ingamells and dated 1996, 132 x 49 cm approx in gilt frame with distressed finish

Lot 674

A collection of three 18th and 19th century engravings relating to culinary subjects including example after Gabriel Metzu showing La Cuisiniere Hollandoise, a study (probably after Morland) of butter churning and a study of a Newhaven fish woman selling oysters, various sizes, 40 x 30 cm maximum together with three further pictures including a black and white etching of Minehead by Nora M Parker, signed bottom left and a black and white engraving of an 18th century pastoral landscape after P Bril (all framed)

Lot 708

A limited edition coloured signed etching of a misty river scene with single arched bridge, signed bottom right M Ware and titled Bridge, edition 99/180, 41 x 49 cm together with a further signed limited edition coloured etching of a country landscape with oast house, signed bottom right P Bisson and inscribed Uddles Green, artist`s proof 35/35, 33 x 42 cm, both framed

Lot 115

FRANK BRANGWYN RA, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ""The Moat"" (circa 1913), 12"" x 16"", unframed 100-150

Lot 255C

Bootham Bar York, coloured etching with 'Academy Proof'' blind stamp, signed in pencil A DuPont.

Lot 753

After Kenneth Steel - 1906-1973 - line etching and drypoint - Stirling Castle - signed in pencil - 31 cm x 37 cm Condition report: No condition report available

Lot 3

Johnstone Baird - `Loch Long`, etching, signed in pencil recto, titled label verso, approx 27.5cm x 38cm, within an ebonized frame, together with three other prints.

Lot 33

David Remfry - `Walpurgisnacht`, colour etching, signed and editioned 6/50 in pencil recto, titled label verso, approx 39cm x 30cm, within an ebonized frame.

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