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W.H. Lane & Son
Lot 243

Grace GARDNER (1920-2013) (American School) Etching, collage & thread Untitled abstract – based on a grid pattern Inscribed E99-19 8.75” x 12” (22.2cm x 30.5cm) Note: Resident in Cornwall since 1964

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W.H. Lane & Son
Lot 244

Grace GARDNER (1920-2013) (American School) Black and white etching Rock study Artist’s Proof Signed in pencil 4.5” x 5.25” (11.5cm x 13.3cm)

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W.H. Lane & Son
Lot 245

Henry Scott TUKE (1858-1929) Black and white etching La Belle Dame sans Merci – (Illustrated Keats Famous Poem) Signed within the plate & dated 1879 6.25” x 8.25” plate size (16cm x 21cm) Note: This etching was part of a project began at Slade with his close friend Thomas Cooper Gotch. The project was to complete a set of etchings by illustrating verses of the poem of Keats. Illustrated ‘Henry Scott Tuke – Paintings from Cornwall’ by Catherine Wallace, page 18 Provenance: Geoffrey Sainsbury, B.D. Price to the present owner.

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W.H. Lane & Son
Lot 322

* Trevor ALLEN (1939-2008) (a.k.a Trevor Abbott) Black and white etching ‘Sargents Pepper’s Valet’ Artist’s proof Inscribed Signed in pencil 11.75” x 17.75” (29.8cm x 45cm)

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W.H. Lane & Son
Lot 334

* Patrick HUGHES (b.1939) Etching in colour ‘The Unexpected Guest’ Inscribed & numbered 6/75 in pencil Signed and dated (19)87 Unframed 11.75” x 8.75” wide margins (29.8cm x 22.2cm)

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W.H. Lane & Son
Lot 337

* John KIRBY (b.1949) Black & white etching Untitled – head & shoulder portrait of a man Inscribed PP (Printer’s Proof) & numbered 2/2 Signed Unframed 7.5” x 6.5” image size (19cm x 16.5cm) wide margins

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W.H. Lane & Son
Lot 338

* Carole HODGSON (b.1940) Black & white etching ‘Stone & Light Together’ Inscribed & numbered P1/P3 Signed in pencil Unframed 7” x 6” (17.8cm x 15.2cm)

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W.H. Lane & Son
Lot 339

* Carole HODGSON (b.1940) Black & white etching ‘Silences & Spaces’ Inscribed & numbered P2/3P Signed in pencil Unframed 9” x 6” (23cm x 15.2cm)

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W.H. Lane & Son
Lot 351

* Alexander Y. WHISHAW (1870-1946) Etching in colours Twilight Assisi Signed in pencil 15.25” x 12” image size (38.7cm x 30.5cm)

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W.H. Lane & Son
Lot 372

* Anthony BENJAMIN(1931-2002) Etching on paper ‘Earl’ From ‘Seven Etching for Seven Letter’ Inscribed, numbered 9/25 Signed with monogramme & dated 1999 Unframed 11.5” x 8.75” image size (29.2cm x 22.2cm) wide margins

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W.H. Lane & Son
Lot 373

* Anthony BENJAMIN(1931-2002) Etching on paper ‘Verbs of the Sea’ ‘Seven Etching for Seven Letters’ Inscribed, numbered VI/X Signed with monogramme & dated 1999 Unframed 11.5” x 8.75” image size (29.2cm x 22.2cm) wide margins

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W.H. Lane & Son
Lot 374

* Anthony BENJAMIN(1931-2002) Etching on paper ‘Element’ from ‘Seven Etchings for Seven Letters’ Inscribed and numbered VII/X Signed to verso Signed with monogramme and dated 1999 Unframed 11.5” x 8.75” (29.2cm x 22.2cm)

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W.H. Lane & Son
Lot 396

Carol O’TOOLE (b.1949) Etching in red ink ‘Sky Sweethearts’ Inscribed in pencil Signed & numbered 2/100 11” x 14.5” (28cm x 36.8cm)

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W.H. Lane & Son
Lot 397

Carol O’TOOLE (b.1949) Etching in red ink ‘Siesta I’ Inscribed in pencil Signed & numbered 2/100 10.75” x 14.75” (27.3cm x 37.5cm)

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W.H. Lane & Son
Lot 442

Alexander MACKENZIE (1923-2002) Line etching & aquatint on paper Scrimshaw – Mary Rose Artist’s Proof V from an edition of 20 Inscribed, signed & dated 2002 in pencil Printed by Hugh Stoneman on velin Arches Blanc 270g 5.75” x 11.75” image size (14.6cm x 29.8cm) wide margins

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W.H. Lane & Son
Lot 443

Alexander MACKENZIE (1923-2002) Etching and aquatint on paper Winter Fields Artist’s Proof IV aside from an edition of 20 Printed by Hugh Stoneman on Velin Arches Blanc 270g paper Unframed 5.75” x 8” image size (14.6cm x 20.3cm) wide margins

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W.H. Lane & Son
Lot 458

Mortimer Luddington MENPES (1855-1938) Coloured etching Portrait of a fish wife Signed in pencil 10” x 7.75” (25.4cm x 19.7cm)

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W.H. Lane & Son
Lot 491

* Anthony BENJAMIN(1931-2002) Etching aquatint ‘Broadest Blue’ Inscribed, signed & numbered 8/25 to verso Signed with monogramme & dated 1999 Unframed 12.25” x 9.25” image size (311cm x 23.5cm) wide margins

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W.H. Lane & Son
Lot 492

Anthony BENJAMIN(1931-2002) Etching aquatint ‘Winter’s Air’ Inscribed, signed & numbered 8/25 to verso Signed with monogramme & dated 1999 Unframed 12.25” x 9.25” image size (31.1cm x 23.5cm) wide margins

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W.H. Lane & Son
Lot 495

* June REDFERN (b.1951) Sugarlife aquatint etching ‘Sunset’ Inscribed & numbered 16/25 in pencil Signed 10.75” x 13.75” (27.3cm x 35cm)

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W.H. Lane & Son
Lot 496

* June REDFERN (b.1951) Coloured etching ‘Mary’s Dream 6’ Inscribed & numbered 4/35 Signed 11.5” x 7.75” image size (29.2cm x 19.7cm)

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W.H. Lane & Son
Lot 497

* June REDFERN (b.1951) Multicolour etching ‘The Ferry’ Inscribed & numbered 20/35 in pencil Signed 10.25” x 11.25” (26cm x 28.6cm)

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W.H. Lane & Son
Lot 498

* June REDFERN (b.1951) Sugarlift aquatint etching ‘Homeward Journey’ Inscribed & numbered 20/35 in pencil Signed 10” x 11.5” (25.4cm x 29.2cm)

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W.H. Lane & Son
Lot 499

* June REDFERN (b.1951) Sugarlift aquatint etching ‘The Ferry Woman’ Inscribed & numbered 24/35 Signed 9.75” x 13.75”(24.8cm x 34.9cm)

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W.H. Lane & Son
Lot 500

* June REDFERN (b.1951) Sugarlift aquatint etching ‘Evening Call’ Inscribed & numbered 20/35 in pencil Signed 11.25” x 12.75”(28.6cm x 32.4cm)

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W.H. Lane & Son
Lot 510

* Kurt JACKSON (b.1961) Etching & dry point ‘An off shore wind Priest Cove’ Limited edition numbered 11/80 Signed & dated 1999 8” x 6.25” image size (20.3cm x 16cm) Literature: Illustration 59 – Paintings of Cornwall & the Scillies by Kurt Jackson, published 1999

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W.H. Lane & Son
Lot 97

* Graham CLARKE (b.1941) Etching and aquatint ‘Monday’ Inscribed in pencil and numbered 181/300 Signed and dated June 1996 21.5” x 27.75” plate size (54.6cm x 70.5cm)

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W.H. Lane & Son
Lot 98

* Graham CLARKE (b.1941) Etching and aquatint ‘Bloater & Skyrocket’ Inscribed in pencil & numbered 31/300 Signed 19.25” x 23.25” plate size (49cm x 59cm)

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W.H. Lane & Son
Lot 99

* Graham CLARKE (b.1941) Etching and aquatint ‘Salon de The’ Inscribed in pencil and numbered 115/300 Signed 17” x 21.5” plate size (43.2cm x 54.6cm)

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Thomson Roddick Scottish Auctions
Lot 251

JACKSON SIMPSON (1893-1963) Evening Pencil signed, etching, 22cm x 14cm CONDITION REPORT: Stained discoloured and foxed Framed

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Thomson Roddick Scottish Auctions
Lot 252

GEORGE SOPER (1870-1942) Horses by the Sea Pencil signed, etching, 26cm x 16cm CONDITION REPORT: Item is framed

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Martel Maides Auctions
Lot 571

Gerald Leslie Brockhurst, RA, RE (British, 1890-1978) 'Francis McNamara', etching, executed 1920, signed in pencil to margin, 4 7/8 x 3¾in. (12.4 x 9.5cm.).

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Martel Maides Auctions
Lot 572

Kenneth Steel, RBA, SGA (British, 1906-1970) 'Durham', etching, signed in pencil to margin, 11¾ x 13¾in. (30 x 35cm.).

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Martel Maides Auctions
Lot 573

Richard Montague Stack Pearsall (Irish, 1891-?, exh.1929-39) 'Venice, Palazzo Foscanini', etching, no. 32/75, signed and inscribed, 8¼ x 15¾in. (21 x 40cm.); together with 'Rio della Guerra, Venice', etching, no. 16/75, signed and inscribed, 12 x 7¾in. (30.5 x 19.5cm.). (2)

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Martel Maides Auctions
Lot 581

Edmund Blampied (Jersey, 1886-1966) 'Come on Boys', drypoint etching, signed and dated to plate 1921, signed to margin in pencil, edition of 100, 7½ x 11½in. (19 x 29.25cm.).

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Martel Maides Auctions
Lot 584

after Michel A. Richecoeur (British, b.1946) 'Guernsey 1982', folio of twelve tinted etchings, each 7 x 13½in. (17.75 x 34.25cm.), signed, inscribed and numbered 45/100 to each etching and frontispiece, bound in original green leather box case.

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Martel Maides Auctions
Lot 585

Gerald Leslie Brockhurst RA, RE (British, 1890-1978) 'Una', etching, signed in pencil to margin, 8½ x 6in. (21.5 x 15.25cm.).

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Martel Maides Auctions
Lot 586

Gerald Leslie Brockhurst RA, RE (British, 1890-1978) 'Xénia', etching, signed in pencil to margin, dated 13.5.48 verso, 7¾ x 6in. (19.75 x 15.25cm.).

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Martel Maides Auctions
Lot 587

Kenneth Steel, RBA, SGA (British, 1906-1970) The stone bridge, etching, signed in pencil to margin, 2 5/8 x 3¾in. (6.75 x 9.5cm.).

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Martel Maides Auctions
Lot 588

A portrait etching of Mussolini titled 'Dux' (the Leader), oval plate, signed and dated 1926 in pencil to margin, 12 x 8½in. (30.5 x 21.5cm.). Condition: Good condition overall. Two small insects trapped beneath glass. No foxing or notable browning to paper. Modern inlaid wood frame.

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Dreweatts & Bloomsbury (Dreweatts)
Lot 17

William Lionel Wyllie (British, 1851-1931) Pool of London Dry point etching Signed in pencil 19cm x 40cm

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Dreweatts & Bloomsbury (Dreweatts)
Lot 49

Gertrude E Offord (Norwich Art Circle) River scene Watercolour Signed lower left 24cm x 35cm; Henry Sheppard Dale Church Scene Etching Signed in pencil to the margin 32.5cm x 22cm; Arthur Spence An entrance to a fortified town Lithograph Signed in pencil to the margin 15.5cm x 22cm; And a quantity of prints, pictures and a mirror -7 Best Bid

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Dreweatts & Bloomsbury (Dreweatts)
Lot 73

Norbert Goeneutte (1854-1894) Boat builder working, with town beyond Etching, with drypoint Signed in pencil with red ink stamp, lower right Unframed 20cm x 28cm

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Dreweatts & Bloomsbury (Dreweatts)
Lot 78

William Lionel Wyllie (British, 1851-1931) Forth Bridge Dry point etching Signed in pencil 12.5cm x 34.5cm

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Gerrards Auction Rooms
Lot 969

Robert Walker Macbeth 1848-1910 Signed Etching 'Ferry To The Inn' with figures signed in pencil lower right. Etching 10x18'' Period good quality frame. Mounted & framed behind glass.

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Hansons Auctioneers and Valuers
Lot 2179

After Degas a hand tinted etching of a young girl with authenticity certificate to verso

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Hansons Auctioneers and Valuers
Lot 2219

William Henry Simmons (1811-1882) The Bedale Hunt, after Anson A. Martin, coloured etching, published 1842 by Graves and Warmsley, London, framed

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Hansons Auctioneers and Valuers
Lot 2249

A collection of various pictures, comprising an 18th Century coloured etching, two further etchings, a reproduction advertising sign, a wool work picture and a hand decorated cover

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Ewbank's
Lot 1512

Ferdinand Schmutzer (Austrian 1870-1928) dry point etching of the Austrian actor Josef Kainz as Hamlet circa 1906

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Ewbank's
Lot 1519

18th century dry point etching 'The North Prospect of London, Taken from the Bowling Green at Islington' dated 1752, 28 x 36cms

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Maxwells
Lot 457

John Ward: etching, "Fishing", signed in pencil, 11 x 11¾ in, framed and glazed; another print

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Maxwells
Lot 489A

William Lionel Wyllie: etching of Royal Albert Docks, No CXII; a pastel after Sutherland

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Maxwells
Lot 492

Otto Goetze (1868-1931): etching with colour, Alt. Meissen, signed and titled in pencil, 9 x 6 in, framed

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Maxwells
Lot 597

Derek Wilkinson: etching and aquatint in colours "Evening Seat", 11 x 13½ in, artists proof, signed and dated 1989, framed and glazed; and another "Topiary at Belton" 1990

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Maxwells
Lot 598

Derek Wilkinson: etching and aquatint in colours "Seat Shadow", 11 x 14 in, 22 of 35, signed and dated 1985; and another "Shadowed Seat", 1990, both framed and glazed

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Maxwells
Lot 598A

Derek Wilkinson: etching and aquatint in colours "New Seat at Biddulph" and "Seat in the Portico", 11 x 13¾ in, signed and dated 1993 & 1990, framed and glazed

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Maxwells
Lot 599

Derek Wilkinson: etching and aquatint in colours "Summer Shadows" and "Courtyard", 12 x 17½ in, signed and dated 1983 & 1987, framed and glazed

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Maxwells
Lot 600

Derek Wilkinson: etching and aquatint in colours "Cheshire Topiary - Evening", 12½ x 17 in, signed and dated 1986, framed and glazed

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Maxwells
Lot 601

Derek Wilkinson: etching and aquatint in colours "Egyptian Topiary", 12½ x 17 in, signed and dated 1986, framed and glazed

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Maxwells
Lot 602

Derek Wilkinson: etching and aquatint in colours "Bush", 9½ x 17½ in, 11 of 25, signed and dated 1979

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