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Lot 22
AFTER TRACEY EMIN (b.1963) "Feeling safe", black and white etching, titled bottom left, signed and dated bottom right, limited edition No'd. 91/120, 24.8 cm x 42.8 cm (Tracey Emin was asked to create unique pieces of art for the Hospitality Lounge on the Olympic Park. Three pieces were created which are now displayed in Heathrow's Concorde Room.) (ARR) CONDITION REPORTS Basically in sound undamaged condition throughout. Protective paper has some slight creasing. Cardboard outer envelope has some sellotape attached and marks where it has been removed, this does not affect the print itself
Lot 10A
A collection of Old Master and other etchings and engravings including AFTER REMBRANDT (1606-1669) "Self portrait leaning on a stone sill 1639", black and white etching, 11.7 cm x 10.2 cm, AFTER SALVATOR ROSA (1615-1673) "Servatur Exemplar in Ædibus....", black and white etching by Joseph Goupy, 31 cm x 30 cm, AFTER JACQUES CALLOT (C.1592-1635) "Israel Siluestre Exudit" a set of twelve black and white engravings, 8.2 cm x 6 cm, mounted on one sheet, AFTER ALBRECHT DURER (1471-1528) "Coat of Arms with skull", 24.5 cm 17.5 cm, another by the same hand "Der Reuter", depicting a Knight on horseback with death and the devil, 25.5 cm x 20 cm, AFTER WENCESLAS HOLLAR (1607-1677) "Fishing", black and white engraving, 5.9 cm x 12.9 cm and others various CONDITION REPORTS REMBRANDT "Self portrait" - very stained, discoloured, ripped bottom left, glued down on card. Paper with brown ink conducive with age. most damage obscured by mount. SALAVATOR ROSA - paper browned with age and with staining and foxing particularly to the base with various creases and rips particularly at the top edge. CALLOT - Israel engravings all browned with age, with various water marks, foxing etc throughout. DURER" Coat of Arms" probably a 19th Century French reproduction with discolouration particularly to the edging. DURER "Der Reuter" - glued down on card, inscribed verso "French Reproduction of The Knight and Death" condition fair. HOLLAR "Fishing" - cut very close to edge of margins and with discolouration and foxing but image clear. Figure with donkey and dog watering , very browned and discoloured though image clear. Figures and horses in river with washer women in foreground - very stained with rips to the right-hand side, staining caused by glue to the top edge. Remainder all in foxed and browned condition - see images for further info
Lot 26
James Gillray after Brownlow North. Playing in Parts, hand-coloured etching and aquatint, published May 15th 1801 by Hannah Humphrey, 25.5 x 36 cm, framed; and Thomas Rowlandson, Unloading a Waggon, hand-coloured etching, published 1813 by Thomas Tegg, 24 x 34 cm, framed (2) Gillray - stain to mount; Rowlandson - staining to mount, probably a later impression.
Lot 39
A quantity of 18th and 19th century London views, featuring Greenwich, Regent's Park, Bridget St, St James' Park etc., mostly black and white, some hand-coloured or aquatinted, many mounted, including Tombleson after Shepherd, The New Custom House, coloured engraving, 1828, 13.5 x 19 cm; John Goldar, Perspective View of the New Public Offices in the inner Court of Somerset House, etching and engraving, pub. John Sewell 1785, 13 x 23 cm; J. Bluck after Pugin and Rowlandson, Mounting Guard, St James' Park, aquatint, 1809, 22.5 x 27 cm; with many black and white views after Thomas Shepherd, some foxing and staining, 14 x 20 cm.
Lot 44
18th century Canadian interest. Giuseppe Maria Terreni (1739-1811), Caduta di Niagara, etching and engraving on laid paper, c. 1763, Park Gallery label to verso of the mount, mounted, 26 x 19.6 cm; Chesham after Chartres, The Siege of Quebec, hand-coloured engraving, published in Russel's New and Authentic History of England ..., 1781, mounted, 29 x 15 cm; M. A. Rooker, A View of Quebec from the Bason, mounted; with A map shewing the communication of the lakes and the rivers between Lake Superior and Slave Lake in North America, 1790, mounted (4)
Lot 884
A folio of etchings by David Scott, R.S.A., Art Union of Glasgow 1866-67; The History & Antiquities of the Chapel In Leighton Park, by H. Shaw; unframed topographical prints; a contemporary colour etching - still-life group; together with a pair of Artist's proof etchings - "The Ploughman" and "Bunker Fence", by Michael Athey.
Lot 33
SOUL-JAZZ LPs - Fantastic condition pack of 7 x LPs. Titles are Little Beaver - Black Rhapsody (CAT/1602, Mint and still sealed), Ghalib Ghallab - Let Me Love You (SZ-778, Mint and still sealed), Eddie Harris - Instant Death (US 'PR' etching original, Ex to Ex+), Groove Holmes - Good Vibrations (MR 5167 Mint and still sealed), Leroy Hutson - S/T (Curtom 1978 original Mint and still sealed), Buster Williams - Crystal Reflections (MR 5101, Ex+/Ex) and Young-Holt Unlimited (Brunswick BL 754150 - Ex+ still in shrink).
Lot 658
Cornelis Ploos van Amstel - 18th century mezzotint, entitled verso,"Lady Sewing by Candlelight," 5 x 4in. - James Bourlet label verso, together with a charcoal study, cat within top hat, signed A. E. Nye, 5 x 3.5in. and a monochrome etching, portrait of a bearded gentleman, indistinctly signed in pencil on mount
Lot 27
Soper, George; (1870-1942) framed and glazed etching of farming rural scene, signed to lower corner. Measures 37cms high x 46cms wide with the frame and 20cms high x 29cms wide without. WORLDWIDE POSTAGE & PACKING AVAILABLE: Single items £15.99+VAT, multiple items OR large single items £19.99+VAT per parcel. Please contact us for specific quotes.
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71174 item(s)/page