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Click here to subscribePETER FORD; etching, 'Spring' no. 37/60, signed in pencil, 11 x 15cm, and a further coloured etching 'Hay Making and Curlew, Wensleydale', 21.5 x 20cm, framed and glazed (2). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
SHEILA WOOD; three watercolours, two signed, various sizes and an etching no. 1/1 'Family and the Beach', all framed and glazed (4). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
Pierre SOULAGES (after)Poster after etching XIIPrinting on thick paperSigned and justified artist's proof in the platePublished by the SOULAGES Museum in Rodez, France60x40cmCondition: In excellent condition Height : 60 cm / Width : 40 cm The shipping costs will be 15 € incl. VAT for Belgium and France / 22 € incl. VAT Europe EEC / 45 € incl. VAT for European countries outside outside the EEC / 60 € incl. VAT for Japan and the United States (this fixes rates apply only to works that can be shipped in tubes and without insurance). For other countries, and for paintings and other works of art, a reasonable shipping charge will be added to your invoice. The shipment of grouped lots is possible, depending on the case, by sale, with an extra of 3 €incl. VAT per object.
NICHOLSON (BEN)Drawings Paintings and Reliefs 1911-1968. Introduction by John Russell, FIRST EDITION, NUMBER 18 OF 60 COPIES WITH AN ORIGINAL SIGNED ETCHING, numerous colour plates, publisher's cloth, dust-jacket, the etching loose as issued in folder held within matching cloth solander box, large 4to, Thames and Hudson, 1969Footnotes:Limited edition with the additional etching '1966 (Olympic Fragment)', on wove, numbered (18/60), signed and dated in pencil, 185 x 225mm.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
George Vernon Stokes, RBA, RMS (British, 1873-1954), otterhounds and a border terrier in a stream searching for their prey, signed in pencil in the margin and numbered in pencil, limited edition '73/75', drypoint etching, 23.5 x 28.5cm (Image), frame 47 x 51.5cmLindsey Knapp (Victoria Gallery).Ok.Unexamined out of frame.
George Vernon Stokes, RBA, RMS (British, 1873-1954), three foxhounds giving chase, signed in pencil in the margin, limited edition drypoint etching, numbered in the margin '1/75', published circa 1940, 25 x 30.2cm (I), frame 47 x 51.3cmLindsey Knapp (Victoria Gallery).Ok.Unexamined out of frame.
William Lionel Wyllie RA,(British 1851-1931) Old Waterloo Bridge from the south,etching, pencil signed in lower margin, Pl. 18.5cm x 35.1cm, frame 36.2cm x 50.8cm, together with another etching by the same artist depicting 'Sugar Boats off Greenwich. '(2)Some surface yellowing yellowing at margin edges, otherwise in reasonably good conditionOld Waterloo Bridge from the South appears to be in generally good conditionSugar Boats off Greenwich - please note there is surface yellowing , particularly in all four margins (particularly where the margin edges border the mountsSold unexamined out of frames
After H RogersThe desiccated corpse of a boy, about twelve years old, found in a vault under Saint Botolph's Aldgate old Church in 1742etching, signed in plate32.5 x 20.5cm;Lettering reads: This print is an exact representation of a boy about 12 years old who was found erect with his cloaths on in a vault under Saint Botolph's Aldgate Old Church in the year 1742, and is supposed to have been shut in at the time of the plague in London 1665, as the vault had not been open'd from that period till the time above mentioned when the church was pull'd down. The extraordinary circumstance of this boy is that his skin, fibres, & intestines are all dried & very little of his bones appears, and weighs about 18 pounds. He is in the possession of Mr. J. Rogers, No. 2 Maiden Lane Wood Street, London. This print may be had price 2s with a ticket for a sight of the boy./In the Possession of John Symmons Esq',together with an etching by a different hand, 15.5 x 6.5cm (2) Condition ReportFramed sizes: 57.5 x 42cm and 28.5 x 22cm.Unexamined out of glazed frames, both well-presented in clean and smart mounts, the H Rogers print has some foxing emerging and light time staining, also two light creases across the paper through skeleton's chest and ankles, skinning to paper around 'John Symmons' text, please refer to images.
AN ANTIQUE COLOUR PRINT OF A DRUM MAJOR OF THE ROYAL REGIMENT ARTILLERY C1840. SIGNED & DATED WITH A PARKER GALLERY LABEL. ALSO AN ANTIQUE COLOURED ENGRAVING “THE HOLY FAMILY” ALSO A COMMEMORATION CERTIFICATE GEORGE V FOR WORLD WAR I. AND A SIGNED COLOUR ETCHING OF CYPRES. LARGEST 15” X 12” [4]
LEONARD BREWER framed etching titled 'The Upper gate Conwy' dated 1919, 38 x 23cms, ALLAN ROWE limited edition prints (3) titled 'Richmond Castle' (701/1800), 'Dunstanburgh Castle' (1490/2300) and 'Bamburgh Castle' (1403/1880), 26.5 x 38.5cms, 27 x 38.5cms and 30 x 42cms, measurements respectively, W H BARTLETT - Conwy Castle with Suspension Bridge, 23 x 35cms and a decorative print of a pensive young girl, Classical Greek style, 54 x 38cms, the set of three all signed and numbered in pencil
NEW ORDER - LP/ 12" PROMO/ TEST PRESSING PACK. A superb pack of 2 LPs/ 12" by Manchester legends New Order. Titles include Low-life (Fact 100, 1985 UK white label promo pressing on Factory. FACT-100-A2 LYN-15588 DMM on the Aside/ Bside has no matrix/ etching. Record is Ex) & Fine Time (021107, US Speciality Records Corporation test pressing. Labels with hand-written info, dated 1.28.91. Single-sided 3-track vinyl is in lovely Ex condition, displaying a couple of hairline, wispy paper marks).
Five assorted original artworks including:Ellen Frances Griffin, an illustrated verse, 36x23cm;Arthur Twidle, Jewish ceremony, watercolour, 9x7cm;Edwin Edmonds, Putney Bridge, etching, 16x26cm;Anita M Carr, watercolour, 9x11cm;English School, Cart crossing a river, oil on canvas, 26x36cm.Qty: 5
Romeijn de Hooghe (1645-1708) naar tekeningen van Johannes de Vou (1660-1707) Hand-coloured print 'Rotterodamum', panorama/profile view of Rotterdam on the Maas, with detailed ships and architectural details of the riverbank, 1694 (before the expansion of the map in 1778). Etching. Ets, 26 x 211 cm.
Pablo Picasso (1881-1973) "Dans l'arene. Jeune homme achevant le minotaure", 1933 (May 21, Paris). Edition of 50, etching on Vergé de Montval paper, signed "Picasso" lower right. The signature of Picasso has been pressed into the paper in intaglio printing. Published in the oeuvre catalogue "Picasso. Peintre-Graveur tome II. Catalogue raisonnee de l'oeuvre grave et des monotypes 1932-1934", pp. 199. Authentified by the Picassso Authentification (Claude Ruiz-Picasso), Paris. Ets, 194 x 268 mm.
A COLLECTION OF PAINTINGS AND PRINTS ETC, to include Frederick T. W. Cook study of two green woodpeckers on branches, gouache on board, approximate size 43cm x 74cm, a study of two jays? by the same hand - some losses to the jays painting, two landscape oils on canvas signed I. Costello, approximate sizes 60cm x 39cm, large still life flower study signed Lamont, limited edition print of spitfires by John Young, modern Maw & Co majolica tiles, etching print in colours depicting Staffordshire Watermill Brocton 1949, other assorted prints and a box of photo frames etc
A GROUP OF FOUR SOUTHEAST ASIA RELATED PRINTS Comprising three 19th Century views of Cambodia, 'La Pyramide de Pimanacas'; 'Western Facade of the Temple of Ongou Wat'; and 'Une Entree de Ponteay Prea-Khan'; together with an etching of the Siamese and Pali alphabet, originally published in 1828, this example signed, dated 1997 and numbered 65/300 in pencil to the margin (4) The largest Cambodian view 20x28cm Condition: Condition Report All three Cambodian views with foxing to the paper, some spots and dirt beneath glass, the alphabet print with some occasional foxing This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Gerhard ALTZENBACH (act. 1609 - 1672). Spottblatt: der Tod als Edelfrau (c. 1630).Circa 23,8 x 13,3 cm die Druckplatte. Radierung. Breitrandiger Abzug. Wohl Pendant zu Altzenbachs "Der Tod als Edelmann". Detaillierte Vanitas-Darstellung.Gerhard ALTZENBACH (act.1609 - 1672). Etching with mocking content: Death as a noblewoman (c. 1630).Circa 23,8 x 13,3 cm the printing plate. Etching. Print with wide margins. Probably a pendant to Altzenbach's "Death as a Nobleman". Detailed depiction of vanitas.
Käthe KOLLWITZ (1867-1945). "Tod, Frau und Kind" (1910).Circa 40 cm x 40 cm, 56,5 cm x 63 cm im Rahmen. Strichätzung, Kaltnadelradierung und Schmirgel und Vernis mou. Links unten in der Graphik bezeichnet: ''Orig. Rad. von Käthe Kollwitz''. Rechts unten in der Graphik bezeichnet: ''Druck v. O. Felsing, Berlin Chinog''. Prägestempel links seitlich unten. Aufhängung des Rahmens anders ausgerichtet als wir die Abbildung zeigen. Mutter und Kind sind hier in schmerzvoller Verbundenheit horizontal aneinander geschmiegt. Der im Titel beinhaltete Tod ist versteckt als skelettierter Arm unter dem Kinderkörper sowie als Schädelandeutung im oberen Bildrand gezeigt. Hinter Glas gerahmt.Käthe KOLLWITZ (1867-1945). "Tod, Frau und Kind" ("Death, Woman and Child") (1910).Approx. 40 cm x 40 cm, 56,5 cm x 63 cm in frame. Line etching, drypoint and emery and vernis mou. Inscribed lower left in the print: ''Orig. Rad. von Käthe Kollwitz''. Inscribed in the lower right corner of the print: ''Druck v. O. Felsing, Berlin Chinog''. Embossed stamp at lower left side. Hanging of the frame differently oriented than we show the image. Mother and child are here in painful closeness nestled together horizontally. Death, included in the title, is shown hidden as a skeletonised arm under the child's body as well as an insinuation of a skull in the upper margin of the picture. Framed behind glass.
Leonor FINI (1907 - 1996) ''L'Homme au Repos" (Mann in Rast). 53 / 200.Circa 36 cm x 29 cm. 70 cm x 53,5 cm. Radierung. Darstellung eines ruhenden Mannes mit Gamaschen. Über ihm eine junge Frau. Rechts unten handsigniert. Links unten nummeriert. Hinter Glas in goldfarbener Leiste.Leonor FINI (1907-1996) ''L'Homme au Repos" (Mann in Rast'). 53 / 200.Circa 36 cm x 29 cm. 70 cm x 53,5 cm. Etching. Depiction of a resting man with gaiters. Above him a young woman. Signed by hand lower right. Numbered lower left. Behind glass in a gold coloured border.
Günter GRASS (1927 - 2015). Zwei Radierungen.1979 und 1980.Circa 49 cm x 39 cm. 72 x 57 cm im Rahmen. Circa 50 cm x 65,5 cm. 72 x 57 cm im Rahmen. Radierung. "Selbstportrait mit Feder und Fisch" (1980). Druck 28 von 150. "Frau mit Butt" (1979). Druck 26 von 40. Signiert und datiert. Hinter Glas gerahmt.Günter GRASS (1927 - 2015). Two etchings.1979 and 1980.Circa 49 cm x 39 cm. 72 x 57 cm in frame. Circa 50 cm x 65,5 cm. 72 x 57 cm in frame. Etching. "Self-portrait with pen and fish" (1980). Print 28 of 150. "Woman with Butt" (1979). Print 26 of 40. Signed and dated. Framed under glass.
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