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Lot 357
Albany E. Howarth - 'The end of The Day', signed artist proof, also inscribed with the title and extensively inscribed on an old label verso, black and white etching, 5" x 5.5"; together with a further example by the same artist entitled 'The Send-Cart', 4.75" x 5.25"; also three further etchings, one being a scene in Granada, Spain and another scene in Madrid, by E. Bejot, various sizes (5)
Lot 359
Thomas Rowlandson (1756-1827) - 'Rough Sketch of the Times as Deliniated by Sir Francis Burdett', from the series 'Tegg's Caricatures' No.15, coloured etching, 10" x 13.75" (unmounted); Charles Williams (1797-1830) - A Catalanian attack on A Change-Seller published by Thomas Tegg, coloured etching, 10" x 13.75" (umounted) (2)
Lot 3042
A print depicting 'The "Peace Coach" Conveying News of the Victory of Waterloo, Crossing Rochester Bridge', a coaching scene, after the original etching published by Robert Pollard in 1815. Together with a pair of 19th-century engravings of children, titles to verso of frames: 'The Frown' and 'The Smile'. (3)
Lot 3046
Late-Georgian satirical caricature, bawdy humour, poking fun at the Duke of Wellington and Lady Conyngham (mistress of the Prince Regent). 'A Publican and Sinner - Master of the King's Head - A Blow Up! - A Chamber-Maid in the King's Arms'. Hand-coloured etching, publication details not visible (possibly hidden beneath mount), circa 1830. Framed & glazed, 35cm x 25cm (mount window).
Lot 231
Grouping of Two (2): Pierre Bonnard (1867 - 1947) "Jeune Fille Lisant" Etching and Aubrey Schwartz (born 1928) "Self Portrait with Shrew" Lithograph. Bonnard etching has COA en verso, Schwartz lithograph is signed and numbered 46/50 in pencil. Light toning to both artworks overall good condition. Schwartz: frame measures 15-1/2" H x 13-1/2" W, Bonnard: Frame measures 15" H x 12" W. Shipping $75.00 (estimate $150-$250)
![[§] PAUL NEAGU (ROMANIAN/BRITISH 1938-2004) HUMAN - 1972 A/P, signed, inscribed with title, and dated 1972, etching 49cm](https://cdn.globalauctionplatform.com/2c6bc630-79a7-4919-b052-a8b800bfe517/82aecdbd-b9f0-4d8a-b1ac-b17548a6d036/468x382.jpg)
![[§] BARBARA RAE C.B.E., R.A., R.S.A. (SCOTTISH B.1943) WINTER HILLSIDE - KYLESKU Signed and inscribed with title in pencil](https://cdn.globalauctionplatform.com/2c6bc630-79a7-4919-b052-a8b800bfe517/f4d178a8-53a2-4e1b-d943-adad8dd11691/468x382.jpg)
![[§] HOWARD HODGKIN C.H., C.B.E. (BRITISH 1932-2017) FOR ANTONY, 2015 Signed with initials and dated in pencil, numbered 38](https://cdn.globalauctionplatform.com/2c6bc630-79a7-4919-b052-a8b800bfe517/8efd4917-b1b7-4756-d02b-46a76da2e7a9/468x382.jpg)
Lot 234
[§] HOWARD HODGKIN C.H., C.B.E. (BRITISH 1932-2017) FOR ANTONY, 2015 Signed with initials and dated in pencil, numbered 38/100, sugar lift etching from three copper plates 26.5cm x 42.5cm (10.5in x 16.75in) Note: Considered to be one the most important British artists of the twentieth century, Sir Howard Hodgkin was a central figure in the country's modern art movement. Born in 1932 in Hammersmith London, Hodgkin was determined to become a painter from the young age of five. During the Second World War Hodgkin, along with his sister and mother, were evacuated to Long Island, USA. There his ambitions to paint were reinforced after seeing pictures by Matisse, and Picasso at the Museum of Modern Art in Manhattan. After returning to England he attended Eton College where he first began to collect Indian miniatures. After running away from school twice, Hodgkin was transferred to Bryanston School in Dorset however he soon ran away again to pursue his ambition of becoming a painter. Hodgkin first trained at Camberwell School of Art followed by four years studying at Bath Academy of Art. In the mid-1950s a wave of Abstract Expressionism exhibitions in London had an important impact on the development of his style, and to extent liberated him as an artist. Hodgkin has exhibited at numerous notable institutions including the Hayward Gallery and Gagosian. He was also granted numerous major shows including exhibitions at the Metropolitan Museum of Modern Art, Tate Britain as well as representing Britain at the 1984 Venice Biennale. In 1976 Hodgkin's first retrospective was curated by Nicolas Serota at the Museum of Modern Art in Oxford and in 1992 he was knighted for his services to the arts. This work features Hodgkin's characteristic broad gestural brushstrokes. These, however, convey a deceiving sense of spontaneity, as it could take up to a year for Hodgkin to prepare to execute a single brushstroke. The title references his partner Antony Peattie whom he lived with until his death in 2017. After coming out as homosexual in the late 1970's, his work became characterised by a heightened sense of eroticism. Painted during a mature point in their relationship the print simultaneously exudes a sense of tranquillity and distress.
Lot 1279
A hand written letter from Dr. William Stanley Goddard, Head Master of Winchester College to a ? Austin Esq of Wotton Under Edge, Gloucestershire, regarding Austin's son, a pupil at the College, dated December 1800, also enclosing an itemised school bill for the Christmas term, 1800, totalling £94, together with an etching of the Adoration of the Magi (2).
Lot 1289
A collection of documents relating to HMS Worcester, The Thames Nautical Training College and RNVR, mostly from the 1920's & 1930's relating to a Lieutenant F G M Iles, including letters to his father Capt. B M Iles concerning his entry to the Nautical Training College, his Royal Naval Rescue Officers Training Certificate book, his Certificate of Competency Second Mate (Steamship) his Naval Conduct report cards, documents concerning his appointment to the RNVR in 1939, a report dated 1940 of the movements of HM Drifters Ben & Lucy and Dorienta, documents concerning Iles release from the Royal Naval Reserve, dated 1946, together with Iles' HMS Worcester belt, a plaque awarded a prize for proficiency in executive duties presented by The United Steam Navigation Co.1928, and an etching of HMS Worcester by W M Birchall (qty).
Lot 757
Robert Wallace Hester (British, b. 1866), Bishop's Stortford College, signed and titled in pencil, 'Wallace Hester' (in lower margin), etching, 16.5 x 25.5cm together with two other etchings of figures by an archway, and figures on a street, each indistinctly signed in pencil, possibly 'R Gore Goodman' (in lower margin) (3).
Lot 761
William Francis Longstaff (Australian, 1879-1953), A view of St Paul's London, from the Thames, signed and inscribed in pencil 'W Francis Longstaff, Proof' (in lower margin), etching, 18 x 17.5cm, together with two etchings by D M Clark, of The Bank of England and Tower Bridge, each signed and titled in pencil, an etching of The Guildhall, London, titled and indistinctly signed in pencil, and another etching of York Watergate, Embankment, London, indistinctly signed in pencil (5).
Lot 763
Joseph Milner Kite (British, 1862-1946), A view of a European town across a river, signed in pencil 'J Milner Kite' (in lower margin), etching, 13 x 18cm, together with another etching by the same hand of a European building, signed in pencil, an etching by J Eisenberg of a man smoking a shisha, signed and inscribed in pencil 'J Eisenberg, 26/100', (in lower margin), and another etching of a bearded gentleman, wearing a hat (4).
Lot 884
Robert Walker Macbeth (British, 1848-1910), The Last Shoe, signed in pencil 'Robert W Macbeth' (in lower margin), etching, published 1887, 31 x 50cm, together with an etching of a river landscape by Henry Macbeth-Raeburn, signed in pencil, and an etching of Corfe Castle, titled and signed in pencil 'Lund', (in lower margin) (3).
Lot 889
William Renison (British, fl. 1920's), A French town square, signed and inscribed in pencil 'W Renison to B Overman' (in lower margin), etching 31 x 39cm, together with two colour engravings of St Michaels Mount, Cornwall, others of St Ives and Wycombe House, and two colour prints of Venice (7).
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71174 item(s)/page