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Lot 259
Richter, Carl August (1770-1848 Dresden)/ Richter, Adriaen Ludwig (1803-1884 Dresden)"Der Königstein" (Sächsische Schweiz). Radierung, aus: 70 Mahlerische An-und Aussichten der Umgebung von Dresden. Verlag Ernst Arnold Dresden, 1820/ 1822. 9,8 x 15 cm (PA). Hinter Glas mit Pp. gerahmt. WV Hoff-Budde, Nr. 62. C. A. Richter/ A. Ludwig Richter: View of Königstein fortress in Saxon Switzerland. Etching, 1820/ 1822, framed with glass. 9,8 x 15 cm (passepartout cutout)
Lot 218
Müller"Hohnstein". Aquatintaradierung, 1927. Unterhalb der Darstellung rechts in Blei signiert und datiert, betitelt unten links. Evtl Werk von Kurt Müller (1876-1955). Fernsicht auf die einem Felssporn thronenden Burg Hohnstein in der Sächsischen Schweiz bei Dresden. 23 x 17,5 cm (Pl), 43 x 30 cm (Untersatz). Vollflächig auf Pappe kaschiert. Staubrandig und etwas angebräunt. Vormalig im Passepartout, dieses berissen. Castle Hohnstein in Saxon Switzerland near Dresden. Etching, 1927. Signed and dated in pencil below the motif right, titled left. Mounted on cardboard. Formerly in passepartout, upper part ripped off. A bit dusty and slightly tanned.
Lot 493
Hassebrauk, Ernst. 1905 Dresden-1974 ebd."Rendezvous der Ritter und Sphinxe im Park". Radierung, u. re. sign. und "Frau Lilo Benk (?) zu eigen", u. li. bezeichnet, stockfleckig, 29,2 x 49,5 cm (Pl). Hinter Glas gerahmt. WVZ Lau 155. Hassebrauk, Ernst. 1905 Dresden-1974 ibid. "Rendezvous of the Knights and Sphinxes in the Park". Etching, lower right signed and "Frau Lilo Benk (?) zu eigen", lower left inscribed, foxing, 29,2 x 49,5 cm (Pl). Framed behind glass. WVZ Lau 155.
Lot 190
Mariette, Pierre (1634-1716) nach Merian, MatthäusTempel Salomonis. Kupferstich, aus: L'Histoire du Vieux et du Nouveau Testament (..) Par le Sieur de Royaumont, Nouvelle edition, Paris (Jean Villette) [1723]. 11,3 x 15 cm (Pl). Hinter Glas mit Pp. gerahmt. Pierre Mariette after Matthäus Merian: temple of Salomo, copper etching, from: L'Histoire du Vieux et du Nouveau Testament (...) Par le Sieur de Royaumont [1723], 11,3 x 15 cm (pl). Framed with glass.
Lot 265
Paulsen, Ingwer. 1883 Ellerbek bei Kiel - 1943 Halebüll bei HusumNorddeutsche Landschaft mit reetgedecktem Bauernhaus. Radierung, sign., PA gebräunt mit Lichtrand. 16,5 x 20,5 cm (Pl), hinter Glas mit Pp. gerahmt. Ingwer Paulsen: landscape with farmhouse in northern Germany. Etching, signed, tanned. Framed with glass, frame size 30 x 33 cm
Lot 280
Hofmann, Veit. 1944 Dresden - lebt und arbeitet in Dresden-LoschwitzDer Vogel im Zimmer. 1986. Radierung mit Prägung, koloriert. In Blei u.re. signiert und datiert. 17,5 x 23 cm (Pl). Blatt 9/10. In schlichter Rahmung. Hofmann, Veit. 1944 Dresden - lives and works in Dresden-Loschwitz. The bird in the room. 1986. etching with embossing, coloured. Signed and dated in lead on the lower right. 17,5 x 23 cm (pl). Sheet 9/10. in plain framing.
Lot 253
Walther, Fred. Geb. 1933 Weißenfels, lebt in Radebeul"Zoo Café", 1984. Radierung. u. re. sign. und dat. 12,1 x 17,1 cm (Pl), 18,7 x 24,8 cm (Bl). Hinter Glas gerahmt. Fred Walther (born 1933 Weißenfels, lives in Dresden-Radebeul): "Zoo-Café". 1984. Etching, signed, dated. 12,1 x 17,1 cm/ 18,7 x 24,8 cm. Framed with glass.
Lot 238
Undeutl. sign. "Beyer" (?), 2.H 20. Jh.Ansicht der Kirche Santa Maria della Salute, Venezia. Radierung, sign., betitelt, mit Widmung versehen. 19 x 12 cm (Pl). Hinter Glas mit Pp. gerahmt. Beyer,?, active 2nd half of 20th ct.: view of the church Santa Maria della Salute in Venice, etching, signed, entitled, dedicated. 19 x 12 cm. Framed with glass.
Lot 188
Ansicht der Lateransbasilika in Rom, 1. H. 18. Jh.Guckkastenblatt, Kupferstich auf Bütten, altes Kolorit, im unteren Blattrand gestoch. Bez. in vier Sprachen "Prospectus Templi S. Iohannis Lalteranensis, Romae/ (...)". Georg Balthasar Probst. Ca. 30 x 41 cm (Pl/ PA). Hinter Glas mit Pp. gerahmt. (Georg Balthasar Probst) View of the church St. John in Laterano in Rome, copper etching, coloring, ca. 30 x 41 cm (passepartout cutout), framed with glass. 1st half of 18th ct.
Lot 248
Janssen, Horst. Hamburg 1929 - 1995Capitano Kerinnes Brittanae (Langenhorner Jubilate II), 19.2.88. Radierung in Rotbraun mit Plattenton auf Japanbütten, i. d. Pl. betitelt und dat., sign. in Blei. 30 x 21 cm (Pl). Hinter Glas mit Pp. gerahmt. Janssen-Griffelkunst 93. Janssen, Horst. Hamburg 1929 - 1995 Capitano Kerinnes Brittanae (Langenhorner Jubilate II), 19.2.88. Etching in reddish brown with plate tone on Japanese handmade paper, titled and dated in the plate, signed in lead. 30 x 21 cm (pl). Framed behind glass with paper.
Lot 150
Unbekannter Künstler (Kiess?)Im Morgenrot. Farbradierung. In Blei u.re. signiert (nicht aufgelöst). Ohne Jahr. Exemplar 7/150. Hinter Glas in moderner Goldleiste gerahmt. 39 x 47 (Pl), 52,5 x 68 cm (Ra). Leicht wellig. Unknown artist, active 2nd half of 20th ct.: architectural scene, colour etching, signed, numbered copy 7 / 150. Framed with glass, frame: 52,5 x 68 cm
Lot 269
Paulsen, Ingwer. 1883 Ellerbek bei Kiel - 1943 Halebüll bei HusumFriedrichstadt an der Eider (Schleswig-Holstein). Radierung, sign., gleichmäßig stark verbräunt, 32 x 29,5 cm (Pl), hinter Glas gerahmt. Rahmenmaß 43 x 37 cm Ingwer Paulsen (1883-1943): View of Friedrichstadt ( North Germany), etching, signed. Tanned. Framed with glass. Frame size 43 x 37 cm
Lot 285
Bremer, Uwe. Geb. 1940 Bischleben b. Erfurt, lebt und arbeitet in Gümse/ Niedersachsen"Weisser Zwerg und Roboter". 1970. Farbradierung, sign., i. d. Darst. betitelt, num. Ex. 14/ 100. Trockenstempel Galerie Schmücking. Lichtgebräunt, Blattrand Stockflecken. 49 x 35 cm (Pl). Hinter Glas gerahmt. Rahmenmaß 79 x 57 cm Uwe Bremer (born 1940 Bischleben): "Weisser Zwerg und Roboter", 1970, colour etching, signed, dated, slightly tanned with stains. Framed with glass, frame size 79 x 57 cm
Lot 268
Paulsen, Ingwer. 1883 Ellerbek b. Kiel-1943 Halebüll b. HusumBlick in einen sonnigen Hof. 1980. Radierung, sign., i. d. Pl. monogr. und dat., 23,2 x 12 cm (Pl), PA gebräunt mit hellen Flecken. Hinter Glas mit Pp. gerahmt, Rahmenmaß 39 x 27,5 cm Ingwer Paulsen (1883-1943): backyard. Etching, signed, dated and monogram in the plate, framed with glass. Tanned with white stains. Frame size 39 x 27,5 cm .
Lot 187
"Vue de la ville Neaple" (Ansicht von Neapel). Guckkastenblatt. Radierung/ Bütten,koloriert, gestochene Bezeichnung "Vue du Place grande a Neaple vers Orient/ designe d'apres Nature par Quilielm Baur et fait en Estae par Xav. Habermann". F.X. Habermann nach Johann Wilhelm Baur. Ca. 1780. Blattrandbereich Stockflecken, mit zwei min. Einrissen, im Himmel zwei Wasserflecken. Insgesamt schönes Blatt. 28,5 x 41,5 cm (Einfassung). Hinter Glas mit Pp. gerahmt. View of Naples, etching, handcoloured, by F.X. Habermann after J. W. Baur. Ca. 1780. Framed with glass.
Lot 152
Preißler, Kurt1893 Sayda - 1968 Lichtenwalde (Niederwiesa). Winter im Dresdner Zwinger. Radierung. In Blei signiert u.re. Ohne Jahr. Exemplar 29/50. Im Passepartout in schwarzer Holzleiste gerahmt. 15,5 x 19 cm (Pl), 39 x 40 cm (Ra). Kurt Preißler: view of the Zwinger Dresden in winter, etching, signed, numbered copy 29/ 50. Frame: 39 x 40 cm
Lot 214
A Chinese green ground ginger jar and cover decorated with prunus blossom; together with a Japanese ginger jar, other oriental items, two terracotta vessels (a.f.), a leather mounted stationery box, magic lantern slides, a limited edition etching signed Rik Axe, two gilt picture frames, etc (qty)
Lot 417
Georges Braque (French, 1882-1963). Etching in colors on paper titled "Varengeville," depicting a moody scene of the beach in Varengeville-sur-Mer, Normandy, where Braque often worked. Pencil signed along the lower right and numbered 67/300 along the lower left.Sight; Height: 12 in x width: 27 in. Framed; Height: 19 3/4 in x width: 37 in.
Lot 421
Philip Pearlstein (American, b. 1924). Etching and aquatint on paper titled "Nude on a Mexican Blanket," depicting a reclining nude woman with her legs crossed. Pencil signed along the lower right; titled and numbered 9/73 along the lower left.Sight; Height: 19 in x width: 24 in. Framed; Height: 28 1/4 in x width: 32 1/4 in.
Lot 428
Zao Wou-Ki (Chinese/French, 1921-2013). Etching and aquatint in colors on Japan paper from the "Les Terrasses de Jade" series, 1962. Pencil signed and dated along the lower right; numbered 7/10 along the lower left. Published by Sources, Paris.Literature: Agerup 133-136.Sight; Height: 12 3/4 in x width: 10 1/4 in. Framed; Height: 13 3/4 in x width: 11 1/4 in.
Lot 437
Aaron Fink (American, b. 1955). Etching on paper titled "Untitled (Colored Pipe)," depicting an abstracted pipe with bright pink smoke floating from the bowl. Pencil signed and dated 1987 along the lower right; numbered 25/50 along the lower left.Provenance: Distinguished corporate collection, Minnesota.Unframed; Height: 22 in x width: 29 3/4 in. Framed; Height: 30 1/4 in x width: 37 3/4 in.
Lot 444
Charles Seliger (American, 1926-2009). Hand colored etching on paper titled "Habitat," depicting an abstracted nature scene. Pencil signed, dated 1982, and inscribed #4 along the lower right; titled along the lower center; inscribed "hand colored etching" along the lower left.With a portfolio including a letter from Seliger and his wife Lenore, addressed to Leo and Carrie on their 50th wedding anniversary.Unframed; Height: 11 in x width: 9 in. Matted; Height: 16 in x width: 13 in. Portfolio; Height: 18 in x width: 14 1/4 in.
Lot 454
Paul Cezanne (French, 1839-1906). Etching on laid paper titled "Guillaumin au Pendu," 1873, depicting Cezanne's friend and fellow artist Armand Guillaumin (1841-1927) seated beneath the sign for Le Pendu (The Hanged Man), an inn. Posthumous impression.Sight; Height: 6 1/2 in x width: 5 in. Framed; Height: 19 1/2 in x width: 13 1/2 in.
Lot 458
James McNeill Whistler (American, 1834-1903). Etching and drypoint on paper titled "Bibi Valentin," depicting the youngest daughter of the Valentin family, Bibi, seated on a bed. Signed and dated in the plate along the lower left. Second state of two.Literature: Glasgow 34.Sight; Height: 6 3/4 in x width: 9 3/4 in. Framed; Height: 14 3/4 in x width: 17 3/4 in.
Lot 3214
Chris Noble, 'Out of the Way', lithograph, signed and numbered 35/45 in pencil to margin, framed and glazed, 17 x 10.5cm; landscape etching, signed Courtois in pencil to margin, 9 x 20.5cm, framed and glazed; Jean Thomas, limited-edition landscape etching, signed in pencil to margin, framed and glazed, 12.5 x 10cm; Miggie Bruce, 'Bramleys in Embryo', watercolour, 12 x 17cm, with four further prints, including fabric print by Diane Kotsnaficas. (8)
Lot 3194
§ Julian Trevelyan RA (British, 1910-1988), 'Kew Gardens'. Etching. Signed, titled and numbered 71/75 in pencil to margin. 35 x 47.5cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information.
Lot 3181
§ After David Hockney (British, b. 1937), 'My Bonnie Lies Over the Ocean' (July 1961). Etching. Unsinged. Framed and glazed. Image size 45 x 45cm. Christie's 17 April 2003 label verso. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information. Condition Report: § Good condition overall, with a few thin creases towards the right of the image (partly visible in the photograph). There is also some minor spotting and general wear to the image.
Lot 27
GALLÉ vase; France, ca. 1900.Acid-etched cameo glass.With signature.Size: 42,5 x 16 x 16 cm.Gallé vase made in acid-etched cameo glass, with a naturalistic and asymmetrical vegetal design, based on large motifs, typical of Gallé's language. In fact, cameo glass has been known since ancient times, although it was revived at the end of the 19th century in France and England. Gallé presented his acid-etched cameo technique at the Paris Exhibition of 1889, with the aim of bringing modernist glass to the public. It was a quicker and cheaper form of decoration than the wheel-engraved cameo, resulting in more affordable, mass-produced but handmade pieces, as no stencils were used and the motif was hand-drawn on each piece. The technique of cameo glass consists of blowing a bubble of two or more layers of glass of different colours, which are then cut or removed by acid etching the bottom, thus leaving the motif in relief, in the colour of the top layer of glass.The master glassmaker Émile Gallé (1846-1904) took over his father's factory in 1874 and soon achieved great international success, winning prizes at international exhibitions and selling works to important collections and museums. Today, pieces by Émile Gallé can be seen in the Hermitage Museum in St Petersburg, the Metropolitan Museum in New York, the Musée d'Orsay in Paris, the Brohan Museum in Berlin and the Victoria & Albert Museum in London, among many others.
Lot 010705
Brosche, wohl Norwegen um 1935/40, 925er Silber, teilvergoldet, Goldpique, Grund guill. und transluzid mehrfach emaill., weiß bis rosa changierend, Schneeballblumen, reine Glücksbringer, bez. GG 925er NM, unged., Rand schwarz emailliert, ca. 7.5 x 6 cmBrooch, probably Norway approx. 1935/40 , silver 925, partly gilt, goldpique, ground needle etching and translucent multiple enameled, white up to rosecoloured iridescent,snow ball flowers, pure talisman, ref. YG 925er NM, unidentified, edge black enameled, approx. 7.5 x 6 cm
Lot 010750
Fußanbietschale mit Glasaufsatz, 13-lötig, süddeutsch um 1845/50, guill., Schilfdekor vollplastisch, aufgelegte Blüten, Glasschale Kristallglas geschnitten und geschliffen, um 1870/80, H ca. 17 cm, D ca. 20 cmFooted bowl with glass , 13-lot, Southern Germany approx. 1845/50, needle etching, reed decor vividly, applied blossoms, glas bowl crystal glass cut and sharpened, approx. 1870/80, h. approx. 17 cm, diam. approx. 20 cm
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71174 item(s)/page