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A packet containing a 19th Century monochrome watercolour of Loddon church, by J. Cullum, pencil signed to margin, approx 24 x 29cm; Two late 19th Century albumen print photographs depicting Loddon House & The Old School, each mounted, images approx 14 x 20cm; A 19th Century etching of Binham Priory by John Coney
Three packets of Norfolk and Suffolketchings, engravings etc, including large engraved view of Wolterton Manor at East Barsham by John Adey Repton, Henry Davy etchings of Redenhall, North Cove and Benhall church doors; Cornelius Winter 'Norfolk & Norwich Antiquities', 1888, vol II, and John Sell Cotman etching of Walsoken church interior; A pair of panoramic etched views of Lowestoft & Great Yarmouth by Edwin Edwards, 1873, each limited editions (38/150), each titled, numbered and signed by the artist to margin, each mounted, plus John Crome and Henry Davy etchings
Two packets of 19th Century Norfolk and Suffolk etchings, prints etc, including John Sell cotman etching of Wymondham Abbey, 1813; Henry Davy etchings of Beccles, Shadingfield & Wiston church interiors; coloured engraving Flixton Hall; drawings by Stephen Govier of Orford Castle, Horham, Eye etc; Billingford church by Henry Davy etc., Swan Inn, Feering by Edwin Edwards (2)
After Rembrandt van Rijn (1606-1669): The Baptism of the Eunuch, signed and dated 1641 within the plate but later, etching, 19cm x 22cm, (1); Lieven Willemsz. van Coppenol, Writing-Master, monogrammed and inscribed margin, 19th century drypoint etching, 30cm x 21.5cm, (1); Man in Oriental Costume, 16.5cm x 13.5cm, (1); C. Phillips (fl. 1750-87, engraver), Rembrandt's Sister, [London: n.d., c. 1770], pink mezzotint engraving, 19.5cm x 16cm, (1); Pieter de Bailliu (1613-1660, engraver) S. Anastasius, later strike, no watermarks, 30.5cm x 24cm, (1); A.L. Stein (18th century, engraver), Portrait of a Young Man, Leipzig?: 1769, dated within the plate, drypoint etching, 34cm x 27cm, (1), [7]
Old Master Prints - Giovanni Lanfranco (1582?1647), by and after, The Triumph of a Roman Emperor, Rome: Giovanni Giacomo De Rossi, [n.d.], etching, 28.5cm x 61cm, (1); Pierre Subleyras (1699-1749), by and after, Mary Magdalene washing Jesus's feet during the supper in the house of Simon the Pharisee, [n.d., c. 1787], etching, 26cm x 61cm, (1); etc., [4]
Flintshire, engraved coloured map for Sudbury and Humbel, 1610, some damage and retouching to lower corners, 38 x 50.5cm; Domus Senatoria Antwerpiensis, 17th century etching, 23.5 x 31cm; After Basire, Plan of Antwerp, late 18th engraving with hand colour, 40 x 48cm; 'New Aberdene from the Blockhouse', 18th century hand coloured engraving, 25 x 42.5cm (4)
Pot Fair, Cambridge, etching published 1777, 35 x 47.5cm; After Buck, North-West Prospect of Cambridge, coloured engraving, 20 x 34cm (trimmed and discoloured); a coloured engraving of Trinity Hall, early 19th century, 30 x 43.5cm, a small engraving after Warren of Cambridge Castle, and two other prints (6)Condition report: Pot Fair with partial tear long the lower border of the image to the right side
Travels in the South of Spain in letters written A.D. 1809 and 1810. London: J. Johnson & Co., 1811, first edition, 4to, folding coloured plan frontispiece, 11 coloured aquatint plates, one uncoloured etching, as required, half title, general foxing and spotting throughout, half morocco with good reback; CARR (Sir John) Descriptive Travels in the Southern and Eastern Parts of Spain. London 1811, 4to, 6 plates as called for, offsetting, calf gilt with damaged spine
Rembrandt van Rijn (1606-1669)The Death of the VirginEtching with drypoint, 1639, a good but later impression on laid paper with indistinct text-based watermark, New Hollstein's fourth state (of five), before later reworking, sheet 435 x 350 mm (17 x 13 3/4 in), remnants of blue-ink 'colportage' stamp verso, the lower half of the sheet with thin support visible verso, several areas of restoration to loss and tears (unframed)Literature:Bartsch 161; New Hollstein 173 iv/v
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71174 item(s)/page