A group of 19th Century prints including Richard Dighton (1752-1814) 'A View from Baxter's Livery Stables, Cambridge' etching with hand colouring, titled beneath image and inscribed 'Drawn, etch, & Pub By Dighton, 6. Char. Crofs, Jan 1810'; John Hamilton Mortimer (1740-1779) 'Sleeping Monsters', etching, titled below image, inscribed 'I. Mortimer Del et Sculp'; Jacob Gillberg (1724-1793) 'Paysage au bord d'une riviere' stipple engraving and etching in red ink, inscribed to lower right 'J Gillberg sculp'; 'A rider on horse back', trimmed etching and a set of three folio aquatints from the original drawing in the collection of R.P. Knight Esq No. 16, No. 31 and No. 37 (7)plate size (illustrated): 300 x 200mm, framed size 44 x 32.7cmCondition: 'Paysage au bord d'une riviere' - patch of foxing to the centre right margin, and general foxing to the surface of the paper. Foxing to the general surface of the three folio prints. Viewing recommended in person.
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A set of late 18th century black and white mezzotints of the four seasons including 'Summer', 'Autumn', 'Winter' and 'Spring', with additional dry point etching to detailed areas, variously inscribed beneath image, inscribed central lower margin 'Published June, 1st 1796, by John Fairburn, 146 Minories, London' inscribed lower right 'Vide Thompson's Seafons', (4) approx. plate size 350 x 245mm, framed size 51.8 x 41.5cmCondition: Disclaimer: These items have not been examined out of their frames. Autumn: Foxing to the general surface of the paper, and a minor 9cm scratch starting from the arm diagonally of the standing figure by the tree.Winter: Foxing to the general surface of the paper. Summer: Foxing to the general surface of the paper. Spring: Foxing to the general surface of the paper. Viewing in person is recommended.
An 18th century etching of a ÔRhinoÕ inscribed lower right 'J El. Ridinger ad vivum del. fec. et eoccud, a.v.', Latin text beneath image, mounted and framedCondition: The print is in good condition, with slight ageing to the paper commensurate with age. The print has not been examined out of the frame.
Francisco Jose de Goya (Spanish, 1746-1828)A group of three prints including: 'Otras Leyes por el pueblo' from the series 'Los Disparates', aquatint with etching and dry point, titled below image, inscribed lower left 'Goya inv. et. sc.', later edition; 'A caza de dientes' from the series 'Los Caprichos', aquatint and etching, plate number 12, titled below image; 'Las Resultas', from the series 'Los desasrtes de la guerra', etching, plate 72, inscribed top left '72', titled below image. (3)plate size (illustrated):212 x 325mm, framed sized 42.7 x 52.2cm Condition: Otras Leyes por el pueblo' - light foxing to the surface of the paper, but otherwise in good overall condition.A caza de dientes - In good overall condition Las resultas - in good overall condition.
Dame Paula Rego (Portuguese, 1935-2022) 'A Frog he would a-wooing go', etching and aquatint, signed lower right in pencil, edition 19/50, mounted and framed plate size 223 x 215mm, framed size 54.5 x 41cmCondition: The item is in very good condition at the time of cataloguing; it has not been examined out of the frame.
David Hockney (British, B. 1937)'Catherina Dorothea Viehmann' from 'Illustrations for Six Fairy Tales from The Brothers Grimm', etching and aquatint, signed in pencil below image, mounted and framedplate size 280 x 225mm, framed size 62.5 x 52.5cmCondition: In good overall condition; the item has not been examined out of the frame.
Charles Meryon (French 1821-1868)'LÕ Abside de Notre-Dame', etching with dry point, inscribed in ink ÔC meyron Ð del sculpÕ lower left, inscribed lower right ÔImp Rue neuve St Estienne-du-Mont 26Õ, mounted and framed, to be sold with a copy of 'Charles Meryon / A life' by Roger Collins plate size 160 x 295mm, overall 44 x 54cmCondition: Garton & Co. to reverse.
Dame Paula Rego (Portuguese, 1935-2022) 'Pirates taking away little boys', etching and aquatint, signed in pencil lower right, edition 31/50, mounted and framed plate size 275 x 196mm, framed size 65.5 x 54cm Condition: The item is in good overall condition, and has not been examined out of the frame.
Koichi Sakamoto (Japanese, b. 1932). Mezzotint etching titled "Late at Night," depicting snow covered homes under the moon. Pencil signed along the lower right and numbered 21/100 along the lower left. With a label from Gallery B.O.Q. along the verso.Sight; height: 10 in x width: 7 1/2 in. Framed; height: 14 3/4 in x width: 12 in.Condition: No visible tears, losses, or creases. There are minute accretions along the lower margin but due to the nature of the medium it is difficult to tell if it is part of the original artwork. There is toning along the mat and foxing along the lower margin. Under UV light, the left corner of the window cut of the mat shows a minute white splotch; there is a possibility of treatment but it is difficult to tell whether it is treatment or not. Framed under plexiglass and a window mat. Light wear to the frame. Not examined out of frame.
Ryohei Tanaka (Japanese, 1933-2019). Etching on paper print depicting a peaceful path towards the woods, 1966. Pencil signed and dated along the lower right; numbered 34/50 along the lower left.Sight; height: 12 in x width: 14 in. Framed; height: 15 1/4 in x width: 18 3/4 in.Condition: The piece shows no visible tears or losses. There are light creases along the margin. The paper is toned and has light undulation throughout. Along the light beige background, there are minute black spots that appear to be original. No visible foxing or soiling. No visible sign of restoration under UV light. Framed under plexiglass; not inspected out of frame. The gold painted frame is not firmly attached to the glass. In the upper left quadrant, there is a small accretion on to the paper; please see the listing image.
AMENDMENT: The stone is a natural Ceylon sapphire as confirmed by a qualified gemologist.RING & BOX. A 19th century white & yellow coloured metal ring, set an oval faceted lavender stone. The setting pierced & with white metal oak(?) leaves. Size Q/R. Approx. 7.5g. Fitted in a late 19th century brass & white metal velvet lined ring box, possible Italian. The base of the box stamped with a lion standing on a plinth. Note: this ring box was previously the property of Edward Bouverie Hoyton, 1900-1988, the etcher who won the Prix de Rome prize from Goldsmiths College for etching. He eventually became principal of the Penzance School of Art. Goldsmith College School of Art 1918-1926. British School in Rome 1926-1928. Penzance School of Art 1941-1966. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase
![[Charles Williams]. Satirical Caricature. Going on a Circuit as recommended in Sherry's Plan of Economy, hand-coloured etchin](https://cdn.globalauctionplatform.com/56e1baad-a3a0-4af7-96d8-b03b00b842f6/6356625d-50fd-4725-a28e-b03d013309b0/468x382.jpg)
[Charles Williams]. Satirical Caricature. Going on a Circuit as recommended in Sherry's Plan of Economy, hand-coloured etching, London: S. W. Fores, 6 June 1803, 25.5cm by 37.5cm, framed & glazed. Together with a hand-coloured lithograph by "HB" [John Doyle], a chromolithographic Pears cartoon, a late-18th/early-19thC watercolour of two figures at a waterfall, and two photographic portraits of men seated at their desks, various sizes, all framed & glazed (6)
Boxing History. William Elmes (British, fl. 1804-1816). Crib Uncorking Blackstrap, hand-coloured etching on wove paper, London: Thomas Tegg, 16 October 1811. This satirical caricature deals with the fight between Tom Cribb and Tom Molineaux at Thistleton Gap and is clearly indebted to James Gillray's "Uncorking Old Sherry". Some marginal wear. 34.5cm by 24.7cm (plate-mark)
A collection of five etchings & engravings comprising: George Mackley (English, 1900-1983), The Boat Inn, signed l.r., wood engraving, 73mm by 82mm, some spotting, hinge-mounted; Oskar Laske (Austrian, 1874-1951), figures beneath columns, signed l.r., etching, 153mm by 202mm, wide margins, some pale spotting; Giovanni Battista Tiepolo (After), a pair of engravings, stamped 'facsimile-reproduction' verso, 19.5cm by 24.5cm, and an etching of a domed tower, indistinctly signed l.r., all unframed (5)
Portraits. A collection of eight engraved portraits to include The Prophetess Anna [traditionally identified as Rembrandt's mother], by Michal Płoński (Polish, 1778-1812) after Gérard Dou, on heavy laid/chain-lined paper, unsigned, [c.1800-05], 20.5cm by 16.5cm (plate-mark), wide margins; an engraved plate of Dou, and six engraved plates of English poets including Coleridge and Wordsworth. Together with an etching after Rembrandt, Christ Preaching/La Petite Tombe, indistinctly signed in pencil (9)
Howard Hodgkin (British, 1932-2017). Green Room, signed with initials & dated 1986, numbered 63/100, 50.5cm by 61cm, framed & glazed with Luxters Fine Art and Sotheby's labels verso[Howard Hodgkin Gallery]: 'Lift-ground etching and aquatint from two copper plates printed in green and red, with hand colouring in veronese green and green egg tempera. On BFK Rives wove paper (240 gsm). Printed and hand coloured by Jack Shirreff at the 107 Workshop, Wiltshire. Published by Bernard Jacobson Ltd, London, 1986'Provenance: Ex-Lot 990, Sotheby's, 1 July 1991Artist's Resale Rights may apply
![[James Dareny (fl. 1779-1780)]. Britannia Protected from the Terrors of an Invasion, "A loud crying Woman & a Scold](https://cdn.globalauctionplatform.com/56e1baad-a3a0-4af7-96d8-b03b00b842f6/ddcd43cf-67f4-44dc-b73f-b03d0132c54b/468x382.jpg)
[James Dareny (fl. 1779-1780)]. Britannia Protected from the Terrors of an Invasion, "A loud crying Woman & a Scold shall be sought out to drive away the Enemies", uncoloured etching on laid/chain-lined paper, London: James Dareny, 26 January 1780. This satirical caricature depicts two women (one a "fish-wife") scaring away three figures representing France, America and Spain. Toning, surface marks, short tears at edges. 25.5cm by 33.5cm. Scarce
![[Attributed to Isaac Robert Cruikshank (1789-1856)]. A Late Arrival at Mother Wood's, hand-coloured etching on wove paper, Lo](https://cdn.globalauctionplatform.com/56e1baad-a3a0-4af7-96d8-b03b00b842f6/f057bd5d-64cf-4fbe-bd1c-b03f00c4c161/468x382.jpg)
[Attributed to Isaac Robert Cruikshank (1789-1856)]. A Late Arrival at Mother Wood's, hand-coloured etching on wove paper, London: George Humphrey, 19 June 1820. This satirical caricature depicts a stout and flamboyant Queen Caroline observing a cheering crowd from Sir Matthew Wood's balcony; some members of the crowd are throwing mud at a parson on horseback. 25.5cm by 39cm. Together with Monstrositys of 1825, [attributed to Henry Heath], hand-coloured etching lampooning the latest fashions, London: S. W. Fores, 28 June 1825, and The Bedford Level, [by James Sayers], etching with later colour, ridiculing the Duke of Bedford's motion for peace with France, London: Hannah Humphrey, 14 April 1795 (3)
Jean Le Moal (French, 1909-2007). Abstract Composition, signed & dated l.r., 1949, etching, numbered 4/25, 179mm by 83mm (plate-mark), framed & glazedProvenance: By descent of Walter J. Strachan (1903-1994), poet, translator and champion of the arts. Strachan taught at Bishop's Stortford College and was the author of numerous works, including A Relationship with Henry Moore 1942-1976 [Elliott Group, 1988]; Towards Sculpture: Drawings and Maquettes from Rodin to Oldenburg [Thames & Hudson, 1976]; Apollinaire to Aragon: Thirty Modern French Poets [Methuen, 1948]. Much of his personal collection went to the Tate, the V&A and the Taylor Institution, as well as forming the basis of The Walter Strachan Collection, University of Manchester Library
James Gillray (British, 1756-1815). Evidence to Character, being, a Portrait of a Traitor, by his Friends & by Himself, uncoloured etching in dark brown ink, London: John Wright, 1 October 1798. This satirical caricature was issued as a folding plate in The Anti-Jacobin Review and deals with the trial of Arthur O'Connor - a United Irishman who was arrested on the eve of the Irish Rebellion of 1798. Trimmed, 192mm by 260mm. Together with a Bohn edition of Pen-etration with a pair of portraits verso (2)
A 19th century ironstone dinner service, each piece decorated with a coat of arms of the Glyn family within a light blue ground border with classical scrolls and gilt moulded rim, consisting of: thirty four dinner plates; twenty dessert plates; ten soup bowls; six side plates; and two sauce tureen stands; together with an engraving depicting Sir John Richard Carr Glyn Bart. Lord Mayor of Londonthe dinner plates 27cm diameter, the dessert plates 24cm diameter, the soup bowls 26.5cm diameter, the side plates 18cm diameterQty: 30Wear to the gilding overall, various small chips to the edge of a number of pieces. The etching of the Lord Mayor quite browned and in poor condition.
TEN PAINTINGS AND PRINTS, comprising a grand building illuminated by moonlight, initialled and dated DC (19)99, indistinctly signed verso, oil on board, approximate size 16cm x 12cm, two Jane Glue studies of wild flowers 'Pink Poppy' and 'Blue Iris', both signed and dated (19)96, watercolour on paper, largest approximately 24cm x 29cm, an indistinctly signed modern Brazilian street scene, oil on canvas, approximate size 102cm x 71cm, an unsigned oil on board depicting a portrait of a grey cat, an unsigned watercolour study of Lilies, a David Young Cameron etching 'The Baths of Caracalla', Brenda Hartill aquatint etching 'Partridge', Ilene Erskine etching 'Yellow Flags' and an indistinctly signed silkscreen print 'Freedoms Solitude, North Barrier'
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include two etchings after Albrecht Durer 'Three peasants in conversation' stain to the margin and 'Saint Jerome in his study', an Abu Bakar Ibrahim coastal landscape watercolour, Kathleen G Jefferies etching depicting St John the Baptist church in Bristol, two Chinese watercolour paintings of Panda Bears, watercolours by Yvonne Parkhouse, assorted prints, selection of butterflies in a glazed case - glass cracked, unsigned oil on canvas depicting a landscape - varnish cloudy in places
A SMALL QUANTITY OF PAINTINGS AND PRINTS ETC, to include an oil on board Alpine landscape signed and dated M. Cusack 1970,approximate size 60cm x 50cm, an oil on board Continental village view by the same hand, a watercolour maritime scene by Bernard Jackson, a James Priddy etching depicting St Philips Cathedral in Birmingham, prints of Malta, various landscape prints, two Annette Kane prints depicting gardens, two pictures composed of native Australian tree bark by Agnes Richardson, fire screen with needlework panel etc (box and loose)
Lithograph of A. F. Mettel original etching of "Venetian Phantasies", representing Venice's most famous monuments. On the lower right: Mettel. On verso: "Venetian Phantasies from an original etching by A. F. Mettel. A romantic description of the Venetian sites that Mettel represented is also included. Print size: 5.60"L x 7.50"H. Frame size: 10"L x 12"H x 0.50"W. Artist: A.F. MettelIssued: c.1960Condition: Age related wear.
Hand-colored etching by Bela Sziklay (Hungarian, 1911-1981) street scene on a sunny day with the Milan Cathedral in the background. Signed on lower left: Sziklay. Sight size: 8.60"L x 18.80"H. Frame size: 15.60"L x 19.30"Â x 0.9"W. Artist: Bela SziklayIssued: c. 1960Country of Origin: HungaryCondition: Age related wear.
Outstanding artist's proof etching by Michael Louis Jacques of family groups walking toward a hot air balloon and an airship. Signature on lower right: M. Jacques. Title lower center: "Dirigibles". On lower left: "Artist's Proof". Sight size: 6.60"L x 5.60"H. Frame size: 18.25"L x 14.25"H x 1"W. Artist: Michael Louis JacquesIssued: c. 1975Edition Number: Artist Proof Country of Origin: United StatesCondition: Age related wear.
Dry point etching on paper of a tryptic set in the same frame. Each represents two erotic nude women with cats or/and flowers in nature. On the left image in pencil, "C. Howard. Dry point. 1/5." In the center and right images: "C. Howard. 1/5." Sight size from left to right: 4.50"L x 3.50"H; 3.25"L x 4.55"H; 4.50"L x 3.50"H. Frame size: 18.60"L x 7.10"H x 0.50"W. Artist: C. HowardIssued: c. 1980Country of Origin: United StatesCondition: Age related wear.
Louis Icart (1888-1950) French "Premier Coursing" Signed, inscribed and dated 1910, etching, 42cm by 50cmFairly pronounced and consistent surface dirt and staining to sheet. Covered in varying-sized notable foxing spots. Cockling particularly within upper 50%. Two slight creases towards lower left-hand corner. Two-Three marks which are potentially not part of the printing process within background with lower reaches of the lady's skirt. Other minor crease/surface imperfection. Not examined out of the frame.
William Lionel Wyllie RA, RI, RE (1851-1931)"London Bridge seen through the arch of the previous bridge"Inscribed, trial proof, etching with pencil, 14.5cm by 20cmProvenance: Collection W L WyllieChris Beetles Limited, LondonIn an overall good and presentable state of preservation. Some light time staining/discolouration to sheet, more pronounced along left-hand side edge. Odd extremely tiny fleck or foxing spot mostly lower right-hand corner. No evidence of cockling. Not examined out of the frame.
Thomas Barrett (1845-1924) "Haymaking"Signed in pencil, a black and white etching, together with a further signed etching by the same hand and two further etchings by D J Robertson depicting a Team of horses hauling timber and a plough team of horses in a field, 10.5cm by 15cm, 8cm by 12cm and 22cm by 35.5cm respectively (4)
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71174 item(s)/page