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Geoffrey Sneyd GARNIER (1889-c.1971)Newlyn Harbour Etching Signed and inscribed Image size 22 x 27cm

Bryan INGHAM (1936-1997)Music Making at IMS Prussia Cove, c1990Etching 7 x 26.5cmCondition report: This etching has an inscription to verso suggesting that it is a signed presentation work. This cannot be the case as it was a posthumous issue

Breon O'CASEY (1928-2011)Untitled Etching and screenprint Signed and dated 2011#1/1044 x 58.5cm

2 stainless steel 6oz hip flasks 1 with nice etching together with novelty banana flask

Herbert Dicksee Pencil Etching depicting a lion, signed in pencil, in original frame, mounted and framed behind glass, overall size 29" x 17.5".

BABETTE COLE (1949) (20th century) 'The Fox and the Crow' and 'The Milk Lady', Etching, Signed, inscribed and dated 1975 in pencil to both, 12.5 x 11cm and 8 x 11cm (2)

ROWLAND LANGMAID (1897-1956) London Bridge Dry point etching Signed and inscribed in pencil 13 x 25cm

FREDERICK MARRIOTT (1860-1941) 'The Reverie' etching, Signed in the plate, 19.5cm x 14cm; together with another etching after P. E. Colin, 13cm x 30cm (2)

The Colophon. A Book Collectors' Quarterly. New York: The Colophon Ltd., 1930-1940, 1948-1950.89 volumes, 4to and 8vo. A complete set ofThe Colophon, 1930-1335, 35 volumes comprising the complete run of Volumes I-XX and additional duplicates of several vols.; complete set of The New Series, 1935-1938, 37 volumes comprising the complete run of 12 volumes and additional duplicates of several vols.; a near complete set of The New Graphic Series, 1939-1940, 5 volumes (lacking vol.III with duplicates of vols.I-II); complete set of The New Colophon, 1948-1950, 12 volumes comprising the complete run of 8 volumes and additional duplicates. Original printed boards or cloth (slight toning and soiling, light rubbing to extremities); several vols. with original glassines (some tearing with loss). Publisher's ephemera laid in.FIRST EDITIONS, a near complete run of the periodical including the often lacking color drypoint etching entitled "Hilltop" SIGNED BY DAVID B. MILNE in pencil lower margin in The Colophon First Series vol.V and the color woodcut print "An Eagle Ceremony at Tesuque Pueblo" by Gustave Baumann in The Colophon First Series vol.XII.[With:]Index. The Colophon. 1930-1935. Volumes I, II, III, IV, V. Twenty Parts. New York: The Colophon, 1935. 2 copies. 8vo. Original publisher's blue cloth gilt; original glassine. -- The Annual of Bookmaking 1927-1937. New York: Pynson Printers, 1938. 4to. Original publisher's cloth stamped in silver and black (slight darkening to spine). FIRST EDITION. -- The New Colophon, A Book-Collectors' Miscellany. New York: Duschnes Crawford, Inc., 1950. 2 copies. 8vo. Original publisher's pictorial cloth; original glassine to 1 copy (some tearing with loss). Provenance: M.L. Biscotti (bookplate). -- Index. The Colophon. 1930-1935. Volumes I, II, III, IV, V. Twenty Parts. Metuchen, NJ: Scarecrow Reprint Corp., 1967. Publisher's blue cloth.Property from the Collection of Jack BelcherFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[DERRYDALE PRESS]. KIRMSE, Marguerite. Dogs. New York: The Derrydale Press, 1930.Small 4to. Original drypoint etching frontispiece, illustrated throughout. Original publisher's half buckram over boards, printed label on spine (some very minor browning or toning, one corner with slight wear). Provenance: John Stuart Groves (morocco book label gilt).LIMITED EDITION, one of 175 unnumbered copies with an original drypoint etching SIGNED AND CAPTIONED by Kirmse. Siegel 41.Property from Historic Sengen House, Cornwall-on-Hudson, New YorkFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[SHELLEYANA]. A group of material relating to Shelley and his circle, including manuscripts from the collection of Charles W. Frederickson.Letter dated 1813, etching laterA group of manuscripts from Shelley's publishers, biographers, and relatives FROM THE COLLECTION OF CHARLES W. FREDERICKSON, comprising the majority of Lot 2387 from his sale, Bangs, 24-28 May 1897:Capt. E. S. Trelawny, ALS, 8vo, 1841 -- J. Shelley, ALS, 4to, 1799 -- Augusta Leigh (sister of Lord Byron), AL, 3p., 8vo -- Peter Finnerty, ALS, 4to, 1804 -- T. Shelley, 2 ALSs, 1813 and 1828 -- Edward Dowden, ALS, 4pp., 8vo, 1885, regarding his Life of Shelley -- Lady J. S. Shelley, ALS, 2pp., 8vo -- Sir Percy F. Shelley, ALS, 8vo, 1883 -- J. C. Jeaffreson, ALS, 4pp., 8vo, 1883 -- Edward Moxon, ALS, 2pp., 8vo, 1867 -- H. Buxton Forman, ALS, 3pp., 8vo, 1876, regarding Shelley's letters -- Joseph Severn, ALS, 3pp, 8vo -- Charles Cowden Clarke, ALS, 4pp., 8vo, 1842 -- T. F. Dillon Croker, 2 ALSs, 8vo, 1854 -- Prof. C. Short, MS, Oration on Shelley. [With:] A small group of letters to Frederickson, comprising: Anna J. Gould, ALS, 2pp, 8vo 1889; Charles Short, ALS, 2pp., 8vo, 1875; Ernest North, 8vo, 1895, with a dried flower from Shelley's grave; W. H. Randolph, 4pp., 8vo, with a dried flower from Shelley's grave. -- Also with: J. Shelley? Cut address panel, 1820 -- John E. Burke Jr., ALS, 4pp., 8vo, 1894.[Also with:] A small group of engravings and periodical publications about Shelley.Property from Historic Sengen House, Cornwall-on-Hudson, New YorkDimensions overall with frame: 12 7/8 x 21 inches.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Selby's Fly Catcher (Plate IX)Muscicapa SelbiiEngraving with etching and hand-coloring, on J Whatman Turkey Mill paper watermarked 1827, sheet 37 3/4 x 25 3/4 in. (960 x 652 mm). Some overall toning.Low p.38 (Variant 2)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Brown Lark (Plate X)Anthus AquaticusEngraving with etching and hand-coloring, on J Whatman Turkey Mill paper watermarked, sheet 25 3/4 x 37 3/8 in. (642 x 950 mm).Low p.38 (Variant 1)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Vigors's Warbler (Plate XXX)Sylvia Vigorsii. Aud.Engraving with etching, aquatint and hand-coloring, on J Whatman watermarked paper, 22 1/2 x 15 1/4 in. (572 x 388 mm) sight, matted and framed.Low p.45 (Variant 1)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Children's Warbler (Plate XXXV)Silvia ChildreniEngraving with etching, aquatint and hand-coloring, 1828, on J Whatman Turkey Mill paper watermarked 1828, sheet 37 3/4 x 25 3/4 in. (960 x 655 mm). Some overall toning.Low p.47 (Variant 1)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Golden-winged Woodpecker (Plate XXXVII)Picus AuratusEngraving with etching, aquatint and hand-coloring, on J Whatman watermarked paper, 26 1/4 x 21 in. (665 x 533 mm) sight, matted and framed.Low p.48 (Variant 1)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Crested Titmouse (Plate XXXIX)Parus Bicolor, Linn.Engraving with etching, aquatint and hand-coloring, on watermarked paper, 22 1/2 x 15 1/4 in. (574 x 390 mm) sight, matted and framed.Low p.48 (Variant 2)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Traill's Fly-CatcherMuscicapa Trailli (Plate IX)Engraving with etching, aquatint and hand-coloring, 1828, on J Whatman Turkey Mill paper watermarked, sheet 38 x 26 in. (960 x 660 mm). Some overall toning.Low p.50 (Variant 2)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Roscoe's Yellow-throat (Plate XXIV)Sylvia Rosco. Aud.Engraving with etching, aquatint and hand-coloring, on J Whatman Turkey Mill watermarked paper, sheet 39 1/2 x 27 in. (1,000 x 682 mm), matted.Low p.43 (Variant 1)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Children's Warbler (Plate XXXV)Sylvia Childrenii. Aud.Engraving with etching, aquatint and hand-coloring, on J Whatman watermarked paper 22 3/4 x 15 3/8 in. (578 x 390 mm) sight, matted and framed.Low p.47For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Red-breasted Nuthatch (Plate CV)Sitta Canadensis.Engraving with etching, aquatint and hand-coloring, on J Whatman watermarked paper 22 3/8 x 15 1/4 in. (568 x 384 mm) sight, matted and framed.Low p.70For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Swamp Sparrow (Plate LXIV)Fringilla Palustris. Wils.Engraving with etching, aquatint and hand-coloring, on J Whatman watermarked paper, 22 1/2 x 15 1/4 in. (574 x 388 mm) sight, matted and framed.Low p.57 (Variant 2)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Indigo Bird (Plate LXXIV)Fringilla Cyanea. Wils.Engraving with etching, aquatint and hand-coloring, on J Whatman watermarked paper, 21 1/2 x 14 1/4 in. (545 x 364 mm) sight, matted and framed.Low p.60 (Variant 1)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Prairie Titlark (Plate LXXX)Anthus PipensEngraving with etching, aquatint and hand-coloring, on J Whatman Turkey Mill paper watermarked, sheet 24 1/2 x 38 in. (620 x 965 mm). Some overall toning, short marginal tear repaired recto.Low p.62 (Variant 2)For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Cow Bunting (Plate XCIX)Icterus PecorisEngraving with etching, aquatint and hand-coloring, 1830, on J Whatman paper watermarked 1830, sheet 25 x 38 in. (640 x 962 mm). Some overall toning, a few short marginal tears. Low p.68 (Variant 1)[With:]Brown-Headed Nuthatch (Plate CXXV)Sitta PusillaEngraving with etching, aquatint and hand-coloring, on J Whatman paper watermarked 1836, sheet 37 7/8 x 25 1/8 in. (962 x 642 mm). Some overall toning, some slight marginal wrinkling.Low p.77For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Warbling Flycatcher (Plate CXVIII)Vireo GilvusEngraving with etching, aquatint and hand-coloring, n.d., sheet 37 1/2 x 24 1/2 in. (955 x 622 mm), matted and framed. Linen backing, a few marginal tears repaired.Low p.75Property from the Collection of Arthur B. ChandlerFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).John James Audubon (1785-1851)Green Black-capt Flycatcher (Plate CXXIV)Muscicapa Pusilla.Engraving with etching, aquatint and hand-coloring, n.d., sheet 37 1/2 x 24 3/8 in. (954 x 620 mm), matted and framed. Linen backed, a few short marginal tears repaired.Low p.77 (Variant 2)Property from the Collection of Arthur B. ChandlerFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Yellow-winged Sparrow (Plate CXXX)Fringilla Passerina. Wils.Engraving with etching, aquatint and hand-coloring, on watermarked paper 22 1/2 x 15 1/4 in. (570 x 388 mm) sight, matted and framed.Low p.79For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Greenshank (Plate CCLXIX)Engraving with etching, aquatint and hand-coloring, 1935, on J Whatman paper watermarked 1835, sheet 25 x 37 7/8 in. (635 x 962 mm). Some overall toning, a few short marginal tears.Low p.125For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Tell-tale Godwit or Snipe (Plate CCCVIII)Totanus Melanoleucus, VieillEngraving with etching, aquatint and hand-coloring, 1836, on J Whatman paper watermarked 1836, sheet 25 1/2 x 38 in. (650 x 965 mm), matted and framed. Upper margin with a few small chips, a few tiny spots, slight mat burn.Low p.138Property from the Collection of Arthur B. ChandlerFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).American Avocet. (Plate CCCXVIII)Recurvirostra americanaEngraving with etching, aquatint and hand-coloring, 1836, on J Whatman paper watermarked 1836, sheet 26 x 38 1/4 in. (660 x 970 mm), matted and framed. A few stains to extreme outer margin, a few tiny spots, some minor mat burn, some toning.Low p.141Property from the Collection of Arthur B. ChandlerFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Yellow-Crowned Heron (CCCXXXVI)Ardea Violacea, L.Engraving with etching, aquatint and hand-coloring, 1836, on sheet 37 3/4 x 25 in. (960 x 638 mm), matted and framed. Laid down on foam backing board, browning and some staining.Low p.147Property from the Collection of Arthur B. ChandlerFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Western Duck (Plate CCCCXXIX)Fuligula StelleriEngraving with etching, aquatint and hand-coloring, 1838, on J Whatman Turkey Mill paper sheet 23 7/8 30 in. (606 x 760 mm), matted and framed. Some slight toning or rippling to sheet.Low p.181For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[CHICAGO]. A group of two views, comprising:WHITEFIELD, E. View of Rush St. Bridge & c. Chicago: E. Whitefield, 1861 [but actually 20th century digital reproduction]. A modern reproduction of Whitefield's scarce pre-fire Chicago lithograph, matted and framed, 345 x 495 mm sheet. Creased, adhesive remnants verso.[With:] VARIN, Raoul, after. Corner of State and Washington Streets Chicago, 1923. Aquatint and etching with hand-coloring, matted and framed, unexamined out of frame.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

LIMITED EDITIONS CLUB.A very extensive run of The Limited Editions Club publications through 2010, v.p. [mostly New York], 1929-2010, approximately 555 works, comprising all but 59 of the primary publications and one of the special publications listed in Limited Editions Club A Collectors Guide & Checklist 1929-2012 (Bill R. Majure, compiler). Various Folio to 8vo sizes. Illustrated. Original bindings. (Some light occasional wear to a few volumes, but generally in fresh condition). LIMITED EDITIONS, most one of 1,500 copies signed by the artists. Included are: · SWIFT, Jonathan. The Travels of Lemuel Gulliver. 1929. Signed by Alexander King. (No. 1)· HUGO, Victor. Notre-Dame de Paris. 1930. Signed by Frans Masereel. In the original European-style paper wraps. (No. 13)· DODGSON, Charles Lutwidge. Alice's Adventures in Wonderland. 1932. Signed by Frederick Warde. (No. 36)· APULEIUS, Lucius. The Golden Asse. 1932. Signed by Percival Goodman. (No. 37)· ARISTOPHANES. Lysistrata. 1934. Illustrated and signed by Pablo Picasso. (No. 57)· O. HENRY. The voice of the City. 1935. Signed by George Grosz. (No. 67)· JOYCE, James. Ulysses. 1935. Illustrated and signed by Henri Matisse. (No. 71)· THOREAU, Henry David. Walden. 1936. Illustrated and signed by Edward Steichen. (No. 78)· LEWIS, Sinclair. Main Street. 1937. Illustrated and signed by Grant Wood. (No. 89)· STOWE, Harriet Beecher. Uncle Tom's Cabin. 1938. Signed by Miguel Covarrubias. (No. 97)· BAUDELAIRE, Charles. Les Fleurs Du Mal "“ Flowers of Evil. 1940. With both the English- and French-language editions. (No. 117)· GRAHAME, Kenneth. The Wind in the Willows. 1940. Signed by Bruce Rogers. (No. S-7)· STEINBECK, John. The Grapes of Wrath. 1940. Signed by Thomas Hart Benton. (No. S-8)· SHAKESPEARE, William. The Comedies, Histories, and tragedies of William Shakespeare. 1939-1940. (No. 118)· COOPER, James Fenimore. The Prairie. 1940. Signed by John Steuart Curry. (No. 119)· WHITMAN, Walt. Leaves of Grass. 1942. Signed by Edward Weston. (No. 141)· TWAIN, Mark. Life on the Mississippi. 1944. Signed by Thomas Hart Benton. (No. 158)· GIBBON, Edward. The History of the Decline and Fall of the Roman Empire. 1946. (No. 174)· BROWNING, Elizabeth Barret. Sonnets from the Portuguese. 1948. Signed by Valenti Angelo. (No. 186)· ZOLA, Emile. Nana. 1948. Signed by Bernard Lamotte. (No. 188)· SWIFT, Jonathan. A Voyage to Lilliput"¦ -- A Voyage to Brobdingnag. 1950. (No. 204)· TURGENEV, Ivan. Fathers and Sons. 1951. Signed by Fritz Eichenberg. (No. 212)· Beowulf. 1952. Illustrated by Lynd Ward. (No. 225)· DOSTOEVSKY, Feodor. The Idiot. 1956. Illustrated and signed by Fritz Eichenberg. (No. 264)· VERNE, Jules. Twenty Thousand Leagues Under the Sea. 1956. Signed by Edward A. Wilson (No. 268)· HARDY, Thomas. Far From the Maddening Crowd. 1958. Signed by Agnes Miller Parker. WITH ORIGINAL ENGRAVING LAID-IN. (No. 287)· The Living Talmud: The Wisdom of the Fathers. 1960. Signed by Ben-Zion. (No. 315)· WELLS, H. G. The War of the Worlds. "“ The Time Machine. 1964. Signed by Joe Mugnaini. (No. 354)· STOKER, Bram. Dracula. 1965. Signed by Felix Hoffman. (No. 376)· JEFFERSON, Thomas. The Writings of Thomas Jefferson. 1967. Signed by Lynd Ward. (No. 397)· STEINBECK, John. Of Mice and Men. 1970. Signed by Fletcher Martin. (No. 423)· WILDE, Oscar. Lady Windermere's Fan. "“ The Importance of Being Earnest. 1973. Signed by Tony Walton. (No. 457)· CRANE, Stephen. Maggie, a Girl on the Streets. 1974. Signed by Sigmund Abeles. WITH THE ORIGINAL SIGNED LIMITED EDITION ORIGINAL COPPER ETCHING OF THE FRONTISPIECE laid-in. (No. 472)· WALCOTT, Derek. Poems of the Carribbean. 1982. Signed by Derek Walcott and Romare Bearden. WITH AN ORIGINAL HAND-NUMBERED LIMITED EDITION LITHOGRAPH laid-in. (No 525)· HERSEY, John. Hiroshima. 1983. Illustrated and signed by Jacob Lawrence. (No. 527)· POE, Edgar Allen. Fall of the House of Usher. 1985. Illustrated and signed by Raphael Soyer. (No. 534)· JOYCE, James. Dubliners. 1986. Illustrated and signed by Robert Ballagh. (No. 538)· PAZ, Octavio. Three Poems. 1988. Illustrated and signed by Robert Motherwell. (No. 545)· BECKETT, Samuel. Nohow On. 1989. Illustrated and signed by Robert Ryman. (No. 549)· WHITMAN, Walt. Song of the Open Road. 1990. Illustrated and signed by Aaron Siskind. (No. 552)· CONRAD, Joseph. The Heart of Darkness. 1992. Illustrated and signed by Sean Scully. (No. 560)· POUND, Ezra. Cathay. 1992. Illustrated and signed by Francisco Clemente. (No. 561)· KYOKA, Izumi. The Tale of the Wandering Monk. 1995. Illustrated and signed by Setsuko Ideta. 1995. (No. 568)· HUGHES, Langston. Sunrise is Coming After While. 1998. Signed by Maya Angelou, Illustrated and signed by Phoebe Beasley. (No. 576)· HURSTON, Zora Neale. Bookmarks in the Pages of Life. 2001. Signed by Betye Saar. (No. 580)· ANGELOU, Maya. Deep Rivers in My Soul. 2003. Signed by Maya Angelou, Dean Mitchell, and Wynton Marsalis. (No. 584)· CAVAFY, Constantine P. A Tribute to Cavafy"¦ 2003. Signed by Duane Michals.· KING, Martin Luther. Letter from a Birmingham City Jail. 2008. Illustrated and signed by Faith Ringgold. (No. 588)· The Declaration of Independence. 2010. Illustrated and signed by Robert Frank. (No. 589)[With:] A virtually complete run of all special and promotional publications, including: DWIGGINS. Towards a Reform of the Paper Currency. 1932. (No. S-1). -- The Dolphin, a Journal of the Making of Books. Nos. 1-3. 1933, 1935, 1938. (Nos. S-2, S-3, S-4). -- Bibliography of the Fine Books Published by the Limited Editions Club 1929-1985. (S-9). -- Monthly Letters: The First Fifty Monthly Letters, 1929-1933. (S-10). [Also with:] A complete run of Promotional Publications. -- A profusion of ephemera including prospectuses, pre-publication announcements and holiday greetings.Of the first fifty-eight series of LEC publications, twenty-four are absolutely complete; sixteen are lacking only one volume. The collection also includes the majority of the publications issued after series numbering was discontinued.The Limited Editions Club, founded in 1929 by George Macy, sought to publish finely illustrated and produced classics of world literature. It was the longest-lasting and most successful publishing venture of its kind. The present collection includes books from the golden era of the Club, when it was under the direction of George Macy, as well as livres d'artiste produced by The Club under the direction of Sidney Shiff.Property from the Collection of Jack BelcherFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

Claude Hayes (1852-1922) RI, watercolour landscape scene, signed lower left, set in gilt frame 25 x 35cm and After Jean Louis Ernest Meissonier (1815-1891) Farmyard scene etching, signed Abel Mignon 41 x 49cmLocation: RWM

Collection of nine framed prints, comprising: Eli Marsden Wilson (1877-1965), Poplar Hawk Moth, etching, signed in pencil l.r., 10.5cm by 12cm (plate-mark); G. F. Scotson Clark, 'Herbert Campbell, Running to Waist', colour woodblock, 21.5cm by 18.5cm, Michael Lewis Gallery label verso; M. M. Rudge, York Minster from City Walls, etching, signed in pencil l.r., 19cm by 25cm (plate-mark); a copper-engraved portrait of French collector Claude de Bourdaloue, 1704, engraved by Nicolas de Largilliere after Nicolas Pitau the Younger, 41cm by 28.5cm; Robert Morden map of Shropshire, copper engraving on laid paper, 37cm by 43cm (not glazed); Pieter Van den Keere map of Hertfordshire, 9cm by 13cm; a hand-coloured etching of The Rivals, cartoon, by Marks, 12.5cm by 16.5cm; a black & white photograph of the Grierson Award for Best Short Film of the Year, bearing typed label verso, 'Presented to Sir Harold Wilson on the occasion of the first Grierson Day - 10th February 1977 - with appreciation of the Grierson Trustees for support and interest in the short film', signed by Basil Wright, Chairman, 23.5cm by 18.5cm; a modern colour print of a prize cow, 25cm by 27cm (9)

Augustus John: a signed etching, "Woman's head", 5 3/4" x 3 7/8", in painted frame

Augustus John: a signed etching with tone, "The flowered toque", 7 7/8" x 4 7/8", in painted frame

A FRAMED ABSTRACT BY DOLF RESERARTISTS PROOF OF ORIGINAL, NOT PRINT ETCHING & LISTED ARTIST, HIS WORK IS IN THE V&A MUSEUM

A LIMITED EDITION ETCHING 22/60 BY CHRIS NOBLE

Four pictures, to include Ann Shinglton (b 1953). Scratch, etching, signed, titled, dated and numbered, 18/75, 1984, 9cm x 13cm, after Lowry, two late street scenes, prints, and after Alec Wiles print, lady nude. (4)

ETCHING BY R SHORTBILL - UNIVERSITY, CHAMBERLAIN SQUARE, BIRMINGHAM 1944 F/G 31CM X 21CM APPROX

Goltz (Hubert). Le Vive Imagini di tutti quasi gl'Imperatori, a C. Iulio Caesare, in sino a Carlo. V. et Ferdinando suo fratello, dalle vechie medaglie con grandissima solertia cavate, et al vero fidelissimamente adumbrate, con le vite, atti, maniere, virtu, et vicii delli medesimi Imperatori, secundo i proprii loro colori, col historico penello depinte, al potentissimo Prencipe Don Philippo Re di Spagna ... dedicate per Huberto Goltz Wirtzburgense pittore, Antwerp [Stampato ... per cura diligenza e spesa dell'ingenioso Huberto Goltz Wirtzburgense & egregio Pittore, nella botteca di Egidio Copenio Diesthemio], 1557, title within strapwork cartouche, colour-printed from at least 2 woodblocks (brown and white) over an etched outline (close-trimmed at head), 125 chiaroscuro medallion portrait woodcuts over etching printed in tones of brown and sepia (with show-through), 14 others with woodcut borders but no image, colophon to final leaf, ink markings to some letterpress dates to leaves avi, bi & bvi, lacking final blank, few leaves (G2-H2 & H4-I2) with staining to foremargins, some scattered spotting, front free blank torn at gutter, bookplates of John Chaloner Smith and Rosenheim Collection, late 19th/early 20th century half calf, marbled sides, extremities rubbed, folio (31.7 x 22.7 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESDekesel (C.E.). Hubertus Goltzius, the father of ancient numismatics, [Ghent]: Bibliotheca Numismatica Siliciana, Gandavum Flandrorum, 1988, page 49. In 1557 the German painter, engraver, and printer Hubert Goltzius (1526-1583) issued a folio volume from the press of Copen (?) Diesthem in Antwerp, entitled Lebendige Bilder gar nach all Keyersern, von C. Julio Caesare, bisz auff Carolum.V. und Ferdinandum seinem Bruder, auxz den alten Medalien. He also issued this book in Latin and Italian in 1557, in French in 1559, and in Spanish in 1560. Each edition was illustrated with etched portrait medallions of each emperor with woodcut colour. In addition to illustrating medallic portraits of Roman emperors, Goltzius provided histories of their reigns.

Goltz (Hubert). Vivae omnium fere Imperatorum imagines, a C. Iulio Caes. usque ad Carolum v. et Ferdinandum eius fratrem, ex antiquis veterum numismatis solertissime, non ut olim ab aliis, sed vere ac fideliter adumbratae; nec non eorundem vitae, acta, mores, virtutes, vitia , suis coloribus historico penicillo delineatae. Potentiss, principi Philippo, Hisp. Angl. Franc. et Neapol. regi, etc. Dedic. per Hubertum Goltz Wirtzburgensem pictorem, Antwerp: [in officina Aegidii Copenii Diesthemii], 1557, title within strapwork cartouche, colour-printed from at least 2 woodblocks (green and white) over an etched outline (close-trimmed), manuscript contents leaf after title, 133 chiaroscuro medallion portrait woodcuts over etching printed in tones of brown and sepia, 16 others with woodcut borders but no image, colophon to final leaf, ink markings obscuring some letterpress dates to leaves ai, aii, av, avi, bi & bvi, few other small ink marks, frayed to upper outer corners mostly at front of volume, contemporary mottled calf, gilt decorated spine, joints and head & foot of spine neatly repaired, corners repaired, folio (30.5 x 21.3 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESAdams G838. In 1557 the German painter, engraver, and printer Hubert Goltzius (1526-1583) issued a folio volume from the press of Copen (?) Diesthem in Antwerp, entitled Lebendige Bilder gar nach all Keyersern, von C. Julio Caesare, bisz auff Carolum.V. und Ferdinandum seinem Bruder, auxz den alten Medalien. He also issued this book in Latin and Italian in 1557, in French in 1559, and in Spanish in 1560. Each edition was illustrated with etched portrait medallions of each emperor with woodcut colour. In addition to illustrating medallic portraits of Roman emperors, Goltzius provided histories of their reigns.

Goltz (Hubert). Vivae omnium fere Imperatorum imagines, a C. Iulio Caes. usque ad Carolum v. et Ferdinandum eius fratrem, ex antiquis veterum numismatis solertissime, non ut olim ab aliis, sed vere ac fideliter adumbratae; nec non eorundem vitae, acta, mores, virtutes, vitia , suis coloribus historico penicillo delineatae. Potentiss, principi Philippo, Hisp. Angl. Franc. et Neapol. regi, etc. Dedic. per Hubertum Goltz Wirtzburgensem pictorem, Antwerp: [in officina Aegidii Copenii Diesthemii], 1557, title within strapwork cartouche, colour-printed from at least 2 woodblocks (green and white) over an etched outline (early ownership to recto 'M. Carnegy 1641' & inscription to verso 'Mr Robertus Graius...'), 128 (of 133) chiaroscuro medallion portrait woodcuts over etching printed in tones of brown and sepia, 16 others with woodcut borders but no image, colophon to final leaf, without first leaf of index (ai) and incomplete at rear, three leaves from a smaller copy, light toning, dust-soiling and some marks, some fraying to margins, light damp staining mostly towards rear of volume, sewing broken and leaves detached, front pastedown with armorial bookplate of John Yeates, ownership inscription of D. Vines 1869 and bookplate of Patricia Milne-Henderson, 18th/early 19th century marbled boards with calf spine strip, covers detached, worn, folio (31.5 x 23 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESAdams G838. Sold with all faults, not subject to return.

* Rowlandson (Thomas). Rural Sports. A Milling Match.Took Place at Thisselton Gap in the County of Rutland Septr 28.1811. betwixt Cribb and Molineaux on a 25 foot Stage and was the second Public contest between these two Pugilists. It lasted 19 Minutes and 10 Seconds and was decicive (sic) in favour of Cribb. Thomas Tegg, 1811, etching with contemporary hand colouring, mounted to neat line, 240 x 340, framed and glazedQty: (1)NOTESThis famous fight took place before a crowd estimated at 15,000. The English champion Thomas Cribb is shown striking Tom Molineux, who falls backwards. This was the second contest between the fighters and took place at Thisselton Gap, Rutland on September 28, 1811. Molineaux was an African-American, who was purported to be an ex-slave. He had fought Cribb before, at Sheninghton Hollow, in Oxfordshire on December 3, 1810, and was defeated in 35 rounds in a disputed decision. This re-match lasted 19 minutes, Cribb broke his opponent's jaw in the 9th round and knocked him out in the 11th. Note the two pickpockets in the foreground - one male and one female - helping themselves from the distracted spectators.

Attributed Archibald Standish HARTRICK (1864-1950) etching "The cleaners", unframed16 x 34 cm

Samuel CHAMBERLAIN (1895-1975), pencil signed, limited edition etching (20/100) "Sunlit tower of Culmar", original frame,36 x 20 cmFine

Paul DOM (Holland 1885-1978) etching "Amsterdam street scene", signed and inscribed in pencil, wood frame and glazed,30 x 30 cm

Piers Browne, pencil signed, 1990 limited edition (78/100) coloured etching together with a pencil signed print by Morval Morrisseau (2), both framed and glazed

Circle of Luicen Freud, etching, head of young lady, bears pencil signature and inscription, framed, The etching measures 14 x 18 cm Please note - there is no history, paperwork or provenance with this etching hence our cataloging "Circle of"

A.J Lowes (British 20th Century), 'The Mill Pond Swanage', uncoloured etching, signed in pencil by the artist dated 1933. 14 x 18cm approx, framed and glazed. (B.P. 21% + VAT)

18th Century designed coloured print 'Bat and Ball', together with a flat glass crystoleum 'Saint Matthew' and three other furnishing prints; 'Coal Rations', a small etching and a bird print. (5)(B.P. 21% + VAT)

Etching, portrait of Queen Victoria, original oak frame, and 2 other prints (3)

Joseph Farquharson, hand coloured etching, sheep by moonlight, image 50cm x 70cm

British Royal Naval Officer's 1827 Pattern Pipe Back Sword30 1/2 inch, single edged, pipe back, quill point blade.  Traces of foliage panels and cypher etching.  Gilt brass guard with Victorian crowned, fouled anchor cartouche.  Rear folding section of guard. Gilt brass, lion pommel and backstrap.  Shagreen covered grip with twist wire binding.  

Late 19th Century Knights of Pythias Society Sword28 1/2 inch, double edged, narrow blade.  Foliage etching and “Knights of Pythias” with gilt infill.  Named to “T H Dresser”.  Brass shell guard decorated with knight on horseback and American eagle.  Blackened alloy crossguard.  Brass knights helm and eagle pommel.  Leather covered grip with twist wire binding.  Contained in its plated steel scabbard. 

Mid 19th Century Spanish Main Gauche Left Hand Dagger12 1/4 inch, single edged blade with sharpened back edge point.  Chiselled spine.  Forte with blade braking slots.  The blade with etched and gilt filled floral panels.  Similar decoration to the forte with “Artilleria Fabrica De Toledo”.  9 /12 inch, steel crossguard.  Steel bowl guard with floral etching.  Steel pommel.  Copper wire bound grip with steel edge bars.  Still retains its steel scabbard throat with floral etching.  Fine quality made piece. 

LOW COUNTRIES -- LIMBURG -- "MAESTRICHT. Rives de la Meuse". Paris, Veith & Hauser, c. 1840. Lithogr. view of the city by E. Hostein. 166 x 252 mm. -- "VUE du Wrythoff à Maestricht". c. 1840. Tinted lithogr. view by De Jobard. 137 x 204 mm. -- "GEZICHT op Maastricht". c. 1910. Etching by A.L. Koster. 148 x 231 mm. -- "RUREMONDE". Tinted lithogr. view by A. Schaepkens. 190 x 267 mm. -- And 27 o. views of towns in Limburg. (31).