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AFTER GIOVANNI BATTISTA CIPRIANI. The Fair Student. stipple engraving on laid coloured by hand, published by William Allen, Dublin, 31 x 23cm; a caricature by and after Charles Knight - ISRAELITES PASSING THROUGH THE RED SEA, etching, coloured by hand, 1806, printed later ; a caricature by Denis Deighton - LORD DASHALONG BENT ON DRIVING, etching, coloured by hand, 1801 (3) . First and second items in good condition, the Deighton caricature heavily foxed
AFTER FREDERICK WALKER (1840-1875) THE HARBOUR OF REFUGE Etching printed in sepia, by R. W. Macbeth, mounted to the image Sight 48 x 80cm. After Walker's Royal Academy exhibit of 1872, No.227 ++ Scattered minor scuffs within the image; some foxing; slight paper discoloration; unexamined out of frame
ARTHUR ROYCE BRADBURY (1892-1978) A COLLECTION OF COPPER (17) AND ZINC (6) ETCHING PLATES Twenty three, etched with various subjects (boats, harbours, figures, milking scene, windmills, Waterwitch, Corfe etc), some with artist's paper wrappers The largest 25 x 16cm.; also six copper "blanks" (29) ++ Some of the zinc plates corroded; good overall
Sidney Tushingham A.R.E., S.G.A., A.R.C.A (Lond). (1884-1968). "THE ROME BRIDGE, VENICE". Black and white drypoint etching, {22.5cm by 33cm (8.75in by 13in) (pl)}; together with a further etching by Sir Henry George Rushbury R.A., R.W.S., R.E. (1889-1968) "PARIS" {23.5cm by 32cm (9in by 12.5in) (pl)} (2)
Wilfred Fairclough R.W.S., R.E., A.R.C.A (Lond). (1907-1996). "THE GRAND CIRCLE AT COVENT GARDEN". Signed artist's proof, also dated 1959, black and white etching, {17.5cm by 20.5cm (7in by 8in) (pl)}; together with a further etching A VENETIAN CANAL SCENE WITH GONDOLAS BESIDE A WOODEN QUAY Signed and dated 1981, {18.5cm by 21cm (7.25in by 8.25in) (pl)} (2)
Wilfred Fairclough R.W.S., R.E., A.R.C.A (Lond). (1907-1996). PALMA CATHEDRAL. Signed artist's proof, also dated possibly 1930, black and white drypoint etching, {25cm by 35cm (10in by 13.75in) (pl)}; together with a further etching by Sir Frank William Brangwyn R.A., R.W.S., P.R.B.A., R.E., H.R.S.A. (1867-1956) "THE GATEWAY AT AVELINA" {16cm by 14cm (6.25in by 5.5in) (pl)} (2)
William Lionel Wyllie R.A., R.I., R.E. (1851-1931). "OFF GRAVESEND". Signed artist's proof, published in 1910 by W.R. Howell & Co. Bedford Row Chambers, London WC, also inscribed copyright registered printed by Charles Welch, and inscribed on an original label verso, black and white drypoint etching, {23cm by 52.5cm (9in by 20.5in)}
Winifred Marie Louise Austen (1876-1964). "LESSER WHITETHROAT". Signed artist's proof, also inscribed with the title on the margin, black and white drypoint etching, {15cm by 13.5cm (6in by 5.25in)}; together with a further etching "BLACK CAP AND IVY BERRIES" {13.5cm by 18.5cm (5.25in by 7.25in)} (2)
W. Trenkler- 'Klosterneuberg'; watercolour, signed and dated 1938, 25.7x36.5cm: E. W. Sharland- The Bank of England; etching, signed in pencil and bears Fine Art Trade Guild blind stamp, 13.4x24.8cm: together with three other etchings by different hands, all signed in pencil, various sizes, (5), (part unframed)
William Strang, R.A., R.E.- Traveller's rest; etching, signed and dated '85 within the plate, 17.2x22.7cm: together with a mixed folio of prints by different hands, including examples by: C. W. Rhead, F. A. Laguillermie, W. Wise, A. Briend de Matignon, R. W. MacBeth, L. Lhermite, L. Marvy and others, various sizes, (a lot), (unframed)
Wenceslaus Hollar and Cornelius Galle- River village landscape, 1649 after P. Brueghel; etching, 19.6x27.5cm: Johann Georg Dietrich- Figures in an interior with a satyr, 1739; engraving: together with a mixed folio of prints by or after different hands, c18/19th century, various sizes, (a lot), (unframed)
Edith Martineau- Strawberries on a bank; watercolour, signed and dated 1880, 12.6x17.5cm: Margaret Pilkington- Pastoral landscape; woodcut, signed, dated 1925 and numbered 24/25 in pencil: together with one other woodcut by the same hand, an etching by Dorothy Woodland, two other prints and a watercolour, various sizes, (7)
Percy Hague Jowett- 'A Village Gossip'; etching, signed within the plate, and signed and titled in pencil, 12.3x20cm: W. Douglas MacLeod- Church interior; etching, signed in pencil: together with a colour lithograph after Pierre Brissaud, oval, and four maps of Bohemia, Moravia and Silesia by different hands, various sizes, (7)

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78388 item(s)/page