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Lot 1274
Louis Icart (1888-1950 French) ``Symphony in White (Blancheurs)``, 1932, signed in pencil lower right: Louis Icart, colored etching on paper under glass, plate size: 20`` H x 15.5`` WLiterature: W.R. Holland, ``Louis Icart: The Complete Etchings``, Atglen, PA, 1990, p. 202, fig. 426. With Icart`s `Windmill` embossed seal lower left. Provenance: Private Collection, Sherman Oaks, CA; by descent in the family. Condition: Visual: The paper heavily toned and with mat burn. Not examined out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
Lot 1275
Louis Icart (1888-1950 French) ``Lady of the Camellias (La Dame aux Camelias)``, 1927, signed in pencil lower right: Louis Icart, colored etching on paper under glass, image size: 16.25`` H x 20.25`` WLiterature: W.R. Holland, ``Louis Icart: The Complete Etchings``, Atglen, PA, 1990, p. 152 fig. 321. Note: Printed upper left: Copyright 1927 by les Graveurs Modernes 194 Rue de Rivoli, Paris and with Icart`s `Windmill` embossed seal lower left. Provenance: Private Collection, Sherman Oaks, CA; by descent in the family. Condition: Visual: The paper heavily toned and with mat burn. Not examined out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
Lot 344
OLD MASTERS ETCHING - `Studies of the Head of Saskia and Other Women` by Harmensz van Rijn Rembrandt (Dutch, 1606-1669), signed in plate lower left and dated 1636, Saskia (top center) was Rembrandt`s wife, printed on laid paper, probably an early 18th c restrike from the original plate, unframed, trimmed, sheet size 5 5/8" x 4 5/8", toned, lower left corner bent, very short tear to left edge. (Usticke 12, B. 365).
Lot 691
ETCHING - `Ceci n`est pas Une Pipe` or `Les Deux Mysteres` by Rene Magritte (Belgian, 1898-1967), pencil signed and numbered 77/77 in lower margin, Plate VII from `Aube a l`Antipode`, a suite of seven etchings printed at Atelier Rigal, Paris as illustrations for a book of poems by Alain Jouffrey, Editions de Soleil Noir, Paris, 1966, this from Version II of the deluxe edition, Pasquale Iannetti Art Galleries of San Francisco label verso, in gilt molded panel frame, linen mat, glazed, 7 1/16" x 5 1/16" impression, OS: 21" x 18", fine condition.
Lot 693
ETCHING - `Le Sourire de Diable` by Rene Magritte (Belgian, 1898-1967), pencil signed and numbered 1/17 in lower margin, Plate II from the suite `Aube a l`Antipode`, a suite of seven etchings printed at Atelier Rigal, Paris as illustrations for a book of poems by Alain Jouffrey, Editions de Soleil Noir, Paris, 1966, Pasquale Iannetti Art Galleries of San Francisco label verso, in gilt and black lacquered mitered frame, matted and glazed, 7" x 5" impression, OS: 20 1/4" x 17 3/4", fine condition.
Lot 694
ETCHING - `Usage Externe` or `Le Bouchon d`Epouvante` by Rene Magritte (Belgian, 1898-1967), pencil signed and numbered 12/17 in lower margin, from an edition of 87, the first 17 deluxe, of which this is one, Plate IV from `Aube a l`Antipode`, a suite of seven etchings printed at Atelier Rigal, Paris as illustrations for a book of poems by Alain Jouffrey, Editions de Soleil Noir, Paris, 1966, R.S. Johnson - International Gallery of Chicago label verso, in gilt molded frame, linen mat, glazed, 7 1/16" x 5 1/16" impression, OS: 22" x 18", single brown spot lr.
Lot 1058
(3) WPA ARTIST PRINTS - Including: Lithograph `Maine Lobsterman`, 1944 by Stow Wengenroth (NY, 1906-1978), Stuckey 144, from an edition of 210 for the Print Club of Cleveland, signed in pencil, with original label, 8" x 12" image, on 12" x 16" sheet; PLUS Etching, `Trout Water`, state IV, no 6, by William Martin Larkins (UK, 1901-1974), pencil signed and titled, with limitation, 6 3/8" x 9 7/8" image on 8" x 11" sheet; PLUS Miniature Etching `Plumed Serpent, Chichen Itza` by John Taylor Arms, pencil signed and titled, with inscription `To my friend Reynold H Weidener, with admiration, John Taylor Arms`, 2" x 2 1/2" image on 5" x 7 3/4" sheet, all tipped into mats, unframed, light bends to margins of the last, others are fine.
Lot 322
ROSEMARY A. PETTET "Patiently Waiting" a saddled donkey, limited edition etching no.3/25, signed, numbered and titled in pencil, 10cm x 12.5cm. A similar etching of a Skewbald Pony, signed and dated 2005, 11 x 16cm. A pair of pencil sketches of Donk eys, initialled, 11 x 11cm and two Watercolours, one titled "Stone Window, North Cyprus" signed, 20 x 14cm the other unframed (6) (footnote: Rosemary Pettet, born 1937 was the grand-daughter of Sir Arthur Henry Rostron, Captain of The Carpathia whic h answered the distress call of The Titanic)
Lot 506
Sergei Bender, Russian b.1955- Flower; watercolour, signed in pencil, 104x76cm: Lior Ron, Israeli b.1971- Seated female nude; screen print in colours, signed and numbered 149/250 in black pen, 94.5x65cm: Lior Ron, Israei b.1971- Standing draped female nude; screen print in colours, signed and numbered 138/250 in black pen, 84.5x54cm: Victoria Ascanio, late 20th/early 21st century- "Still life with Fruit Salad"; etching, signed, titled, numbered 2/30 and dated 06 in pencil, 24.5x31cm: Victoria Ascanio, late 20th/early 21st century- "Vegetables & Bottles Still Life"; etching, signed, titled, numbered 1/30 and dated 07 in pencil, 21.7x29cm: Victoria Ascanio, late 20th/early 21st century- Untitled still life with jugs, bottles and a teapot; etching, signed, numbered 4/20 and dated 05 in pencil, 28.3x40.5cm., (6) (may be subject to Droit de Suite)
Lot 529
British School, mid 19th century- View of the Colosseum, Rome; watercolour, 22x33cm: Reynolds & Co 32 St James`s St SW, Publ- "Drumheath Walks in July 4th 1879; hand-coloured lithograph, 28x44.2cm Note: This print depicts the match ridden between Sir John Astley Bt., and Caledon Alexander at Newmarket 1879: Paul Ralluriau, French, late 19th/early 20th century- Two women in a cafe; hand-coloured lithograph, signed within the plate, 25.5x22cm: Charles Williams, British act 1797-1830- "John Bull on a Bed of Roses", publ July 1806 by Wm Holland, Cockspur Street; hand-coloured etching, 25.5x35.5cm., (4)
Lot 533
After François Chereau, French 1717-1755- "La Bal Pavé"; hand-coloured engraving on wove, in a carved gilt wood glazed frame, 35.5x47cm: J F Duthemare, British fl. 1803-1848- "The Village Farrier", after P Wouwerman, publ The London Fine Art Association Holloway N; etching, mounted in a maple veneered frame, 33.5x44cm: Charles Turner ARA, British 1773-1857- "Mrs Whitmore", after F Phillips RA; mezzotint, 43x35cm: together with three 19th century glazed maple veneered framed prints and six various other framed prints, all late 19th/early20th century, various sizes, (10)
Lot 546
British Provincial School, 19th century- Botanical study; watercolours, three, all mounted in matching glazed frames, 23x19.5cm., ea: Margaret Smith, British exh 1896-1938- Portrait; oil on panel, inscribed on the reverse, 40.5x34.6cm: British School, 20th century- Stone house in a highland landscape; watercolour, 15x23.5cm: British Provincial School, mid-late 20th century- "Conway"; watercolour, inscribed and dated 1870, 18x33.5cm: British Provincial School, late 19th/early 20th century- Botanical study; watercolour heightened with white, oval, 42x33cm: Naive School, late 20th century- Figures by a church; mixed media relief on metal panel, 45x60cm: After Geneviève Eliacheff, Russian/French b.1910- Busy day in Montmartre; colour reproduction print, 49x64cm: P A Thompson, British, mid-late 20th century- Goat herders; etching, signed and numbered 1/50 in pencil, 17.5x12.5cm: Edward Hull, British 1810-1877- Scene from the Life of Dick Turpin; hand-coloured lithograph, signed within the plate, 27.5x37.5cm: Goupil & Cie, Publ., 1878- "The Queen of Swords, after Sir W Q Orchardson RA; photogravure, in a glazed oak frame, 18x25.3cm: After James Godby, British late 18th/early 1th century and Henri Merke, Swiss, late 18th/early 19th century- "Horse Racing", after S Howitt; colour reproduction print, 33x45cm: together with a colour reproduction print of birds resting on a branch, 38x31.5cm., (14) (may be subject to Droit de Suite)
Lot 616
John Heaviside Clark, Scottish 1771-1863- "Edinburgh, A View of the Old Town taken from Princes Street", after A Key, publ. Aug 1st 1814 by Dan McIntosh; hand coloured aquatint, 44.5x60cm: After John Heaviside Clark, Scottish 1771-1863- "The Town of Paisley", publ. Smith, Elder & Co, 1825; hand coloured etching with aquatint, 44x58cm: After John Heaviside Clark, Scottish 1771-1863- "The Town of Dingwall", publ. Smith, Elder & Co, 1824; hand coloured aquatint, 43x56.5cm: After James Duffield Harding, Scottish 1798-1863- "The Palace of Holyrood", from `Scotland Delineated`; hand coloured lithograph, 30x44.3cm: After George Cattermole, British 1800-1868- "Glamis Castle"; hand coloured lithograph heightened with pen, 33x42.7cm, (5)
Lot 636
Philip Braham, Scottish b.1959- "Eclipse (Death by Water), 1988"; hand coloured lithograph, signed, titled, dated and numbered 40/40 in pencil, 56x44.5cm: Julie Brook, German/British b.1961- "And Thou Treble Dated Crow, Study 1", 1990; etching and aquatint with hand colouring, signed with initials, dated `90 and inscribed `A/P`, 36x22cm: John Taylor, late 20th century- "Three Figures Appeared"; screenprint in colours, signed, titled and numbered 2/25 in pencil, 72.5x53.5cm, (3), (may be subject to Droit de Suite)
Lot 643
George Frederick A Belcher, British 1875-1947- "The Doctor of the National Sporting Club", March 1918; hand coloured etching, signed in pencil beneath the plate, 28.5x21cm: together with three further hand coloured etchings by the same artist entitled `A Darling of the National Sporting Club", 1917, "Peggy of the National Spoting Club", Aug 1917, "A Monument in Art at the N.S.C", Jan 1918, each signed in pencil beneath the plate, in matching black metal brushed frames, ea. 28.5x21cm and 33x21cm, (4) (may be subject to Droit de Suite)
Lot 644
George Frederick A Belcher, British 1875-1947- "Sir Claude Champion de Crespigny. Bart. at the National Sporting Club", March 1918; hand coloured etching, signed in pencil beneath the plate, 33x21cm: together with three other hand coloured etchings by the same artist entitled, "Time & Judgement at the National Sporting Club", March 1918, "The Wild Irishman at the National Sporting Club", March 1918, "A Hero of the Ring & his Agent, The National Sporting Club", all signed in pencil beneath the plate, in matching black brushed metal frames, ea. 33x21cm, (4) (may be subject to Droit de Suite)
Lot 665
John Alfred Vinter, British 1828-1905 "Victoria" and "Albert, after F X Winterhalter, publ by Day & Son; lithographs, a pair, in matching 19th century glazed gilt gesso 68.5x58.5cm: Charles Albert Waltner, 1846-1925- "Romeo and Juliet", after F Dicksee ARA, publ August 2nd 1886 by Arthur Tooth & Sons, 5 & 6 Haymarket London SW; etching, 52x32cm: Conrad Martin Metz, German 1755-1827- "John Poines", after H Holbein, publ T Chamberlaine March 1792; hand-coloured stipple engraving, in a glazed Hogarth frame, 33x25cm: George Hadfield, British, late 18th/early 19th century- "His most Serene Highness Louis Phillip Joseph Duke of Orleans", after R Cosway RA, publ 1788 by R Cosway; hand-coloured stipple engraving, in a glazed Hogarth frame, 33x24cm., (5)
Lot 667
James McArdell, British c.1729-1765- "George Duke of Buckingham with his Brother Francis, 1636", after Van Dyck, 1752; mezzotint, 50x35.3cm: David Law, British 1831-1901- River scene with cattle watering, after Clayton Adams, issued Oct 1st 1894 by the Art Union; etching, 51x70.5cm: together with three other prints and a gilt composition glazed frame, (a/f), (6)
Lot 692
Martin Leman, British, b.1934- "Cornish Memories II"; etching with aquatint, signed, titled, dated `87 and inscribed A/P in pencil, 15x15cm: together with two other etchings with aquatint from the same series, entitled "Cornish Memories I" and "Cornish Memories III", both signed, titled, numbered and dated `87 in pencil, ea. 15x15cm: together with one mezzotint, one aquatint and two lithographs by the same artist, entitled "Panda", "Freeman Hardy Willis", "Hill Street Blues" and "Good Companions" respectively, all printed in colours, signed, titled, dated and numbered in pencil, various sizes, (unframed), (7), (may be subject to Driot de Suite).
Lot 694
John McNulty, Irish, b. 1949- "Sheen River, Kenmare"; etching with aquatint printed in colours, signed, titled and inscribed A/P in pencil, 39x55cm: together with six further etchings with aquatint printed in colours by the same artist, entitled "Paths II", "Impressions", "Highland Pools I", "Jardins de Luxembourg I", "Oaks" and "The Hawk", all signed, titled and inscribed in pencil, some dated, various sizes, (unframed), (7), (may be subject to Droit de Suite).
Lot 695
Susan E Jameson, British, b. 1944- "Mr Tiffany`s Lamp"; etching printed in colours, signed, titled, dated `76 and inscribed 2/50 in pencil, 54.5x71cm (sheet): together with another etching printed in colours by the same artist, entitled "Moon Rise", signed titled, dated `77 and inscribed 56/75 in pencil, 15.3x14.5cm: Terence Millington, British, b. 1943- "Spiral Staircase I" and "Spiral Staircase II"; etchings printed in colours, two, both signed, titled and inscribed A/P in pencil, ea. 49.8x32.8cm: Gillian Whaite, British, b.1934- "Flowers in November" and "Oxalis- January"; etchings with watercolours, two, both signed, titled and inscribed 22/60 and 29/60 respectively in pencil, ea. 61x45cm: Tessa Beaver, British, b.1932- "White Pine"; etching with aquatint and embossing, signed, titled and inscribed 92/125 in pencil, 28x18.2cm: together with two etchings with aquatint printed in colours by the same artist, entitled "Michelmas" and "Sunflowers", both signed, titled and numbered in pencil, various sizes, (unframed), (9), (may be subject to Driot de Suite).
Lot 714
Andrew Fairbairn Affleck, British 1874/75-1935/36- West front of Rouen Cathedral, publ Jan 24th 1916 by James Connell & Sons 47 Old Bond St London W1; etching, signed in pencil, bears publisher`s blindstamp, 73x36cm: J L Zentner, German, late 18th century- Figures on a country track, after J F Vries, publ a Paris chez l`Auteur rue du Gros Chenet no 47 et chez Poignant rue et Hotel Serpente; engraving, 19x22cm: French School, mid 20th century- Rural landscape in the tropics; gouache, signed, 16.5x26cm: After Ethel Parkinson, British 1868-1957- Dutch children with a goat and cart; lithograph printed in colours, signed within the plate, 14x19cm: together with a further quantity of pictures, prints and reproductions by and after different hands, various sizes, (a lot)
Lot 719
Anna Pugh, British b.1938- `Palm House Kew`, `Dragon Fly`, `Bonzai Beach`, `Leaping Lion`, `Aloe Tapestry`, `Fig Tapestry`, `Fan Tapestry`, `Cranseflies`, `Mosquito`, `Heraldic Mug`, `Coronation Mug`; etching in colours, all signed, titled and numbered 8/150, 70/200, 88/200, 20/200, 172/200, 120/200, 99/200, 131/150, 1/15 AP, 13/150, 36/150, blindstamped, dated between 81, 84 & 85, 53.5x43.5cm, 34x44.5cm, 34x44cm, 36x36cm, 48.5x25.5cm, 48.5x25.5xm, 48.5x25.5cm, 18x17.5cm., 17.7x17.5cm, 19.5x17cm, 19.5x17cm, (11) (unframed) (may be subject to Droit de Suite)
Lot 721
Bryan Ingham, British 1936-1997- `Gallery - Kew`; etching, signed and dated 1976, titled and numbered 83/100 in pencil, 20.5x28cm: Andrew Ingamells, British b.1956- `Christchurch, Spitalfields`, `Afternoon Light`, `St. George in the East, Wapping`; etching in colours, signed, titled and numbered 69/75, 76/150, two blindstamped, 64.7x25cm, 14x8.5cm, 48x29.5cm: Albany Wiseman, British b.1930- `The Royal Hospital Chelsea`; lithograph in colours, signed and numbered 28/100, 50x65cm., (5) (unframed) (may be subject to Droit de Suite)
Lot 745
European School, late 19th/early 20th century- Portrait of a lady; oil on canvas, in a silver gilded arts and crafts frame, c.1900 with art nouveau roundels to the corners, with remains of a label to the reverse of the frame reading, `Advise for the International-Exh... of British Art ...ngarian Fine Art ... Cayley-Robinson,` 73x57cm: Victor Adam, French 1801-1866- "Porto do Estrella" Brazil; hand coloured lithograph, 28x34cm: together with another 19th century hand coloured lithograph depicting a coastal village, possibly South America, 28x38cm: Ludwig Michalek, Austrian 1859-1942- "Bach", publ. V A Heck, Wien; etching, 45x31cm, (4)
Lot 755
Lt Colonel Harold Wyllie, British 1880-1973 exh 1903-1924- "Falmouth with Square Rigged Trading Schooners"; dry point etching, signed, 18x23.5cm: Frank Henry Mason, British 1876-1965- "HMS Gloucester & Yachts on the River Dart"; etching, signed, 11x27cm: Style of Francois Geoffrey Roux, late 20th century- Triple Masted Schooner at Sail; watercolour, signed, 29x45cm, Provenance: these three with the Wyllie Gallery, 44 Elvaston Place, SW7 5NP according to the labels attached to the reverse: British School, late 20th century- Shipping scene; etching, signed, numbered 13/50 and dated 1984, 9x16.5cm, (4), (may be subject to Droit de Suite)
Lot 763
Timo, American School, late 20th/early 21st century-"Harvest"; acrylic on canvas, signed, 126.8x101cm. Provenance: with Barbour & Stone llc., Phoenix, according to label attached to the reverse: Anna Blatman, Australian b.1965- Sunflowers; acrylic on board, signed, 20x50cm: Late 20th/Early 21st Century- "Perdita"; etching, signed, titled and numbered 57/100 in pencil, 18.5x14cm., (3)
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71174 item(s)/page