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Lot 640

Abraham Hogenburg, after Wentzel Hollar Study of a Courtier signed within the print "Wentzel Hollar Sculp / Abraham Hogenberg exc" etching 14 x 18½cm (5 x 7in) Provenance: From the collection of the late Christopher Hogwood, CBE Looks to be stuck down on all four corners. Trimmed and browned.

Lot 691

§ Norman Wilkinson, CBE (British, 1878-1971) On the Spey; and Fishing on the Spey both signed lower right "Norman Wilkinson" etching, 17 x 24cm (6.5 x 9.5in) and 24 x 32cm (9.5 x 10.5in) (2) Both images are clear and good - the mounts are very dirty.

Lot 5250

Pete Matthew, Briar Wood No2 signed, limited edition 24/30 etching; A pair, Cottages in the hills, a coastal town, signed, dated 1968 and 1969, watercolour; A signed engraving; a signed print (2); Barbara C. Shaw, Twentieth century, a pair, Moorland Walk Haworth; Kilsey Cray, signed and titled to verso, oil on board (2); English school, 20th century, The Harbour at Dover, oil on board; Geoffry Web, Twentieth century Tempera, Col de la Haute, Maritime Alps, signed and titled to verso, Acrylic; Guy Stokes, contemporary, A Garden Lake, signed, signed and dated 1987 to verso, oil;H. Fletcher, Twentieth century, Lake in the Mountains, signed, dated 1900, watercolour; Art Journals - Victorian, 1866, 1860, 1867 and 1872 (4)

Lot 5702

Harold Thornton (1892-1958) by and after Old Pal, signed, etching, 22cm x 17cm; A Szlezak (20th century) Impressionist Flowers, signed, oil on board, 79cm x 64cm (2)

Lot 395

PENCIL SIGNED MONOCHROME ETCHING AND TWO PRINTS

Lot 153

Frank W Benson - Seated lady in a hat, etching, 15/75, signed to margin lower left, unframed, 12 3/4" x 11 2/8"

Lot 155

Herbert Hillier - Bishops Palace Amiens, artist proof etching, signed to margin, unframed, 12" x 9", together with A P Thompson - Notre Dame, etching, signed to margin, mounted and glazed in a light wood frame, 17 1/4" x 12 1/2"

Lot 203

FRANK BRANGWIN; etching of a castle wall and a bridge, possibly French and a print of a Flemish scene in a bare walnut frame.

Lot 210

A large etching, "Prodigals Repentance" in walnut frame, a painting of a small girl, an F. Barton Print, a print of Childwall Church and other 19th century prints in various frames.

Lot 252

Roland Langmaid (1897-1956), Dismantling a beached man-o-war, drypoint etching, signed in pencil, 23cm x 30cm (ARR may apply)

Lot 176

Dame Elisabeth Frink, CH, DBE, RA (British, 1930-1993), 'Arrival at Canterbury, 1973', etching, signed in pencil to margin, 10/50. H.50cm W.34cm

Lot 466

Caro Liddell (Contemporary British school), 'White Rhino Living', etching, aquatint and acrylic on paper, signed and dated 1995 pencil lower right, titled, limited edition 3/20, H.29.5cm, W.56.5cm

Lot 264

A framed and glazed etching of boats off the Broads, signed to the bottom right, 35cm by 50cm

Lot 372

THE RELIGIOUS CEREMONIES AND CUSTOMS OF THE SEVERAL NATIONS OF THE KNOWN WORLD, VOLUMES 1-7PICART, Bernard (German, 1673-1733), The Religious Ceremonies and Customs of the Several Nations of the Known World. Represented in a Hundred Copper-Plates, designed by the famous Picart. Together with historical explanations, and several curious dissertations.... London: printed for Nicholas Prevost, 1731-1737. 7 volumes in 6 books. Folio (415 x 265 mm). Contemporary calf binding. Spine with gilded embossed letters and six raised bands. First English edition. 225 plates by Bernard Picart on separate pages (some folding). Titles printed in red and black with engraved vignettes.LOT NOTES:Bernard Picart presented to the reader various Catholic and Protestant ceremonies on par with religious rites of the followers of Confucius and Buddhists from China and Japan, Indian Fire-worshipers and Yogi, South American Pagan Indians, and Christian Orthodox sacramentals, as well as aboriginal Shaman spells of Siberia and Canada. He described a wide variety of religious ceremonies that conduct a person throughout life: in birth, marriage, sacrifice, sortilege, and funeral. A separate chapter was dedicated to the Court of the Inquisition. The issue is a valuable historic source that reveals religious and everyday life of the West European Jews in the 17-18 Centuries. Picart's publication had great success thanks to his general religious tolerance and objective judgment.LITERATURE: P. Kristeller, History of European Etching of 15-18 Centuries, (Moscow: Iskusstvo, 1939);A. Sevostianov The Masterpieces of European Illustration, (Moscow: Terra, 1996);M. Shelkunov The Art of Book Printing, (Moscow - Saint Petersburg: GIZ, 1926).

Lot 78

J A Hammond (British 19th Century), The Cross and Moot Hall, Ipswich, etching dated 1880

Lot 69

A set of seven framed pictures of wildlife, small signed limited edition etching of geese and two silk pictures of fowl

Lot 74

Large framed print after Coulson of a lake together with an etching of Dertwentwater and one other of Highland cattle

Lot 373

Alec Fraser, Scottish, fl.1893-1912, etching, 24 x 19cm, together with a coloured print of Newcastle, map of Whipsnade etc

Lot 104

AIDAN KIRKPATRICK (1932): Limited edition etching "Snape" 18/100, dated 1981, 30cm x 40cm

Lot 74

BORIS O'KLIEN (RUSSIAN 1893 - 1985), L'ETOURIE and OH! LA BELLÉ CHÉRE hand coloured etching, signed and titled in pencil each image 18cm high x 45cm wide each Mounted, framed and under glass Note: Frames and etchings fair condition

Lot 1337

A Victorian 1822 model scarce pipe back Infantry Officer's sword with crowned VR cypher and traces of etching to the blade in its black leather scabbard, with Victorian Naval Officer's sword in its black leather scabbard and a G.R.V. Artillery Officer's sword in its brown leather scabbard

Lot 343

ROBERT LENKIEWICZ (1941-2002) mixed media double picture with gouache of Greenie signed also original etching of trees, overall size including frame 83cm x 66cm

Lot 80

Robert W Allan etching, portrait of a woman, 7.75" x 5.75", and George Houston, etching, spring in Ayrshire, 4.75" x 6.75", both signed in pencil, framed, (2).

Lot 130

Coloured etching, abstract harbour scene, indistinctly signed in pencil, dated '61, no. 4/60, p 10" x 23", unframed.

Lot 205

Brenda Hartill etching/aquatint, shadows II, signed in pencil no. 166/200, p 19.5" x 15.5", framed.

Lot 206

Brenda Hartill etching/aquatint, pond, signed in pencil, artist proof, p 23" x 30", framed.

Lot 223

Herbert Dicksee (1862-1942) etching, lion on a rock, signed in pencil, i 19.5" x 25", framed.

Lot 233

Herbert Dicksee (1862-1942) etching, lioness and cub, signed in pencil, p 15.5" x 25.5", framed.

Lot 328

Eileen Alice Soper (born 1905) etching, children at play, signed in pencil, 5" x 6.75", framed.

Lot 357

Harry Harvey Clarke NSA (Exb. 1899-1940) etching, edge of the wood, signed in pencil, p 6.75" x 7", framed.

Lot 358

Melvyn Petterson drypoint etching, Greenwich evening, London, 99, artist proof, signed in pencil, 6" x 7.5", further information verso, framed.

Lot 102

Thomas Cooper Gotch (1854-1931) British Study of a Man with two small Children on a Beach, Watercolour, Signed, Unframed, 4” x 6”, and three others by the same hand, “La Belle Dame Sans Merci”, ‘Keats’, Etching, Signed in Pencil, Unframed, overall 14” x 10 25”, four (4)

Lot 138

After John Petts The Three Crags An etching Signed and inscribed in pencil to the margin 10 x 12.5cm

Lot 188

EVAN ROBERTS (Welsh, Early 20th Century), 'Clogwyn Bach, Dyffryn Nantlle', signed in pencil. Uncoloured etching/engraving, no. 3 of only 30. 5" x 6.75" (13cm x 17.5cm) CONDITION REPORT: Good, no damage.

Lot 262

A Victorian 1827 Pattern Naval Officer's Sword, the 80cm single edge pipe back steel blade bearing traces of etching (af) the brass gothic hilt bearing traces of gilt, with hinged guard, cast with a fouled anchor, with wire bound fish skin grip and well cast lion head pommel, the black leather scabbard with brass mounts, the locket engraved W.C.Cox, Devonport, shoe missing

Lot 724

* Norman Wilkinson [1878-1971]- Fisherman landing a salmon:- etching, signed in pencil images size 22.5 x 30cm.

Lot 726

* Winifred Marie L Austen [1876-1964]- Wild Geese on the Marshes:- coloured etching, signed and inscribed in the margin

Lot 1218

Paul Cesar Helleu (1859-1927)drypoint etching,Elegante au Chapeau de Profil,signed in red crayon,overall 21.5 x 16.5in., unframed

Lot 1225

Félicien Rops (Belgian, 1833-1898)coloured etching,'Le Gandin Ivre',signed in the plate, numbered 85/150,13.5 x 18.5in.

Lot 1253

William Lionel Wyllie (1851-1931)etching,London from Lambeth,signed in pencil,4.25 x 13in.

Lot 1380

Erik Desmazieres (b.1948)etching,'Coloquintes II', still life of gourds in a bowl,signed and dated 1985, 84/90 in pencil,8 x 10.5in.

Lot 775

An Indian Scimitar with a brass handle and red velvet scabbard with brass trim. Etching on the blade with made in India on the side.

Lot 212

A collection of interesting modernist furniture and furnishing books, and two Master of Etching books for Brangwyn and Brockhurst

Lot 333

A E Houseman, ÈHere by the Labouring Highway', artist proof print, limited edition, signed in pencil and dated 1980, George Soper, Trees and a Fence, etching No 1/50, and an artist's proof photograph print of 'The Derwent near Chetsworth' by Richard Martin

Lot 338

An etching by Pearl Binder, titled 'Hessel Street Market', signed and dated in pencil, 1932, limited edition 9/10, two further Pearl Binder prints and various other pictures

Lot 174

A colour etching - "Durham Cathedral", by Victoria S. Hine.

Lot 190

Dame Elisabeth Frink, CH, DBE, RA (British, 1930-1993), 'Arrival at Canterbury, 1973', etching, signed in pencil to margin, 10/50. H.50cm W.34cm

Lot 240

Rembrandt van Rijn (Dutch, 1606-1669), 'The Return of the Prodical Son', etching, N-V: The 2nd state of 4, gallery label to verso. H.16.7cm W.14.5cm Provenance: Belgravia Gallery

Lot 473

Dame Laura Knight, DBE, RA, RWS (British, 1877-1970), 'An English Hillside', a monochromed dry point etching study of a rural landscape, signed in pencil to margin. H.31cm W.22cm

Lot 1530

WILKINSON, HENRY, two Dachschunds, limited edition coloured drypoint etching, signed, 25cm x 30cm

Lot 1535

HOWARTH ALBANY, etching of a Cathedral front, two others similar and another print (4)

Lot 998

GARNER, GEOFFREY, etching/aquatint 'End of The Chase'

Lot 212

A Meissen figure of the Merchant's Wife, 19th century, after the model by Kändler, seated at a small table and writing in a ledger, with a second one open in her lap, a pounce pot in her left hand, a basket of bottles to one side and tied parcels at her feet, blue crossed swords mark, incised 2654, a little restoration, 14.5cm. Kändler's original model was based on the etching L'économe by Jacques-Philippe Le Bas, after the painting of the same name by Jean Siméon Chardin.

Lot 28

Joshua Kirby Baldrey (1754 - 1828) - The East Window, King's College Chapel, Cambridge Etching, stipple, with extensive hand colouring Published by the artist, circa 1809 On two sheets, not joined 97 x 52.5 cm. (38 1/4 x 20 3/4 in)

Lot 829

View from Mont St. Jean of The Battle of Waterloo at the commencement of the grand charge made on the French about 7 O'clock on the evening of the 18th June 1815 Coloured etching Published by R. Bowyer, Pall Mall, 1816 57 x 32 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some slight staining/foxing, crease mark.

Lot 834

After HENRICUS HONDIUS (1587-1638) Dutch A General Plot and Description of the Fens and Surrounded Grounds with Six Counties of Norfolk, Suffolk, Cambridge Within the Isle of Ely, Huntingdon, Northampton and Lincoln, etc. 17th century coloured etching 56.5 x 45 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some staining, fold creases.

Lot 369

Paul Signac (1863-1935), Le Pont Des Arts Avec Remorques, (Tug boats near the Bridge of Arts), signed within the impression, etching, framed. 12.5cm by 19cm

Lot 370

Frank Brangwyn (1867-1956), War time ruins, signed in pencil in the margin, etching, framed. 48cm by 67cm

Lot 371

Frank Brangwyn (1867-1956), War torn Belgium, signed in pencil in the margin, etching, framed. 47cm by 68cm

Lot 373

Joseph Henry Kirsop (1886-1981), Sandhill, Newcastle upon Tyne, signed in the margin, etching, framed. 30cm by 39cm Note: The artist exhibited at the R.A. in 1943, receiving much acclaim.

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