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Lot 340
UNATTRIBUTED; a pair of comedic watercolour and pencil artworks one entitled 'Stole Away' and the other 'How to Replace Stolen Milk', both unsigned, the largest 6 x 9cm, after Albany Howarth (1872-1936); a black and white etching depicting Mickle Gate, York, signed in pencil lower-right, 23 x 30cm, a further black and white etching depicting Wells Cathedral and two further artworks, all framed and glazed (6).
Lot 425
Two Scottish themed dry point etchings after Malcolm Osbourne, both framed and glazed, one titled, Terrace Garden Stirling, the other, In The Heart Of Scotland, together with a two smaller dry point etchings, framed and glazed, and a larger dry point etching print of Loch Katrine, framed but no glass (5)
![Eric Gill [1882-1940]-
The Prior of Caldey:-
etching 1926,
plate size 25 x 17.5cm.
* Provenance. The Redfern Gallery Ltd.,](https://cdn.globalauctionplatform.com/62f252cc-94b3-46c4-b9f6-a6790121e098/ae35b3b4-4886-415b-acd9-6a52ab76f39a/468x382.jpg)
Lot 284
William Lionel Wyllie (1851-1931) - Drypoint etching - "Greenock" - Busy harbour scene with tugs and other boats to foreground, 6.875ins x 11.625ins, signed in pencil to lower left margin, in modern gilt moulded framed and glazed Provenance: Chris Beetles 8 & 10 Ryder Street, St James's London, SW1 Y6QB - Purchased 15th July 2014, (Invoice No. I27467)
Lot 297
Mortimer Menpes (1855-1938) - Dry point etching - "Dual faces with cane" - Portrait of James Abbott McNeill Whistler, 7.5ins x 5.5ins, signed in full in pencil to lower right corner, in modern walnut frame and glazed Provenance: Exhibited Leicester Galleries, London, December 1903 - The Fine Art Society, London 1908, and Chris Beetles Limited 8 & 10 Ryder Street, St James' London, SW1Y 6QB, March-April 2014 - "The Long Nineteenth Century - Treasures and Pleasures", No. 129
Lot 2093
Kew Gardens by Geogiana M De L'Aubiniere, 1849-1930. A framed and mounted Etching (plate 9 restrike) by King and McGaw, 24 1/2" x 21 1/2". L'Aubiniere studied art in England for many years and was a regular exhibitor at the Royal Academy. She moved to Paris where she studied under Corot and Gerome. She moved to North America in 1882 where she lectured, painted and exhibited. She returned to England in 1902 to live in Cornwall.
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