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Lot 481
Dodgson (Campbell). The Etchings of James McNeill Whistler, 1st edition, The Studio, 1922, 96 black and white plates with tissue guards, original gilt-decorated quarter vellum, boards and spine slightly rubbed, 4to, together with Monkhouse (Cosmo), The Manchester Whitworth Institute Historical Catalogue of the collection of Water-colour Drawings by Deceased Artists, Manchester, 1894, numerous black and white plates, original gilt-decorated green cloth, 4to, plus Pennell (Joseph), Lithography and Lithographers, 1915, Etchers and Etching, 1st edition, 1920, both with numerous illustrations, some minor toning, both original brown cloth, boards and spines slightly rubbed, large 8vo, plus other late 19th-century and modern British art reference, including Oil Paintings in Public Ownership, 14 volumes, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (6 shelves)
Lot 446
Jones (David, 1895-1974). The Sleeping Lord, Faber and Faber, 1974, numbered 132 from an edition of 150, and signed by the author to limitation leaf, black and white frontispiece, title printed in yellow and black, original publisher's cloth, blindstamped title to upper board, gilt title to spine, contained within original slipcase, spine and slipcase slightly faded, 8vo, together with An Introduction to the Rime of the Ancient Mariner, Clover Hill Editions, 1972, numbered 132 from a total edition of 330, original vignette etching by the author to title, printed throughout on grey paper, original publisher's cloth, 4to (2)
Lot 340
UNATTRIBUTED; a pair of comedic watercolour and pencil artworks one entitled 'Stole Away' and the other 'How to Replace Stolen Milk', both unsigned, the largest 6 x 9cm, after Albany Howarth (1872-1936); a black and white etching depicting Mickle Gate, York, signed in pencil lower-right, 23 x 30cm, a further black and white etching depicting Wells Cathedral and two further artworks, all framed and glazed (6).
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78391 item(s)/page