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Lot 16

William Lionel Wyllie, RA, RBA, RE, RI, NEAC (1851-1931) COBLES AT CULLERCOATS HARBOUR signed in pencil drypoint etching 16 x 37.5cms; 6 1/4 x 14 3/4in. (plate size).

Lot 17

William Lionel Wyllie, RA, RBA, RE, RI, NEAC (1851-1931) A BUSY HARBOUR WITH FISHING BOATS signed in pencil; with inscription in the plate "London, Published June 2nd, 1924, by R. Dunthorne & Son, 5 Vigo Street W" drypoint etching 16 x 37.5cms; 6 1/4 x 14 3/4in. (plate size).

Lot 18

William Lionel Wyllie, RA, RBA, RE, RI, NEAC (1851-1931) "NEWCASTLE UPON TYNE" signed in pencil drypoint etching 21.6 x 37.5cms; 8 1/2 x 14 3/4in. (plate size).

Lot 20

Sir Henry Rushbury, RA, RE (1889-1969) "CUSTOM HOUSE KING'S LYNN" signed in pencil drypoint etching 24 x 34cms; 9 1/2 x 13 1/4in. (plate size).

Lot 7

Sir Frank William Brangwyn (1867-1956) A CONTINENTAL STREET SCENE WITH OVERHANGING BALCONY signed in pencil etching 36.3 x 27.4cms; 14 1/4 x 10 3/4in.

Lot 8

Maurice Milliere (French 1871-?) A YOUNG WOMAN READING A LETTER signed in pencil and dated '13, numbered 3 from an edition limited to 100 colour drypoint etching 51 x 35cms; 20 x 13 3/4in. (plate size).

Lot 476

E.J. Detmold - 'By the Nile', etching, 16 x 31 cm, the reverse with Mathaf Gallery Ltd London label, stock no. MG218 Condition Report no glass

Lot 481

T.M. Strang - The clock maker, etching, pencil signed to margin lower right, 15 x 11 cm to/w Judith Williams - 'Fishing boats, Rye', etching, pencil signed to margin lower right, 22 x 15 cm (2)

Lot 524

Continental school - A pair of portrait studies of men, one smoking a pipe, the other eating bread, oil on board, one indistinctly signed lower left, 37 x 28 cm to/w J. Hervens - A winter scene, ltd ed coloured etching, 443/500, pencil signed to margin, 18 x 20 cm (3)

Lot 541

Lenny Nosworthy - 'Solitude', etching, pencil signed to lower right margin, 15 x 22 cm to/w 'The Estuary, Low Tide', etching, pencil signed lower right, 16 x 23 cm (2)

Lot 1404B

Henry G. Walker, coloured etching, canal scene, signed in pencil to the border, 7.5ins x 9ins, framed

Lot 1425

Two Vanity Fair prints, ` An Artful Bowler ` and ` The Master of the Blankney `, two framed coloured engravings, an etching, Chinese machine made silk picture, modern abstract oil on canvas, and a gilt framed print of Christ

Lot 1440

Joseph Gray, signed etching, square rigger in the Bay of Biscay

Lot 1510

James Paterson, signed Limited Edition etching, portrait of a student from the Royal College of Art, 8ins x 6.5ins, framed

Lot 1535

Framed etching, portrait of a dog, indistinctly signed, 12.5ins x 10ins, including margins

Lot 1592

Signed Limited Edition colour print, still life of flowers, gilt framed, signed etching ` Leaving the Old House ` and a colour print after Monet

Lot 1656

W.L. Wyllie, etching entitled ` Victoria Victrix ` dated 1st February 1901, unframed and unsigned, 17ins x 24ins

Lot 1724

Limited Edition monochrome print of a heron, indistinctly signed and numbered 126 of 150 together with a modern double impression etching of a chessboard and wine glass

Lot 1727

Chinese watercolour on print base of a bird in foliage, together with an M Remnant signed etching of Mevagissey and a signed colour print of Bamburgh Castle

Lot 1748

Edwin Lucas, signed etching, view of Guys Hospital, together with a pair of Continental signed coloured prints of canal scenes

Lot 1789

Small oil on card, river landscape, signed indistinctly, 5ins x 9.5ins, gilt framed, together with a small signed etching, river landscape

Lot 1245

A GREIGORD, `The Shore Road, Cardrose` etching, signed in pencil and inscribed in the margin, 12.5cm x 30cm

Lot 1245

A GREIGORD, `The Shore Road, Cardrose` etching, signed in pencil and inscribed in the margin, 12.5cm x 30cm

Lot 109

Eugene Bejot La Bonne Nantes Etching, signed in pencil, Open Eye Gallery label verso, in glazed frame, 18 x 22cm

Lot 119

Tatton Winter RBA St Jacques Coloured Etching Signed in pencil, in glazed giltwood frame, 27 x 37cm

Lot 122

Wilfred C. Appleby Charterhouse School Etching, signed in pencil in glazed frame 35 x 20cm

Lot 290

Robert Burns Interest Tam O`Shanter and Souter Johnny, engraved by W. Geikie, sculptor F. Thom, the reverse with inset letter inscribed `Mrs Burns the Widow of the poet received this etching of the stone figures of Tam O`Shanter and Souter Johnnie from Mr Thom the celebrated Ayrshire sculptor and was afterwards so kind as to present it to me with the follow autograph`. Note `With Mrs Burns kind regards to Mr Joseph Train - Dumfries`, 28th August, 1829 etc, 28 x 28cm

Lot 421

?STEPHEN CONROY (Scottish b. 1964) IMPRESSIONIST Drypoint etching, signed with title, artist`s proof, 30 x 23cm (11 3/4 x 9"")

Lot 475

WILLIAM WALCOT RBA, RE (British 1874 - 1943) TEMPLE OF MINERVA Etching, signed, 24 x 28.5cm (9 1/2 x 11 1/4"") W. B. Simpson label verso

Lot 476

CHARLES MERYON (French 1821 - 1868) LE PONT AU CHANGE Drypoint etching, 16 x 34cm (6 1/4 x 13 1/4"") (plate size)

Lot 477

ANNA AIRY (English 1882 - 1964) THE ARRIVAL OF SUMMER Etching, signed, 35 x 36cm (13 3/4 x 14"")

Lot 526

Hedley Fitton (1859-1929) Continental town, signed, black and white etching

Lot 3

Title: Clown Etching (Limited Edition)Description: Signed limited edition framed embossed etching with a clown as subject matter. The print was originally purchased in Cleveland, Ohio. W 260 x H 280 mm

Lot 10

JOHN CROME (1768-1821, BRITISH) ?The Lake Wickerswell ? Near Somerleyton? (or Back of New Mills) black and white etching, circa 1834 8 ½ x 6 ½ ins

Lot 11

JOHN CROME (1768-1821, BRITISH) ?Near Hingham? black and white etching, circa 1834 6 ¼ x 6 ½ ins

Lot 12

JOHN CROME (1768-1821, BRITISH) ?Large Trees on a Mound? black and white etching, circa 1834 6 ½ x 6ins

Lot 14

JOSEPH STANNARD (1797-1830, BRITISH) ?Boats on Breydon c 1825? black and white etching 5 ¼ x 8 ¼ ins together with a further etching After J S Cotman (2)

Lot 192

MINNA BOLINGBROKE (1857-1939, BRITISH) Chickens in a Field black and white etching, signed lower left 6 x 8ins Footnote: Minna Bolingbroke was the wife of fellow artist Charles John Watson

Lot 202

CHARLES MAYES WIGG (1889-1969, BRITISH) ?Norfolk Wherries on Breydon? black and white etching, signed in pencil lower right and inscribed with title lower left 8 ½ x 10ins together with two further signed etchings by the same artist (3)

Lot 301

*HENRY JAMES STARLING, ARE (1905-1996, BRITISH) ?Little Walsingham, Norfolk? black and white etching, signed and dated 1952 lower right, Numbered 4/100 and inscribed with title lower left 8 ½ x 11ins together with HENRY JAMES STARLING, ARE (1905-1996, BRITISH) ?Marlingford Mill, Norfolk? black and white etching, signed lower right and inscribed with title lower left 8 ½ x 10 ½ ins (2)

Lot 5

JOHN SELL COTMAN (1782-1842, BRITISH) An Ecclesiastical Reading black and white etching, circa 1846 8 x 6ins mounted but unframed together with four further Norwich School Etchings including others after Cotman (5)

Lot 7

JOHN CROME (1768-1821, BRITISH) ?Mousehold Heath? black and white etching, circa 1834 8 x 11ins

Lot 8

JOHN CROME (1768-1821, BRITISH) ?At Trowse? black and white etching, circa 1834 8 x 7ins

Lot 9

JOHN CROME (1768-1821, BRITISH) ?Front of the New Mills? black and white etching, circa 1834 8 ½ x 11 ½ ins

Lot 5

JOHN SELL COTMAN (1782-1842, BRITISH) An Ecclesiastical Reading black and white etching, circa 1846 8 x 6ins mounted but unframed together with four further Norwich School Etchings including others after Cotman (5)

Lot 8

JOHN CROME (1768-1821, BRITISH) “At Trowse” black and white etching, circa 1834 8 x 7ins

Lot 9

JOHN CROME (1768-1821, BRITISH) “Front of the New Mills” black and white etching, circa 1834 8 ½ x 11 ½ ins

Lot 10

JOHN CROME (1768-1821, BRITISH) “The Lake Wickerswell – Near Somerleyton” (or Back of New Mills) black and white etching, circa 1834 8 ½ x 6 ½ ins

Lot 11

JOHN CROME (1768-1821, BRITISH) “Near Hingham” black and white etching, circa 1834 6 ¼ x 6 ½ ins

Lot 12

JOHN CROME (1768-1821, BRITISH) “Large Trees on a Mound” black and white etching, circa 1834 6 ½ x 6ins

Lot 14

JOSEPH STANNARD (1797-1830, BRITISH) “Boats on Breydon c 1825” black and white etching 5 ¼ x 8 ¼ ins together with a further etching After J S Cotman (2)

Lot 192

MINNA BOLINGBROKE (1857-1939, BRITISH) Chickens in a Field black and white etching, signed lower left 6 x 8ins Footnote: Minna Bolingbroke was the wife of fellow artist Charles John Watson

Lot 202

CHARLES MAYES WIGG (1889-1969, BRITISH) “Norfolk Wherries on Breydon” black and white etching, signed in pencil lower right and inscribed with title lower left 8 ½ x 10ins together with two further signed etchings by the same artist (3)

Lot 301

*HENRY JAMES STARLING, ARE (1905-1996, BRITISH) “Little Walsingham, Norfolk” black and white etching, signed and dated 1952 lower right, Numbered 4/100 and inscribed with title lower left 8 ½ x 11ins together with HENRY JAMES STARLING, ARE (1905-1996, BRITISH) “Marlingford Mill, Norfolk” black and white etching, signed lower right and inscribed with title lower left 8 ½ x 10 ½ ins (2)

Lot 641

Wallace Hester, Graphite Signed Etching "Wellingborough School", 17 x 25cms, after Charton, pair of rice field prints and Baalbec prints. (5)

Lot 387

A quantity of etching and engravings to include view of Rye

Lot 299

Backhouse (James) A NARRATIVE OF A VISIT TO THE MAURITIUS AND SOUTH AFRICA 8vo (230 x 150 mm) 648 + lvi pages appendix, frontispiece View of Table Bay - an etching from a drawing by Thomas Bowler, 2 folding maps - 1 large folding at the end (465 x 890 mm) with the author`s travels marked in red, 16 etched plates and 28 woodcuts in the text, original blind stamped blue-grey cloth, gilt tilting on the spine, many gatherings are unopened. The volume has been neatly rebacked with the original backstrip laid down, the original yellow endpapers have been preserved and the hinges strengthened. Contents bright, a very good copy. Mendelssohn (Sydney) South African Bibliography, volume 1, page 62, `The book is in the form of a diary and the author seems to have traversed every part of South Africa where there was a mission station or a missionary. In this way he appears to have met every prominent man connected with mission work in South Africa at this time. From June 1838 to December 1840 the author was constantly travelling, visiting almost every inhabited town and district, carefully noting every point of interest in the country and its inhabitants. There is a good description of Kaffraria and of the Basutos, Griquas and Bechuana countries. There is also a narrative of a journey to Great Namaqualand`. Very good London Hamilton, Adams & Co. 1844

Lot 135

Elyse-Lord (British, 1900-1971) An oriental dancer, signed and numbered in pencil 63/85, coloured etching, 29cm x 22cm, together with a landscape etching by John Fullwood (2)

Lot 127

William Huggins (1820-1884), British, a pencil sketch of chicks, signed in pencil WH, 8.5cms x 14cms, framed and another by the same hand "cattle resting", pencil and chalk, signed with initials, 7.5cms x 15cms each inscribed lower left in pencil No: 40, framed (2), and by another hand, 19th century watercolour, "Masted vessels with a castle in the distance", 4cms x 7.5cms framed, and After Edwin Landseer, "Farmyard Animals", three framed as one, etching, signed EL 1837, each 9cms x 13cms (4)

Lot 85

J Waloon-Nichol "When a man`s single, he lives at his ease", etching and heightened with watercolour, etched by V. Lahuiller, 20cms x 26cms, framed.

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