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Lot 326
Henry Rayner, Australian, 1902-1957- "The Clowns"; etching, signed within the plate, signed and titled in pencil, 19.5x16cm: Edward McCleray, mid-late 20th century- "Mower"; aquatint, signed, titled and numbered 248/260 in pencil, 35x42cm: Jeffrey Edwards b.1945- "Asking for Trouble"; lithograph printed in colours, signed, titled, numbered 36/85 and dated 79 in pencil, 46x54cm: together with one other lithograph by the same hand, titled "Where are you Barry", signed, titled, inscribed 'Proof' and dated 89 in pencil, 42x45cm., and a reproduction print after Picasso, (5)
Lot 516
* Marie Catherine Prestel 1747-1794- "A View of the Loss of the Rhone"; published May 1st 1791, by Colnaghi & Co, pall Mall, London, etching with aquatint, after Louis Bellange 1736-1816, condition poor with central tear running half length, trimmed to the plate, loss of corner top left, and other defects, 55x70cm: After Adrian Van der Werff 1659-1722- "Dedie a Madame"; engraving: together with nine other 19th century hand coloured lithographs to include "Costumes and likeness of a Jew and Jewess of Jerusalem", published by Day & Sons and other similar subjects, (12) (unframed)
Lot 517
* Thomas Girtin 1775-1802- The Water Works at Marli"; published Jan 15th 1803, by J N Girtin, Newport St, London, soft ground etching with aquatint, aquatinted by J B Harraden, with margins, scattered foxing and staining to the entire sheet, otherwise good condition, 33x67cm: After James Gillray 1757-1815- "Disciples catching the Mantler..."; originally published June 25th 1808, by H Humphreys, St James Street, hand coloured etching, this a later example: William Walker 1729-1793-"The Reverend Joseph Stennett, DD"; engravings, two examples of the same plate, after Andrea Soldi 1703-1771: Francesco Villamena 1566-1624- "le Sfrenati"; published 1601, engraving, (Le Blanc 62, Nagler 63) and other 17/18/19th century etchings and engravings by and after various hands, (unframed)
Lot 580
* Frank McFadden, mid 19th century- "The Lock"; etching, after John Constable 1776-1837, with remarque depicting a portrait of John Constable, signed within the plate, bears faint pencil inscription and blind stamp, condition poor with various tears and defects, 67x55cm: After Sir Joshua Reynolds RA 1773-1792- "The Infant Samuel"; mezzotint, trimmed with the plate: together with a folio of other 18/19th century mezzotints, etchings and engravings, by and after various hands, condition variable, (a lot) (folio) Note: John Constable painted the Lock in 1824 and is now in the Walter Morrison Collection, Sudeley Castle.
Lot 582
Anton Joseph F Schutz 1894-1977- "View of Fifth Avenue"; etching, signed within the plate and dated 1927 and signed in pencil, 37x28cm: together with three further etchings depicting New York entitled "Banking District, Brooklyn Bridge in Lower Manhattan and St Patrick's"; by the same hand, each signed in pencil, all in matching ebonised frames, (4)
Lot 626
Wencelaus Hollar (Von Parachna) 1607-1677- "Ranulphi Crew"; etching, published 1664, 30x20cm: Thomas Rowlandson 1756-1827 & Augustus Charles Pugin 1768-1832- "Military College, Chelsea and British Institution, Pall Mall"; hand coloured etchings with aquatint, published Jan 1st 1810,at R Ackerman's repository of Arts, 101, Strand and April 1st 1808, respectively: Horatio Joseph Lucas 1839-1873- Cathedral; dry point etching, monogrammed within the plate and dated 1870: together with a folio of further 17/18/19th century etchings, woodblocks and engravings by and after various hands, to include examples after G Baxter, Antonio Canal Canaletto 1697-1768, William Hogarth 1697-1764 and others, (a lot) (unframed)
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71174 item(s)/page