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Lot 396
Fourteen watercolours and prints 10, Edward Stamp, January Evening, watercolour Edward Stamp, Lane at Stewkley, watercolour A. W. Meadows, Near Warmington, watercolour A. W. Meadows, Northamptonshire Farmhouse, watercolour C. Davis, Buster, print C. Davis, Dogs Dinner, print Clare Curtis, Rescue, linocut Laura Boyd, Harvest Poppies, aquatint etching Anna Pugh, Old Spot, aquatint etching Tracy Boyd, Hamlet, print Anne Rayner, boats, watercolour Neroli Sharp, Rabbit trio Anne Braham, Toadstools, watercolour Brenda Moore, Iris, watercolour
Lot 266
Marie Laurencin (1885-1956) French Cubist painter - A 20th Century etching on paper entitled ' Three Dancers ' depicting a reductionist scene of three dancers using simple lines and layers of shading. Signed in plate. Framed and glazed with ADAGP Paris gallery authentication label to verso. Frame measures: 49cm x 42cm, picture measures 37cm x 27cm.
Lot 84
AA.VV (-) Rocco BorellaSenza titolotempera su carta cm 21x21firmato in basso a destraUntitled tempera on paper 8 26x8 26 insigned lower rightCorrado CagliSenza titolo 1973acquaforte cm 35x25esemplare V/XXXfirmato e datato in basso a destraUntitled 1973etching 13 77x9 84 inedition V/XXXsigned and dated lower right
Lot 95
Piers Browne, 'Is my Team Ploughing', signed, numbered 41/65, etching, 19 x 12cm (Pl), 36 x 28.5cm framed Piers Browne is a British contemporary artist based in Wensleydale, North Yorkshire. He was born in Shropshire and studied at the Byam Shaw School of Art in London where he found inspiration under the tutelage of Maurice de Saumarez and Diana Armfield. He then attended the Royal Academy Schools 1972-1972 where he won the David Murray Landscape Prize in both 1974 and 1975, and was taught printmaking at Islington Studio under Hugh Stoneman. Browne spent some time travelling through Europe and Central Africa whilst painting and eventually settled in Yorkshire. He has had over 75 one man exhibitions across the UK, Iceland, USA and in Germany and was a member of the Askrigg Group for 20 years. Browne is renowned as a printmaker, working extensively in oils and as an etcher.
Lot 108
Charles Frederick Tunnicliffe R.A. OBE (1901-1979), Porketts, signed, etching, 1927, edition size 75. Measurements 15 x 20cm (PL), framed measurements 38 x 41cm Note: Porketts appears in Meyrick R. & Heuser, H., 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, number 42, page 73 Charles Frederick Tunnicliffe R.A. OBE (1901-1979) was an internationally celebrated wildlife artist. He was born in Macclesfield and spent much of his early life working on his family's farm before attending the Macclesfield School of Art, winning a scholarship to the Royal College of Art in London shortly after. Following the completion of his studies he relocated to Anglesea in 1947 where he remained for the rest of his life. His used a variety of mediums in his work inlcuding watercolour, etching, engraving and oil. Tunnicliffe is recognised for his accurate and naturalistic portrayal of animals and birds and the lively way he represented his subjects engaging with their surrounding habitats. He was a regular exhibitor with the Royal Academy, but released very few of his works for gallery sale, believing his art was best suited to private homes. He was well known as a book illustrator, particularly his work for Ladybird books, and he had a long relationship with the Royal Society for the Protection of Birds for whom he illustrated many magazine covers and who awarded him a Gold Medal for his service in 1978. Tunnicliffe rejected the modern urban art scene of his time in favour of immersing himself within the natural world, insisting upon painting studies direct from nature.
Lot 92
Charles Frederick Tunnicliffe R.A. OBE (1901-1979), The Spotted Sow, signed, etching, dated 1928, framed. Measurements 17.5 x 25cm (PL), framed measurements 40 x 46.3cm Note: The Spotted Sow appears in Meyrick R. & Heuser, H., 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, number 52, page 92 Charles Frederick Tunnicliffe R.A. OBE (1901-1979) was an internationally celebrated wildlife artist. He was born in Macclesfield and spent much of his early life working on his family's farm before attending the Macclesfield School of Art, winning a scholarship to the Royal College of Art in London shortly after. Following the completion of his studies he relocated to Anglesea in 1947 where he remained for the rest of his life. His used a variety of mediums in his work inlcuding watercolour, etching, engraving and oil. Tunnicliffe is recognised for his accurate and naturalistic portrayal of animals and birds and the lively way he represented his subjects engaging with their surrounding habitats. He was a regular exhibitor with the Royal Academy, but released very few of his works for gallery sale, believing his art was best suited to private homes. He was well known as a book illustrator, particularly his work for Ladybird books, and he had a long relationship with the Royal Society for the Protection of Birds for whom he illustrated many magazine covers and who awarded him a Gold Medal for his service in 1978. Tunnicliffe rejected the modern urban art scene of his time in favour of immersing himself within the natural world, insisting upon painting studies direct from nature.
Lot 5
Anthony Gross CBE(1905-1984) British 20th Century, 'Saturday Night at Richmond Yorkshire in 1940', print numbered 10/50, signed bottom right, mounted and framed. Measurements 16.2 x 26cm (PL), framed measurements 40 x 52.5 cm Anthony Gross (1905-1984) was a British etcher and painter, born in London. He studied at the Slade School of Fine Art, Ecole des Beaux-Arts in Paris and at the Academia de San Fernando in Madrid. He was taught etching under Jozef Hecht and was a lifelong friend of Stanley William Hayter. During World War Two he was appointed as an official war artist which saw him create depictions of English coastal defences and training grounds as well as being posted to the front lines of India and Burma, and was present at D-Day. His style is characterised by the use of variegated marks to express tone and texture rather than cross-hatching. Post-war, Gross divided his time between London and le Boulve. In 1965 he created the first President of the Printmakers Council and in 1982 awarded a CBE.
Lot 17
Piers Browne, The Wrekin from Caer Caradoc, signed, numbered 86/100, dated 1982, etching, 7.5 x 15cm (PL), 31 x 40cm framed Etching from A.E. Housman 1988 A Shropshire Lad, Ashford Press Publishing, Plate XLIII Piers Browne is a British contemporary artist based in Wensleydale, North Yorkshire. He was born in Shropshire and studied at the Byam Shaw School of Art in London where he found inspiration under the tutelage of Maurice de Saumarez and Diana Armfield. He then attended the Royal Academy Schools 1972-1972 where he won the David Murray Landscape Prize in both 1974 and 1975, and was taught printmaking at Islington Studio under Hugh Stoneman. Browne spent some time travelling through Europe and Central Africa whilst painting and eventually settled in Yorkshire. He has had over 75 one man exhibitions across the UK, Iceland, USA and in Germany and was a member of the Askrigg Group for 20 years. Browne is renowned as a printmaker, working extensively in oils and as an etcher.
Lot 33
Anthony Gross (1905-1984) British 20th Century, print '11 o'clock Parade Guard Depot Caterham', 1940, signed bottom right, print numbered 3/50, mounted and framed. Measurements 16.2 x 26cm (PL), framed measurements 40 x 52.5cm Anthony Gross (1905-1984) was a British etcher and painter, born in London. He studied at the Slade School of Fine Art, Ecole des Beaux-Arts in Paris and at the Academia de San Fernando in Madrid. He was taught etching under Jozef Hecht and was a lifelong friend of Stanley William Hayter. During World War Two he was appointed as an official war artist which saw him create depictions of English coastal defences and training grounds as well as being posted to the front lines of India and Burma, and was present at D-Day. His style is characterised by the use of variegated marks to express tone and texture rather than cross-hatching. Post-war, Gross divided his time between London and le Boulve. In 1965 he created the first President of the Printmakers Council and in 1982 awarded a CBE.
Lot 13
Piers Browne, Inscribed with title: 'When severn Down to Buildwas Ran', A.E.Housman, signed, numbered 26/100, etching, 17 x 22cm (PL), framed 39.5 x 44.5cm Etching from A.E. Housman 1988 A Shropshire Lad, Ashford Press Publishing Piers Browne is a British contemporary artist based in Wensleydale, North Yorkshire. He was born in Shropshire and studied at the Byam Shaw School of Art in London where he found inspiration under the tutelage of Maurice de Saumarez and Diana Armfield. He then attended the Royal Academy Schools 1972-1972 where he won the David Murray Landscape Prize in both 1974 and 1975, and was taught printmaking at Islington Studio under Hugh Stoneman. Browne spent some time travelling through Europe and Central Africa whilst painting and eventually settled in Yorkshire. He has had over 75 one man exhibitions across the UK, Iceland, USA and in Germany and was a member of the Askrigg Group for 20 years. Browne is renowned as a printmaker, working extensively in oils and as an etcher. Browne has illustrated a number of publications, including a release of A.E. Housman's A Shropshire Lad
Lot 40
Graham Sutherland (1903-1980) British 20th Century, Sea Wall ii, signed bottom left and dated '39, inscribed with title and dated 26 V 39, watercolour, pencil and crayon on paper. Measurements 39 x 29cm (SH). Note: This piece is likely to have been a preparatory study for Sutherland's final painting 'Gorse on a Sea Wall' 1939 which is now located in the Ulster Museum. Graham Sutherland (1903-1980) British 20th Century, was one of the most influential British artists of the 20th Century. Born in Steatham, London, Sutherland studied at the Goldsmiths School of art, specialising in engraving and etching and then spent many years teaching at the Chelsea School of Art. Printmaking, predominantly raomantic landscapes, dominated his work during the 1920s, drawing inspiration from artists such as Samuel Palmer. He later switched to oil painting during his 30s following the collapse of the printmaking industry during the Great Depression and it was his surrealist abstract landscape compositions that secured his reputation as an international modern artist. Together with his close friend Francis Bacon, Sutherland was one of the main figureheads for surrealist painting in Britain. His landscapes covey haunted atmospheres that attempted to express the concept of brutality present within nature.
Lot 42
A Human Sacrifice, in a Morai, in Otaheite, coloured etching, mounted, Illustration to "A Voyage to the Pacific Ocean in the years 1776-80": preparations for a human sacrifice watched by Captain Cook and others from the expedition, 1784; The Mysticetus or Common Whale by J. Chapman, framed and mounted; a selection of the history of Captain Cook's Voyages by George William Anderson, printed by Hogg: View of the Monuments of Easter Island, View of Christmas Sound; Captain Wallis on his arrival to Tahiti; the Natche; Poulaho, King of Friendly Islands; Preserved Body of Tee; View of House of Shed; View of New Caledonia and New Zealand; Sandwich Islands scenes; Revolution in Hawaii, etc approx. 60 pages in total
Lot 41
FRED RICHARDS (1887-1932) THE CLOCK TOWER, VIRE Normandy, etching, 16 x 11 cm and FALAISE, A GATEWAY, etching, 26 x 16 cm both signed; Leopold Robin (1877-1939) Three Etchings with embossed studio stamps and Joseph Galea (1904-1985) THE BOATHOUSE, SPINOLA and GRAND HARBOUR, MALTA, watercolours, signed, dated 1972, 1976, each 17 x 26 cm. All mounted and unframed (7)
Lot 628
Bill Richmond (1763 -1829) - A coloured etching of the famous black boxing fight titled, 'A striking view of Richmond', drawn and etched by Dighton March 1810, framed, 29cm x 22cmBill Richmond was born a slave in Richmondstown New York and was a Welterweight prize fighter and later became an English Pugilist.
Lot 2296
Four 1930's and later shotgun magazine adverts, three fishing dioramas, hips flasks, Henry Wilkinson Spaniel with pheasant, dry point etching, two carved Ducks, framed Pheasant print, set of framed trout flies, WAGBI Shooting and Conservation plaque etc Condition Report Click here for further images, condition, auction times & delivery costs
Lot 123
AUGUSTE BROUET (1872-1941) TOWARDS THE SAINTS-MARIES sold together with an etching of The Sardine Boats, Quideron by the same hand signed outside plate in pencil l.r. stamped l.r. & l.l. etching, second state, edition of 10 Plate: 24.0 x 40.5cm / 9 1/2 x 16in Literature: Boutitie 301, EH 1 (Boutitie 355)
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71082 item(s)/page