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Click here to subscribeA LATE 19TH CENTURY/EARLY 20TH CENTURY humorous pen, ink and wash drawing inscribed 'The P...s and their "pro's" en route to the Sheldonian at the "Encaenia" as it would have been proferred by their friends the Undergraduates of 1871', 7 1/4" x 9"; and five various prints to include a Derek Hyatt etching; Vanity Fair lithograph; two comical engravings; and a continental street scene (6).
Frederick Milner (British, 1863-1939), Castle Ruins on a Hill, etching, signed in pencil bottom right, 15 x 12in (38 x 30.5cm). * The Wintle Collection: Irene Carr, daughter of the early St. Ives School artist & photographer Sydney Herbert Carr (1864-1917), married Francis Edward Wintle at the parish church, St. Ives in June 1912. The wedding was a major local social event with a reception at the Porthminster Hotel, and was attended by a number of local and other artists, many of whom presented paintings to the couple as wedding presents. The Wintle Collection includes a number of these presents, which are being offered on the open market for the first time. A full list of guests and presents was published in The St. Ives Times on June 21st 1912, listing a "framed etcing" as being given by Mr. and Mrs. Milner. A facsimile copy of the article from The St. Ives Times accompanies the lot. Please contact us for further details of this unusual provenance.
Claude Francis Barry RBA (1883-1970), "Henry VIII's Gate Windsor Castle -" Evening Light, etching, signed in pencil bottom right and dated 1911, inscribed in pencil bottom left, 9.75 x 6.5in (25 x 16.5cm). * The Wintle Collection: Irene Carr, daughter of the early St. Ives School artist & photographer Sydney Herbert Carr (1864- 1917), married Francis Edward Wintle at the parish church, St. Ives in June 1912. The wedding was a major local social event with a reception at the Porthminster Hotel, and was attended by a number of local and other artists, many of whom presented paintings to the couple as wedding presents. The Wintle Collection includes a number of these presents, which are being offered on the open market for the first time. A full list of guests and presents was published in The St. Ives Times on June 21st 1912, listing a "framed etching" as being given by Mr. and Mrs. Claude Barry. A facsimile copy of the article from The St. Ives Times accompanies the lot. Please contact us for further details of this unusual provenance. Early Claude Barry etchings are rare, as it is reputed that his wife burnt all of his work when he went off with a mistress in 1914.
Robert Walker Macbeth R.A., R.W.S., R.I., R.E. (1848-1910). "Midnight Moths". Original etching trial proof signed by the artist, inscribed with the title, extensive pencil decoration, also inscribed verso, the border decorated with figures, putti and masks, black and white etching, overall size including the border 50.5cm by 71.5cm . Provenance: J.S. Maas & Co Ltd, 15a Clifford Street, London
William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931). "A Bad Time for Fritz". Signed artist's proof, inscribed on an old label verso, black and white drypoint etching, 19.5cm by 25cm (pl); together with. "HMS Warspitz drawing Fire from the Black Prince, disabled, later sank, Jutland 1915". Signed artist's proof, extensively inscribed and dated verso, black and white etching, 20.5cm by 41.5cm (pl) (2)
William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931). WW1 Destroyer firing at Warships and Taking a Shell Nearby; Old British Fleet from Admiral Lord Nelson's Era. Signed artist's proofs, black and white drypoint etchings, each 12cm by 16cm (pl); together with. William Walcott R.B.A., .R.E. (1874-1943). "The American Ship Delaware, lying in the Firth of Forth Scotland, 1916". Back and white drypoint etching, 10cm by 12.5cm (pl); and. Rowland Langmaid (1897-1956). Coal Barges and Boats on the Thames, the Houses of Parliament and Big Ben in the Distance. Back and white drypoint etching, 18cm by 30.5cm (pl) (4). Provenance. Exhibited and purchased by the present vendor's father from the Austen Hayes Galleries, 44 The Shambles, York in the 1960s
James Abbott McNeil Whistler (1834-1903) 'Thames Police', etching, signed and dated 1859 in the plate, 15cm x 23cm This is a view of Wapping Wharf with police officers pulled up in their skiffs inspecting the boat yard. It is one of 16 etchings published in 1871 as 'A series of etchings on the Thames'
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