Beardsley, Aubrey, Illustrator (1872-1898) Sir Thomas Malory`s Le Morte D`Arthur. London: Dent, 1893-1894. Three volumes, limited edition, preceding the trade edition, number 227 of 300 copies printed on Dutch handmade paper, initials and pages with borders printed in red and black, illustrated with twenty-four full page prints by Beardsley on French etching paper, with the prospectus inserted; bound in full publisher`s cloth, stamped in gold, corners bumped, some toning to interior pages, deckle edges throughout, ex libris John Platt, with his Clifton Lodge book plate, dated Christmas 1892, in each volume, 10 1/4 x 7 3/4 in. (3).
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An early and rare Woodcut of Gandhi 1931 signed by the Artist – A fine and rare etching by Werner Drewes Woodcut of Gandhi dated 1931^ pencil signed/dated by Drewes. Measures 11 3/8 x 8 7/8``. Drewes’ works can be seen in such institutions as Museum of Modern Art^ New York Metropolitan Museum of Art^ National Gallery^ Washington^ DC and the Guggenheim Museum.
Islamic and the Middle East – watercolour plus early engravings including a 1775 engraving of the Mosque of Sultan Zahir Cairo^ a watercolour of the Lake Timsah in Egypt^ a view of Cairo published in 1810 in London^ early views of Bethlehem^ Iran^ Damascus and Lebanon and an etching by David Strang. A total of approx 25 pieces.
Two limited edition coloured signed screen prints by Chris Noble, both signed bottom right and dated 1981, one inscribed "Calm" and showing an estuary scene, edition 4/40, 33 x 49cm the other showing a prehistoric stone monument inscribed "Outside of Time", 12/40, 20 x 16cm together with a further signed limited edition proof etching by Kathleen Caddick of a landscape, signed bottom right and inscribed "Ashridge Trial Proof" 13 x 24cm and also together with a further screen type print of a bridge at night, 16 x 20cm (all framed).
An early 20th century black and white etching by Rowland Langmaid, RN, showing a sailing ship off the coast, signed bottom right Rowland Langmaid and with label attached to mount "Off the Lizard, original etching by Lieut Com Rowland Langmaid RN", published by The Academy of Art Limited, Nelson House, Birmingham, 18 x 31cm in oak frame with gilt slip.
A 19th century oval charcoal shoulder length portrait of a young woman in headscarf with signature bottom right E Ayliffe, 36cm maximum in gilt frame together with a further charcoal study of a young girl carrying a water bottle, by the same hand and with label verso "Pencil drawing by Ella Ayliffe RWA, 1885", 48 x 28cm in wooden frame, further pictures and prints including a black and white engraving of a wood gatherer, a black and white etching of Beverley Cathedral after Oswald Fletcher, a further set of four unframed black and white etchings of architectural subjects, etc.
A collection of pictures and prints including oil painting of a windmill, a watermill, coastal scenes, etc, a modern abstract style coloured etching incorporating the head of a figure, a coloured engraving after George Morland showing dancing dogs, coloured print of an interior scene with Napoleon on the eve of the Coronation, etc.
A black and white etching by George Horton of a windmill, signed bottom right George Horton and inscribed "In Holland", 18 x 25cm together with a further black and white etching? by George Horton of a winter scene believed to represent "Thaw, Winlaton Cottages", with label verso "Fulney, Lincolnshire, George Horton", 21 x 29cm, both in gilt frames.
An interesting collection of mainly 20th century pictures and prints including black and white etching of a school room, signed L W Pritchard and dated 93, a further etching of thatched cottages, signed bottom right Boldisson?, an abstract mixed media study signed bottom right E Maley? and dated 73, a black and white pen and ink study of a moonlit scene with bird, signed with initials bottom right PSFA, a further abstract landscape in tones of yellow and mauve, etc.
A collection of pictures and prints including an oil painting on canvas of a coastal scene, signed bottom right Winifred Turner and dated 65, 35 x 77cm, an oil painting on canvas of a moored rowing boat, a black and white etching of a snarling tiger by Herbert Dicksee, a set of four ornithological prints after Edward Lear, etc.

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