We found 78408 price guide item(s) matching your search
There are 78408 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
78408 item(s)/page
Lot 1
British Isles. Edwards (George), Itinera Varia Auctoris, [1746],. engraved map of the British Isles and part of Western Europe with the beak of an Egptian Ibis and two stag beetles in the North Sea area, inset bird to bottom-right corner, one small hole to centre, approx. 263 x 215 mm, together with another copy on later paper entitled just 'Varia Auctoris', plus Gillray (James), Britannia, Bohn edition, c.1850, hand coloured caricature etching, chipped to uper margin just affecting engraved border, image size 212 x 174 mm, and a similar caricature map of France by Aleph, c.1869 (4)
Lot 1
* Caricatures. Gillray (James). New Morality; - or - The promis'd Instalment of the High Priest of the Theophilanthropes, with the Homage of Leviathan and his Suite, pub. J. Wright, August 1st 1798,. uncol. etching, approx. 280 x 635 mm (11 x 25 ins), some soiling and creasing, crudely repaired with masking tape to verso, together with seven other various hand-coloured etched caricatures by Gillray, late 18th/early 19th c. (8)
Lot 1
* Caricatures. Gillray (James). Lilliputian-Substitutes, Equiping for Public Service, pub. H. Humphrey, May 28th 1801, [or sl. later],. hand-coloured etching on wove paper (unwatermarked), plate size approx. 250 x 360 mm (9.75 x 14 ins), with margins, together with Gillray (James), Le Coup de Maitre, pub. H. Humphrey, November 24th 1797, [but later], hand-coloured etching, approx. 265 x 360 mm (10.5 x 14 ins), with margins (2)
Lot 1
* Caricatures. Rowlandson (Thomas). A Picture of Misery, pub. Thomas Tegg, April 10, 1811,. hand-coloured etching, plate size approx. 250 x 315 mm (9.75 x 13.75 ins), with margins, together with Rowlandson (Thomas). Joint Stock Street, pub. Thomas Tegg, March 10th 1812 [but sl. later], hand-coloured etching, paper watermarked 1816, plate size approx. 245 x 360 mm (9.75 x 13.75 ins), with margins, plus Rowlandson (Thomas). Libel Hunters on the Look Out, or Daily Examiners of the Liberty of the Press, pub. Thomas Tegg, April 12 1810, hand-coloured etching, plate size approx. 245 x 350 mm (9.75 x 13.75 ins), with margins, and three other similar hand-coloured etched caricatures (A Ridicule, or, A New Aera, New Manners; alias the Age of Wonders, pub. Thomas Tegg, May 1st 1812, Sing Tantararara Rogues All, or The Prisoner Turnkey, pub. Thomas Tegg, September 1818 & The Conclusion of the first Volume of the Caricature Magazine, by Woodward, pub. Thomas Tegg, 1st September 1807) (6)
Lot 1
* Caricatures. Heath (William). Master Dogberry the Parish Watchman (Parish Characters by Paul Pry), pub. S. Gans, June 1st 1829,. hand coloured etching, plate size approx. 360 x 260 mm (14 x 10.25 ins), with margins, together with Heath (William). Bernadotte, pub. R. Ackermann, March 4th 1814, hand-coloured etching, paper watermarked J. Whatman 1810, plate size approx. 210 x 325 mm (8.25 x 12.75 ins), plus Cruikshank (George). Boney tir'd of War's Alarms, Flies for Safety to his darlings Arms, pub. Walker & Knight, January 1813, hand-coloured etching, plate size approx. 250 x 350 mm (9.75 x 13.75 ins), and a quantity of hand-coloured and uncoloured caricatures, various, mostly early 19th c., including Antichambre d'un Grand Seigneur [1789 or later], A Russian Dandy a Scene at Aix la Chappelle, pub. Fores, December 8th 1818, The Dead Alive! by H. Wigstead, pub. William Holland, July 1795 [or later], etc (approx. 40)
Lot 1
* Palmer (Samuel, 1805-1888). Opening the Fold or Early Morning, 1880,. etching in black ink on wove paper, etched surface 119 x 177 mm, signature with an etching in lower left corner, remarque, Fine Art Society publication details and artist's pencil signature 'S. Palmer' running left to right in lower plt. impression, overall paper size 29 x 44 cm. Lister E13.iv/x. See illustration inside front cover of this catalogue. (1)
Lot 1
* Palmer (Samuel, 1805-1888). The Willow, 1850 [but printed later?],. etching in black on wove paper, signed on plt. in lower left corner with 'V' of 1850 reversed, etched surface 90 x 67 mm, signed in pencil 'S. Palmer' within plt. impression lower right, blind-stamp of A.H.P[almer], Private Press and the Fine Art Society to lower margins, overall paper size 29 x 22 cm. The Fine Art Society was established in 1876. Lister E1.i/iv. (1)
Lot 1
* Piranesi (Giovanni Battista, 1720-1778). Veduta del Prospetto principale della Colonna Trajana, Plate III, [Rome, 1774-79],. etching on five sheets and one part-sheet, overall plate size approx. 2800 x 470 mm (111 x 18.5 ins), overall sheet size approx. 2900 x 535 mm (114 x 21 ins), some stains and mould marks to left hand margin and soiling to top margin, together with another similar multi-sheet etching of the Antonine Column of Marcus Aurelius, surmounted with the statue of St. Paul, overall plate size approx. 2550 x 470 mm (100 x 18.5 ins), damp-soiled with consequent mould along the length of the left hand margin, both linen-backed, rolled (2)
Lot 1
* Prints, etc. The Mutineers Turning Lieut. Bligh and some of the Officers and Crew adrift from His Majesty's Ship The Bounty,. later 18th c. hand-coloured aquatint by Robert Dodd, stained and discol., with some marks and damage, laid down, approx. 450 x 580 mm (18.75 x 23 ins), maple wood veneer frame, glazed (sold with all faults), together with a late 18th c. pen, ink and watercolour wash drawing after Samuel & Nathaniel Buck, entitled The South East of Kidwelly Castle in the County of Carmarthen, some overall foxing and stains, frayed to margins, laid down, approx. 265 x 470 mm (10.5 x 18.5 ins), Hogarth-style frame, glazed, a late 19th c. Currier & Ives-style lithograph, entitled Marriage In High Life, a late 19th c. colour print of Cardinals drinking champagne, after F. Brunery, and a signed etching by Percy Thomas of The Tabard Inn, all framed and glazed (5)
Lot 1
* Caricatures. Rowlandson (Thomas), A Mad Dog in a Coffee House, 20 March, 1809,. hand coloured etching, plate dimensions 280 x 395 mm, together with Bunbury (Henry, 1750-1811), 'Coxheath Ho!', published 3rd July, 1779, uncoloured etching, plate dimensions 235 x 305 mm, together with Symptoms of Rearing, pub. 23 Jan, 1783, uncoloured etching after Bunbury, margins trimmed, plate dimensions approx. 260 x 370 mm, and Brocas (William), Company shocked at a Lady getting up yo Ring the Bell, pub. J.Sidebotham, c.1820s, uncoloured etching after Gillray, image size 232 x 360 mm, plus others similar after Bunbury, etc. (12)
Lot 1
* Satirical prints. Cruickshank (Isaac), The Messenger of Peace, pub. Fores, 1796,. hand coloured etching, image size 285 x 420 mm, together with Humphrey (G., pub.), Pic Nic party disturbed by a Swarm of Bees, 1826, hand coloured aquatint by E.G., image size 245 x 390 mm, framed and glazed, and Tegg (Thomas, pub.), Implements Animated, c.1820s, hand coloured engraving by Williams, image size 205 x 320 mm, and Dighton (R.), George the-IIIrd aged 72 1810', hand coloured etching, plate dimensions 275 x 197 mm, and others by Heath, Motte, etc., some framed and glazed (approx. 40)
Lot 1
* Hunting & Coaching. Sampson (T., after), Lord Andover's Beagles, c.1870s,. hand coloured litho. by E.Walker, relaid with a few minor surface marks, image 405 x 607 mm, together with Gilpin (S., after), Modish. A remarkable fine Fox Hound bred by Coll. Thornton, pub. 11 february, 1788, hand coloured aquatint by R. Pollard, relaid with a few minor surface marks, plate dimensions 445 x 560 mm, and Hall (E., after), "The Park! that magnet of the town, That idol to which all bow down", c.1820s, hand coloured litho. by C. Hullmandel, image size 238 x 368 mm, plus others related including a hand coloured etching of a coach and four (195 x 283 mm), a waterstained hand coloured aquatint after Shayer entitled 'Coaching Incidents' (350 x 550 mm) plus an hand coloured aquatint after Herring of horses in a stable entitled 'The Team' (200 x 305 mm) (6)
Lot 1
* Hunting, Coaching & Horseracing. Venner (Victor), Hunting scene with two boys in the forground on a see-saw, early 20th century,. colour print, 580 x 455 mm, framed and glazed, together with Alken (Henry), Taste - View near Knightsbridge, hand coloured soft-ground etching, 170 x 220 mm, and Bibury Meeting in its Palmy Days, hand coloured soft-ground etching after Alken, plate dimensions 205 x 298 mm, plus Clark (G.), Travelling in the Highlands, pub. 1828, hand coloured engraving with aquatint, image size 195 x 260 mm, plus others including an engraving after J. Emery entitled 'Leith Races', colour prints from Tatler, 83 reproduction prints of 'Torpoint' (originally published in Vanity Fair), etc. (approx. 100)
Lot 1
* Piranesi (Giovanni Battista, 1720-1778). Veduta del Tempio di Cibele a Piazza della Bocca della Verita, uncol. etching, pub. lAutore a Strada Felice vicino alla Trinita deMonti, A paoli due e mezzo, plate size approx. 400 x 600mm (15.75 x 23.5ins), without plate number to upper right corner, with margins, some sl. foxing, framed (1)
Lot 1
* Rembrandt (Harmensz Van Rijn, 1606-69). Landscape with cottage by some trees (Hind 241), etching with drypoint, approx. 90 x 172mm , together with landscape with buildings and trees (Hind 267), etching, approx. 150 x 192mm, small tear with sl. loss to lower margin, old owners stamp to right corner RH, plus Josephs Coat brought to Jacob (Hind 104), etching with drypoint, approx. 105 x 82mm, and Portrait of a gentleman seated by a table, etching, approx. 185 x 165mm (4)
Lot 1
* Rossini (Luigi, 1790-1857). Veduta della Rovina di S. Paolo fuori le mura, Veduta del Campidoglio Romano, & Veduta del Ponte Salario, [from Le Antichita Romane, Rome, 1822-23], together three uncoloured etchings, approx. 480 x 550mm (19 x 22 in) and similar, with margins, each mounted, together with Barbazza (Francesco), Veduta di Castel e Ponte S. Angelo, uncoloured etching by Francesco Barbazza after Barbault, some soiling and wear, margins trimmed and with some minor damage, approx. 405 x 560mm (16 x 22 in), mounted (4)
Lot 1
Whistler (James Abbott MacNeil, 1834-1903, after). Portrait of Thomas Carlyle, eng. Richard Josey, pub. Henry Graves, 1878, mezzotint, some foxing to blank margins, a little fraying to left-hand edge (outside plate mark), signed in pencil by Josey, plate size 490 x 400mm (19 x 16ins), together with Menpes (Mortimer Luddington, 1855-1938), Portrait of an old Jewish man, pub. Boussod, Valadon & Co., 1889, etching, signed in pencil, plate size approx. 630 x 470mm (25 x 19ins), plus four 18th c. mezzotints and engs., incl. Her Royal Highness Augusta, Hereditary Princess of Brunswick & Lunenburg, after Joshua Reynolds, approx. 510 x 360mm (20 x 14ins) (6)
Lot 1
* Austin (Robert Sargent, 1895-1973). Mother and Child at prayer, etching, signed in pencil to lower margin, plate size approx. 140 x 115mm (5.5. x 4.5ins), framed and glazed Robert Sargent Austin (1895-1973), print maker and draughtsman, taught engraving at the Royal College of Art from 1927 to 1944. Member of the Royal Watercolour Society, The Royal Society of Etchers, and the Royal Academy. (1)
Lot 1
* Belcher (George). Mrs Harris of Follop Yard, taken from life, etching, signed in pencil to lower margin, plate size approx. 280 x 190mm (11 x 7.5ins), with margins, framed and glazed, together with another similar etching by George Belcher, entitled Seated Lady, signed in pencil to lower margin, plate size approx. 240 x 150mm (9.5 x 6ins), framed and glazed (2)
Lot 1
* Berrington (Adrian, early 20th c.). Waterloo Bridge, London, panoramic etching, numbered 12/50, approx. 455 x 1300mm (18 x 51ins), with orig. label to verso, framed and glazed Adrian Berrington, etcher and architectural draughtsman, exhibited from 1911 to 1913, and became Associate Professor of Architecture and the University of Toronto. (1)
Lot 1
* Blampied (Edmund, 1886-1966). A Jersey Vraic Cart, 1939, etching, signed in pencil to lower margin, and lettered A, published in an edition of 250 for the Print Club of Cleveland in 1941, this being one of ten artists proofs, lettered A to K, plt. size approx. 220 x 280mm (8.5 x 11 in), with margins, Hogarth-style framed, glazed (1)
Lot 1
* Cain (Charles William, 1873-1962). The Date Pickers, etching, signed and titled, plate size approx. 107 x 203mm , framed and glazed, together with The High Window, etching, signed and numbered 60.90 in ink to lower margin, plate size approx. 175 x 125mm (7 x 5ins), both framed and glazed (2)
Lot 1
* Chabanian (Heran, 1887-1939). Porte Hollandaise, colour etching, signed in black crayon to lower margin, numbered 88 from an edition of 350 artists proofs, plate size approx. 600 x 470mm (23.5 x 18.5ins), framed and glazed, with orig. handwritten label by Wisemans Ltd. of Southampton to verso (1)
Lot 1
* East (Alfred, R.A., R.E., 1849-1913). Walberswick, etching, signed, titled, and inscribed To Miss Cicely Moon from Alfred East with kind regards, plate size approx. 245 x 250mm (9.5 x 10ins), with margins, period frame, glazed, with gallery label of Grindley & Palmer of Liverpool to verso (1)
Lot 1
* Gooden (Stephen, 1892-1955). The Rider of the Lion, 3rd state, 1924, circular engraving on paper, signed & dated in pencil, approx. 150mm diameter, (published by Colnaghi in an edition of 100), together with A bill and wooden block, orig. engraving by Gooden (unsigned), approx. 65 x 100mm, plus Short (Frank), Sail Loft, Poole, 1914, orig. etching, signed and captioned in pencil, approx. 100 x 50mm (3)
Lot 1
* Holden (Harold H.,). Southam Barn, aquatint, signed and titled, plate size approx. 291 x 206mm, mounted, together with March etching, signed, titled and inscribed to K. Holmes, plate size approx. 126 x 176mm, mounted, plus Simpson (H. E.), The Cob Barn, etching, signed and titled in pencil, plate size approx. 150 x 300mm, mounted, and Webster (Norman), Farm Buildings, c. 1920s, etching, signed and inscribed to Kenneth Holmes, plate size approx. 150 x 200mm, mounted (4)
Lot 1
* Osborne (Malcolm, 1880-1963). Elterwater & The Langdale Pikes, etching with aquatint, signed and titled in pencil to lower margin, plate size approx. 180 x 340mm (7 x 13.5ins), mounted, together with Portrait of Herbert Thompson, 1936, etching, signed by the artist and sitter in pencil to lower margin, plate size approx. 365 x 265mm (14.25 x 10.5ins), plus Hall (Oliver, 1869-1957), Vale of Ffestiniog, Snowdonia, etching, signed in pencil, plate size approx. 215 x 300mm (8.5 x 12ins), Hogarth-style frame, glazed (3)
Lot 1
* Osborne (Malcolm, 1880-1963). Continental landscape with castle and buildings on a promontory, uncol. etching, signed in pencil, two light vertical creases, plate size approx. 190 x 345mm (10.5 x 13.5ins), framed and glazed, together with Kemp-Welch (Margaret, late 19th-early 20th c.), On The Marsh, uncol. etching, showing a flock of sheep going through a gate, signed in pencil, plate size approx. 150 x 155mm (6 x 6ins), framed and glazed, plus Thomas (Percy, 1846-1922), Fisherman returning home, uncol. etching, showing figures returning to their cottages by the sea, signed in pencil, approx. 115 x 140mm (4.5 x 5.5ins), framed and glazed, and Sandoe (Ernest, 20th c.), Eltham, & Aylesford, Kent, together two uncol. etchings, the first signed, titled, and dated 1929, the second signed and titled in pencil, plate size approx. 95 x 160mm (3.75 x 6.25ins) and a little larger, both framed and glazed, plus four other framed and glazed landscape etchings, including a mezzotint of the Old Gravel Pits, Moseley, near Birmingham, by Frank Short after David Cox, 1901, a view entitled Falls of the Clyde at Bonnington, by C. O. Murray, etc. (9)
Lot 1
* Pattison (Edgar L., 1872-). The Return of the Caravan, colour etching, signed in pencil to lower margin, plate size approx. 150 x 290mm (6 x 11.5ins), framed and glazed, together with five other similar etchings by the same artist, all depicting Middle Eastern scenes, each signed in pencil, approx. 150 x 180mm (6 x 7ins) and similar, mostly framed and glazed (6)
Lot 1
* Pott (Constance Mary, 1862-c.1930). A Kentish road, uncol. etching, signed in pencil by the artist, approx. 9 x 12 in (23 x 31cm), mounted, together with Womersley (Alfred, 20th c.), Westminster Cathedral, uncol. litho, signed and titled by the artist to lower margin, approx. 15 x 10 in (38 x 26cm), mounted, plus Maxwell (Tom, 20th c.), Untitled coastal landscape/River landscape, a pair of uncol. etchings, signed in the plt., each approx. 8 x 12 in (20 x 31cm), mounted, and one other (5)
Lot 1
* Renoir (Pierre-Auguste, 1841-1919). Le chapeau epingle (third plate), etching, signed in the image, plate size approx. 120 x 830mm (4.75 x 3.25ins), framed and glazed, together with Sur la Plage ˆ Berneval, etching, signed in image, plate size approx. 135 x 95mm (5.25 x 3.75ins), framed and glazed (2)
Lot 1
* Richards (Fred, 1878-1932). In Normandy, etching, signed and titled (a view of old buildings in Lisieux), plate size approx. 210 x 160mm , together with Webb (Clifford, 1895-1972), Portrait of a Cavalier, colour woodcut, signed in pencil, image size approx. 175 x 165mm , plus Haden (Francis Seymour, 1818-1910), trees on a hillside, etching, signed in pencil, approx. 75 x 75mm , and other various etchings, including works by Fred Richards, Harry Winslow, Luke Taylor, Martin Hardie, Isobel Mesham, etc. (30)
Loading...-
78408 item(s)/page