Pablo Picasso (1881-1973)Jeune Femme au Chapeau péchant par pensée, from 347 Series (Bloch 1551; Baer 1567.B.b) Etching, 1968, on wove paper, signed and numbered 24/50 in pencil, published by Galerie L. Leiris, Paris, the full sheet, in good conditionPlate 318 X 416mm. (12 1/2 x 16 3/8in.);Sheet 450 x 560mm. (17 3/4 x 22in.) This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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Pablo Picasso (1881-1973)Autoportrait, avec Deux Femmes, from La chute d'Icare (Bloch 2016; Baer 2022 XIII B.b.; see Cramer books 155) Etching with drypoint, 1972, on wove paper, signed and numbered 22/125 in pencil (there were also 10 in Roman numerals plus 15 artist's proofs), published by Albert Skira, Geneva, as a frontispiece for Jean Leymarie La Chute d'Icare, the full sheet, in good condition, framedPlate 366 x 492mm. (14 3/8 x 19 3/8in.); Sheet 497 x 660mm. (19 5/8 x 26in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)One Plate, from Feuilles éparses (Dupin 120; Cramer Books 100) Etching and aquatint in colours, 1957, on BFK Rives wove paper, signed and numbered 38/50 in pencil, published by Louis Broder, Paris, the full sheet with a deckle edge at right and below, in good conditionPlate 208 x 173mm. (8 1/8 x 6 3/4in.); Sheet 380 x 280mm. (14 7/8 x 11 1/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)Astre et Fumée (Dupin 424) Etching, aquatint and carborundum in colours, 1967, on Mandeure rag paper, signed and numbered 16/75 in pencil, published by Maeght Editeur, Paris, the full sheet, in good condition, framedSheet 750 x 560mm. (29 1/2 x 22in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)Plate 1, from Quatre colors aparien el mon (Dupin 822) Etching and aquatint in colours with embossing, 1975, on Arches wove paper, signed and inscribed 'HC' in pencil, an hors commerce impression aside from the edition of 50, published by Gustavo Gili, Barcelona, the full sheet with a deckle edge at left and right, authenticated by Rosa Maria Malet in pencil verso, Fundació Joan Miró, Barcelona, some creasing, otherwise in good condition Sheet 895 x 635mm. (35 1/2 x 25 in.) This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)Plate 5, from Quatre colors aparien el mon (Dupin 826) Etching and aquatint in colours with embossing, 1975, on Arches wove paper, signed and numbered 22/50 (there were also 15 hors commerce and 3 artist's proofs), published by Gustavo Gili, Barcelona, with margins, in good conditionSheet 887 x 618mm. (35 x 24 1/2in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Rembrandt Harmensz van Rijn (1606-1669)The Angel departing from the Family of Tobias (Bartsch 43; New Hollstein 189) Etching, 1641, on laid paper, a very good impression of New Hollstein's eighth state (of nine), still printing clearly and with contrasts, with small margins, in good conditionPlate 103 x 154mm. (4 x 6 1/8in.);Sheet 111 x 157mm. (4 3/8 x 6 1/8in.)For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)Mousse dans les cordages, from People of the Sea (Dupin 1286) Etching, aquatint and carborundum in colours, 1990, on Rives wove paper, with stamped signature, numbered 18/60 in pencil, printed by Morsang, published by Daniel Lelong, Paris, authenticated and signed in pencil by Emilio Miró verso, the full sheet with a deckle edge below, in good condition, framedImage 695 x 435mm. (27 3/8 x 17 1/8in.); Sheet 960 x 750mm. (37 3/4 x 29 1/2in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lucian Freud (1922-2011)Girl holding her foot (Hartley 25) Etching, 1985, on Somerset Satin White paper, signed with initials and numbered 9/50 in pencil, printed at Palm Tree Studios, co-published by James Kirkman, London, and Brook Alexander, New York, the full sheet, in very good condition, framedPlate 690 x 540mm. (27 1/8 x 21 1/4in.); Sheet 885 x 720mm. (34 7/8 x 28 3/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Rembrandt Harmensz van Rijn (1606-1669)Sheet of Studies: Head of the Artist, a Beggar Couple, Heads of an Old Man and Old Woman (Bartsch 363; New Hollstein 115) Etching, 1632, on laid paper, without watermark, a very good impression of New Hollstein's second, final state, with thread margins, in good condition, framedPlate 100 x 105mm. (3 3/4 x 4 1/8in.); Sheet 102 x 107mm. (4 x 4 2/8in.)Footnotes:ProvenanceThe Fine Art Society, London, February 1942 (their label on the back of the frame).Rembrandt is known for his insightful and expressive portrayals of the human character and his fondness for experimentation. He produced 32 self-portrait etchings and over 30 studies of men and women during his career. The studies were not portraits of particular people, but rather 'types' observed and recorded by the artist to practise a range of facial expressions and the interaction between figures. Thus we see several images produced on one plate, reminiscent of a sketchbook page, which has been rotated three times to accommodate a self-portrait, a beggar couple and the heads of an elderly man and woman. Rembrandt crops his figures tightly to concentrate on the portrayal of the expressions. This etching was produced a year after Rembrandt had moved to Amsterdam and was establishing his reputation. He was adept at depicting his own features, having practised his expressions in front of a mirror and was familiar with the use of chiaroscuro to achieve psychological depth. The direct gaze towards the viewer displays his growing confidence in his ability and a wish to connect with his audience.For further information on this lot please visit Bonhams.com
David Hockney (born 1937)Rue de Seine (Scottish Art Council 121; M.C.A. Tokyo 111) Etching and aquatint, 1971, on J. Green mould-made paper, signed, dated and numbered 16/150 in pencil (there were also sixty proofs), published by Petersburg Press, London, the full sheet, some pinpoint fox spots principally to the margins, in good condition, framedImage 530 x 435mm. (20 7/8 x 17 1/8in.); Sheet 885 x 711mm. (34 3/4 x 28in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney (born 1937)Marguerites (M.C.A. Tokyo 141) Etching, softground etching and aquatint in colours, 1973, on Arches wove paper, signed, dated and numbered 85/100 in pencil, printed by Atelier Crommelynk, Paris, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, with wide margins, with pale light-staining at the sheet edges, the pink slightly attenuated, otherwise in good conditionPlate 235 x 175mm. (9 1/4 x 6 7/8in.);Sheet 399 x 302mm. (15 3/4 x 11 7/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Rembrandt Harmensz van Rijn (1606-1669)Jan Lutma, Goldsmith (Bartsch 276; New Hollstein 293) Etching, engraving and drypoint, 1656, on laid paper, without a watermark, the fourth state (of five), with narrow margins, in good condition Plate 196 x 150mm. (7 3/4 x 5 7/8in.);Sheet 200 x 151mm. (7 7/8 x 6in.)Footnotes:ProvenanceWilhelm Drugulin (1825-1879), Leipzig (Lugt 2613).For further information on this lot please visit Bonhams.com
Jim Dine (born 1935)The Hand-Coloured Viennese Hearts II and III (Carpenter 34.2 and 34.3) Screenprints with soft-ground etching, aquatint and hand-colouring, 1990, on wove paper, each signed, dated and numbered 28/40 in pencil (there were also some proofs for each print), printed by Advanced Graphics, London and Werkstatt fur Handgedruckte Original-Graphik, Vienna, published by Pace Prints, New York, the full sheets, in very good condition, framed Plates 864 x 787mm. (34 x 31in.)(and smaller); Sheets 1194 x 921mm. (47 x 36 1/4in.)(2)Footnotes:ProvenanceWaddington Graphics in partnership with Pace Prints, Jim Dine: The Hand-Coloured Viennese Hearts 1987-90, London, 25 April - 19 May 1990; where acquired by the current owners.For further information on this lot please visit Bonhams.com
Quantity of eight assorted military-related prints, one the Queens Lifeguard after Christine Bousfield with 1987 presentation label to Captain RCD Lendrum, another The Trumpet Polka, composed and dedicated to Lieut. Co. Bouverie and the officers of The Royal Regiment of Horse Guards, five others of continental uniforms published by T. Goddard, and one other etching of Horse Guards Whitehall.32cm x 44cm

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78388 item(s)/page