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Lot 41

Pablo Picasso (1881-1973)Jeune Femme au Chapeau péchant par pensée, from 347 Series (Bloch 1551; Baer 1567.B.b) Etching, 1968, on wove paper, signed and numbered 24/50 in pencil, published by Galerie L. Leiris, Paris, the full sheet, in good conditionPlate 318 X 416mm. (12 1/2 x 16 3/8in.);Sheet 450 x 560mm. (17 3/4 x 22in.) This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 42

Pablo Picasso (1881-1973)Autoportrait, avec Deux Femmes, from La chute d'Icare (Bloch 2016; Baer 2022 XIII B.b.; see Cramer books 155) Etching with drypoint, 1972, on wove paper, signed and numbered 22/125 in pencil (there were also 10 in Roman numerals plus 15 artist's proofs), published by Albert Skira, Geneva, as a frontispiece for Jean Leymarie La Chute d'Icare, the full sheet, in good condition, framedPlate 366 x 492mm. (14 3/8 x 19 3/8in.); Sheet 497 x 660mm. (19 5/8 x 26in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 54

Joan Miró (1893-1983)One Plate, from Feuilles éparses (Dupin 120; Cramer Books 100) Etching and aquatint in colours, 1957, on BFK Rives wove paper, signed and numbered 38/50 in pencil, published by Louis Broder, Paris, the full sheet with a deckle edge at right and below, in good conditionPlate 208 x 173mm. (8 1/8 x 6 3/4in.); Sheet 380 x 280mm. (14 7/8 x 11 1/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 55

Joan Miró (1893-1983)Astre et Fumée (Dupin 424) Etching, aquatint and carborundum in colours, 1967, on Mandeure rag paper, signed and numbered 16/75 in pencil, published by Maeght Editeur, Paris, the full sheet, in good condition, framedSheet 750 x 560mm. (29 1/2 x 22in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 56

Joan Miró (1893-1983)Plate 1, from Quatre colors aparien el mon (Dupin 822) Etching and aquatint in colours with embossing, 1975, on Arches wove paper, signed and inscribed 'HC' in pencil, an hors commerce impression aside from the edition of 50, published by Gustavo Gili, Barcelona, the full sheet with a deckle edge at left and right, authenticated by Rosa Maria Malet in pencil verso, Fundació Joan Miró, Barcelona, some creasing, otherwise in good condition Sheet 895 x 635mm. (35 1/2 x 25 in.) This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 57

Joan Miró (1893-1983)Plate 5, from Quatre colors aparien el mon (Dupin 826) Etching and aquatint in colours with embossing, 1975, on Arches wove paper, signed and numbered 22/50 (there were also 15 hors commerce and 3 artist's proofs), published by Gustavo Gili, Barcelona, with margins, in good conditionSheet 887 x 618mm. (35 x 24 1/2in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 6

Rembrandt Harmensz van Rijn (1606-1669)The Angel departing from the Family of Tobias (Bartsch 43; New Hollstein 189) Etching, 1641, on laid paper, a very good impression of New Hollstein's eighth state (of nine), still printing clearly and with contrasts, with small margins, in good conditionPlate 103 x 154mm. (4 x 6 1/8in.);Sheet 111 x 157mm. (4 3/8 x 6 1/8in.)For further information on this lot please visit Bonhams.com

Lot 67

Joan Miró (1893-1983)Mousse dans les cordages, from People of the Sea (Dupin 1286) Etching, aquatint and carborundum in colours, 1990, on Rives wove paper, with stamped signature, numbered 18/60 in pencil, printed by Morsang, published by Daniel Lelong, Paris, authenticated and signed in pencil by Emilio Miró verso, the full sheet with a deckle edge below, in good condition, framedImage 695 x 435mm. (27 3/8 x 17 1/8in.); Sheet 960 x 750mm. (37 3/4 x 29 1/2in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 79

Lucian Freud (1922-2011)Girl holding her foot (Hartley 25) Etching, 1985, on Somerset Satin White paper, signed with initials and numbered 9/50 in pencil, printed at Palm Tree Studios, co-published by James Kirkman, London, and Brook Alexander, New York, the full sheet, in very good condition, framedPlate 690 x 540mm. (27 1/8 x 21 1/4in.); Sheet 885 x 720mm. (34 7/8 x 28 3/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 8

Rembrandt Harmensz van Rijn (1606-1669)Sheet of Studies: Head of the Artist, a Beggar Couple, Heads of an Old Man and Old Woman (Bartsch 363; New Hollstein 115) Etching, 1632, on laid paper, without watermark, a very good impression of New Hollstein's second, final state, with thread margins, in good condition, framedPlate 100 x 105mm. (3 3/4 x 4 1/8in.); Sheet 102 x 107mm. (4 x 4 2/8in.)Footnotes:ProvenanceThe Fine Art Society, London, February 1942 (their label on the back of the frame).Rembrandt is known for his insightful and expressive portrayals of the human character and his fondness for experimentation. He produced 32 self-portrait etchings and over 30 studies of men and women during his career. The studies were not portraits of particular people, but rather 'types' observed and recorded by the artist to practise a range of facial expressions and the interaction between figures. Thus we see several images produced on one plate, reminiscent of a sketchbook page, which has been rotated three times to accommodate a self-portrait, a beggar couple and the heads of an elderly man and woman. Rembrandt crops his figures tightly to concentrate on the portrayal of the expressions. This etching was produced a year after Rembrandt had moved to Amsterdam and was establishing his reputation. He was adept at depicting his own features, having practised his expressions in front of a mirror and was familiar with the use of chiaroscuro to achieve psychological depth. The direct gaze towards the viewer displays his growing confidence in his ability and a wish to connect with his audience.For further information on this lot please visit Bonhams.com

Lot 81

David Hockney (born 1937)Rue de Seine (Scottish Art Council 121; M.C.A. Tokyo 111) Etching and aquatint, 1971, on J. Green mould-made paper, signed, dated and numbered 16/150 in pencil (there were also sixty proofs), published by Petersburg Press, London, the full sheet, some pinpoint fox spots principally to the margins, in good condition, framedImage 530 x 435mm. (20 7/8 x 17 1/8in.); Sheet 885 x 711mm. (34 3/4 x 28in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 82

David Hockney (born 1937)Marguerites (M.C.A. Tokyo 141) Etching, softground etching and aquatint in colours, 1973, on Arches wove paper, signed, dated and numbered 85/100 in pencil, printed by Atelier Crommelynk, Paris, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, with wide margins, with pale light-staining at the sheet edges, the pink slightly attenuated, otherwise in good conditionPlate 235 x 175mm. (9 1/4 x 6 7/8in.);Sheet 399 x 302mm. (15 3/4 x 11 7/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 9

Rembrandt Harmensz van Rijn (1606-1669)Jan Lutma, Goldsmith (Bartsch 276; New Hollstein 293) Etching, engraving and drypoint, 1656, on laid paper, without a watermark, the fourth state (of five), with narrow margins, in good condition Plate 196 x 150mm. (7 3/4 x 5 7/8in.);Sheet 200 x 151mm. (7 7/8 x 6in.)Footnotes:ProvenanceWilhelm Drugulin (1825-1879), Leipzig (Lugt 2613).For further information on this lot please visit Bonhams.com

Lot 97

Jim Dine (born 1935)The Hand-Coloured Viennese Hearts II and III (Carpenter 34.2 and 34.3) Screenprints with soft-ground etching, aquatint and hand-colouring, 1990, on wove paper, each signed, dated and numbered 28/40 in pencil (there were also some proofs for each print), printed by Advanced Graphics, London and Werkstatt fur Handgedruckte Original-Graphik, Vienna, published by Pace Prints, New York, the full sheets, in very good condition, framed Plates 864 x 787mm. (34 x 31in.)(and smaller); Sheets 1194 x 921mm. (47 x 36 1/4in.)(2)Footnotes:ProvenanceWaddington Graphics in partnership with Pace Prints, Jim Dine: The Hand-Coloured Viennese Hearts 1987-90, London, 25 April - 19 May 1990; where acquired by the current owners.For further information on this lot please visit Bonhams.com

Lot 90

JAMES ABBOTT MCNEILL WHISTLER (1834-1903) 'The Pool' (Wedmore 41; Kennedy 43) etching and drypoint, signed and dated 1859 in the print l.l., from ‘The Thames Set’, published 1871 plate 14 x 22.2cm

Lot 93

WILLIAM LIONEL WYLLIE (1851-1931)Tower Bridge (Pool of London)signed in pencil l.l., etching, framedplate 10 x 34.5cmCondition report: In excellent condition.

Lot 74

DALGLISH, c.1943 St Paul's and bomb ruinssigned in pencil and dated 43, etchingplate 26 x 36cmCondition report: Some time staining. Unexamined out of frame.

Lot 84

WILLIAM LIONEL WYLLIE (1851-1931)Southwark Bridgeetching, signed in pencilplate 12.3 x 32.5cm

Lot 88

JAMES ABBOTT MCNEILL WHISTLER (1834-1903) Eagle Wharf (Wedmore 39; Kennedy 41) drypoint etching, signed and dated 1959 in the print l.c., from ‘The Thames Set’, published 1871 plate 13.5 x 21.5cmCondition report: Excellent condition.

Lot 81

*ANNE BULITIS, 20th centuryButler's Wharfsigned, inscribed as titled and numbered 1/50, etching and aquatintplate 48.5 x 33.5cm*Artist's Resale Right may apply to this lot.Condition report: In generally good condition, unexamined out of frame.

Lot 82

JAMES ABBOTT MCNEILL WHISTLER (1834-1903) Longshore Men (Wedmore 43; Kennedy 45) etching and drypoint, signed and dated 1859 in the print l.r. plate 15 x 22.5cmCondition report: Some time staining to the paper otherwise in good order. Unexamined out of frame.

Lot 91

WILLIAM LIONEL WYLLIE (1851-1931)Greenwichsigned in pencil l.l., etching, framedplate 8.5 x 35cmCondition report: In excellent condition.

Lot 87

WILLIAM LIONEL WYLLIE (1851-1931)Somerset House (Waterloo Bridge)signed in pencil l.l., etching, framedplate 24 x 36cmCondition report: In excellent condition.

Lot 1224

A W BARNES The Axe Bridge, Devon, signed, etching and two others (3) Condition Report: Available upon request

Lot 1229

WILLIAM LIONEL WYLLIE RA, RI, RE The Highway of Nations, signed, etching, 30 x 48cm Condition Report: Available upon request

Lot 1259

JAMES MACINTYRE The Shaw Brig, signed, etching, 1931, 20 x 26cm and two others (3) Condition Report: Available upon request

Lot 475

Quantity of eight assorted military-related prints, one the Queens Lifeguard after Christine Bousfield with 1987 presentation label to Captain RCD Lendrum, another The Trumpet Polka, composed and dedicated to Lieut. Co. Bouverie and the officers of The Royal Regiment of Horse Guards, five others of continental uniforms published by T. Goddard, and one other etching of Horse Guards Whitehall.32cm x 44cm

Lot 408

Edgar Holloway (1914-2008) Henry Moore at 80, 1978 7/50, signed, titled, dated, and numbered in pencil (in the margin) etching 36.5 x 24.2cm, unframed.

Lot 409

Edgar Holloway (1914-2008) David Jones, 1979 7/50, signed in pencil (in the margin) etching 35 x 26cm, unframed.

Lot 413

Sidney Tushingham (1884-1968) Continental town square signed in pencil (in the margin) etching 27 x 35cm.

Lot 414

James McBey (1883-1959) Dutch Port, 1910 signed in ink (in the margin), signed, dated, and titled (in the plate) etching 15 x 19.8cm.

Lot 415

Frank Brangwyn (1867-1956) Pont Neuf, Paris, No.2, 1919 signed in pencil (in the margin) etching 52 x 57cm.

Lot 416

Norman Thomas Janes (1892-1980) A Beach in Cyprus, 1950 signed, dated, and titled in pencil (in the margin) etching 30 x 46cm; together with a MIchael Blaker etching; and one further etching (3).

Lot 416A

James McBey (1883-1959) Albert Basin, Aberdeen, 1905 signed in pencil (lower right) etching 17 x 26cm.

Lot 417

Walter Sickert (1860-1942) The Old Fiddler, circa 1922 signed in pencil (in the margin) etching 31.5 x 26.5cm. Exhibited: The Fine Art Society, London, Walter Sickert, 2000.

Lot 418

Henry George Rushbury (1889-1968) S.Agostino, S. Gimignano, 1927 signed in pencil (in the margin) etching 27 x 35.5cm.

Lot 422

Robert Sargent Austin (1895-1973) Donkeys of Selva, 1928 signed in pencil (in the margin) etching 14 x 19.5cm, unframed.

Lot 427

David Hockney (b.1937) The Older Rapunzel from Six Fairy Tales from the Brothers Grimm, 1969 from an unsigned edition of 600 etching 24.5 x 27cm. Provenance: Robert Christian Gallery, Lincolnshire.

Lot 428

David Hockney (b.1937) He enquired after the quality, 1966 from Fourteen Poems by C. P. Cavafy etching on handmade Crisbrook paper published by Editions Alecto from the numbered portfolio edition 134/500 38 x 25cm.

Lot 429

David Hockney (b.1937) Beautiful and White Flowers, 1966 from Fourteen Poems by C. P. Cavafy etching on handmade Crisbrook paper published by Editions Alecto from the numbered portfolio edition 134/500 38 x 25cm.

Lot 430

Laura Knight (1877-1970) Three Graces of the Ballet, 1926 signed in pencil (in the margin) etching 36 x 26cm.

Lot 431

Walter Sickert (1860-1942) In Memoriam, T. W. Barrett, circa 1922 inscribed (in the plate) etching 23 x 16cm, unframed.

Lot 432

Gerald Leslie Brockhurst (1890-1978) The Artist's Mother, 1920 signed in pencil (in the margin) etching 11 x 10cm.

Lot 433

Ernest Herbert Whydale (1886-1952) Nearing the Hilltop signed in pencil (in the margin) etching 25 x 29cm.

Lot 434

Adrian Bartlett (b.1939) Easter Hot Air Balloons, 1987 2/40, signed, dated, numbered, and titled in pencil (in the margin) etching and aquatint 25 x 31cm; and another similar etching and aquatint by Adrian Bartlett (2).

Lot 450

Phil Greenwood (b.1943) Fields, 1979 artist's proof III, signed, titled, and dated in pencil (in the margin) etching and aquatint 47 x 53cm.

Lot 452

Julian Trevelyan (1910-1988) St Paul's, 1964 from the London Suite artist's proof, inscribed with colour notes, signed in pencil (in the margin) etching and aquatint 78 x 55cm, unframed.

Lot 453

Julian Trevelyan (1910-1988) Tower Bridge, 1964 from the London Suite 39/75, signed, titled, and numbered in pencil (in the margin) etching and aquatint 63 x 48cm, unframed.

Lot 454

Julian Trevelyan (1910-1988) The Thames, 1965 artist's proof, inscribed with colour notes, signed in pencil (in the margin) etching and aquatint 56 x 79cm, unframed.

Lot 456

Julian Trevelyan (1910-1988) Heathrow, 1973 printer's proof, signed and titled in pencil (in the margin) etching and aquatint 59 x 77cm, unframed.

Lot 457

Julian Trevelyan (1910-1988) Runway, 1973 16/52, signed, titled, and numbered in pencil (in the margin) etching and aquatint 59 x 77cm, unframed.

Lot 465

Bill Jacklin (b.1942) Dusk on 42nd St., 1989 trial proof II, signed and inscribed in pencil (in the margin) etching 71 x 60cm, unframed.

Lot 471

Enrico Baj (1924-2003) Swinging General, 1976 16/75, signed and numbered in pencil (in the margin) etching and aquatint 65 x 50cm.

Lot 480

John Piper (1903-1992) Alpilles (Levinson 425), 1989 69/70, signed and numbered in pencil (in the margin) etching and aquatint 45 x 66cm.

Lot 492

Kenneth Noland (1924-2010) Marron, 1990 48/50, signed and numbered in pencil etching and aquatint 40 x 58cm.

Lot 493

Mary Fedden (1915-2012) The Etching Table, 1972 signed in pencil (in the margin) lithograph 57 x 74cm.

Lot 499

Alfred Manessier (1911-1993) Oiseaux sur Fond Bleu (Hommage à Braque) 86/100, signed and numbered in pencil etching and aquatint 18 x 14cm.

Lot 50

Bernard Leach (1887-1979) The White Mustang, 1913 from an edition of 25 etching, published by the New Craftsman Gallery 17.5 x 24.5cm.

Lot 500

Elizabeth Blackadder (b.1931) Three Cats, 1992 10/50, signed and numbered in pencil (in the margin) etching and aquatint 44 x 61cm.

Lot 501

Julian Trevelyan (1910-1988) Bolton, Mill Workers, 1964 23/30, signed, titled, and numbered in pencil (in the margin) etching and aquatint 51 x 38cm.

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