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Lot 1060
E.Dayes (Late 18th/Early 19th Century)"East View of Rieval Abbey""South West View of Rieval Abbey"Black and white engravings, published 1812 by Robert Wilkinson, 30cm by 40cm; together with a further view of Rievaulx Abbey After J.M.W. Turner; two works After T.Hearne, Micklegate Bar and the Hospital of St. Thomas, York, and St. Mary Abbey York; an etching of Gt. Crosby Mill, signed in pencil and an etching of York, also signed in pencil to the margin (7)
Lot 1027
Elisabeth Frink (1930 - 1993), Snowy Owl, from Six Owls (1977), etching and aquatint in colours, artist's proof, signed in pencil, plate 53cm x 46cm, framed2 small fox marks in top left-hand corner margin, no foxing in the image, very slight paper discolouration in the margin, paper very slightly rippled, original frame and mount, untouched backing boards and tapes
Lot 222
Gillray (James) Le Baiser à la Wirtembourg, etching with hand-colouring on wove paper, platemark 360 x 260 mm (14 1/4 x 10 1/4 in), small margins, paper toned with some surface dirt, unframed, [BM 9006], Hannah Humphrey, 1797; together with a good impression of Gillray's 'Democratic Leveling; Alliance a la Francoise; or The Union of the Coronet & Clyster-pipe', etching with hand-colouring, sheet 350 x 250 mm (13 3/4 x 9 3/4 in), trimmed within the platemark, minor surface dirt and discolouration to corners, unframed, 1796 (2)
Lot 224
Gillray (James) Lordly Elevation, etching with hand-colouring, platemark 265 x 210 mm (10 1/2 x 8 1/4 in), small margins, small tear in the lower right corner, minor discolouration in the corners, otherwise minor surface dirt, unframed, [BM 9905], Hannah Humphrey, 1802; together with Gillray's 'Progress of the Toilet.- Dress Completed. Plate 3', unframed, [BM 11610], Hannah Humphrey, 1810 (2)
Lot 226
Gillray (James) A Kick at the Broad-Bottoms!-i.e.-Emancipation of "All the talents", etching with hand-colouring on wove paper watermarked '1807', platemark 265 x 360 mm (10 1/2 x 14 1/8 in), with margins but laid onto paper support, slightly wrinkled in corners, unframed, [BM 10709], Hannah Humphrey, 1807; together with 'The Esplanade' [BM 9019], etching with hand-colouring, 260 x 320 mm (10 1/4 x 12 1/2 in), unframed, Hannah Humphrey, 1797 (2)
Lot 213
Bowles (Carington) An English Sloop engaging a Dutch Man of War; An English Man of War, taking a French Privateer, two works, etching with mezzotint, 355 x 250 mm (14 x 9 7/8 in), one under glass, minor surface dirt, date scratched away from the 'English Sloop', the latter unframed, [circa 1780s]; together with a group of 13 framed caricatures and reverse glass paintings, including 7 framed strip satires after Woodward's 'Pigmy Revels' uniformly framed, 3 hand-coloured reverse glass painted engravings, 2 late 18th century small hand-coloured mezzotints 'Unlucky Girls' and 'Favourite Chickens', and a small framed hand-coloured mezzotint from Carington Bowles 'Twenty Thousand I've got_ How Lucky's my Lot', various sizes, all framed, late 18th and early 19th century (15)
Lot 219
Gillray (James) The Zenith of French Glory; – The Pinnacle of Liberty, etching with hand-colouring, on wove paper without watermark, platemark 355 x 250 mm (10 x 9 3/4 in), sheet 445 x 310 mm (17 1/2 x 12 1/4 in), sheet very brittle, central horizontal fold, with some splitting, repairs to splitting and tears within the margins, some others not repaired, unframed, [BM 8300], Hannah Humphrey, 1793
Lot 223
Gillray (James) New Morality, -or- The promis'd Installment of the High-Priest of the Theophilanthropes, extended folding plate for the Anti-Jacobin Review and Magazine, etching, printing with plate tone on cream laid paper, platemark 270 x 620 mm (10 5/8 x 24 3/8 in), under glass, small margins, several vertical and a horizontal folds, minor surface dirt, framed, [BM Satires 9240], J. Wright, 1798.
Lot 227
Gillray (James) Bonus Melior Optimus or the Devil's the best of the bunch, a Coalition satire depicting Fox with a fox's head, encouraging North to blow hot and cold on broth prepared by the devil, original hand-coloured etching, platemark 250 x 350 mm (9 3/4 x 13 3/4 in), [BM Satires 6219], W. Humphrey, 1783; together with five further satirical prints, including Gillray's 'The life of WIlliam Cobbett,- written by himself [8th plate]' [BM 11379], and four hand-coloured reduced engravings after Gillray, from John Miller's 'The Caricatures of Gillray; with Historical and Political Illustrations...', all unframed, [c. 1818-1824] (6)
Lot 221
Gillray (James) Democratic Leveling; Alliance a la Francoise; or The Union of the Coronet & Clyster-pipe, etching with original hand-colouring, on wove paper with watermark 'Edmeads & Pine', platemark 360 x 260 mm (14 1/4 x 10 1/4 in), sheet 380 x 270 mm (15 x 10 5/8 in), minor toning and surface dirt, unframed, [BM 8787], Hannah Humphrey, 1796; together with a near contemporary copy after Gillray's 'Uncorking Old-Sherry', unframed, [circa 1805] (2)
Lot 220
Gillray (James) Enchantments Lately Seen upon the Mountains of Wales, -or- Shon-ap-Morgan's Reconcilement to the Fairy Princess, etching with hand-colouring, sheet 245 x 350 mm (9 5/8 x 13 3/4 in), trimmed to or just within the platemark, hinged onto mount, minor discolouration to the corners, small nicks repaired, unframed, [BM 8818], Hannah Humphrey, 1796; together with Gillray's 'Bristol Cheese' [BM 11404] and 'A Slice of Glo'ster Cheese' [BM 8716], etchings, 265 x 205 mm (10 1/4 x 8 in) and 255 x 130 mm (10 x 5 1/8 in), unframed, 1795-c.1809 (3)
Lot 230
Boxing.- Rowlandson (Thomas) Rural Sports. A Milling Match, 'Took Place at Thisselton Gap in the County of Rutland Septr 28.1811. betwixt Cribb and Molineaux on a 25 foot Stage and was the second Public contest between these two Pugilists. It lasted 19 Minutes and 10 Seconds and was decicive (sic) in favour of Cribb', etching with original bright hand-colouring, on wove paper with watermark date '1810', platemark 250 x 350 mm (9 7/8 x 13 3/4 in), sheet 270 x 440 mm (10 5/8 x 17 1/4 in), faint old folds to the left and right margin, pin holes from stitch binding in the upper edge, rough edges with nicks, notably to the lower edge, some toning and light surface dirt, would benefit from a light clean, unframed, [BM Satires 11786], Thomas Tegg, 1811
Lot 232
Williams (Charles) Master Wybrants the Modern Hercules, who at the age of 4 Months weighed 39 pounds, measured 2 feet round the Body 15 Inches round the thigh and 8 Inches round the Arm to be seen at the corner of Sackville Street Piccadilly, etching with hand-colouring, on laid paper with Strasbourg lily watermark, sheet 350 x 245 mm (13 3/4 x 9 5/8 in), trimmed to or within the platemark, unframed, 1810; together with a duplicate, and a good group of 15 hand-coloured caricatures by William Heath and others similar, all unframed, early 19th century (16)
Lot 235
Legal satire.- Woodward (George Moutard), After. The Last Circuit!!, etching with original hand-colouring, platemark 250 x 350 mm (9 7/8 x 13 3/4 in), sheet 263 x 364 mm (10 3/8 x 14 1/4 in), minor light exposure lines from previous mount, unframed, [BM 10179], 1803 § Dent (William, active c. 1783-1793) Democratic Arms, or, Emblems of Gallic Liberty, mock coat of arms with explanation below, etching with hand-colouring, with the wiping marks,, sheet 345 x 250 mm (13 1/2 x 9 3/4 in), trimmed within the platemark, minor surface dirt, unframed, [Not in BM Satires, but a copy is held in the Bodleian, see Curzon b.9(57)], 1792 [or slightly later] (2)
Lot 476
§ John Brunsdon ARCA (1933-2014) Lakesigned 'John Brunsdon' (lower right); numbered 49/100etching and aquatint62 x 47cmNot examined out of the frame, outermost edges obscured by mount so not available for inspection. The margins with typical toned appearance, this is mostly uniform, though deepening in colour slightly where the paper support meets the mount. The perspex 'glazing' with some surface scratches and knocks. Otherwise in nice, presentable condition.
Lot 474
§ John Brunsdon ARCA (1933-2014) Sea Townsigned 'John Brunsdon' (lower right); numbered 9/15etching and aquatint24 x 31cmSome slight undulation of the page which could be corrected by reframing and remounting. The perspex 'glazing' with some scuffs and surface scratches. The print itself with some very minor toning to the margins, though this is light and even, overall in nice, presentable condition.
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71174 item(s)/page