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Lot 315

Claughton Pellew: a signed limited edition etching, "The Mill", in ebonised strip frame

Lot 17A

K. Bongarte - 'St Tropez', ltd ed 41/180 etching, signed and dated '85, 12 x 12 cm to/w watercolour of ringlet- haired girl, circa 1829, see label inscription to verso, 14 x 10 cm (2)

Lot 22

Figure study of a seated young man, pencil, 30 x 19 cm to/w etching of pastoral scene (2)

Lot 67

Mixed group of various pictures including watercolour river scene by B.B. Wadham; pair of stipple engravings 'L'Heureuse Fecondite' and 'Les Baignets'; pencil signed Norman Hirst print; etching 'A Relic of the Past' by James Macintyre Delt, April 1899 etc (8)

Lot 83

In the manner of Francis Bacon - Portrait of a man with yellow tie, oil on canvas, 45 x 45 cm, verso bears painted inscription '72 to/w Giambella'20th century English school - Young boy, etching, 20 x 12.5 cms, R.L. Banks - Swimmers in rocky river, gouache, 36 x 24 cm and 20th century English school - Portrait of a seated young woman wearing a beret, oil on canvas pinned to panel, 59 x 46 cm (4)

Lot 440

Wilfred C Appleby George Heriot's School, signed etching, 19x22cm together with and etching of Edinburgh Castle by James Grant, and a watercolour of a bridge scene

Lot 441

Louis Conrad Rosenberg (1890-1983) The Little Market, Jours Signed etching, 17x15.5cm

Lot 443

Irene Thomson (early 20th century) King Olav's visit to Edinburgh, etching, 18x21cm Joseph Burn 'Old Mill on Kype Water, Strathaven', etching, Anthony Gross Mirible-Normandy, etching (3)

Lot 513

John Byrne (b1940) ARR In the Greenwood, 11/30 and Red Tattooist, 18/30, signed etching, 12x14.5cm

Lot 516

Stanley Angus (fl 1932-1938) Tantallon Castle Signed etching, 26x41cm

Lot 548

Moritimer Mempes (1855-1939) Mother and child at a cottage, signed etching, 20x15cm and William Strang Figure at a cave entrance, etching 20x15cm (2)

Lot 549

Louis Conrad Rosenberg (1890-1983) The Fountain Aye Sophia, signed etching, 13x16.5cm and William Strang Adam and Eve, etching, 17x12cm (2)

Lot 551

William Lee Hankey RE (1869-1952) Sewing, Signed etching, 21x16.5cm and Lumsden, etching (2)

Lot 616

ELYSE ASHE LORD (1900-1971). Coloured etching, “The Wooing of Riza” trial proof, signed and titled in pencil, 24cm x 22cm, framed; an edition of “Elyse Lord” by Malcolm C Salaman, 1927, “The Studio” with colour plates. (2).

Lot 81

William Washington (20th century British), 'Clocks to Mend', signed in pencil, etching, 27 x 23 cm, another by the same hand and an etching of a Green man by Barry Haste, signed and inscribed

Lot 323

WILLIAM LIONEL WYLLIE (1851-1931), Figures and Biplanes on a WWI Airfield, with eight planes overhead, black and white etching, signed in pencil to margin, plate size 19 x 24cm.

Lot 324

WILLIAM LIONEL WYLLIE (1851-1931), Barges on the Thames by Blackfriars Bridge, St Pauls’ beyond, black and white etching, signed in pencil to margin, 20cms x 40.5cms.

Lot 335

AFTER JAMES GILROY ‘English Fire Side’ ; AFTER CRUICKSHANK ‘Anglo-Parisien Salutations or Practice - par excellence’ coloured etchings 19th Century, 25cms x 34cms; After Bunbury ‘ A Militia Meeting’, black and white etching, circa 1790, image size 24cms x 38cms (3)

Lot 341

EDWARD BOUVERIE-HOYTON, BRITISH (1900-1988), 1805 - Victory - Temeraire - Neptune - Leviathan in line of battle Oct 21st; dry point etching, signed in pencil to lower right margin, image size 44.5cms x 60cms

Lot 92

Mortimer Mennes RBA RE- a canal Rotterdam/by the Thames, Rotherhithe - pair of framed and glazed etchings and also an etching of the statue of Peter Pan by Leslie Austin, 80-100

Lot 1733

A group of assorted prints and maps, including a map of the Holy Land by P du Val, engraved by R White, a map of Kent, a sepia photograph of mother and children in a field, a print of Gravesend, a map of the Isle of Thanet, an etching of Kings College by A E Wardle, an oriental print on silk, and others. (qty)

Lot 1771

Reginald Brown (early 20th century), Street scene, etching, signed in pencil, 20cm x 27.5cm.

Lot 1773

Dennis Jones (1932-2007), Head study in skullcap, etching, signed with initials, 11.5cm x 10cm.

Lot 1785

Dennis Jones (1932-2007), Sleeping head, etching, signed, inscribed and dated 7/96, numbered 4/10, 20cm x 20cm.

Lot 1801

David Gluck (1939-2007), Evening from the Accademia Bridge, Venice, etching with aquatint, signed, inscribed and numbered 3/50, 59cm x 88cm.

Lot 110

A Victorian silver mounted Claret Jug with hinged cover, the jug with fruiting vine and star etching, London 1885

Lot 323

A quantity of small carved ivory Figures with work ball bases, an Etching of Hereford Cathedral and a Photograph Album

Lot 597

FRANK GILLET. The Mole Catcher, etching, pencil signed and numbered 13/75, Pl. 6 3/4 x 3 in; and an engraving after Sir Godfrey Kneller depicting John Marquis of Tweedale; and an etching by Marius A.J. Bauer depicting Cavalry (3)

Lot 19

Scottish architecture A collection of three pencil sketches of a Scottish tower house with another two of a copse and a town clock, each approx. 19cm by 27.5cm high, framed and glazed; Ibid. An etching of a Scottish town clock, as per pencil sketch, framed and glazed (6)

Lot 314

Cameron, Sir D.Y. - Cunninghame Graham, R.G. The district of Menteith. Stirling: Eneas Mackay, 1930. Edition de luxe, folio, number 206 of 250 copies, signed by author and artist, original etching by Cameron as frontispiece, original quarter calf gilt, dustwrapper, slipcase, worn at corners

Lot 423

After Isa E Logan, Figures by trees, with hills beyond, etching, pencil-signed, 26cms x 18cms, (10" x 7").

Lot 737

AFTER FRANK PATON "Hunting incidents", a sepia etching with vignettes, bearing pencil signature to mount

Lot 739

AFTER FRANK PATON "Notice to quit", a sepia etching with vignettes and with pencil signature to mount

Lot 347

Arthur Knighton Hammond, artists proof etching of Venice, signed

Lot 375

Fifo Stricker (Swiss b.1952) The Jet Set Owl signed and dated in pencil coloured etching, nine prints from the edition of 50 56.5 x 76cm; together with a trial proof of the same (unframed) (10)

Lot 380

William Monk (1863-1937) Hotel de Ville Louvain signed below in pencil, blindstamped etching in colours 65 x 47cm (plate)

Lot 182

A 1930S ETCHING of hayricks, 4 3/4" x 7"

Lot 183

AFTER GEORGE PERCY JACOMB-HOOD (1857-1929) Ladies chatting in a queue, etching, 6 1/4" x 9", another etching after Deakins, '4th State', signed, titled and dated 1957 in pencil in the margin, 3 3/4" x 4 3/4", an etching of a man holding a bow and a poster 'Rules of Russian Bagatelle' (4)

Lot 21

IAN FLEMING R.S.A., R.S.W., R.G.I., L.L.D. ( SCOTTISH, 1906 - 1990) GARDEN Etching, unique print, A/P signed inscribed and dated '77. 37cm x 49cm (14.5in x 19.25in)

Lot 29

RICHARD SPARE ( BRITISH, B. 1951) ROSES Hand-coloured etching, signed and inscribed, no 28/100 55cm x 40cm (21.75in x 15.75in)

Lot 85

JOCK MCFADYEN (SCOTTISH, B. 1950) CRAMOND 2. Etching, signed and dated '92, inscribed and numbered 26/30 27cm x 24cm (10.5in x 9.5in)

Lot 96

JOHN BELLANY (SCOTTISH, B. 1942) ROSE AND CROWN Etching, signed, and numbered 5/30 25cm x 20cm (9.75in x 8in)

Lot 97

JOHN BELLANY (SCOTTISH, B. 1942) WOMAN WITH TOUCAN Etching, signed, Artist's Proof 52cm x 39cm (20.5in x 15.25in)

Lot 112

JULIAN TREVELYAN (BRITISH, 1910-1988) ST JAMES'S PARK Etching and aquatint, signed, inscribed and numbered 56/75, unframed 35cm x 47cm (13.75in x 18.5in)

Lot 115

JULIAN TREVELYAN (BRITISH, 1910-1988) KENSINGTON GARDENS Etching and aquatint, signed, inscribed and numbered 61/75, unframed 35cm x 47cm (13.75in x 18.5in)

Lot 118

JULIAN TREVELYAN (BRITISH, 1910-1988) RICHMOND Etching and aquatint, signed, inscribed and numbered 55/75, unframed 47cm x 35cm (18.5in x 13.75in)

Lot 152

KEITH MCINTYRE (SCOTTISH, B. 1959) DALMATION AND HER PERFORMING COCKATIELS Etching, signed, inscribed, dated '91, numbered 18/40 35.5cm x 29cm (18in x 11.5in)

Lot 169

TIM COCKBURN (ENGLISH, CONTEMPORARY) CALEDONIAN BREWERY, EDINBURGH SUITE Etching, signed and dated '92, inscribed and numbered 20/40 30cm x 44cm (12in x 17.25in)

Lot 187

FRANK MARTIN (BRITISH, 1921-2005) TWO FIGURES, BLUE Etching, signed, inscribed and numberes 24/50, unframed 30.5cm x 30cm (12in x 12in) and another by the same hand, 'The Stag at Bay' 48/50 (2)

Lot 190

IAN HUGHES (SCOTTISH, B.1958) THE ANATOMY LESSON OF DR TULP Etching and aquatint, Artist's Proof, signed and inscribed 44cm x 42cm (17.25in x 16.5in)

Lot 203

KEN CURRIE (SCOTTISH, B. 1960) HOMO HOMINI OPUS II Etching, signed, dated 2006 and inscribed, 'PP' 28cm x 41cm (11in x 16in)

Lot 372

WILLIAM LIONEL WYLLIE (1851-1931), BOATS AND FISHERMEN ON THE SHORE, etching, signed in pencil, framed. 16cm by 38cm

Lot 374

JOHN FULLWOOD (1854-1931), HARBOUR SCENE, ETCHING, signed in pencil, framed. 41cm by 26cm

Lot 393

ERNST MICHAEL DINKEL (1894-1983), OLIVE TREE, SAN GIMIGNANO, ITALY, signed, titled and dated 1927 in pencil, etching, framed. 29cm by 31.5cm

Lot 146

A large abstract oil, 62cm by 112cm; an etching 'Sarah in Bloomsbury Interior' signed Dilys Byron 85 and an engraving 'The Age Brighton Coach at the Bull and Mouth, Regent Circus, Piccadilly'

Lot 363

CAVOLIERE PIRANESI, View of the Arch of Constantine, etching, plate size 19" x 28", gilt frame

Lot 364

F M WOOD, "Puppets in Yorkshire", etching, signed and inscribed in pencil, dated 1933, 6" x 4 3/4", gilt frame

Lot 283

Art and Artists archive of autograph letters of the 18th c cartographer and artist John Lambert discussing a variety of his works, including a view of Durham Abbey with Bridge which he intends to have made into a print – with indication of local subscribers – and describing in great detail his methods of producing his works : ‘...the border part is coarse and strong purposely done so in order to strike the eye at a great distance in the nature of an etching and this drawing has one peculiar quality that is the more it is sullied by hanging (unless totally blackened) the more like a print it will appear which I had in contemplation which I did it is having already been washed with a composition to darken it...’ ‘...I am now possessed of a very exact sketch of Durham Cathedral with all the intended alterations now going forward which I obtained from authentic papers and a very elegant figure it will make when finished but what will be at a future period that you or I may perhaps never live to see (about 20 years is computed to finish it) Therefore as it is the greatest object of the Dean and Chapter let me know if a drawing of it would be agreeable...’ A fine correspondence which complements the correspondence of Lambert sold in these rooms in our sale in June 2008.

Lot 1809

A group of four, including a colour etching of York Cathedral by E. Sharland, a watercolour of boats and two unframed etchings of village scenes, (4).

Lot 1835

Richard Muller (early 20th century), 'Mein Quick': Study of a resting spaniel, etching, signed in pencil, 33cm x 53cm.

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