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Lot 671
PAINTINGS AND PRINTS ETC, to include a still life flower study 'Chrysanthemums' by Pearl Rose, oil on board, approximate size 34cm x 24cm, watercolour flower study signed T. Hollins, Ivan M Garden Scottish drypoint etching ' Loch Lubnaig', signed Geoffrey Cowton limited edition print 'Wentbridge House Hotel', Redoute Rose print etc
Lot 106
* DAVID HOCKNEY OM CH RA (BRITISH b. 1937),PICTURE OF A STILL LIFE THAT HAS AN ELABORATE SILVER FRAME lithograph on paper, numbered artist's proofimage size 77cm x 57cm, overall size 92cm x 72cmMounted, framed and under glass.Note: from A Hollywood Collection, 1962.Note 2: An accomplished painter, printmaker, photographer, and stage designer, David Hockney began showcasing his talent as a draftsman while studying at his hometown's Bradford School of Art as a teenager. At London's Royal College of Art in the early 1960s, he worked in a style that combined figuration, abstraction, and text, which identified him with the British Pop art movement. His work, however, defies categorization. It consists of still lifes and portraits rendered with delicacy and frankness and, after moving to Los Angeles, has included bold, colourful images of California's sun-drenched settings. Rooted in his personal relationships, his homosexuality, and his literary interests and travels, Hockney's art is, above all, deeply autobiographical. Printmaking has played a central role in Hockney's practice, and many of his most significant early works take the form of narrative print series. The linearity of etching matches his natural inclination for drawing, and lithography allows him to explore dazzling colour. He has also made editions with paper pulp and inventive prints using a photocopy machine. In all Hockney has created more than five hundred prints, collaborating with celebrated printers and workshops in Europe and America and also experimenting on his own. A copy of the print is in the Museum of Modern Art.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues. Additional images have been uploaded to our website. Picture comes from a Private Scottish Collection.
Lot 144
David Hockney R.A. (born 1937)The Blue Guitar (Title Page), from 'The Blue Guitar', 1976-77 signed and numbered 147/200 in penciletching and aquatint printed in colours52.2 x 45.1cm (20 9/16 x 17 3/4in).printed by Petersburg Studios and published by Petersburg Press, London and New YorkFootnotes:LiteratureD. Hockney, David Hockney Prints 1954-1995, Museum of Contemporary Art, Tokyo and Tankosha Publishing Co, Tokyo, 1996, no. 178D. Hockney, Midland Group (Nottingham, England) and Scottish Arts Council, David Hockney prints, 1954-77, Petersburg Press for the Midland Group and the Scottish Arts Council, London, 1979, no. 199This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 178
Grayson Perry (born 1960)Reclining Artist (small), 2017 signed in pencil recto, and numbered 30/58 versoetching in colours70.5 x 102.5cm (27 3/4 x 40 3/8in).(unframed)Published by Paragon Press, LondonThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 161
Italian Grand Tour, Rome - Acquaroni (Antonio, illustrator), Nuovi punti delle più interessanti vedute di Roma disegnate ed incise a contorno da Antonio Aquaroni e da altri buoni artisti, Roma: Presso Deodato Minelli, 1838, trimmed title-page and tipped-in to pastedown, illustrated with 60 topographical views, each line-etching has been trimmed to the platemark, finely hand-coloured in sepia by a contemporary hand, and tipped-in on blue paper leaves, contemporary Roman binding of gilt morocco over textured papered boards (chipped), oblong 4to, [1]
Lot 177
Literature - Shakespeare (William) & Robinson (William Heath, illustrator), Shakespeare's Comedy of A Midsummer-Night's Dreams, first edition thus, London: Constable & Co. Ltd., 1914, pictorial half-title and title-page, tipped-in colour plates, contemporary pictorial cloth, top-edge trimmed only, 4to, (1); La Fontaine (Jean), Buning (J.W.F. Werumeus, editor), & Oosting (Jeanne Bieruma, illustrator), De Krekel En De Mier/En Andere Fabels, number 79 from a limited edition of 1000, numbered and signed by the editor and illustrator, first and only edition thus, Amsterdam: A.J.G. Strengholt, [n.d., 1945], printed in French and Dutch, title-page and colophon printed in red and black, red initials, each French fable with explanatory Dutch commentary to verso, and illustrated with a drypoint etching, contemporary gilt-lettered vellum over blue papered board, trimmed edges, large 8vo, (1), [2]
![[George Cruikshank (1792-1878)], The Theatrical Atlas, caricaturing Edmund Kean as Shakespeare's Richard III, while supportin](https://cdn.globalauctionplatform.com/594fd030-0d04-4570-94fb-ae3900e0087d/4f8092e2-cfae-4191-9668-ae4001109896/468x382.jpg)
Lot 420
[George Cruikshank (1792-1878)], The Theatrical Atlas, caricaturing Edmund Kean as Shakespeare's Richard III, while supporting the Drury Lane Theatre and its chief shareholder Samuel Whitbread MP, [Dublin]: Pub by M'Cleary 23 Nassau Street, [n.d., 1808-1820], hand-coloured etching, 35cm x 25cm, [1]
Lot 427
Bernard Picart (1673-1733), after Eustache Le Soeur (1616-1655), Fleuve accompagné d'une Nayade, peint dans le fond d'une niche à l'entrée de l'escalier [River God with Nayade], [Paris]: [n.p., n.d., early 18th century], copper-plate etching and engraving, the lower-right margin numbered 6 in ink MS, 37.5cm x 42.5cm, ebonised frame, (1); Grand Tour, Giuseppe Longhi (1766-1831), after Antonio da Correggio (1486-1534), La Maddalena del Correggio [...], Mannheim: Pubblicata [...] da D: Artaria, 1810, etching and engraving, 34.5cm x 40.5cm, contemporary rosewood frame with gilt inset, (1), [2]
Lot 441
Roman Grand Tour - two portraits of Pope Pius VI, bust-length, in profile, in the Neoclassical within a Roman fresco: 1) Marco Carloni (1742-1796), Pio. Sexto. P.M./Bonarum. Atrium.Patrono, Rome: [...], 1787; 2) another, Alex Mochetti (1760-1812), Rome: 1790, each a copperplate etching and engraving, 62cm x 44.5cm, (2); Pietro Felix (fl. c. 1782-1807), after Domenico Pronti (1750 - ca. 1815), [The Statue of The River Nile and other Classical marbles in the collection of the Vatican Palace], [probably from 'Il Museo Pio-Clementino Descritto', n.p., Rome: probably Ludovico Mirri Mercante Di Quadri Incontro Il Palazzo Bernini, n.d. ?1782-1807], copper-plate engraving, 62cm x 44.5cm, (1), [3]
Lot 445
William Hogarth FRSA (1697-1764), by, a satirical caricature, 'Datur vacuum' (Leisure time is given for...), second state, [London]: Publish'd by W Hogarth March 3d. 1736/Price Sixpence, copperplate etching and engraving, trimmed with a slight-OK margin, 24.1cm x 21cm, [1]The reader is intended as a portrait of Henry Fisher, Registrar of Oxford University, who had agreed to be drawn by Hogarth.
Lot 73
After John Alexander Harington Bird (British, 1845-1936)The leading road coaches leaving the White Horse Cellars XI A.M. Etching and aquatint with hand colouring, 1889, on wove paper, published by F.C. McQueen & Sons, 1890, framedSheet 76.5cm x 112.7cm (30in x 44 1/4in)For further information on this lot please visit Bonhams.com
Lot 163
Fashion. A collection of 48 fashion plates, mid 19th century, French, German and English engravings and lithographs with contemporary hand-colouring (two uncoloured), a few printed on both sides, including examples originally published in La Mode Illustrée, La Saison, Illustre Frauen-Zeitung and The Queen, each approximately 370 x 260 mm, together with a drawing sketchbook containing 27 amateur pencil drawings of costume and fashion through the ages, slim folio, with Gillray (James). La Belle Assemblée, H. Humphrey, 1787 [but H. G. Bohn edition, circa 1850], uncoloured etched caricature with an additional etching on the verso, slight staining, 250 x 355 mm, plus (Woodward G. M. after). The Comforts of a Modern Gala..., published Thomas Tegg, circa 1810, etching with contemporary hand colouring, slight marginal dust and finger soiling, laid on later paper, 240 x 345 mm,Qty: (approx. 50)
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78408 item(s)/page