Imperial German Leib-Garde Hussar Regiment Officers Sword, model 1889 cavalry sword with folding guard having Prussian eagle to central cartouche. Plain black composite covered grip without wire binding. Housed in a black painted steel scabbard with fixed single hanging ring and belt bar to the reverse. Straight single edged blade with etching and blue panels to both sides. Regimentally marked to the central blue panel in gothic script “Leib-Garde Husaren Regt”. No makers trade mark to the blade. The blade measures 80 ½ cms, overall 100cms. Sword shows some wear and tarnishing but still marked to one of the elite cavalry regiments of the Imperial German army.
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* Cook (Thomas, 1744-1818). Mr Garrick in the Character of Richard the IIId., after William Hogarth, etching and engraving on paper, published by G.G. & J. Robinson, December 1st 1798, some light discolouration to blank margins, 41 x 51.5 cm (16 x 20.25 ins) mount aperture, oak frame, glazedQty: (1)
* Doyle (John, 'HB'). A collection of ten caricatures, Thomas McLean, 1829 - 31, lithographs with contemporary hand colouring, each approximately 275 x 360 mm, framed and glazed (one with cracked glass), together with Grant (Charles Jameson). Bowl'd out or the K - G & all England against the Boroughmongers, G. Tregear, April 25th 1831, etching with contemporary hand colouring, 260 x 375 mm, framed and glazed and A Picture of Futurity, G. Tregear, May 1831, lithograph with contemporary hand colouring, 265 x 385 mm, framed and glazedQty: (12)NOTESThe John Doyle caricatures comprise: San Leopoldo Matamoros, A Political Riddle, A Broad Hint, Repose, The Last of the Boroughbridges, Anticipation, The Affidavit, The Evil Counsellor, Russian Diplomacy or a Negociation a la Militaire, and The Mysterious Visit.
* Foreign topography. A mixed collection of approximately 425 views, mostly 19th century, engravings and etching of European countries, India, North America, China and the Middle East, mostly small format but including a David Roberts 'half-plate' - Abyssinian Slaves at Korth - a damaged G. B. Piranesi plate, 'Veduta del Tempio di Giove Tonate' and Antonini (Carlo). Prospetto degli Orti Farnesiani sul Monte Palatino, circa 1800, uncoloured engraving after Francesco Panini, slight water staining and dust soiling, 470 x 675 mm, with others similarQty: (approx. 425)
* Nicholson (Francis, 1753-1844). Landscape with trees by a river with two figures looking on a distant prospect of a town, watercolour on thin card, heavily varnished, sheet size 228 x 312 mm (9 x 12.2 ins), laid down on old card, framed and glazed, together with other various watercolours, etc., mostly later 19th & 20th century, including two 19th century watercolour landscapes by Edward Beecham Lait, both signed (with backboard stain to each), a large-scale late 19th century watercolour view of a mill with rushing river, by Tom Morton, entitled Mill on the Dorchart, Killin, a pencil and watercolour view of Hungerford, by Sidney Causer, 1951, a large-scale colour etching by Gaston Balande, an alpine mountain study in oil by F. Kilfinger, signed and dated 1964, an early 20th century watercolour of a Japanese water shrine signed Hiroshi, and two others, mostly framed and glazed, various sizesQty: (10)
Pogany (Willy, illustrator). Rubaiyat of Omar Khayyam. The First and Fourth Renderings in English Verse by Edward FitzGerald, with illustrations by Willy Pogany, 1st edition, George G. Harrap & Co. Ltd., 1930, 12 tipped-in colour plates, one or two with minor crease to lower corner, top edge gilt, remainder untrimmed, original turquoise full morocco gilt, rubbed and some marks, spine faded, and rubbed, 4toQty: (1)NOTESWith original signed etching by the artist bound in as an additional frontispiece.
Millais (John Guille). The Life and Letters of Sir John Everett Millais, 2 volumes, 1st edition, London: Methuen & Co., 1899, monochrome illustrations, some light spotting throughout, cracked front & rear gutter to volume 2, top edge gilt, publishers uniform original gilt decorated blue cloth, spines slightly rubbed with minor tears to head & foot, 8vo, together with; Leipnik (F. L.), A History of French Etching from the Sixteenth Century to the Present Day, 1st edition, London: The Bodley Head, 1924, monochrome frontispiece & 106 black & white illustrations, some light spotting to the text block, publishers original quarter cloth, spine label toned & lightly rubbed, large 4to, and other art reference & related, mostly original cloth, many in dust jackets, some paperback editions, G/VG, 8vo/folioQty: (6 shelves)
Herbert Thomas Dicksee (1862-1942) signed black and white etching - The Last Furrow, signed in pencil lower left, published by Frost & Reed 1899, in glazed gilt frame, 31cm x 60cm Condition report: Not examined out of the frame but it doesn't appear to be stuck down as there is a ripple across the paper. There are some areas of foxing/staining, these are more noticeable on the white margin. There is water stain to the mount and dirt/bugs under the glass.
William Heath, early 19th century hand-coloured etching - 'The Guard Wot Looks After The Sovereign', published by McLean 1829, in Hogarth frame, 35cm x 23.5cm, framed size 41cm x 30cmCondition report: Trimmed close to the edge of the margin, not examined out of the frame so difficult to determine if stuck down. Tears to the paper top right corner and two tears parallel with the head on the outer edge. Staining on the right edge as seen in the images. Perhaps some fading as the coat colour is muted.
Philip West (1949-1997)"The Valley of the Kings"Signed and dated (19)78, numbered 4/10, etching, together with Tony Pusey (20th century) Abstract, signed and dated (19)86, pen & ink and Philip Sansom (1916-1999) Figural study, signed and dated (19)44, pen & ink 44cm by 34cm, 38.5cm by 28.5cm and 38.5cm by 29.5cm respectively (3)
Signed and numbered A.P. in pencil in the margin, etching and six figurative and still life studies, pencil sketches.etching plate size 24cm x 18cm (9.5in x 7.25in), sketches various sizes 28 x 19cm (11in x 7.5in)Qty: 7Condition report: The prints and sketches are all in good, original condition with strong colours and no obvious faults to report. The prints and sketches are all unframed although the sketches are mounted on card.
John Sell Cotman (1782-1842), a packet of early 19th Century etchings including Arminghall, Erpingham etc; packet of 13 Norfolk & Suffolk brasses circa 1817, framed and glazed etching of South Gate, Yarmouth, 1817; plus a Norwich School etching of children, possibly J.S. Cotman, loose in packet (4)
'Genius. Zeitschrift Fur Werdende unde alte Kunst', Munich, Leipzig, Kurt Wolff, 1919-1921, three volumes in six original parts (all that was ever published), edited Hans Mardersteig and Carl Georg Heise, illustrated throughout with numerous mounted illustrations but apparently lacking the 16 woodcuts/etching/litho's by Schmidt-Rotluff, Franz Kafka, Maxim Gorky, Alfred Dublin, Herman Hesse and others, each folio, original printed wraps, parts 3 & 4 lacking backstrips, 5 & 6 backstrips with part loss/wear, some loose leaves etc (6)
After Giovanni Francesco Barbieri, called il Guercino, The Holy Family, etching, 20 x 17cm. Based on the original pen and brown ink drawing at the Accademia, Venice (Mario di Giampaolo, Disegni emiliani, Gallerie dell'Accademia di Venezia, 1993, no. 57)Footnote: Condition report: Water stain upper left. Spotting and browning along the edges. A tear upper right. Creases to the paper. Stuck down. Some discolouration. UNGLAZED.
MARGARET KEMP-WELCH, ARE (1874-1968) - EXMOOR PONIES; EXTENSIVE LANDSCAPE, TWO, WATERCOLOUR, 26 X 36CM AND 32.5 X 55CM AND THREE PRINTS, BY THE SAME, COMPRISING A SHEEPFOLD (TWO SUBJECTS) AND A MOUNTAINOUS LANDSCAPE, ETCHING AND AQUATINT WITH MARGINS, VARIOUS SIZES, EACH SIGNED BY THE ARTIST IN PENCIL, TWO UNFRAMED (5) Both watercolours in good condition, the smaller work with some tiny spots of foxing. This is non reflective glazing. The two unframed prints with slight mount stains, the smallest a little creased and slightly foxed
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