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Lot 463

Imperial German Leib-Garde Hussar Regiment Officers Sword, model 1889 cavalry sword with folding guard having Prussian eagle to central cartouche. Plain black composite covered grip without wire binding. Housed in a black painted steel scabbard with fixed single hanging ring and belt bar to the reverse. Straight single edged blade with etching and blue panels to both sides. Regimentally marked to the central blue panel in gothic script “Leib-Garde Husaren Regt”. No makers trade mark to the blade. The blade measures 80 ½ cms, overall 100cms. Sword shows some wear and tarnishing but still marked to one of the elite cavalry regiments of the Imperial German army.

Lot 498

A FRAMED 'PANDORA'S BOX' ETCHING - ARTIST UNKNOWN

Lot 110

* Cook (Thomas, 1744-1818). Mr Garrick in the Character of Richard the IIId., after William Hogarth, etching and engraving on paper, published by G.G. & J. Robinson, December 1st 1798, some light discolouration to blank margins, 41 x 51.5 cm (16 x 20.25 ins) mount aperture, oak frame, glazedQty: (1)

Lot 115

* Doyle (John, 'HB'). A collection of ten caricatures, Thomas McLean, 1829 - 31, lithographs with contemporary hand colouring, each approximately 275 x 360 mm, framed and glazed (one with cracked glass), together with Grant (Charles Jameson). Bowl'd out or the K - G & all England against the Boroughmongers, G. Tregear, April 25th 1831, etching with contemporary hand colouring, 260 x 375 mm, framed and glazed and A Picture of Futurity, G. Tregear, May 1831, lithograph with contemporary hand colouring, 265 x 385 mm, framed and glazedQty: (12)NOTESThe John Doyle caricatures comprise: San Leopoldo Matamoros, A Political Riddle, A Broad Hint, Repose, The Last of the Boroughbridges, Anticipation, The Affidavit, The Evil Counsellor, Russian Diplomacy or a Negociation a la Militaire, and The Mysterious Visit.

Lot 125

* Foreign topography. A mixed collection of approximately 425 views, mostly 19th century, engravings and etching of European countries, India, North America, China and the Middle East, mostly small format but including a David Roberts 'half-plate' - Abyssinian Slaves at Korth - a damaged G. B. Piranesi plate, 'Veduta del Tempio di Giove Tonate' and Antonini (Carlo). Prospetto degli Orti Farnesiani sul Monte Palatino, circa 1800, uncoloured engraving after Francesco Panini, slight water staining and dust soiling, 470 x 675 mm, with others similarQty: (approx. 425)

Lot 137

* Nicholson (Francis, 1753-1844). Landscape with trees by a river with two figures looking on a distant prospect of a town, watercolour on thin card, heavily varnished, sheet size 228 x 312 mm (9 x 12.2 ins), laid down on old card, framed and glazed, together with other various watercolours, etc., mostly later 19th & 20th century, including two 19th century watercolour landscapes by Edward Beecham Lait, both signed (with backboard stain to each), a large-scale late 19th century watercolour view of a mill with rushing river, by Tom Morton, entitled Mill on the Dorchart, Killin, a pencil and watercolour view of Hungerford, by Sidney Causer, 1951, a large-scale colour etching by Gaston Balande, an alpine mountain study in oil by F. Kilfinger, signed and dated 1964, an early 20th century watercolour of a Japanese water shrine signed Hiroshi, and two others, mostly framed and glazed, various sizesQty: (10)

Lot 159

* York. Cave (Henry, circa 1780-1836). Old Bridge and St William's Chapel, York, from sketches made previous to the demolition of the Chapel in 1809..., Jany 1st. 1820, uncoloured etching on India wove, slight creasing, 460 x 625 mmQty: (1)

Lot 363

Pogany (Willy, illustrator). Rubaiyat of Omar Khayyam. The First and Fourth Renderings in English Verse by Edward FitzGerald, with illustrations by Willy Pogany, 1st edition, George G. Harrap & Co. Ltd., 1930, 12 tipped-in colour plates, one or two with minor crease to lower corner, top edge gilt, remainder untrimmed, original turquoise full morocco gilt, rubbed and some marks, spine faded, and rubbed, 4toQty: (1)NOTESWith original signed etching by the artist bound in as an additional frontispiece.

Lot 410

Millais (John Guille). The Life and Letters of Sir John Everett Millais, 2 volumes, 1st edition, London: Methuen & Co., 1899, monochrome illustrations, some light spotting throughout, cracked front & rear gutter to volume 2, top edge gilt, publishers uniform original gilt decorated blue cloth, spines slightly rubbed with minor tears to head & foot, 8vo, together with; Leipnik (F. L.), A History of French Etching from the Sixteenth Century to the Present Day, 1st edition, London: The Bodley Head, 1924, monochrome frontispiece & 106 black & white illustrations, some light spotting to the text block, publishers original quarter cloth, spine label toned & lightly rubbed, large 4to, and other art reference & related, mostly original cloth, many in dust jackets, some paperback editions, G/VG, 8vo/folioQty: (6 shelves)

Lot 1671

Unknown coloured etching, signed in pencil (indistinct), 9 x 6 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 40

Etching 'Remember Chernobyl' signed Hilary Whyard '86 (20cm x 25cm incl frame)

Lot 305

Cecil Aldin (1870-1935). Majorca, artist signed and numbered etching 22/100, titled verso, 25cm x 28.5cm. Label verso, Deighton's Strand Gallery London.

Lot 319

After John R Edwards (Jedd). Village cricket, a coloured etching indistinctly signed David Drayton and an artist signed limited edition print of Wintercragg Farm Allswater, after Judy Boyes. (3)

Lot 66

A watermelon cased, brushed stainless steel fountain pen, a monogrammed water colour H.F.C 1908 of a country house framed and glazed and an etching of Bramhall Hall

Lot 435

A colour etching on silk, town scene with omnibuses, signed and another larger etching

Lot 163

An etching Racoon, by Jack Coughlin, 1932, signed, 55/140

Lot 125

Herbert Thomas Dicksee (1862-1942) signed black and white etching - The Last Furrow, signed in pencil lower left, published by Frost & Reed 1899, in glazed gilt frame, 31cm x 60cm Condition report: Not examined out of the frame but it doesn't appear to be stuck down as there is a ripple across the paper. There are some areas of foxing/staining, these are more noticeable on the white margin. There is water stain to the mount and dirt/bugs under the glass.

Lot 164

Michael Carlo Artists Proof etching- 14 Dead Trees, signed and dated, in glazed frame, 51cm x 62.5cm and overall frame size 58.5cm x 70cm

Lot 175

William Heath, early 19th century hand-coloured etching - 'The Guard Wot Looks After The Sovereign', published by McLean 1829, in Hogarth frame, 35cm x 23.5cm, framed size 41cm x 30cmCondition report: Trimmed close to the edge of the margin, not examined out of the frame so difficult to determine if stuck down. Tears to the paper top right corner and two tears parallel with the head on the outer edge. Staining on the right edge as seen in the images. Perhaps some fading as the coat colour is muted.

Lot 206

Cavendish Morton (1911-2015) signed limited edition aquatint and etching - Eye Church, 3/500, in glazed frame, 37cm x 29cm

Lot 223

Sir Henry Rushbury (1889-1968) etching - Bomb damage, St Mary Le Bow, signed and dated, plate 28 x 20.5cm, glazed frame, 47cm x 40cm overall size

Lot 34

E. Hedley Fitton (1859-1929) signed black and white etching - Chichester Cross, in glazed frame, 43cm x 36cm Provenance: Frost & Reed

Lot 38

Marcel Schuette, 1930s signed black and white etching - The Palace of Westminster, dated 1934, in glazed ebonised frame, 20cm x 40cm

Lot 48

Albany E. Howarth (1872-1936) signed black and white etching - "End of the Day", in glazed ebonised frame, 13cm x 14cm

Lot 360

CHARLES WATSON (1846-1927) 'Lincoln Cathedral from the Stonebow', etching, signed, 23cm x 20cm, framed.

Lot 277

WALLACE HESTER (1866-1942) British, Great Gate Wellington, etching, signed in pencil to margin, framed and glazed. 29 x 23.5 cm.

Lot 1100C

Philip West (1949-1997)"The Valley of the Kings"Signed and dated (19)78, numbered 4/10, etching, together with Tony Pusey (20th century) Abstract, signed and dated (19)86, pen & ink and Philip Sansom (1916-1999) Figural study, signed and dated (19)44, pen & ink 44cm by 34cm, 38.5cm by 28.5cm and 38.5cm by 29.5cm respectively (3)

Lot 1248

A large quantity of pictures and prints to include Charles W Cain, The Minaret, signed etching, 24cm by 16cm and an engraved and hand tinted map of Yorkshire, after Saxon, etc (qty)

Lot 688

A large collection of Art Books with themes of drawing Etching & Prints to include: Brookhurst, Drawings of Rembrandt, 19 copies

Lot 116

Signed and numbered A.P. in pencil in the margin, etching and six figurative and still life studies, pencil sketches.etching plate size 24cm x 18cm (9.5in x 7.25in), sketches various sizes 28 x 19cm (11in x 7.5in)Qty: 7Condition report: The prints and sketches are all in good, original condition with strong colours and no obvious faults to report. The prints and sketches are all unframed although the sketches are mounted on card.

Lot 493

E G Maccoll - Group of four framed black and white etchings depicting typical Burmese scenes, three signed in pencil to the margin; together with a coloured etching depicting ladies in various costumes, signed in pencil (5)

Lot 502

Framed black and white etching depicting Pension Daheim, Oberammergau, the home of Anton Lang, signed on the mount by Anton Lang and dated 1936, 5.5" x 3.5" *Provenance label and signed photograph of Lang verso

Lot 506

John Brunsdon (1933-2014) - 'Studio Interior IV', limited edition 14/50, coloured etching, signed in pencil by the artist and dated 1960, 24" x 17.5" approx, framed and glazed

Lot 527

Cruikshank, George (1792-1878) - 'A Party of Pleasure - Dedicated to the Funny Club', coloured caricature etching, published Thos McLean 1835, 19.75" x 13.75"

Lot 8062

John Sell Cotman (1782-1842), a packet of early 19th Century etchings including Arminghall, Erpingham etc; packet of 13 Norfolk & Suffolk brasses circa 1817, framed and glazed etching of South Gate, Yarmouth, 1817; plus a Norwich School etching of children, possibly J.S. Cotman, loose in packet (4)

Lot 8269

'Genius. Zeitschrift Fur Werdende unde alte Kunst', Munich, Leipzig, Kurt Wolff, 1919-1921, three volumes in six original parts (all that was ever published), edited Hans Mardersteig and Carl Georg Heise, illustrated throughout with numerous mounted illustrations but apparently lacking the 16 woodcuts/etching/litho's by Schmidt-Rotluff, Franz Kafka, Maxim Gorky, Alfred Dublin, Herman Hesse and others, each folio, original printed wraps, parts 3 & 4 lacking backstrips, 5 & 6 backstrips with part loss/wear, some loose leaves etc (6)

Lot 260

James Arden Grant RE, PPS (British 1887-1973) Children playing by a beach hut signed 'J A Grant' (lower right) etching21 x 29cm,: Au Cafe, 1927 proof etching 23 x 23.5cm (2) Provenance: With Abbott & Holder, London

Lot 267

Louis Icart (French 1888-1950) An elegant lady besides a wagon, 1928 signed in pencil (lower right) etching with colour 60 x 40cm

Lot 325

After Giovanni Francesco Barbieri, called il Guercino, The Holy Family, etching, 20 x 17cm. Based on the original pen and brown ink drawing at the Accademia, Venice (Mario di Giampaolo, Disegni emiliani, Gallerie dell'Accademia di Venezia, 1993, no. 57)Footnote: Condition report: Water stain upper left. Spotting and browning along the edges. A tear upper right. Creases to the paper. Stuck down. Some discolouration. UNGLAZED.

Lot 355

Patrick Woodroffe - "Chewing the Cud" and "Just Before Milking Time", signed and dated June 1985, etching, printed from two plates on one sheet, numbered 16/24cms and 15.5 x 17cms (visible), in black-and-gilt frame.

Lot 358

George Edward Horton - "Winter, North Shields, Clive St.", signed and inscribed with title in pencil, etching, 22.5 x 15cms, in glazed gilt frame.

Lot 247

Molly Richardson, 1956: screen print, "The Daisies", in painted frame, a screen print of a boy at a festival, in blue frame, and an etching, black and white swans, in silvered frame

Lot 250

A pair of 19th century hand-coloured lithographs, London views, in wash line mount and gilt frames, Terence H Lambert: a pair of signed etchings, "The market at Quimper" and "Evening at Vannes", and one other etching, "York - an old garden", in ebonised strip frames

Lot 603

MARGARET KEMP-WELCH, ARE (1874-1968) - EXMOOR PONIES; EXTENSIVE LANDSCAPE, TWO, WATERCOLOUR, 26 X 36CM AND 32.5 X 55CM AND THREE PRINTS, BY THE SAME, COMPRISING A SHEEPFOLD (TWO SUBJECTS) AND A MOUNTAINOUS LANDSCAPE,  ETCHING AND  AQUATINT WITH MARGINS, VARIOUS SIZES, EACH SIGNED BY THE ARTIST IN PENCIL, TWO UNFRAMED (5) Both watercolours in good condition, the smaller work with some tiny spots of foxing. This is non reflective glazing. The two unframed prints with slight mount stains, the smallest a little creased and slightly foxed

Lot 1145

Rowland Langmaid, 'Galleons Reach'; 'London Bridge', two works, each signed in pencil, etching, pl.17 x 32cm and pl.12.5 x 24.5cm respectively. (2)

Lot 1284

Jan Van Ryne, 'Bombay on the Malabar Coast', coloured engraving, I.23.5 x 39cm; together with another antique coloured etching of 'The City of Lisbon as before The Dreadful Earthquake'; and three other bird's eye maple framed engravings. (5)

Lot 1287

Anders Zorn, girl reading, signed in pencil, etching, pl.16 x 12cm.

Lot 1359

Edward King, 'Rotten Row'; 'The Embankment', a pair, each signed by the artist and engraver in pencil, colour etching, pl.27.5 x 37.5cm.Provenance: The Museum Galleries, Drury Lane, London. 

Lot 771

After David Young Cameron, 'Perth Bridge', Etching, signed lower right, 17cm x 26cm, framed and glazed.

Lot 142

A group of bangles, to include two hammered metal bangles with etching and rose decoration, and three wicker bangles.

Lot 430

QTY OF ETCHING PRINTS

Lot 559

LARGE COLOURED ETCHING, VIEW OF ST PAUL'S CATHEDRAL FROM THE SOUTH BANK OF THE THAMES, BY JOHN FULLWOOD FSA

Lot 160

A small oak framed sepia etching, depicting children on a shore with town in distance

Lot 226

A Coloured 19th Century Etching, "Effects of the Cheltenham Waters.....", 33x23cm

Lot 3033

Geertjan van Oostende (1941-)titled; Letter as an opportunity to learn to perceive your own reality again, etching dated 23-10-1976 and numbered 11/14, 49x37 cm

Lot 3253

Guillaume le Roy (1938-2008)Composition of figure with stringed instrument, etching dated 192, & nbsp; 59/150, & nbsp; 56x67 cm

Lot 416

Michel van Overbeeke (1942-)titled Golden House, color etching dated 1992, numbered 12/20, 51x67 cm

Lot 9001

Etching by Josseaud with Westerkerk Amsterdam, etching by Marius Jansen with Stroomarkt Amsterdam, etching by A. Vermeulen with Lage Vuursche and unclear signed, nude study, mixed media

Lot 9101

Signed Gerdie, entitled Human hassle, color etching dated 1991, 21x21 cm, Anonymous, Dry bouquet, watercolor dated 1994, 50x35 cm and signed, A. Groot, Landhuis, watercolor dated 1996, 45x60 cm

Lot 9304

Box of various wall decorations, incl. cutting art and etching

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