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Lot 1

WALTER TITTLE (1883-1966) A NEW JAMES MCBEY Etching, signed in pencil, also inscribed with title in pencil and numbered 244. 30.2cm x 17.8cm

Lot 1

GERALD LESLIE BROCKHURST (1890-1978) PORTRAIT OF JAMES MCBEY Etching, dated 1931 16.8cm x 19 cm

Lot 1

ERNEST STEPHEN LUMSDEN (1883-1948) PORTRAIT OF JAMES MCBEY (SEATED SKETCHING) Etching, signed and dated 1920; numbered 16 of 50 (Lumsden 203.iv) also THE CONNOISSEUR - MALCOLM SALAMAN Drypoint, signed and numbered in ink 3 of 54. 25cm x 29.5cm (2)

Lot 1

BERTHE MORISOT (1841-1895) FILLETTE AU CHAT Etching 12.5cm x 10cm

Lot 1

SAMUEL PALMER (1805-1881) THE RISING MOON (AN ENGLISH PASTORAL) Etching, signed and numbered 10 in the plate 11.5cm x 19cm

Lot 1

SIR MUIRHEAD BONE (1876-1953) A QUAYSIDE SCENE Etching, signed in pencil. 8cm x 20cm

Lot 1

SIR MUIRHEAD BONE (1876-1953) DISTANT OXFORD Etching, signed in pencil. 15cm x 22cm

Lot 1

SIR MUIRHEAD BONE (1876-1953) DEMOLITION OF INTERIOR OF JAMES'S HALL Etching, signed in pencil and numbered CD196 in pencil. 40cm x 29cm

Lot 1

AUGUSTE RENOIR (1841 - 1919) LE CHAPEAU EPINGLE Etching, signed in the plate 12cm x 8.5cm

Lot 1

ANDERS LEONARD ZORN (1860-1920) SKERI KULLA Etching, signed in pencil, signed and dated 1912 in the plate 25cm x 19.5cm

Lot 1

GERALD LESLIE BROCKHUST (1890-1978) DORETTE Etching, signed in pencil, unframed 23cm x 15cm

Lot 1

SIR LAWRENCE ALMA TADEMA (1836-1912) IL CORTEGGIAMENTO Etching, signed in pencil, unframed 14cm x 19cm

Lot 1

STANLEY CURSITER (1887-1976) A NUDE Etching, signed and inscribed in pencil, unframed 21.5cm x 16cm Exhibited: Fine Art Society ,1987 (ref. P. 760)

Lot 1

ANDERS LEONARD ZORN (1860-1920) GIULLI I Etching, signed in pencil, signed and dated 1914 in the plate 13cm x 9cm

Lot 1

ANDERS LEONARD ZORN (1860-1920) A LETTER Etching, signed in pencil, signed and dated 1913 in the plate 16cm x 11.5cm

Lot 1

ANDERS LEONARD ZORN (1860-1920) GIULLI II Etching, signed in pencil, signed and dated 1918 in the plate 19.5cm x 14.5cm

Lot 1

SIR DAVID YOUNG CAMERON (1865-1945) BELFRY, BRUGES Etching, signature probably obscured by mount 38cm x 13.4cm

Lot 1

SIR DAVID YOUNG CAMERON (1865-1945) LAROCHE Etching, signed in pencil 21.2cm x 25.2cm

Lot 1

SIR DAVID YOUNG CAMERON (1865-1945) SOUVENIR D'AMSTERDAM Etching, signed in pencil (R.460) 37.5cm x 26cm

Lot 1

JAMES MCBEY (1883-1959) A MOROCCAN BREADMARKET Etching, signed in ink and numbered XVIII, signed, inscribed and dated 1912 in the plate 15.5cm x 28cm and another by the same hand, 'A Moroccan Market, Tetuan' (2)

Lot 1

A FOLIO OF ETCHINGS YOSHIJURO URUSHIBARA (1888-1953) MOONLIT PINES Woodcut engraving, signed in pencil, 35cm x 24cm, G. HAYES, Tantallon Castle, 36cm x 42.5cm, E.M. SYNGE, Chateau, 37.5cm x 20cm, ALBANY E. HOWARD, The Arno, 13cm x 18cm with defects, FRANCIS DODD, "Waterloo Bridge", Etching, signed in pencil and dated 1911, unframed, ERNEST STEPHEN LUMSDEN "Calton Hill", signed in pencil, 19.5cm x 23cm, EUGENE BEJOT "La Port Henry IV", signed in pencil, unframed, 15cm x 20cm and H. THORLEY "Stirling Castle from the Raploch", signed in pencil, unframed, 25cm x 30cm 18.5cm x 29cm (8)

Lot 1

JOHN BULLOCH SOUTER (1890-1972) A DISH FOR HERODOTUS Etching, signed and numbered 26/60 in pencil, unframed, 20cm x 15cm ; also another by the same hand (PORTRAIT OF)MISS DUNCAN ( a young woman wearing a shawl), etching laid down, signed in pencil, unframed. 12.5cm x 10cm (2)

Lot 1

FRANK WESTON BENSON (1862-1951) THREE DUCKS IN FLIGHT Etching, signed and numbered '22 in pencil, unframed, 10cm x 7.5cm and another by the same hand PAIR OF YELLOWLEGS', signed and numbered '54 in pencil, 7.5cm x 10cm; also another by Winifred Austen, SNIPE, signed in pencil. 15.5cm x 20cm (3)

Lot 1

KATHARINE CAMERON (1874-1965) AMBERLEY Etching, signed in pencil, 14cm x 34cm and five others by the same hand CORFE CASTLE, Trial proof, signed in pencil, 14cm x 33cm, MORVEN, signed and inscribed in ink, 14.5cm x 25.5cm,THE KINGDOM OF FIFE, signed and inscribed in ink, 10cm x 23cm, L'AUBERGE, signed and inscribed in ink, 27cm x 18cm and LOCH NELL, signed in pencil 13cm x 28cm (6)

Lot 1

WILLIAM WALCOT (1874-1943) BATTERY PARK Etching 14.5cm x 14.5cm

Lot 1

JAMES ABBOTT MCNEILL WHISTLER (1834-1903) FUMETTE Etching 16cm x 11cm

Lot 1

GERALD LESLIE BROCKHURST (1890-1978) THE THREE SISTERS Etching with drypoint, signed in pencil, unframed, 10cm x 12cm 10cm x 12.5cm

Lot 1

PIERRE BONNARD 1867-1947 LA TOILETTE Etching, monogrammed in the plate 21.5cm x 16cm

Lot 1

FRED POWELL A study of double bass or cello players, etching, 5 1/2" x 7 1/2", signed and dated 1931 and three collectable copies of 'Time Out' and 'Sell Out' magazines (4)

Lot 1

AFTER CHRISTOPHER RICHARD WYNNE NEVINSON (1889-1946)A study of a busy tube station, etching, 9 1/2" x 7 1/2"

Lot 1

AN ENGRAVING of a great white heron by B Fawcett, London 1870, an etching, a small watercolour of an Irish view and a coloured etching signed Claude Rowbotham (unframed)

Lot 1

After Sidney R. Jones, "Whitehall", dry point etching, pencil signed by the artist, three others of London scenes, another of "King's Collect Chapel, from the Backs", watercolour and two prints.

Lot 124

Bootham Bar York, signed artist's etching by Albany Howard no CLV1

Lot 65

Arab street scene, coloured etching by T Francois Simon, signed and numbered 134

Lot 1

After Hall, Farm in a rural landscape, Etching and two monochrome Prints, (3).

Lot 1

After Goff, Brighton Sands, Etching, signed, dated 1891, Still Life Watercolour and a Photographic Print, (3).

Lot 1

After John Charles Dollman, 'Not Worth Powder and Shot', Etching by E Gilbert Hester, 36cm x 47cm. Best Bid

Lot 1

Edward J Cherry, Westminster Bridge, Etching, together with a Canaletto print of Whitehall and a quantity of pictures. (qty) Best Bid

Lot 1

Marie Laurencin (French 1883-1956), Three Dancers, Etching, 36.5cm x 27cm.. With certificate of authenticity by "Societe de Verification de la Nouvelle Gravure" on reverse.

Lot 1

A group of five, Including a watercolour still life of flowers, an etching of Banff, another town scene by the same hand, an engraving with hand colouring of a perspective view of Aberdeen, and a coloured engraving of Guildford after Dayes. (5)

Lot 1

'Irish Jaunting carr' and 'cit's airing themselves on Sunday' pair of engravings after Rowlandson and a Polo Match etching

Lot 1

British Isles. Edwards (George), Itinera Varia Auctoris, [1746],. engraved map of the British Isles and part of Western Europe with the beak of an Egptian Ibis and two stag beetles in the North Sea area, inset bird to bottom-right corner, one small hole to centre, approx. 263 x 215 mm, together with another copy on later paper entitled just 'Varia Auctoris', plus Gillray (James), Britannia, Bohn edition, c.1850, hand coloured caricature etching, chipped to uper margin just affecting engraved border, image size 212 x 174 mm, and a similar caricature map of France by Aleph, c.1869 (4)

Lot 1

* Caricatures. Gillray (James). New Morality; - or - The promis'd Instalment of the High Priest of the Theophilanthropes, with the Homage of Leviathan and his Suite, pub. J. Wright, August 1st 1798,. uncol. etching, approx. 280 x 635 mm (11 x 25 ins), some soiling and creasing, crudely repaired with masking tape to verso, together with seven other various hand-coloured etched caricatures by Gillray, late 18th/early 19th c. (8)

Lot 1

* Caricatures. Gillray (James). Lilliputian-Substitutes, Equiping for Public Service, pub. H. Humphrey, May 28th 1801, [or sl. later],. hand-coloured etching on wove paper (unwatermarked), plate size approx. 250 x 360 mm (9.75 x 14 ins), with margins, together with Gillray (James), Le Coup de Maitre, pub. H. Humphrey, November 24th 1797, [but later], hand-coloured etching, approx. 265 x 360 mm (10.5 x 14 ins), with margins (2)

Lot 1

* Caricatures. Rowlandson (Thomas). A Picture of Misery, pub. Thomas Tegg, April 10, 1811,. hand-coloured etching, plate size approx. 250 x 315 mm (9.75 x 13.75 ins), with margins, together with Rowlandson (Thomas). Joint Stock Street, pub. Thomas Tegg, March 10th 1812 [but sl. later], hand-coloured etching, paper watermarked 1816, plate size approx. 245 x 360 mm (9.75 x 13.75 ins), with margins, plus Rowlandson (Thomas). Libel Hunters on the Look Out, or Daily Examiners of the Liberty of the Press, pub. Thomas Tegg, April 12 1810, hand-coloured etching, plate size approx. 245 x 350 mm (9.75 x 13.75 ins), with margins, and three other similar hand-coloured etched caricatures (A Ridicule, or, A New Aera, New Manners; alias the Age of Wonders, pub. Thomas Tegg, May 1st 1812, Sing Tantararara Rogues All, or The Prisoner Turnkey, pub. Thomas Tegg, September 1818 & The Conclusion of the first Volume of the Caricature Magazine, by Woodward, pub. Thomas Tegg, 1st September 1807) (6)

Lot 1

* Caricatures. Heath (William). Master Dogberry the Parish Watchman (Parish Characters by Paul Pry), pub. S. Gans, June 1st 1829,. hand coloured etching, plate size approx. 360 x 260 mm (14 x 10.25 ins), with margins, together with Heath (William). Bernadotte, pub. R. Ackermann, March 4th 1814, hand-coloured etching, paper watermarked J. Whatman 1810, plate size approx. 210 x 325 mm (8.25 x 12.75 ins), plus Cruikshank (George). Boney tir'd of War's Alarms, Flies for Safety to his darlings Arms, pub. Walker & Knight, January 1813, hand-coloured etching, plate size approx. 250 x 350 mm (9.75 x 13.75 ins), and a quantity of hand-coloured and uncoloured caricatures, various, mostly early 19th c., including Antichambre d'un Grand Seigneur [1789 or later], A Russian Dandy a Scene at Aix la Chappelle, pub. Fores, December 8th 1818, The Dead Alive! by H. Wigstead, pub. William Holland, July 1795 [or later], etc (approx. 40)

Lot 1

* Clark (Charles H.). Two etched views, signed and nunbered in pencil (both limited to 200 copies), each 195 x 275 mm, together with four signed uncoloured etchings and a coloured etching by R. Fozard, plus others related (11)

Lot 1

Lionel Smythe. Head of a fisher girl. Etching. Signed in pencil. 5.75in. x 4in. Mounted, framed and glazed.

Lot 1

* Palmer (Samuel, 1805-1888). Opening the Fold or Early Morning, 1880,. etching in black ink on wove paper, etched surface 119 x 177 mm, signature with an etching in lower left corner, remarque, Fine Art Society publication details and artist's pencil signature 'S. Palmer' running left to right in lower plt. impression, overall paper size 29 x 44 cm. Lister E13.iv/x. See illustration inside front cover of this catalogue. (1)

Lot 1

* Palmer (Samuel, 1805-1888). The Willow, 1850 [but printed later?],. etching in black on wove paper, signed on plt. in lower left corner with 'V' of 1850 reversed, etched surface 90 x 67 mm, signed in pencil 'S. Palmer' within plt. impression lower right, blind-stamp of A.H.P[almer], Private Press and the Fine Art Society to lower margins, overall paper size 29 x 22 cm. The Fine Art Society was established in 1876. Lister E1.i/iv. (1)

Lot 1

* Piranesi (Giovanni Battista, 1720-1778). Veduta del Prospetto principale della Colonna Trajana, Plate III, [Rome, 1774-79],. etching on five sheets and one part-sheet, overall plate size approx. 2800 x 470 mm (111 x 18.5 ins), overall sheet size approx. 2900 x 535 mm (114 x 21 ins), some stains and mould marks to left hand margin and soiling to top margin, together with another similar multi-sheet etching of the Antonine Column of Marcus Aurelius, surmounted with the statue of St. Paul, overall plate size approx. 2550 x 470 mm (100 x 18.5 ins), damp-soiled with consequent mould along the length of the left hand margin, both linen-backed, rolled (2)

Lot 1

* Prints, etc. The Mutineers Turning Lieut. Bligh and some of the Officers and Crew adrift from His Majesty's Ship The Bounty,. later 18th c. hand-coloured aquatint by Robert Dodd, stained and discol., with some marks and damage, laid down, approx. 450 x 580 mm (18.75 x 23 ins), maple wood veneer frame, glazed (sold with all faults), together with a late 18th c. pen, ink and watercolour wash drawing after Samuel & Nathaniel Buck, entitled The South East of Kidwelly Castle in the County of Carmarthen, some overall foxing and stains, frayed to margins, laid down, approx. 265 x 470 mm (10.5 x 18.5 ins), Hogarth-style frame, glazed, a late 19th c. Currier & Ives-style lithograph, entitled Marriage In High Life, a late 19th c. colour print of Cardinals drinking champagne, after F. Brunery, and a signed etching by Percy Thomas of The Tabard Inn, all framed and glazed (5)

Lot 1

* Caricatures. Rowlandson (Thomas), A Mad Dog in a Coffee House, 20 March, 1809,. hand coloured etching, plate dimensions 280 x 395 mm, together with Bunbury (Henry, 1750-1811), 'Coxheath Ho!', published 3rd July, 1779, uncoloured etching, plate dimensions 235 x 305 mm, together with Symptoms of Rearing, pub. 23 Jan, 1783, uncoloured etching after Bunbury, margins trimmed, plate dimensions approx. 260 x 370 mm, and Brocas (William), Company shocked at a Lady getting up yo Ring the Bell, pub. J.Sidebotham, c.1820s, uncoloured etching after Gillray, image size 232 x 360 mm, plus others similar after Bunbury, etc. (12)

Lot 1

* Satirical prints. Cruickshank (Isaac), The Messenger of Peace, pub. Fores, 1796,. hand coloured etching, image size 285 x 420 mm, together with Humphrey (G., pub.), Pic Nic party disturbed by a Swarm of Bees, 1826, hand coloured aquatint by E.G., image size 245 x 390 mm, framed and glazed, and Tegg (Thomas, pub.), Implements Animated, c.1820s, hand coloured engraving by Williams, image size 205 x 320 mm, and Dighton (R.), George the-IIIrd aged 72 1810', hand coloured etching, plate dimensions 275 x 197 mm, and others by Heath, Motte, etc., some framed and glazed (approx. 40)

Lot 1

* Hunting & Coaching. Sampson (T., after), Lord Andover's Beagles, c.1870s,. hand coloured litho. by E.Walker, relaid with a few minor surface marks, image 405 x 607 mm, together with Gilpin (S., after), Modish. A remarkable fine Fox Hound bred by Coll. Thornton, pub. 11 february, 1788, hand coloured aquatint by R. Pollard, relaid with a few minor surface marks, plate dimensions 445 x 560 mm, and Hall (E., after), "The Park! that magnet of the town, That idol to which all bow down", c.1820s, hand coloured litho. by C. Hullmandel, image size 238 x 368 mm, plus others related including a hand coloured etching of a coach and four (195 x 283 mm), a waterstained hand coloured aquatint after Shayer entitled 'Coaching Incidents' (350 x 550 mm) plus an hand coloured aquatint after Herring of horses in a stable entitled 'The Team' (200 x 305 mm) (6)

Lot 1

* Hunting, Coaching & Horseracing. Venner (Victor), Hunting scene with two boys in the forground on a see-saw, early 20th century,. colour print, 580 x 455 mm, framed and glazed, together with Alken (Henry), Taste - View near Knightsbridge, hand coloured soft-ground etching, 170 x 220 mm, and Bibury Meeting in its Palmy Days, hand coloured soft-ground etching after Alken, plate dimensions 205 x 298 mm, plus Clark (G.), Travelling in the Highlands, pub. 1828, hand coloured engraving with aquatint, image size 195 x 260 mm, plus others including an engraving after J. Emery entitled 'Leith Races', colour prints from Tatler, 83 reproduction prints of 'Torpoint' (originally published in Vanity Fair), etc. (approx. 100)

Lot 1

R MACINTOSH. Etching, figure gathering sticks in wooded winter landscape, initialled to plate, signed in pencil, 7 x 52, framed.

Lot 1

FRANK EMANUEL. Etching, New Year Greetings...1919, 3.25 x 2.5, framed.

Lot 1

HENRY JAMES STARLING, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (8/75), "Bishop Bridge, Norwich", 8" x 10"

Lot 1

HENRY JAMES STARLING, SIGNED, BLACK AND WHITE ETCHING, "Colegate, Norwich", 9" x 12"

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