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Lot 6689

Charles Williams (British 1796-1830): 'Fanatical Reformists', 19th century satirical etching with hand-colouring pub. 1819, 19cm x 22cm; German School (16th century): Portrait of Titian, 16th/17th century etching 14cm x 10cm (2)

Lot 6550

Frederick George Austin (British 1902-1990): Supper Time, drypoint etching signed and dated '29 in the plate 13cm x 14cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6695

William Peters Vannet (Scottish 1917-1984): Boatyard, etching signed in pencil 22cm x 31cm (unframed)

Lot 6571

Piers Browne (British 1949-): 'Summer Shower - Swaledale', artist's proof coloured etching signed titled and dated '75 in pencil 27cm x 33cm

Lot 6555

Frederick George Austin (British 1902-1990): Nuns and Gentlemen in Prayer at Doorway, drypoint etching signed and dated '29 in pencil 15m x 12cm (unframed) Provenance: direct from the granddaughter of the artist

Lot 6692

Frederick Albert Slocombe (British c1847-c1920): Birches by the River, etching signed and dated 1884 in the plate 20cm x 13cm (unframed)

Lot 6556

Frederick George Austin (British 1902-1990): A Woman on her Houseboat ‘Eliza’, drypoint etching signed and dated '30 in the plate 14cm x 11cm (unframed) Provenance: direct from the granddaughter of the artist

Lot 6676

William B Hole (British 1846-1917): 'Margaret House', etching signed with initials in plate, titled later verso 15cm x 10cm (unframed)

Lot 6547

Frederick George Austin (British 1902-1990): Cattle with Haystack, drypoint etching signed and dated '29 in the plate, inscribed '1st state trial proof' in pencil 13cm x 16cm (unframed) Provenance: direct from the granddaughter of the artist

Lot 6553

Frederick George Austin (British 1902-1990): 'Old Woman at a Well', drypoint etching signed titled dated 1928 and numbered 7/50 in pencil 13m x 11cm (unframed) Provenance: direct from the granddaughter of the artist

Lot 6677

Bruno Heroux (German 1868-1944): Children Reading a Fairytale, drypoint etching signed in pencil 19cm x 25cm (unframed)

Lot 6690

Cecil Aldin (British 1870-1935): Portrait of 'Bobby' the Terrier, limited edition drypoint etching signed and numbered 39/100 in pencil 24cm x 20cm

Lot 6549

Frederick George Austin (British 1902-1990): A Milkmaid Milking, drypoint etching numbered ‘1st state’ and dated November 2nd 1929 in pencil 16cm x 19cm (unframed) Provenance: direct from the granddaughter of the artist

Lot 6679

George Percy Jacomb-Hood (British 1857-1929): 'A Gentle Knight', etching signed and titled in plate 20cm x 15cm (unframed)

Lot 6551

Frederick George Austin (British 1902-1990): Rooftops in a Continental Town, drypoint etching signed and inscribed '1st state' in pencil 12cm x 13cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6552

Frederick George Austin (British 1902-1990): Figures and Donkeys in a Continental Town, drypoint etching inscribed '2nd state' in pencil 16cm x 12cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6557

Frederick George Austin (British 1902-1990): ‘A Woodman Resting’, drypoint etching signed titled and dated 1926 in pencil 16cm x 15cm (unframed) Provenance: direct from the granddaughter of the artist

Lot 6554

Frederick George Austin (British 1902-1990): Women Collecting the Wheat Harvest, drypoint etching signed and dated '26 in the plate 14cm x 11cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6548

Frederick George Austin (British 1902-1990): Figures in Prayer, drypoint etching signed and dated '28 in the plate 13cm x 15cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6558

Frederick George Austin (British 1902-1990): 'Haystacks - Roman Campagna', drypoint etching signed and dated 1927 in pencil 11cm x 14cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6680

Georges-Louis Claude (French 1879-1963): 'Polo', colour etching 39cm x 56cm

Lot 6694

Rowland Langmaid (British 1897-1956): 'The Dreadnaughts' and 'The 1935 Coronation Review', pair academy proof drypoint etching signed in pencil with blindstamp 19cm x 36cm (2) (unframed)

Lot 91

Val Fall (20th/21st Century) - Colour etching - 'The Pink Door, Dungeness', No.18/20, titles and signed in pencil in margin, 6.25ins x 6ins, in oak frame and glazed and C. Bone -  Oil painting - Sea study, 6ins x 7ins, in moulded oak frameNote: Handwritten label to verso with artist's name, address and telephone number Selected pictures from the Peter Barkworth Collection

Lot 39

Original etching on paper that depicts a Seated Rabbi that the artist made with crisscrossing lines and heavy contours. Signature in graphite on lower right: illegible. On lower left: AP? Housed in a caramel color wood frame with an off-white mat. Sight size: 6.75"L x 7.50"H. Frame size: 16.50"L x 18"H x 1"W. Issued: c. 1950Condition: Age related wear.

Lot 113

Original etching on paper of a realistic quaint street scene in Vienna done with earth colors highlighted with specks of reds, greens, and blues. Pencil signed on the lower right: illegible. Numbered on the lower left: 6/75. Housed in a gilded frame with light green mat. Sight size: 19"L x 15.10"H. Frame size: 28"L x 24.50"H x 1.10"W. Issued: c. 1900Edition Number: 6 of 75 Country of Origin: AustriaCondition: Age related wear.

Lot 1743

CURLING INTEREST, COLLECTION OF PICTURES, comprising print after John McGhie depicting curlers; The Graphic, Feb. 7th 1880; etching of Province Bonspiel, 1939, by Duncan Cran; print after the first indoor curling match, Manchester 1877; print after Bell & Sons' Whisky Advertisement depicting a curler; engraving depicting a curling match, c. 1880s; Saturday Magazine December 1842, depicting curling; chromolithograph of AIlsa Craig; Victory, print after R.M. Alexander; painting of P.C.C. Clubhouse and Rink viewed from Marlborough avenue; print The Ten Commandments of Curling; print after Jemimah Wedderburn, The First Grand Match at Penicuik 1847; print after Charles Lee, The Second Grand Match at Linlithgow 1848; and print after 1890 price list, all framedNote: Formerly the property of Partick Curling Club. the largest 69cm x 87cm overall - after McGhie

Lot 367

Etching, signed in pencil, 50cm x 41cm including frame.

Lot 537

George Woolliscroft Rhead (1855-1920) - 19th century unframed etching titled 'Holy Water', after John Phillip, 26cm x 19cm, together with another - Midday Rest, after George Frederic Watts, 16.5cm x 19cm, framed under glass (2)

Lot 550

Tom Carr (British, 1912-1977) - Signed limited edition coloured etching - 'Their First Hunt', signed lower left, 27cm x 36cm, framed under glass

Lot 545

Francis Dodd (1874-1949) - Etching - Strand with sky, 1916, signed, 55cm x 26cm, framed under glass

Lot 549

Harold Wyllie (1880-1973) - Etching - Yarmouth Harbour, Isle of Wight, signed and numbered 'LVI', 21cm x 25cm, framed under glassW.R Howell & Co. label verso

Lot 318

Bryan PEARCE (1929-2006) Parish Church and Harbour (1998) Etching, signed, inscribed and dated '98, numbered 5/75, plate size 17 x 24.5cm, 42 x 55cm framed.

Lot 143

Trevor PRICE (1966) Drawn Towards The Light Coloured etching, signed, titled and numbered 20 of 150, 20cm x 23cm, 52cm x 52.5cm framed.Good condition, with no areas of particular concern.

Lot 448

William Lionel WYLLIE (1851-1931) The Battle of Trafalgar Etching, signed, image size 18 x 37cm, 43 x 61cm framed.

Lot 78

Bryan ILLSLEY (1937) Untitled  Coloured etching, initialled and numbered 1/1, plate size 19.5 x 17cm, framed 49 x 38.5cmThis is a unique drypoint etching, printed at the Paupers Press. Hoxton London, c. 2008 A gift from the artist

Lot 460

William Lionel WYLLIE (1851-1931) The Battle of Trafalgar Etching, signed, image size 19 x 40cm, 44 x 63cm framed.

Lot 16

Rose HILTON (1931-2019) The Window (1978) Etching, signed, inscribed and dated '78, numbered 5/75, plate size 21.5 x 15.5cm, 55 x 42cm framed.This etching is in excellent condition

Lot 505

William Lionel WYLLIE (1851-1931) Fishing Boats - Last Preparations Etching, signed in graphite to margin, 23.5cm x 50.5cm

Lot 96

Karl WESCHKE (1925-2005) The Egyptian Suite - Temple Etching, artists proof, signed and inscribed, studio stamp to verso, plate size 23 x 30cm, 49 x 55cm framed.

Lot 303

Karl WESCHKE (1925-2005) The Egyptian Suite - On the Nile near Luxor, 1994 Etching, artists proof, signed and inscribed, studio stamp to verso, plate size 23 x 30cm, 49 x 55cm framed.

Lot 6

Bryan INGHAM (1936-1997) White Jug II (Kynance), 1980 Hand-coloured etching, signed, inscribed and numbered III/XII, image size 12.5 x 9.5cm (irregular), paper size 39 x 27cm

Lot 40

Terry FROST (1915-2003) Newlyn Rhythm (1995) Etching/aquatint, signed, inscribed and dated '95, numbered 11/80, plate size 55 x 35cm, 78 x 59cm framed.

Lot 121

Sax IMPEY (1969) Sea State Etching, edition 41/50, signed, numbered, titled and dated '06. It was one of 9 prints from the Porthmeor Portfolio, printed on Somerset 300 gsm paper to raise funds for the renovations of Porthmeor Studios. Plate size 18cm x 17.5cm, 38 x 29 cm sheet size.

Lot 500

William Lionel WYLLIE (1851-1931) The Battle of Trafalgar Etching, signed, 18.5 x 38cm, 43 x 61cm framed.

Lot 351

Terry FROST (1915-2003) Lorca Sun (1991) Lithograph/etching, printers proof, signed and dated '91, plate size 56 x 38cm, sheet size 75.5 x 57cm. Kemp 130.Small foxing marks appear on the sheet and continue onto the print (please view extra images online).

Lot 79

Bryan INGHAM (1936-1997) Spring Evening Etching, signed, inscribed and numbered 5/75, plate size 15 x 21.5cm, 42 x 55cm framed.

Lot 231

THIRD REICH KRIEGSMARINE OFFICERS DRESS DAGGER BY CARL EICKHORN SOLINGEN, with white celluloid grip having wire binding. Attached to the grip is the original golden bullion kriegsmarine officers dress knot / portepee. Housed in its brass scabbard with two hanging rings. Blade with standard etching and makers trademark to the base of the blade. The blade measures 9 ¾ “ overall 16 ½ “.

Lot 583

* IAN FLEMING RSA RSW RGI (SCOTTISH 1906 -1994), HELLISH SYMPHONY limited edition etching on paper, signed, titled and numbered 3/20mounted, framed and under glassimage size 21cm x 15cm, overall size 48cm x 40cm

Lot 286

Jackson Henry Simpson (1893-1963), The Croft, drypoint etching, signed and titled in pencil, 16.5cm x 21cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 371

Mixed pictures to include a Pat Mallinson limited edition etching entitled 'First Child', two Niran oil painting portraits on banana skins and othersLocation:

Lot 179

Mixed pictures to include a print depicting a girl stood on a chair in a bathroom inscribed 'Copyright 1945 by G Vallet' a pencil sketch entitled 'The Mount of Olives', a Paul Frederick Berdanier etching entitled 'Lower East Side - New York' and an unsigned watercolour depicting cottagesLocation:9.4

Lot 141

A Dinky Toys Brink's security van, a die-cast tractor and an etching, "Budapest"

Lot 328

Patricia Drew, 1995: a signed etching, "Dancing in Ceret", 1/20, Betty Ebanja: a signed etching, three Coptic saints, and Medina: two mixed media prints, in deep frames

Lot 249

JACOBUS HOUBRAKEN AFTER SIR ANTHONY VAN DYCK, A SET OF TEN PORTRAITS OF DUKES Etching and engraving Published London, 1738 39 x 23.5cm (15¼ x 9¼ in.) (10) Provenance: Private Collection, Berkshire

Lot 360

ERNEST STEPHEN LUMSDEN RSA RE (British 1883-1948) Indian riders on camels before a Mughal palace Jaipur (1913) Etching, signed in pencil lower middle, and signed to the plate lower mid right, 23cm x 35cm, frame 43cm x 56cm.

Lot 324

WILLIAM LIONEL WYLLIE RA (British 1851-1931) High and Low Lights Shields, North and South Shields, Etching, pencil signed lower left, 16cm x 37cm, frame 39cm x 59cm. Nigel Stacy-Marks Ltd Fine Paintings label verso.

Lot 29

Jurgen Gorg (German, born 1951) signed limited edition (78/220) etching Erotica I, titled, numbered and signed and dated 96 to lower border, 31 x 23cm, in distressed gilt frame

Lot 37

George Vernon Stokes (British 1873-1954), signed limited edition (71/75) coloured etching of two spaniel dogs, 27 x 31.5cm

Lot 17

Rowland Langmaid (1897-1956) etching Westminster, London River Thames scene with boats on the river and the Houses of Parliament beyond, signed and titled to margin, 17 x 21cm, in gilt and ebonised frame

Lot 19

Frederick Arthur Farrell (1882-1935), etching Hyde Park Corner, London, signed in pencil to lower margin 18.5 x 47cm, in ebonised frame

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