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Lot 192
Books, two volumes 'Fairbairn's Crests', TC and GC Jack London 1905, 'Haunting Edinburgh' Flora Grierson and Katherine Cameron, 8/110 on hand made paper with original etching, signed Katherine Cameron, 1st ed 1929, 'Traditions of Edinburgh', by Robert Chambers 1912, 'Edinburgh and it's Story' by Oliphant Smeaton, 1904, and two further
Lot 928
PATRICIA LANGMEAD (1945) 'WOODLAND PATH', limited edition etching 161/200, signed and titled in pencil, mounted, approximate size 30cm x 37cm, Graham Evenden (1947) 'Scotnay Castle', limited edition etching 264/350, mounted, approximate size 32cm x 42cm and 'Exeter Cathedral' by Edward Sharland (1884-1967), a mounted, framed and glazed etching, signed, approximate size 42cm x 23cm
Lot 971
A GROUP OF 20TH CENTURY PAINTINGS AND PRINGS to include 'Cleveland Tontine' by E.Charles Simpson, framed watercolour, approximate size 36cm x 53cm, an Edwardian street scene by Digby Page, oil on canvas, a pair of landscapes by G.Trevor, watercolour on paper, two paintings by members of the Bristol Savages Art Group, etching of a Black Country landscape, indistinctly signed and an unsigned lino cut (8)
Lot 186
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'The Gothic Spirit' (also known as The Gothic Church of St. Luke, Chelsea), etching, signed within the plate, numbered 3/25 in pencil to margin, impression size H 30 x W 22 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 187
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Chen Mun Gate, Peking, etching, signed within the plate & dated 1918, numbered 18/25 in pencil to margin, impression size H 30 x W 20 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 188
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Temple of Heaven, Peking, etching, signed within the plate & dated 1916, numbered 25/25 in pencil to margin, impression size H 27 x W 29.5 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 189
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Farmhouse in the village of the potter Kenkichi Tomimoto, etching, signed within the plate & dated 1912, numbered 24/25 in pencil to margin, impression size H 10.5 x W 15 cm. Note: The artist & potter Kenkichi Tomimoto was one of Leach's closest friends in Japan. One of Tomimoto's favourite motifs was a simple Japanese cottage or barn, as depicted by Leach in the present picture. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 191
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Portrait of the artist's son, David Leach, etching, signed within the plate & dated '20, numbered 16/25 in pencil to margin, impression size H 15.5 x W 14.5 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 193
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'Little Stack', landscape etching, titled within the plate, numbered 10/25 in pencil to margin, stamped signature, impression size H 10 x W 13 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 194
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Coastal road, probably St Ives, etching, numbered 1/25 in pencil to margin, stamped signature, impression size H 10 x W 12.5 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 94
'Bootham Bar York', etching signed and tilted by J. W. King, York Minster, etching signed by Edward Slocombe (British 1850-1915) and 'York Minster from the East', etching indistinctly signed max 46cm x 31cm (3) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 4558
HELENA MARKSON (1934-2012): "Everton from Brow Side" 1965/5 etching and aquatint 4/100, printed by Editions Alecto as part of the Liverpool Suite (six colour etchings) on handmade Chrisbrook paper. The Tate Gallery, the National Museum of Wales and the Museum of Modern Art, New York hold her work, plate size 42cm x 55cm
Lot 575
Pamela Heway - Moroccan Market Scene - woodblock, signed & dated 1963 in pencil to margin, framed, 46 by 39cms (18 by 15.25ins); together with another painting by Genevieve Gilchrist - Study of Two Girls - etching, signed & dated 1980 in pencil to the margin, framed & glazed, 25 by 32cms (9.75 by 12.5ins) (2).
Lot 334
Americas.- Canada.- Serres (After Dominic) and Richard Short. Part of the Town & Harbour of Halifax in Nova Scotia, Looking down George Street to the opposite Shore called Dartmouth, etching and engraving by James Mason, on laid paper mounted on board support, plate-mark 377 x 530 mm. (14 7/8 x 20 3/4 in), sheet 402 x 545 mm. (15 3/4 x 21 1/2 in), some minor abrasion to sheet, light spotting and surface dirt, unframed, drawn on the Citadel Hill desd. & Pubd. by R. Short Mar. 1, 1764.⁂ This plate is the first issue published by Richard Short himself, not the later second issue by John Boydell in 1777.
Lot 439
Coronation of Queen Victoria.- Fores & Co. (Samuel William, printsellers and publishers) Fores' Correct Representation of the State Procession on the Occasion of the August Ceremony of Her Majesty's Coronation, an almost sixty foot long panorama, etching and aquatint with original hand-colouring heightened with gum arabic, approx. 105 x 17200 mm. (4 1/8 x 675 inches), sections joined with linen, split into two parts, folding concertina-style with surface dirt, creases, nicks and tears, with original covers, very worn, lacking spine, oblong 8vo, 1838.
Lot 445
Palmer (Samuel, 1805-1881) The Lonely Tower, etching, an excellent impression of the first published state with the number '16' printed in the lower left corner, signed in pencil in the lower right, on laid japan, platemark 190 x 255 mm. (7 1/2 x 10 in), sheet 227 x 295 mm. (8 7/8 x 11 1/2 in), minor surface dirt, unframed, one of the Twenty-one Etchings by the Etching Club, published by H Blair Ansdell, 1879.⁂ "Or let my lamp at midnight hour,Be seen in some high lonely tow'r,Where I may oft out-watch the Bear[Milton 'Il Penseroso'] Literature: cf. Alexander 12, Lister 12
Lot 469
Alexeïeff (Alexandre).- Soupault (Philippe) Chant du Prince Igor, number 7 of 6 copies on chine with an original signed etching and 3 additional suites of plates (in colours, black and decompositions), from an edition limited to 290, etched plates and illustrations by Alexandre Alexeïeff printed in colours, some spotting, loose as issued in original illustrated wrappers, uncut, glacine wrapper, additional suites on loose in card folders, together in cloth-backed wood-veneer board folder, spine label chipped, slip-case, slightly rubbed, 4to, Rolle, Eynard, 1950.⁂ One of the scarcest of Alexeïeff's books; the original etching is printed in different colours to that in the book.
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78408 item(s)/page