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![*Catesby (Mark). Rubecula American. The Blew bird, [1731 or later], etching with contemporary hand colouring, water colour fa](https://cdn.globalauctionplatform.com/5d649fdf-273f-443c-be59-a89000a7dba0/76fa5284-af87-4877-e0dd-a698e4c0b74a/468x382.jpg)
Lot 231
*Catesby (Mark). Rubecula American. The Blew bird, [1731 or later], etching with contemporary hand colouring, water colour faded, small rust hole to image, 265 x 360 mm, mounted, framed and glazed Originally published in 'The natural history of Carolina, Florida, and the Bahama Islands: containing the figures of birds, beasts, fishes, serpents, insects, and plants ; particulary the forest-trees, shrues, and other plants...,'. (1)
Lot 253
*London. Boydell (J. publisher), A View of Westminster Bridge, 1753, hand coloured engraving, title and description repeated in French, 250 x 415 mm, mounted, framed and glazed, together with Higham (Thomas), View of the Architectural Improvements in the Vicinity of the Bank and the Mansion House, circa 1840, hand coloured engraving, 215 x 410 mm, mounted, framed and glazed, with Wallis (Henry), The Bank of England & Royal Exchange Cornhill, with King WIlliam Street, circa 1840, hand coloured engraving, stained, 220 x 415 mm, mounted, framed and glazed, plus Ashworth (G. C.), Pump Court, Temple, circa 1940, uncoloured etching, titled and signed in pencil by artist below image, 240 x 305 mm, mounted, framed and glazed (4)
Lot 268
*Transport. The New Steam Carriage, published Thos. McLean, circa 1830, hand coloured aquatint after G. Morton, 290 x 400mm, mounted, framed and glazed, together with Stop him who can!! an English patentee introducing a French hobby-horse - or a bit of a push down Highgate-hill to Long acre, circa 1830, etching with contemporary hand colouring, trimmed to image, some creasing, repaired closed tears affecting image, 250 x 350 mm, mounted, framed and glazed, with Truminer (C., publisher), Ludwigs Eisenbahn von Nurnberg und Furth, circa 1840, early German railway lithograph with contemporary hand colouring, horizontal and vertical folds, 285 x 325 mm, mounted, framed and glazed (3)
Lot 281
*Cruikshank (Isaac 1764 - 1811). The Graces of 1794, published S. W. Fores, July 21st. 1794, etching with contemporary hand colouring, one small ink stain to upper left of image, slight creasing, 390 x 330 mm, framed and glazed A rather extreme version of the popular conceit of lampooning the fashions of the day with the central figure being completely bare-breasted. A description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VII, 1942, noted that: According to the 'Sporting Magazine', iv. 228, July 1794, 'feminine dress of the present fashion is, perhaps, the most indecent ever worn in this country. The breast is altogether displayed; and the whole drapery, by the wanton management of the wearer in throwing it behind her, is made to cling so to the figure, that nothing can be said to be completely concealed. Well may it be necessary to veil the face'. BM no. 8571. (1)
Lot 284
*Cruikshank (George, 1792-1878). The Pall Mall Apollo or R - ty in a Blaze!!!, published in 'The Scourge', March 1st 1816, aquatint with contemporary hand colouring, old folds, 205 x 485 mm, mounted [BM 12746], together with Odds & Ends for Febuary (sic) 1816, engraving with contemporary hand colouring, margins torn with slight loss and repaired, old folds, 215 x 490 mm, mounted [BM 12714], with John Bull in the Council Chamber, published July 1st 1813, etching with contemporary hand colouring, old folds, 200 x 490 mm, mounted [ BM 12066] (3)
Lot 287
*Dighton (Richard). An Illustrious Consort, published T. McLean, 1818, etching with contemporary hand colouring, mount stained, 215 x 185 mm, together with Old Q-uiz the old Goat of Piccadilly, published R. Dighton, 1796, hand coloured etching, mount stained, 245 x 205 mm, with A Good Whip, published T. McLean, 1818, etching with contemporary hand colouring, 280 x 225 mm, with another seventeen etched caricatures, most with contemporary colouring, some mount staining and toning, various sizes and condition (20)
Lot 289
*Dighton (Richard). A Lawyer & his Client, May 1812, etching with contemporary hand colouring, 275 x 215 mm, mounted, framed and glazed, together with Landseer (Thomas), Cow and Calf, published Darton & Clarke, circa 1870, hand coloured etching, 215 x 275 m, mounted, framed and glazed, with Dean & Co., (publishers), The Princess Royal on her favourite pony in the Duke of Athol's Park, circa 1842, lithograph with contemporary hand colouring, 215 x 270 mm, mounted, framed and glazed Provenance: Gerald Tyrwhitt-Wilson, 14th Lord Berners, Faringdon House, Oxfordshire. (3)
Lot 302
*Gillray (James). Political Amusements for Young Gentlemen; - or - The Old Brentford Shuttlecock, between Old Sarum, & the Temple of St. Steevens, published H. Humphrey, March 15th, 1801, etching with contemporary hand colouring, near contemporary marginalia identifying the protagonists, slight spotting to margins, 255 x 360 mm BM 9716. (1)
Lot 303
*Gillray (James). Palemon and Lavinia, published H. Humphrey, January 23rd. 1805, etching with bright contemporary hand colouring, some dust soiling and marginal closed tears, not affecting image, 255 x 360 mm, together with Miss, I have a monstrous crow to pluck with you!!, published H. Humphrey Nov. 1st. 1794, engraving with contemporary hand colouring, some adhesion marks to verso, trimmed to plate mark, 240 x 295 mm, with - and would'st thou turn the vile reproach on me?, published H. Humphrey, Feby. 2nd. 1807, etching with contemporary hand colouring, some adhesion marks to verso, 245 x 345 mm, and Cymon & Iphigena [published H. Humphrey, May 1796], engraving with contemporary hand colouring, trimmed to image with loss of publication line, laid on later paper, 235 x 270 mm (4)
Lot 304
*Gillray (James). British Tars towing the Danish Fleet into Harbour; - the Broadbottom Leviathan trying to swamp Billy's old Boat & the little Corsican tottering on the Clouds of Ambition, published H. Humphrey, Oct 1st. 1807, etching with contemporary hand colouring, trimmed to plate mark, slight adhesion scarring to verso, 250 x 360 mm BM 10762. (1)
Lot 307
*Gillray (James). Pylades & Orestes, published H. Humphrey, April 1st 1797, engraving with contemporary hand colouring, trimmed to image with margins strengthened on verso, 350 x 250 mm, together with A Military Sketch of a Gilt Stick or Poker Emblazoned, published H. Humphrey, June 11th 1800, engraving with contemporary hand colouring, good margins, 250 x 200 mm, with - so Skiffy-Skipt on with his wonted grace, published H. Humphrey, Feb. 1st 1800, engraving with contemporary hand colouring, trimmed to image, slight staining, adhesion scarring to verso, 250 x 175 mm, plus Taking Physick, published H. Humphrey, Feby. 6th 1800, hand coloured etching, 260 x 200 mm, with another uncoloured example with some dust soiling, creasing and repaired marginal closed tears (5)
Lot 308
*Gillray (James). The Wounded Lion..., "and now, all the sculking herd of the forest, some out of Insolence, others in Revenge, some, in fine, upon one Pretence, some upon another, fell upon him by Consent - but nothing went so near the Heart of him in his Distress, as to find himself batter'd by the Heel of an Ass." - Vide Aesop's Fables - published H. Humphrey, July 16th 1805, etching with contemporary hand colouring, thread margins, 260 x 360 mm Scarce Gillray cartoon showing Lord Melville depicted as the wounded lion, with blood flowing from wounds inflicted by a cannon and from the bites of a snake (Grey - Whitbread's brother-in-law) and a Fox (Charles James Fox). A dog (Kinnaird) bites the lions tail. Under the lion's paws are papers _ 'Plans for Manning of the Navy - List of ships built in 1804 . . . of ye Line'; 'Abolition of Impress'. The cannon - shaped like a giant tankard - is fired by St. Vincent who crouches behind a withered tree. Part of the blast from the cannon - labelled 'Condemnation without trial' - strikes Britannia beneath the heart and she sits apparantly mortally wounded at the base of an oak tree. (1)
Lot 310
*Gillray (James). Theatrical Mendicants relieved - have pity upon all our Aches & Wantes, published H. Humphrey. Jany. 15th 1809, etching with aquatint with contemporary hand colouring, good margins, slight dust soiling and staining largely confined to borders, adhesion scarring to corners on verso, 265 x 360 mm BM 11413. (1)
Lot 323
*Maritime. A collection of six caricatures all relating to sailors and the sea, 19th century, including Roberts (Piercy), Nautical Experience, published Thomas Tegg, 1818, etching with contemporary hand colouring, trimmed to plate mark and tipped on to later paper, 250 x 325 mm, mounted, together with Williams (C.), A Naval Enquiry with a Naughtical explanation, published S. W. Fores, 1805, etching with contemporary hand colouring, trimmed to image, some adhesion scarring to verso, 240 x 335 mm, mounted, with Tregear (G. S., publisher), Shiver my topsails mate, lend us your hand. I wish I may get it, circa 1825, lithograph with contemporary hand colouring, some staining and old watercolour marks to margins, 335 x 200 mm, mounted, plus Williams (C.), The Sailor's Defence, published Woodward, circa 1810, etching with contemporary hand colouring, one repaired closed tear affecting image, 240 x 350 mm, mounted, and Rowlandson (Thomas), A Sailor's Marriage, published R. Ackermann, 1805, etching with contemporary hand colourings, slight toning, 265 x 340 mm, mounted, with one other similar (6)
Lot 328
*Rowlandson (Thomas). Dropsy courting Consumption, circa 1810, etching with contemporary hand colouring, trimmed to neatline, slight dust soiling, 325 x 230 mm, together with A Nincompoop or Hen Peck'd husband, published T. Tegg, circa 1820, etching with contemporary hand colouring, trimmed to neatline, slight dust soiling, 320 x 220 mm, with The Bull and Mouth, published T. Tegg, circa 1820, etching after Woodward, contemporary hand colouring, trimmed to image, 325 x 225 mm (3)
Lot 331
*Rowlandson (Thomas). A Monkey Merchant, 1806, etching with contemporary hand colouring, good margins, 295 x 235 mm, together with Odd fellows from Downing Street complaining to John Bull, circa 1820, etching after Woodward, contemporary hand colouring, slight dust soiling and staining to margins, 245 x 345 mm (2)
![*Rowlandson (Thomas, 1756-1827). A Lamentable case of a Jury-man, published Thomas Tegg, [1815], etching with contemporary ha](https://cdn.globalauctionplatform.com/5d649fdf-273f-443c-be59-a89000a7dba0/f1fc2822-359f-4f01-f85c-a9f5c3dc1051/468x382.jpg)
Lot 332
*Rowlandson (Thomas, 1756-1827). A Lamentable case of a Jury-man, published Thomas Tegg, [1815], etching with contemporary hand colouring, 235 x 325 mm, mounted, framed and glazed A judge waits too long before allowing an incontinent jury man to withdraw. The results are evident as his fellow jurers hold their noses. (1)
Lot 336
*Seymour (Robert). A Parliamentary Game of Shuttlecock, published Thoma McLean, circa 1830, etching with contemporary hand colouring, good margins, 245 x 345 mm, with another copy similar, together with The Church in Danger, or a very uncommon Paris Dinner, published Thomas McLean, circa 1830, etching with contemporary hand colouring, slight staining, 370 x 260 mm, with The Catholic Sovereign Safety-Coach. A new start from Windsor Castle, a regular out and outer, published S. W. Fores, 1829, etching with contemporary hand colouring, 250 x 375 mm, plus, Ab - n - hy and the Barrister, published Thomas McLean, circa 1830, etching with contemporary hand colouring, trimmed to neatline, 245 x 350 mm, with another approximately forty etchings and engravings, various sizes and condition (approx.44)
Lot 337
*Strack (Anton Wilhelm, 1758-1829). La Nouvelle Coalition ou les Russes en marche depuis Sept ans, circa 1799, etching with contemporary hand colouring, old folds, laid on later card, 365 x 500 mm, mounted A scatalogical caricature relating to the Second Congress of Rastatt, which began its deliberations in November 1797, The congress was intended to negotiate a general peace between the French Republic and the Holy Roman Empire, and to draw up a compensation plan to compensate those princes whose lands on the left bank of the Rhine had been seized by France in the War of the First Coalition. The congress was interrupted when Austria and Russia resumed war against France in March 1799 at the start of the War of the Second Coalition, thus rendering the proceedings moot. Furthermore, as the French delegates attempted to return home, they were attacked by Austrian cavalrymen or possibly French royalists masquerading as such. Scarce. We can find no auction records for this caricature. (1)
Lot 339
*Woodward (George Moutard). The Genius of Caricature and his friends celebrating the completion of the second volume of the Caricature Magazine in the Temple of Mirth, published Thomas Tegg, July 2nd, 1808, etching with contemporary hand colouring, trimmed to neatline, 230 x 335 mm Shows a group of five men and three women seated around a table in the Apollo library. Numerous caricatures decorate the walls. The central character is belived to be Thomas Tegg, the man on the right raising his glass is possible Woodward, the man with his back to the viewer engaged in conversation with the woman on his left bears a resemblance to Isaac Cruikshank and the man of the left with the 'drinker's nose' is possibly Thomas Rowlandson. (1)
Lot 459
Ferguson (James). The Art of Painting in Oil, Rendered Familiar to Every Capacity: extracted from the Works of the Most Eminent Masters of the Italian, Fleming, and English Schools: to which is prefixed the Method of Mixing the Colours to the Various Teints used both for Portraints, Landscapes, etc., etc., etc., by the Author of the Art of Drawing in Perspective, 1st edition, London, Robert Laurie and James Whittle, 1798, original marbled paper wrappers, publisher's printed paper labels to front wrapper recto and verso, slightly rubbed overall, small stain to head of front wrapper and first few leaves of text, 8vo in half sheets, together with Salmon (William), Polygraphice: or the Arts of Drawing, Engraving, Etching, Limning, Painting, Washing, Varnishing, Gilding, Colouring, Dying, Beautifying and Perfuming ... fifth Edition: enlarged with above a thousand considerable Additions. Adorned with XXV. Copper Sculptures; the like never yet extant, London, 1685, engraved frontispiece and additional title page, 21 engraved plates (of 23, lacking numbers 4 and 23), near-contemporary ownership inscriptions to frontispiece, title and rear pastedown, foxing and browning, frontispiece chipped and creased, contemporary paint daubs to blank verso of last leaf, contemporary panelled calf, worn, front board detached, rear board held by top two cords, the leather lifting, 8vo Three copies only of The Art of Painting in Oil traced in libraries (Rijksmuseum, Penn. State, and the V & A); judging from Laurie's advertisement in the sixth edition of The Painter's Edition there was a tenth edition by 1823 and the main authority for the work was Thomas Bardwell. (2)
Lot 917
†GRAHAM BARRY CLILVERD (1883-1959) VENICE etching, signed by the artist in pencil, 21.5 x 27cm and nine other etchings of Venice, all signed, including Col Robert Charles Goff, RE, Albany E Howarth, ARE, Wilfrid Huggins, George Percival Graham, RE, RSA and Andrew F Affleck, sold in portfolio (10)++As a lot in good condition
Lot 918
†FRANCIS DODD, RA, RWS (1874-1949) ST MARY LE STRAND etching with drypoint, signed by the artist in pencil, 35 x 26cm and various other modern British prints, mainly etchings, all signed including Sydney Lee, RA, RWS, RE, Andrew F Affleck, Headley Fitton, RE (2) and Martin Hardie, RE, sold in portfolio (20)++The Dodd print and many of the others in very good condition
Lot 919
WILLIAM WALCOT, RE (1874-1943) THE LIBRARY SAN MARCO VENICE, 1920 etching, drypoint and aquatint, signed by the artist in pencil, 12 x 18cm, eight other etchings of Venice, all signed, one in ink, including David Robertson and Sidney Tushingham, ARE and one unsigned etching, sold in portfolio (10)++Some slight handling marks and old stains but generally in good condition
Lot 921
WILLIAM LIONEL WYLLIE, RA, RBA, RE (1851-1951) THE MEDWAY etching, signed by the artist in pencil, 8.5 x 16cm, twenty one other etchings, all signed, including Sydney William Carline, Charles John Watson, RE and John Souter, a signed lithograph by Henry Moore, RA, RWS and two unsigned prints, sold in portfolio (25)++Variable, many good. Note the Whiley etching with two small spots of foxing
Lot 827
RAF 1930’s Armoured Cars / Westland Wapiti Aircraft Decorated Cigarette Case. This unmarked silver metal cigarette case is decorated with an etched image of a Westland Wapiti (J9090) in Flight. The reverse is etched with a RAF Crest, Armoured Car and Iraq. Also with the initials “EB”. Etching is clear. ... Accompanied by an RAF Officer’s ID “Dog Tag” “L. BERESFORD OFFR C.E. 58919 RAF”. (2 items) Flight Lieutenant L. Beresford was promoted to the rank of Flying Officer in 1949 and is possibly the son of the original owner of the case.
Lot 858
Edwardian Northamptonshire Yeomanry Heavy Cavalry Pattern Sword. A scarce example of the regulation heavy cavalry pattern. The blade etched with a reverse entwined ER cypher and a Regimental device. The forte with the cutler’s details of “Hamburger Rogers & Co.” The hilt of the regulation pattern. Housed in steel scabbard with two loose rings. Etching to the blade is clear. Hilt and scabbard with some storage wear.
Lot 862
William IV 1822 Pattern Officer’s Piped Back Bladed Officer’s Sword. A good period example, the piped back blade with etched panel with Crowned WIVR cypher. This device is repeated to the regulation pattern gilt metal hilt. Black shagreen grip with twist wire binding. Housed in black leather and gilt mounted scabbard. Etching to the blade is clear, blade with some staining. Gilt possibly professionally restored. Near VGC.
Lot 502
After E Scott Jones; a limited edition signed etching, 'Liverpool Pilot Office', signed, no.7/30 and titled in pencil with label verso, 10 x 14.5cm, also two pastels depicting a scene at low tide and three mountain climbers by local artist Peter Owen of Southport, both signed lower-right, 16 x 26 and 38 x 25cm respectively, all framed and glazed (3).
Lot 133
CHRIS ORR limited edition (15/35) etching - tired-out laundry worker, entitled 'Our Lady of the Washing', signed and dated 1977, 35 x 15cms Provenance: The Estate of Paul Rees FRSA, former Senior Art Conservator at the National Museum of Wales between circa 1972 and 1992. Graduate of Cardiff College of Art
Lot 544
Jean Louis Forain (1852-1931) - 'Le Gros Cigar', pencil signed engraving circa 1908, bears label verso for Peter H. Deitsch, 24 East 81st Street, New York, inscribed 'Forain, Le Gros Cigar, soft ground etching 1908. Gurein 38, one of 25 examples, on Holland paper, signed in crayon, with artists watermark', approx 16x24cm, mounted and framed.
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71174 item(s)/page