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Lot 1

* Pig Ring (Prix de Rome plate), 1928, drypoint etching, signed in pencil, pub. by James Connell in an edition of sixty proofs, plate size approx. 195 x 235mm, mounted (1)

Lot 1

* Berne, 1930, drypoint etching, signed in pencil, pub. by James Connell, in an edition of forty proofs, plate size approx. 205 x 307mm, mounted (1)

Lot 1

* San Giorgio, Maggiore, Venice, 1930, drypoint etching, signed in pencil to lower margin, pub. by James Connell, in an edition of forty proofs, plate size approx. 207 x 307mm, mounted (1)

Lot 1

* Wooden Road, 1927, etching, signed in pencil to lower margin, dated Xmas/25, published by James Connell, 1927, in an edition of twenty proofs, plate size approx. 200 x 280mm, mounted (1)

Lot 1

* Horse Fair, Skipton, 1928, drypoint etching, signed in pencil to lower margin, pub. by James Connell, in an edition of sixty proofs, mounted (1)

Lot 1

* Skating - Groby Pool, 1938, drypoint etching, final proof (unpublished), signed in pencil, and marked Final Proof, plate size approx. 302 x 465mm, mounted (1)

Lot 1

* Riva, Venice, 1930, drypoint etching, signed in pencil to lower margin, pub. by James Connell in an edition of forty proofs, plate size approx. 215 x 378mm, mounted (1)

Lot 1

* Shot Tower, Waterloo Bridge, 1931, etching, signed in pencil to lower margin, pub. by James Connell in an edition of sixty proofs, plate size approx. 240 x 380mm, mounted (1)

Lot 1

* Autumn Reflections, 1931, drypoint etching, signed by the artist in pencil to lower margin, pub. by James Connell in an edition of sixty proofs, plate size approx. 252 x 380mm, mounted (1)

Lot 1

* Amsterdam, 1934, drypoint etching, signed in pencil by the artist to lower margin, pub. by James Connell, 1935, in an edition of sixty proofs, plate size approx. 252 x 353mm, mounted (1)

Lot 1

* Icart (Louis, 1888-1950). New Friends, 1925, oval colour etching, pub. Les Graveurs Modernes, Paris, 1925, signed in pencil, and numbered 127, image size approx. 380 x 460mm (15 x 18 in), framed and glazed (1)

Lot 1

* Tupke-Grande (Helene, 1871-1946). Sailing Boats, colour woodcut, signed in pencil to lower margin, image size approx. 130 x 150mm (5 x 6ins), mounted, together with Ritter (Karl, 1888-1977), Imaginary Execution, 1919, etching, signed, dated 1919, and titled in pencil to lower margin, approx. 90 x 180mm (3.5 x 7ins), mounted, plus Jungnickel (Ludwig Heinrich, 1881-1965), Tierfabeln, 1919, colour lithograph, signed in pencil to lower margin, image size approx. 130 x 100mm (5 x 4ins), mounted, and four other early 20th c. German signed etchings and similar, including Max BrŸning, P. Hayn, Sepp Frank, etc. (7)

Lot 1

James Beale, The Voyage - Baudelaire, artists Proof, Pencil signed, titled and dated 1973 to the margin, etching and aquatint, 37.5 x 49 cm, and another by the same artist of the same title, 49 x 34.2 cm (2).

Lot 1

A quantity of cut glassware by Walsh, grapevine etching, including a pair of decanters.

Lot 1

Eileen Alice Soper, RMS (1905-1990) ‘In School 1922’ Etching Signed in pencil within the margin lower right S. 12cm x 19cm

Lot 1

Eileen Alice Soper, RMS (1905-1990) ‘The Go-Cart Race 1923’ Etching Signed in pencil within the margin lower right S. 12cm x 18.5cm

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Eileen Alice Soper, RMS (1905-1990) ‘Playtime 1922’ Etching Signed in pencil within the margin lower right S. 12cm x 19cm

Lot 1

Harold Wyllie (1880-1973) Harbour scene with shipping; Ships at anchor off the coast Each etching Each signed in pencil within the margin lower left The first s. 16.5cm x 16.5cm The second s. 10.5cm x 12.5cm (2)

Lot 1

William Lionel Wyllie, RA, RE (1851-1931) ‘Portsmouth Harbour showing HMS Revenge Flag-ship’ Etching Signed in pencil within the margin lower left Titled to typed label to backboard S. 17.5cm x 39cm Provenance: W. R. Howell & Co. (of London), Manchester Gallery, 9 Albert Square

Lot 1

William Lionel Wyllie, RA, RE (1851-1931) ‘Angel Tavern, Rotherhithe on the Thames’ Etching Signed in pencil within the margin lower left S. 16.5cm x 36cm Provenance: Golden Lion Gallery, New York

Lot 1

William Lionel Wyllie, RA, RE (1851-1931) ‘The Highway of Nations-Thames’ Etching Signed in the block lower left S. 29.5cm x 47cm

Lot 1

Walter Henry Sweet (1889-1943) Lynmouth Etching Signed in pencil within the margin lower right S. 25cm x 17.5cm; Three others of the same subject; Together with multiples of other subjects by Sweet and others, including Worcester Cathedral, Durham Cathedral and Venice All unframed (100+)

Lot 1

William Lionel Wyllie, RA, RE (1851-1931) ‘Beached Schooner -Thames Estuary’ Etching Signed in pencil within the margin lower left S. 24.5cm x 36.5cm

Lot 1

William Lionel Wyllie, RA, RE (1851-1931) Children playing with pond yachts on Scarborough beach Etching Signed in pencil within the margin lower left S. 14cm x 38cm

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William Walcot, RE (1874-1943) West End, Edinburgh Etching Signed in pencil within the margin lower right S. 9.5cm x 13cm

Lot 1

Rowland Langmaid, RI, RBA (1897-1956) Tower Bridge on the Thames Etching with drypoint Signed within the margin lower right FATG blindstamp within the margin lower left S. 20.5cm x 32cm Unframed

Lot 1

Rowland Langmaid, RI, RBA (1897-1956) St Paul’s Cathedral from The Thames Etching with drypoint Signed within the margin lower right FATG blindstamp within the margin lower left S. 29cm x 21.5cm Unframed

Lot 1

Rowland Langmaid, RI, RBA (1897-1956) City of London and St Paul’s and part of Waterloo Bridge Etching with drypoint Signed within the margin lower right S. 14cm x 26.5cm Unframed

Lot 1

Dame Laura Knight 11 3/4in. x 7 3/4in. (30 x 19.5cm) "Watching the aerial act"-etching, signed proof.

Lot 1

George Edward Horton 8 1/2in. x 11 3/4in. (21.5 x 30cm) "Winter" Etching, signed proof.

Lot 1

William Lionel Wyllie 8 1/2in. x 14 3/4in. (21.6 x 37.5cm) Ships moored along the Quay at Newcastle upon Tyne-etching Signed proof.

Lot 1

AFTER ROWLANDSON. Doctor Drainbarrel Conveyed Home In Order To Take His Trial For Neglect Of Family Duty, hand coloured etching, circa 1810, image size 20.5 x 31cm; AFTER GILRAY, Visiting The Sick, hand coloured etching, 24 x 35cm (2)

Lot 1

Robert Sargent Austin, RA (1895-1973) Romance, 1922 signed lower right Austin 1922 and inscribed 4th State, A Souvenir - working proof etching 33 x 26cm Literature: Campbell Dodgson, No.33, 4th state of five One of two plates that Austin submitted for his Scholarship in Engraving to Rome; and K Robertson (British, 20th Century) A Kentish Small Holding signed lower right K Robertson Dec. 22 etching 16 x 12cm (2) Provenance: A gift from the artist to Miss Cowell and by descent

Lot 1

August Louis Lepere (French, 1849-1918) Au Luxembourg signed and inscribed in chalk and pencil lower right A Lepere 16 and with artists stamp drypoint with aquatint 15 x 18cm; and Robert Sargent Austin (1895-1973) Ponte Pietra, Verona signed lower right Robert Austin 28 etching 14 x 13cm (2) Literature: Campbell Dodgson No.56, state 8 of 8 (the eighth one has six seagulls), published by the Twenty-One Gallery, edition size 76, plate destroyed

Lot 1

CHARLES W MAIN; An artist signed Etching of a Coastal scene with fishing vessels.

Lot 1

English School (19th Century), a plan of Cherry Cobb Sands: Paul Holme and Foul Holme Sands, and Keyingham Marshes, hand coloured etching, 9 3/4" x 7 3/4", gilt and stained wood frame

Lot 1

Trevelyan, Julian (1910-1988) - signed artist's proof limited edition etching with aquatint - Wessex, unframed

Lot 1

Wesselman, Frans (1953-), Dutch - Signed artist's proof etching with aquatint - Yellow Parrots, 20cm x 24cm - A.R. - a.R.

Lot 1

W STRANG: Thomas Hardy, Head and Shoulders etching, another etching and a Spy "Vanity Fair" Cartoon "Tess" . (3)

Lot 1

AFTER REMBRANDT VAN RIJN A self portrait of the artist, inscribed "Rembrandt 1639", etching, 71/2" x 6". See illustration

Lot 1

NORMAN WILKINSON Naval vessels in a harbour, etching, signed in pencil in the margin, 91/2" x 111/4"

Lot 1

Rowland Langmaid, . A Sunlit Sea, . EtchingBest Bid

Lot 1

A group of four, Including a Stefano della Bella etching and three other engravings. (4)

Lot 1

A group of assorted paintings and prints, Including a chromolithograph of Spaniels putting up pheasant, a pencil sketch of a continental church, a lithograph of Muckruss Abbey, Killarney, a colour etching by Tatton Winter, ornithological prints, a watercolour loch scene and others. (qty)

Lot 1

Mortimer Menpes, Indian scene, Etching, Signed in pencil, 13.5cm x 13cm.Best Bid

Lot 1

Robert Walker MacBeth, after G J Pinwell, Medieval figures, Etching, Signed and inscribed by Macbeth, 41cm x 89cm.

Lot 1

A Rowland Langmaid Artist's Proof Etching, Beachey Head, a Phyllis Blair artist's proof etchng, The Pied Piper of Hamelin, another by the same and two others (5)

Lot 1

CYRIL FLEMING: Etching entitled Horse Guards, London, 6.75 x 9.25, framed.

Lot 1

ETCHING. View Dumbarton shipyard and rock, indistinctly signed, 5 x 12, framed.

Lot 1

PERCY ROBERTSON. Etching, near Trafalgar Square, signed in pencil, 7 x 5.5, framed.

Lot 1

PERCY ROBERTSON. Etching, Hyde Park Corner, 1923, signed in pencil, 6.5 x 5.5, framed.

Lot 1

CHARLES J WATSON. Etching, Cathedral interior, 1906, 8 x 9, framed.

Lot 1

WALTER HENRY SWEET. (1889-1943). Etching, Worcester cathedral signed in pencil, 7 x 8.75.

Lot 1

Set of four crystal wine flutes with vine etching and other glassware

Lot 1

* Caricatures. McLean (Thomas, fl. 1816-32), 'A Parliamentary Game of Shuttlecock', c.1820s, hand coloured etching, approx. 240 x 345 mm, together with 'Patent Penny Knowledge Mill', c.1830s, hand coloured litho., approx. 255 x 355 mm, and 'A Scene in the Court of Chancery', c.1830s, hand coloured litho., approx. 235 x 330 mm, plus 'Run Neighbours Run - St Al-n's Is Quadrilling It', 1829, hand coloured etching, approx. 250 x 360 mm, together with Heath (Henry, fl.1822-42),'The Bull in Jeopardy; or, The Curs Triumphant', pub. S.Gans, 1829, and 'Protestant Descendency! A Pull at the Church', 1829, plus 'The Tory Band', pub. S.Gans, c.1830, three hand coloured etchings, approx. 255 x 350 mm, and another similar etched carictaure, all framed and glazed (8)

Lot 1

VICTOR AMBRUS (LASZLO GYOZO AMBRUS) (B.1935) ADAM AND EVE etching, signed and dated 1959 25cm x 18cm

Lot 1

Arderne Clarence early 20th century- 'Old Fisherman'; etching, signed in pencil and within the plate dated 1934, 22x40cm: After Thomas Rowlandson 1756-1827, Pheasant shooting and Grouse Shooting, hand-coloured engravings, a pair, 38x45cm: After Francois Boucher 1703-1770- 'Piaceri Della Vita Eampestre'; watercolour, a pair, 6x7cm: together with a quantity of other 18/19th century engravings by and after various hands, (a lot)

Lot 1

Edward G Slocombe 1850-1915- Canterbury Cathedral, publ 1905 by the Fine Art Society Limited; etching, signed in pencil, signed and dated within the plate, 47x64cm: After William Hatherell 1855-1928- 'Lord Kitchener's Home Coming', publ by Bovril Ltd.; photogravure, 68x94cm., (2)

Lot 1

Italian School 20th century- Harbour scene; gouache and watercolour, inscribed 'Carella' and signed with initials 'MLRC', 35x52cm: Poucette, French b.1935- Portrait of pierrots; watercolour, pen and ink and acrylic, a pair, both signed, 43.5x18cm: Leslie Austin 19/20th century- 'We are Seven'; etching, signed and titled in pencil: Edward Sherry 19/20th century- Houses of Parliament; etching, signed in pencil, (5)

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