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Doyle New York
Lot 12

ODALISQUE COUCHEE (DUTHUIT 86)Etching, 1923, on wove paper, bearing number 75/150 in pencil, with full margins, framed.Plate 7 7/8 x 11 5/8 inches; 200 x 295 mm.Sheet 10 7/8 x 14 3/4 inches; 276 x 375 mm.Frame 15 7/8 x 19 3/8 inches; 403 x 492 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

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Doyle New York
Lot 1

LES FANEUSES (DELTEIL 94)Etching, 1890, the twelfth state of twelve, from Histoire des peintres impressionnistes, published by Théodore Duret, Paris, 1906, framed.Plate 7 7/8 x 5 5/16 inches; 200 x 135 mm.Frame 24 1/4 x 21 7/8 inches; 616 x 556 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

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Bishop & Miller Auctioneers Ltd
Lot 83

ANDERS ZORN (SWEDISH 1860-1920) THE NEW MAID. signed in pencil, etching c.1909 29.5 x 20cm. *Condition: Some discolouration to paper but generally ok.

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Bishop & Miller Auctioneers Ltd
Lot 85

ANDERS ZORN (SWEDISH 1860-1920) 'COLONEL LAMONT'. signed in pencil, etching c.1900 23 x 15cm. *Condition: Some discolouration to paper, otherwise ok.

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Bishop & Miller Auctioneers Ltd
Lot 84

ANDERS ZORN (SWEDISH 1860-1920) THE NEW MAID. signed in pencil, etching c.1909 29.5 x 20cm. *Condition: Good clean condition.

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McTear's
Lot 550

STANLEY ANDERSON RA RE (BRITISH, 1884-1966), THE GOOSE FAIR, ALBI, ETCHING ON PAPER, CIRCA 1927 signed in pencil, mounted, framed and under glassLabel verso: Aitken Dott & Son, 26 Castle Street, Edinburgh image 22cm x 34cm, overall 46cm x 58cm

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Jones & Jacob
Lot 408

Frances Burges: silk screen print, "En Passent", in strip frame, an etching, "Enchanted Forest", in ebonised frame, and one other etching, "Night Watch", in silvered frame

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Jones & Jacob
Lot 401

John Tennent, 1985: a screen print, "Curlews at High Tide", 47/85, in gilt frame, and a limited edition etching, "Teal", 49/150, in gilt frame

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Catherine Southon Auctioneers & Valuers
Lot 229

Salvador Dali (1904-1989) St George and the Dragon, 1974, colour drypoint etching on paper, pencil signed (lower-right), framed and glazed; together with 'Homere', 1985, colour etching, pencil signed (lower-right), numbered 186/250, printed by Atelier Martinez, certificate verso, framed and glazed (2)first print 50.5cm by 60cm, second print 42cm by 56.5Condition: Slightly faded

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JS Fine Art Auctioneers & Valuers
Lot 612

Winifred Marie Louise Austen (1876-1964) "The Irish Elk"  black and white drypoint etching, signed L/R.  56.5 x 32 cm 

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JS Fine Art Auctioneers & Valuers
Lot 552

Bela Uitz (Hungarian, 1887-1972), Nude Bathers, signed and Numbered l.r., monochrome etching, 35.5 x 24 cm

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JS Fine Art Auctioneers & Valuers
Lot 609

David Risk Kennard. (b1959) The isle of dogs and the Royal Marine Naval college, Greenwich. - Artist proof etching, signed and titled in pencil. 37 x 27 cm.

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JS Fine Art Auctioneers & Valuers
Lot 303

Ramon Pujol Boira (1904-2019), ARR. nude seated by a window, a pencil-signed coloured etching, 21/25. 19.5 x 19.5cms

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JS Fine Art Auctioneers & Valuers
Lot 504

Eric Hesketh Hubbard (ARWA) (1892-1957) Making the stack. Etching -4th state. pencil signed and titled. 20 x 18 cm.

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JS Fine Art Auctioneers & Valuers
Lot 1494

A small collection of various artworks, including etching oil paintings and other pictures.

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Trevanion Auctioneers & Valuers
Lot 391

A Victorian court sword by Thompson, 19th century, the 80.5cm unfullered double edged blade etched with the Royal cypher and maker’s name to one side and monogrammed to the other (the etching quite worn), set to a lacquered brass gilt with beaded grip, guard, knuckle bow and pommel, 96.5cm long overall, in associated brass and leather scabbard (at fault); with a further similar example with 76cm blade, 93.5cm long overall, in associated brass and leather scabbard (at fault) (2)

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Trevanion Auctioneers & Valuers
Lot 504

Herbert Thomas Dicksee (British, 1862–1942),'In The Silent North', polar bears beside a broken sledge,Etching on vellum, published by Mawson, Swan & Morgan Ltd, Newcastle-Upon-Tyne 1903,Signed in pencil to lower margin, initialled "HD" to plate,53cm x 73cm,Framed and glazed (at fault)

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Martin & Pole
Lot 72

An etching of Amsterdam, an original oil on board, and an original watercolour of flowers on a vine (3)

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Halls Fine Art Auctioneers
Lot 156

Herbert Dicksee (1862-1942) The Closed Door, etching, published by Frost & Reed Ltd 1920, titled to the margin, 34 x 54.5 cm (PL), frame 58 x 79 cmCondition:The item is a work on paper, framed under glazing - not examined external to the frame. The sheet has a crease to the lower left edge (see photograph) and a number of surface scuffs which are visible to the surface (see images). The margins are visible. ink generally well preserved aside from the scuffs. Frame has some general wear and tear.

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Halls Fine Art Auctioneers
Lot 158

William Walcot (1874-1943) Baptistry, Florence, signed lower right, etching, 12.5 x 12 cm (PL), frame 40 x 30 cm

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Dominic Winter Auctions
Lot 274

Milton (John). Paradise Lost, illustrated by William Blake, 2 volumes, London: Nonesuch Press, 1926, illustrations by William Blake, edges untrimmed, original Japanese vellum-backed boards, 8vo, limited edition, 605/1450 copies, together with:Lippmann (Fr.). Engraving and Etching, a handbook for the use of students and print collectors, 3rd edition revised, London: H. Grevel, 1906, black and white illustrations throughout, 6 pp. publisher's advertisements at rear, top edge gilt, original cream half cloth gilt, a little marked, 8vo, plusReitlinger (Henry Scipio). Old Master Drawings, a handbook for amateurs and collectors, 1st edition, London: Constable and Company, 1922, black and white illustrations, lightly spotted, original cloth-backed boards, spine lettered in gilt, a few marks, 4to, with 3 cartons of other volumesQTY: (3 cartons)

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Dominic Winter Auctions
Lot 230

Pennell (Joseph). The Adventures of an Illustrator, Mostly in following his authors in America & Europe, limited edition, Boston: Little, Brown and Company, 1925, portrait frontispiece, illustrations, including an original etching entitled My New York, 1925, signed in pencil by the artist, top edge gilt, original calf-backed boards, dust jacket, a few small nicks at folds, 4to, limited signed edition numbered 99 from an unspecified edition, together with Keller (Gottfried). Die Drei Gerechten Kammacher, 1st edition, Vienna, 1915, seven original monochrome etchings by Alfred Cosmann, each signed in pencil by the artist, tissue-guard to each plate, bookplate, patterned endpapers, original boards, upper cover titled in gilt with design, 4toQTY: (2)

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Dominic Winter Auctions
Lot 76

* Weight (Carel, 1908-1997). Child's Wonderment, 14 colour screenprint, showing a child head in hands standing by the edge of a river, four copies, two with artist's proof x/xv & xi/xv and two with 3/95 &2/95 in pencil to lower margin, all signed in pencil, paper with CC embossed to lower right, print size 61 x 61 cm, sheet size 78 x 74.5 cm, together with Garden of Eden, colour lithographs, four copies each from a limitation of 95, numbered and signed in pen to lower margin, print size 54 x 43 cm, sheet size 61.5 x 51 cm, and an etching by Gillian LawsonQTY: (9)

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Antiquariat Peter Kiefer, Buch- und Kunstauktionen
Lot 3844

Picasso, Pablo: (1881 Malaga - Mougins 1973). Jeune sculpteur finissant un platre. Orig.-Radierung. Signiert. In der Platte datiert. 1933. Auf festem Vélin d'Arches (mit Wasserzeichen). 27,8 x 19 cm. Papierformat 37,7 x 28,4 cm. Geiser/Baer 309 A b (von B d). Bloch 156. - 1 von 2 Probedrucken auf Vélin d'Arches, noch vor der verstählten Platte und mit abgerundeten Ecken. - Aus der Suite Vollard , die insgesamt hundert Radierungen umfaßt, die Picasso zwischen 1930 und 1937 für den Verleger und Kunsthändler Ambroise Vollard geschaffen hat. Die Suite Vollard ist sowohl vom künstlerischen Anspruch als auch von dem enormen Materialeinsatz als singuläres Ereignis in der Graphik der europäischen Moderne zu werten. - Brillanter, wunderbar gratiger Druck mit dem vollen Rand, verso umlaufend hinter Passepartout montiert. - 1 of 2 proofs on vélin d'Arches, printed before steel-facing and and still with rounded corners. Orig. etching. Signed. Dated in the plate. 1933. On strong Vélin d'Arches (with watermark). 27.8 : 19 cm. Paper size 37.7 : 28.4 cm. - Brilliant, wonderfully burred print with the full margin, mounted behind passe-partout all around on the reverse.

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Antiquariat Peter Kiefer, Buch- und Kunstauktionen
Lot 1153

Ovid.: L'art d'aimer. Paris, Centre culturel de Paris (1979). 57 x 39 cm. Mit 15 sign. Orig.-Graphiken (1 Lithographie, 1 Radierung und 13 Holzschnitten) von S. Dalí. Rotbrauner Orig.-Lederband mit Rückenvergoldung und farbig abgesetztem breiten blindgepr. Lederstreifen auf den Deckeln, Seidenmoirée-Innenspiegeln sowie Goldschnitt, mit Orig.-Schuber. Michler/Löpsinger 1525-1538d und 933d. - Field 79-2. - Eines von 44 arab. num. Exemplaren auf "Grand Vélin d'Arches", im Druckvermerk von Dalí signiert. - Breitrandiger, aufwendig gebundener Pressendruck in ausdrucksvollen Farben. - Radierung mit leichtem Abklatsch und an einer Ecke mont. Seidenpapier, Titellithographie in der unt. rechten Ecke mit kl. Bereibung, Schuber an den Kanten berieben und etw. eingerissen, sonst sauberes Exemplar. - One of 44 copies in Arabic numbers. With 15 signed orig. prints in various techniques by S. Dalí, all in color. Orig. calf with gilt edges, in orig. slipcase. - The etching slightly offsetting and with protective tissue attached to one corner, the double-page title lithograph with small paper defect in lower white corner. Edges of slipcase rubbed and partly torn. Otherwise very clean copy.

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Antiquariat Peter Kiefer, Buch- und Kunstauktionen
Lot 3878

Rembrandt, Harmensz van Rijn: (1606 Leiden - 1668 Amsterdam). Die Flucht nach Ägypten - Übergang über einen Bach. Radierung auf dünnem Papier 1654. In d. Platte sign. u. dat. Blgr. 9,6 x 14,1 cm. Rechts in die Darst. beschnitten, sonst mit winz. Rändchen. New Ho. 277. B. 55. W.-B. 55. Schöner, klarer Abdruck des einzigen Zustands - ob zeitgenössisch od. später lässt sich wegen des Papiers nicht bestimmen. - Einige ger. Randläs. u. Rd. tls. knittrig, Knicksp. am unt linken Eck, Montierreste verso. The flight to Egypt - crossing a stream. Etching on thin paper. Excellent print of the only state. - On the right slightly cropped into the illust., minor damage to the edges, worn, remnants of mounting on the verso, otherwise good condition.

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Antiquariat Peter Kiefer, Buch- und Kunstauktionen
Lot 3884

Rembrandt van Rijn, Harmenszoon: (1606 Leiden - Amsterdam 1669). Der Tod der Jungfrau Maria. Orig.-Radierung. In der Platte signiert und datiert. 1639. Auf festem Bütten. 39,4 x 31,4 cm. Papierformat 40 x 31,7 cm. Der Marientod zählt neben dem Hundertguldenblatt zu den großartigsten unter Rembrandts graphischen Arbeiten. Kräftiger Druck von der stark überarbeiteten Druckplatte, mit feinem Rändchen um die Plattenkante. Überarbeitung vom Basan Workshop. - Rembrandt verwendete in dem vorliegenden Blatt zum ersten Mal die Kaltnadel, durch die meisterhafte Lichtführung und die Fülle des Lichtes erhält der Tod seine Verklärung. New Hollstein 173 V (von V). - Bartsch 99. White/Boon 99 III (von III). - Stockfleck im Bild. Besides the "Hundred guilder print", the 'Death of the Virgin' is one of the greatest of Rembrandt's graphic works. Orig. etching. Signed and dated on the plate. 1639. On heavy laid paper. 39.4 : 31.4 cm. Paper size 40 : 31.7 cm. Strong print from the heavily reworked printing plate, with fine margins around the plate edge. From Basan Workshop. - Faintly visible horizontal center fold, with a brown spot in the image.

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Auctioneum Ltd - East Bristol & Bath
Lot 358

Fred Nall Hollis (1949 - 2024) - Limited edition coloured etching titled 'Pansy' numbered 15/99. Signed in pencil by the artist to the bottom of the piece. Framed, glazed, measuring approx. 42cm x 50cm. Fred Nall Hollis (1948 - 2024) was an American artist who traveled wideley, and his art being influenced by surrounding ranging from Arabic and Byzantine architecture to Alabama quilts. He studied under Salvador Dali who trained him in artistic techniques and was close friends with Albert II, Prince of Monaco, and Catherine Deneuve who both own multiple works created by him. Hollis worked in a variety of mediums, including porcelain, carpet, mosaics, sculpture and etchings. He featured in over 300 one-man shows and showed his work across the world.

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Auctioneum Ltd - East Bristol & Bath
Lot 366

Fred Nall Hollis (1949 - 2024) - Limited edition coloured etching titled 'Zennina' numbered 19/99. Signed in pencil by the artist to the bottom of the piece. Framed, glazed, measuring approx. 42cm x 50cm. Fred Nall Hollis (1948 - 2024) was an American artist who traveled wideley, and his art being influenced by surrounding ranging from Arabic and Byzantine architecture to Alabama quilts. He studied under Salvador Dali who trained him in artistic techniques and was close friends with Albert II, Prince of Monaco, and Catherine Deneuve who both own multiple works created by him. Hollis worked in a variety of mediums, including porcelain, carpet, mosaics, sculpture and etchings. He featured in over 300 one-man shows and showed his work across the world.

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Bado e Mart Auctions
Lot 377

Mariano FORTUNY Y DE MADRAZO. 1871–1949Muletier.Etching and aquatint with drypoint. Measures: sheet mm. 620x445; engraving mm. 103x68; Seal in bottom right with author’s signature. Specimen with wide and uncut margins and in excellent condition. Beautiful etching and aquatint with drypoint on sheet with wide and uncut margins, with signature in the bottom right. Rare engraving by Mariano Fortuny Y Madrazo, a versatile Spanish artist known throughout the world for his textile production inspired by Art Nouveau and oriental-style silk brocades. Fortuny is a central figure in the history of European engraving art, like his father Mariano Fortuny Y Marsal and his countrymen Ribera and Goya. M. L. Cuenca y R. Vives. Mariano Fortuny Marsal, Mariano Fortuny Madrazo: dibujos, grabados. Madrid, Electa, Biblioteca Nacional, 1994.

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Bado e Mart Auctions
Lot 376

Mariano FORTUNY Y DE MADRAZO. 1871–1949El oro del Rhino.Etching and aquatint with drypoint. Measures: sheet mm 585x412; engraving mm. 192x100; Seal in bottom right with author’s signature. Specimen with wide and uncut margins and in excellent condition. Beautiful etching and aquatint with drypoint on sheet with wide and uncut margins, with signature in the bottom right. Rare engraving by Mariano Fortuny Y Madrazo, a versatile Spanish artist known throughout the world for his textile production inspired by Art Nouveau and oriental-style silk brocades. Fortuny is a central figure in the history of European engraving art, like his father Mariano Fortuny Y Marsal and his countrymen Ribera and Goya. M. L. Cuenca y R. Vives. Mariano Fortuny Marsal, Mariano Fortuny Madrazo: dibujos, grabados. Madrid, Electa, Biblioteca Nacional, 1994.

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Duke's Avenue Auctions
Lot 621

SIMON WINCH (20TH CENTURY ENGLISH SCHOOL) 'Yarmouth I.O.W'signed in full to margin, artist's proof etching, 24cm x 34cm, in white frame and glazed, with G. COOKE AFTER THOMAS WEBSTER (EARLY 19TH CENTURY ENGLISH SCHOOL) 'Contorted Strata, Durlstone Bay' and 'Breccia at Durlstone Head', pair of engravings, each 19cm x 25cm, published by Payne and Ross, London 1815, in Hogarth style frames and glazed. (3)

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Lyon & Turnbull
Lot 75

LOUIS LEGRAND (FRENCH 1863-1951) LA SORTIE, FIGURE AND DOG, 1906 Drypoint etching, 19/20, numbered in pencil to margin, signed with initials and dated in plate the plate 19.5cm x 13cm (7.75in x 5in) From the Estate of Dorothy Bohm Dorothy Bohm was a British photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris. She is considered one of the doyennes of British photography.Dorothy Bohm was born in 1924 in Koenigsberg, East Prussia and moved to England in 1939. By the age of 21, she was running her own very successful portrait studio in central Manchester, known as Studio Alexander. In the mid-1950s, she lived for a while both in Paris and New York before settling definitively in northwest London. Her first solo exhibition, People at Peace, took place at the Institute of Contemporary Arts in London in 1969, and 1970 saw the publication of her first book, A World Observed. Numerous more books and exhibitions would follow. In 1971 she was closely involved in the founding of The Photographers’ Gallery, and served as its Associate Director for the next fifteen years. By the 1990s Dorothy was firmly established as one of the doyennes of British photography, with work in numerous public and private collections, including Tate, the Victoria & Albert Museum, Guildhall Art Gallery and the Musée Carnavalet, Paris. 

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Lyon & Turnbull
Lot 78

DAME LAURA KNIGHT R.A. (BRITISH 1877-1970) SUSIE, 1928 Etching, Artist's Proof, signed in pencil to margin, editioned and inscribed with title in pencil to margin [under mount], published 1928 plate size 25cm x 34.75cm (9.75in x 13.75in) Susie is believed to have been the daughter of a fisherman in Mousehole, Cornwall. She also features in Knight's 1929 painting Susie and the Wash Basin (Harris Museum & Art Gallery, PRSMG : P356)

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Lyon & Turnbull
Lot 70

JOHN BELLANY C.B.E., R.A. (SCOTTISH 1942-2013) WOMAN OF THE NORTH SEA Etching, 12/25, signed and numbered in pencil to margin the sheet 57cm x 37.5cm (22.5in x 14.75in) The Scottish Gallery, Edinburgh Many hold Bellany to be one of the greatest Scottish artists of the later twentieth century. From the 1960s his work attracted renewed attention to Scottish art and his scenes of working-class life constituted an important development in modern figurative painting. Bellany’s oeuvre generally meditates on his childhood in the coastal village of Port Seton outside of Edinburgh through depictions of eccentric characters accompanied by symbolic totems. 

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Wallis & Wallis Auctions
Lot 287

A late 18th century Indian tulwar, blade 29", apparently of English manufacture with faint etching of crown, musical instrucments, and possibly maker's name in a scroll, the iron hilt with traces of gold koftgari decoration overall. Basically GC, the blade worn, the hilt heavily rusted. £80-120

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Wallis & Wallis Auctions
Lot 351

A .177" smooth bore "Gem" air rifle, 33" overall, barrel 16½" marked "Patent" and "Gem" and crossed pistols trade mark. GWO & C (lightly worn overall); also a .177" BSA cadet air rifle, no BC1756 (1951-59), with traces of etching on air chamber. GWO & C. (2) Purchasers please note: any air gun manufactured after 1939 must either be collected from our premises or posted to an RFD for face to face transaction £50-100

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Wallis & Wallis Auctions
Lot 342

A .22" BSA Standard underlever air rifle No. "30954 (1927), with traces of etching on air chamber, walnut butt with chequered panels, fair condition (rusted overall, the butt loose); also a .177" Millita breack action air rifle no 2420. GWO & C (dark patina oveall, rear sight missing). (2) Purchasers please note: any air gun manufactured after 1939 must either be collected from our premises or posted to an RFD for face to face transaction £60-80

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Criterion Auctioneers Ltd
Lot 198

Louis Weirter (1873-1932), a signed and limited edition etching of Westminster Abbey. Framed and glazed. H.84 W.58cm

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Criterion Auctioneers Ltd
Lot 128

A collection of five artworks to include a signed pencil, ink and wash study of cats, a signed and limited edition etching of cherries by Penny Mundy, an etching depicting a boat in rough seas with a verse from the Breton fisherman's prayer, and an early 19th century lithograph with colours of 'Der Hafen in Bamburg' 1820 with a label and inscription to the reverse. All framed and glazed. Largest H.40 L.30cm

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Criterion Auctioneers Ltd
Lot 199

An early 20th century lithograph with colours titled 'Bardell Versus Pickwick' by Cecil Aldin (1870-1935) from the 'Pictures from Pickwick' series, along with an early 20th century etching titled 'His Wedding Morn'. H.63 W.50cm

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Southgate Auction Rooms
Lot 183

FRAMED ETCHING BY J.M.W TURNER ENGRAVED BY C.TURNER ''SCENE ON THE FRECNH COAST'' 29CM X 21.5CM - FRAMED 47CM X 32CM

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John Taylors Auction Rooms
Lot 416

Framed etching Peter Pan statue in Kensington Gardens signed in pencil Edward J Cherry 23cm x 30.5cm, a selection of framed watercolours including pen & ink by Ronald Honton & marquetry panels etc

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Clarke and Simpson Auctions
Lot 315

Glynn Thomas, pencil signed limited edition etching, measuring in extremes 16cm x 18cm

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Clarke and Simpson Auctions
Lot 376

A pencil signed coloured etching depicting barges

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Gorringes
Lot 1748

József Koszta (Hungarian, 1861-1949), etching, Pickers, signed in pencil, 26 x 31cm. Condition - fair to good

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Gorringes
Lot 1682

Yoel Benharrouche (Israeli, b.1963), etching, surreal composition, Figures and bird, signed in pencil, 27 x 27cm. Condition - good

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Richard Winterton Auctioneers
Lot 937

A SMALL COLLECTION OF 20TH LATE CENTURY PICTURES AND SKETCHES ETC, to comprising a Denise Lafond winter scene at sunset oil on canvas, approximate size 25cm x 30cm, a Louise Rawlings watercolour of a dove and holly signed verso, Sarah Richardson watercolour of a lone tree on a hill, a Sergio Marine pastel study of a mother and child, two coloured pencil landscapes signed A.Bruce '89, a small indistinctly signed etching depicting a white continental house, together with an unsigned embroidery picture (8)

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Bearnes Hampton & Littlewood
Lot 135

James Gillray (British, 1756-1815) - The Bridal-Night - Etching with aquatint, original hand colouring - 31 x 45cm - 36 x 51.5cm framed - Published by Hannah Humphrey, 18th May 1797

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Rowley's Fine Art Auctioneers & Valuers
Lot 81

SWANSON, JOHN AUGUST (1938-2021) American, "Let The Sun Shine In", etching, signed and dated 1979, framed and glazed. 9 x 11 cm.

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Rowley's Fine Art Auctioneers & Valuers
Lot 2

ARTHUR, EDNA (21st century) British (AR), "Blue Kestrel", etching, signed and dated 1978, framed and glazed. 15 x 9 cm.

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Tabula Auctions Ltd
Lot 95

A plan of Knightsbridge from what Howgego describes as the 'largest and most important London map of the eighteenth century', on a scale of 26 inches to a mile. It shows Hyde Park and the Serpentine, with Knightsbridge, the Brompton Road and Sloane Street. Horwood's intention was to mark each house's number (a practice started in 1735), but this was abandoned as impractical. He started his scheme in 1790, expecting to be finished by 1792: by 1794 he was apologising to his subscribers (including George III); in 1798 he received a loan of £500 from the Phoenix Fire-Office, for whom Horwood worked as a surveyor, to finish the map. However this assistance was not enough to stop Horwood dying in poverty in 1803. Size: 56.5 x 52.5 cm. Condition: a good example. Published: London: 1794. Keywords: London, antique map, survey of London, Knightsbridge, England, Chelsea, West London, town plan, city plan, engraving, etching

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Tabula Auctions Ltd
Lot 89

View of Havana Harbour, engraved by Heyden from a painting by Joseph Vernet. Size: 18 x 23 cm. Condition: a good example. Published: Paris, c. 1780. Keywords: cuba, south america, america, west indies, atlas, town plan, city view, engraving, etching, copper plate, antique map, antique view, harbour, sea view

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Lots Road Auctions
Lot 210

VALERIE THORNTON (1931-1991). SAN MINIATO, FLORENCE. etching, 60cm x 49cm, framed.

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Clarke and Simpson Auctions
Lot 480

A quantity of various literature on Petter Diesel engines, Bamford Horizontal engine, Lister portable shearing set instructions, Bamford Diesel engines, Agricultural Machinery brochures, an etching of young infant etc.

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David Duggleby Auctioneers & Valuers
Lot 5294

Keith Andrew (British 20th Century): 'Amlwch Port' Wales, trial proof etching with aquatint signed and titled, 30cm x 44cm

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David Duggleby Auctioneers & Valuers
Lot 5268

Geoffrey Sneyd Garnier (British 1889-1970): 'A Fish from Hwang Ho', coloured etching signed and titled in pencil 37cm x 28cm

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David Duggleby Auctioneers & Valuers
Lot 5272

Continental School (20th Century): Fort La Latte, watercolour signed; together with another watercolour, an oil on board and an etching (4)

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Hansons Auctioneers and Valuers
Lot 197

Gabriel Belgeonne (Belgium- 1935) signed etching with relief, 10/12 E.A. "Chant du printemps".  Frame size 55cm by 2cm by 68cm.

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Tennants Auctioneers
Lot 1049

Herbert Thomas Dicksee RE (1862-1942)''The Boyhood of Raleigh'' after the painting by John Everett Millais (1829-1896)Signed, etching, 55.5cm by 66cm

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