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TW Gaze
Lot 61

JOHN DUFFIN (XXI)- A framed and glazed etching- Arrival (Kings Cross St Pancras Station), pencil signed and No. 34/90, 37cm x 25cm

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Queens Road Auctions
Lot 272

F/G OIL PAINTING OF A SCOTTISH LOCH, SIGNED A.E COOK 1918, AN OIL PAINTING OF A LANDSCAPE BY WHEELER & COPPER ETCHING

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Queens Road Auctions
Lot 526

GOOD BLACK & WHITE ETCHING OF AMSTERDAM, SIGNED AND INSCRIBED IN PENCIL H E ROODENBURG DATED 1930

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Queens Road Auctions
Lot 536

PENCIL SIGNED ETCHING ENTITLED ''THE THREE MILLS'' NUMBERED 2 SIGNED E HESKETH-HUBBARD

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East Bristol Auctions
Lot 140

Orovida Camille Pissarro (1893-1968) - 'Red River Hogs' - A hand coloured and signed etching depicting a trio of hogs feasting upon the ground. Signed to the bottom with paper label to the verso. Etching measures approx; 190mm x 170mm. Frame measures approx; 43cm x 40cm.  

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Clarke's Auctions at Semley
Lot 583

After William Lamb le Angelus, an engraving, signed in pencil to the margin, 27 by 19cms; together with P G Nedell, limited edition etching 'Chateau Galliard 25', both framed & glazed (2).

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Clarke's Auctions at Semley
Lot 591

Graham Clarke (b1940) - Along With Gypsy Davy - etching, number 13/100, unframed, signed in pencil to the margin, image 54 by 34cms.

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Clarke's Auctions at Semley
Lot 1214

After France Hilon (French b1945) - Le Retour - coloured etching, numbered 101/150, signed in pencil to the margin, framed & glazed, 54 by 44cms.

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Criterion Auctioneers Ltd - London & Bath
Lot 155

Mark Andrew Godwin (born 1957), "Explorer I", a framed and glazed coloured etching, signed, inscribed with title in pencil to lower margin and signed by artist. H.71 W.85cm

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Criterion Auctioneers Ltd - London & Bath
Lot 404

A gilt framed and glazed hand coloured etching, 'Golden Threads' H.74 W.84cm

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John Nicholson's
Lot 1013

David Young Cameron (1865-1945) British, The Baths of Caracalla, Etching and drypoint, 6" x 9".

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John Nicholson's
Lot 1038

Giovanni Battista Piranesi (Italian, 1720-1778), 18th Century etching, Reliquiae Pontis Triumphalis seu Vaticani 14" x 9.5", along with Stylobata Columnae cochlidis Imp. Caes. M. Aurelii Antonini Pii, etc, 7.5" x 11.5" (2).

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John Nicholson's
Lot 1047

Brian Blow, 'Leah Weeping', etching, artist's proof, initialed and dated in pencil, 7" x 5".

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John Nicholson's
Lot 1048

An etching of a female nude, indistinctly signed in the plate, 6.5" x 2", along with a similar etching by the same hand, 8" x 5.5" and a further print of female nude figures bathing, 11" x 9", (3).

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John Nicholson's
Lot 1058

Robert Greenhalf, 'Hoopoe' colour etching, inscribed signed in pencil, and numbered 7/150, 13" x 19.25".

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John Nicholson's
Lot 1059

Robert Greenhalf, 'Sea Swallows and Swallow Tails' colour etching, inscribed, signed and numbered 25/150, 9.5" x 12", and another by the artist, 'The Olive Tub', colour etching, inscribed, signed and numbered 51/ 150, 9.25" x 11.5", (2).

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John Nicholson's
Lot 1062

Circle of John Crome, two travellers in a wooded landscape, etching, numbered '10', 4.25" x 3.25", (unframed).

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John Nicholson's
Lot 1063

Heywood Sumner (1853-1940) British, 'Alresford Pond', a stream meandering towards a pond, etching, signed and dated June 24, inscribed indistinctly with verse, 10" x 8", (unframed).

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John Nicholson's
Lot 1066

Claude Rowbotham (1864-1949) 'Becalmed', colour printed etching, signed in pencil, 6" x 9".

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John Nicholson's
Lot 1073

Eugene Bejot (1867-1931) French, Scene in Paris, etching, signed in pencil, 7" x 8" and a small collection of etchings and a print, various sizes, (5).

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John Nicholson's
Lot 1076

20th century South African School, Figures at a flower market (possibly Cape Town), coloured etching, 5.5" x 7.75".

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John Nicholson's
Lot 1105

Dorothy Sweet (active 1920-1929) British, etching of 'Holborn' signed in pencil, 8" x 9".

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John Nicholson's
Lot 1107

Margaret Ca..., Etching of a semi-nude lady sunbathing on a beach, signed in pencil, 9" x 11", (unframed).

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John Nicholson's
Lot 1108

An early 20th Century etching of 'The Theatrical Steel Yards of 1750' with pencil annotations, 10" x 12.75", (unframed).

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John Nicholson's
Lot 1109

James Gillrary (1756-1815) British, A hand coloured etching, 'President d' Administration Municipal', trade label verso, 9.75" x 7.5". Provenance: Folio Fine Art Ltd.

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John Nicholson's
Lot 1110

Thomas Rowlandson (1757-1827) British, etching of 'A Print sale', dated 1788, trade label verso, 7" x 10.25". Provenance: Folio Fine Art Ltd, (a/f).

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John Nicholson's
Lot 1111

A hand coloured early 19th Century etching caricature, 'A mad dog in a coffee house', 11" x 15.5".

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John Nicholson's
Lot 1115

William Hogarth? An early 19th Century etching and engraving, 'A chorus of Singers, (The Oratorio)', 7" x 6.75".

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John Nicholson's
Lot 1133

David Young Cameron (1865-1945) British, 'Killundine', etching, signed in pencil, 7" x 14", (unframed).

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John Nicholson's
Lot 1136

William Lionel Wyllie (1851-1931) English, A dockyard with figures tending their boats, etching, signed in pencil, 9.5" x 14".

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John Nicholson's
Lot 1141

Henry Wilkinson (1921-2011) British, Huntsman giving chase, etching, inscribed signed and numbered '55/100', 12" x 16.5".

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John Nicholson's
Lot 1142

Henry Wilkinson (1921-2011) British, Huntsman and hounds giving chase, etching, inscribed signed and numbered '75/100', 12" x 16.5".

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John Nicholson's
Lot 1143

William Walcot (1874-1943) British, an etching of the Villa Quintili, signed in pencil, 7" x 9.5".

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Ewbank's
Lot 208

Rowland Langmaid (1897-1956), Piccadilly Circus. Etching. Signed in pencil to margin. Framed and glazed. Image size 24.5 x 18cm.

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Ewbank's
Lot 230

Gyorgy Szennik (Hungarian 1923-2007). Sorakparti Fak (Avenue of Trees). Etching 1967, signed and dated lower right. Framed and glazed. Image size 29.5 x 48.5cm.

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Ewbank's
Lot 236

William Woollett (1735-1785). Cicero at his Villa. Etching and engraving after Richard Wilson. Published 1778 by W. Woollett. Light central staining and signs of handling. 44 x 56cm. Together with another by Michael Angelo Rooker Temple of Peace. Engraving after Richard Wilson, published 1776 by John Boydell. Plate size 18 x 26cm. (2)

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Ewbank's
Lot 210

French nineteenth-century etching in colours, Regnier at Brettanier after 'Andre', 'Dernier Adieu'. Framed and glazed. Image size 49 x 38.5cm.

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Ewbank's
Lot 224

A. Legsos, 'La Pecheur a la ligne'. Etching. Framed and glazed. Label verso: 'R. Gutekunst, 16 Grafton Street, Bond Street, London'. Image size

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Gerrards Auction Rooms
Lot 900

Pablo Picasso (1881-1973). Etching on Montval paper titled "Deux Modeles Vetus" (Two Dressed Models); plate 42 from "La Suite Vollard," 1933. Pencil signed along the lower right

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Gerrards Auction Rooms
Lot 953

Nude Chalk/Pencil Etching depicting a sleeping woman, marked WAS 1978 to bottom right of picture, framed behind glass. Overall size 20'' x 26''.

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Gerrards Auction Rooms
Lot 980

Alistair Grant (1925- 1997) Modern Abstract Etching 'The Shoe', pencil signed to the margin; framed and glazed; Grant CV: Royal College of Art, staff, Head of Printmaking Dept. and Professor of Printmaking

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Criterion Auctioneers Ltd - London & Bath
Lot 66

A framed and glazed etching. H.38 W.30cm

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Criterion Auctioneers Ltd - London & Bath
Lot 143

Giovanni Benedetto Castiglione(1609-1664) A framed and glazed antique etching of two studies of a man wearing a turban. Signed in plate. H.33 W.43

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Criterion Auctioneers Ltd - London & Bath
Lot 144

Salomon Koninck (1609?1656) A framed and glazed antique etching 'A Man with a Penknife'. Unsigned. H.43 W.33

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Criterion Auctioneers Ltd - London & Bath
Lot 145

Ferdinand Bol (1616 - 1680) A framed and glazed etching of The Philosopher, signed in plate and dated 1639. H.43 W.43

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Criterion Auctioneers Ltd - London & Bath
Lot 155

After David Teniers the Younger-A framed and glazed 18th century etching of a man pouring a glass of ale. Inscribed. H.45 W.33

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Keys Fine Art Auctioneers
Lot 284

LEONARD BREWER ETCHING OF A MANCHESTER SCENE

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Gorringes
Lot 1515

Henry Rushbury (1889-1968), etching, Abbey Ruins, signed, 22 x 31cm

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Gorringes
Lot 1534

Johnstone Baird (1880-1935), etching, View of Big Ben, signed, 44 x 20cm and a John Goodchild etching, Along the Thames, 22 x 29cm

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Gorringes
Lot 1535

Julian Trevelyan (1910-1988), etching, Villa Gamberaia, signed in pencil, 89/100, 48 x 35cm

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Goldfield
Lot 165

REMBRANDT VAN RIJN (1606-1669) Abraham, speaking with Isaac Etching with drypoint on handmade paper. (1645). - Sizes: Hors cadre H =151mm L =127mm - Weight (K): 0,36kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: REMBRANDT VAN RIJN (1606-1669)

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Browns
Lot 74

Johnstone Baird, British (1872-1935)Christchurch Bay, etching, signed LR in pencil:Johnstone Baird19 x 31cm

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Stride & Son
Lot 1084

Louis Icart, 'Le Bandeau', signed in pencil, blindstamped, colour etching, pl.38.5 x 47cm, in a verre eglomise mount.

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Stride & Son
Lot 1392

Ethelbert White, 'Porlock Weir', signed and titled, etching, pl.25 x 32.5cm.

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Stride & Son
Lot 1350

Louis Le Grande, dancers, signed in pencil, etching, pl.37.5 x 22.5cm.  

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Stride & Son
Lot 1353

Paul Cesar Helleu, 'Mme and her daughter Ellen', dry point etching, signed in pencil, pl.33.5 x 30cm.     

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Stride & Son
Lot 1112

Rowland Langmaid, 'Westminster', signed and titled in pencil, etching, pl.12.5 x 25cm. 

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Stride & Son
Lot 1390

European School, untitled, unsigned, etching, pl.60.5 x 45cm.  Provenance: The Parker Gallery, London.

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TW Gaze
Lot 1151

HAZEL BULLOCK (XX/XX1): A framed and glazed etching of sail boats, signed on the mount, 24.5cm x 35cm

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Bellmans
Lot 397

NAOMI CLEMENTS WRIGHT (BRITISH, 20TH/21ST CENTURY) (3)Red Tulipssigned, titled and numbered in pencil 'NClementsWright 21/250' (in lower margin)limited edition colour print55 x 66cmtogether with an etching by Andrew Ingamells, Le Theatre de L'Opera, Paris, signed, dated and numbered in pencil 'Andrew Ingamells 1994 5/150' (in lower margin), 41 x 61.5cm; and a limited edition print by William Bowyer, Late Summers Afternoon at Nevill Holt, signed, titled and numbered in pencil 'William Bowyer 46/150' (in lower margin), 59 x 77cmARR(3)ProvenanceHaunch of VenisonCondition reportBoth works in good, clean condition; framed and under glass - ready to hang.

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