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David Hockney R.A. (British 1937-) A Picture of Ourselves from "The Blue Guitar", 1976-77, signed and numbered 122/200 in pencil in the margin, (S.A.C. 210; Tokyo 189), colour etching and aquatint.plate size 34.5cm x 42.5cm (13.5in x 16.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition. There are some minor spots of foxing and browning across the sheet. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
David Hockney R.A. (British 1937-) "Portrait of Cavafy II", signed and dated '66 in pencil in the margin, from Illustrations for Fourteen Poems from C.P. Cavafy, 1966, etching with aquatint.plate size 35cm x 22.5cm (13.75in x 8.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition. There are one or two minor spots of foxing across the sheet and the paper has some minor undulations. The print is ornately framed and glazed.
A collection of watercolours and prints to include:The Cunard Liner "Andania" at London Docks, w/c signed J R Dominy; Tregony Cornwall, pen & ink, signed Iris FoulkesContinental Street scene with figures, watercolour, signed and dated 37?Pair of Winnie the Pooh prints Waiting for the Wind, etching by M Lloyd with further prints and watercolours, various subjects (1 box) Q
A collection of frames: Framed prints, signed etching ‘Napoleon Salute with Cuirassiers approx 30cm x 30cm, a framed print of the Duke of Cambridge giving Crimea medals to French Troops approx 30cm x 25cm. With a large signed framed print of a group of French soldiers by Frank Sternberg forVirtue & Co Ltd 1924 approx 60cm by 50cm.Framed Print, Life in the Army, ‘On the March’ &At a Field Day’ plate 10 & 13. With one other of the same artist. Approx 38cm x 30cm. Signed & framed engraving titled ‘Evelyn’. (7)
James Gillray (British 1756-1815) Hero's Recruiting at Kelsey's; -or- Guard-Day at St James's Etching with later hand-colouring, 1797 published by H. Humphrey, London 35.5 x 24.5cm (13¾ x 9½ in.) Condition Report: Under glass, unexamined out of glazed frame. Slight undulation to the sheet. Bleaching to the lower edge with a tear to the lower right corner. Condition Report Disclaimer
λ Brenda Hartill (1940-) Silver Mountain II Etching with aquatint Signed, numbered 18/50, dated 1999 50 x 38cm (19½ x 14¾ in.) and another 'Alchemy II', A/P, dated 1999 (2) Provenance: From the collection of the late Mrs Guri Scotford and by family descent Condition Report: generally good but some discolouration to paper. Condition Report Disclaimer
λ Valerie Thornton (British 1931-1991) Monterde, Spain Etching and aquatint in colours, 1980 Signed in pencil, titled, dated and numbered '80 3/40 Plate 49.5 x 69cm (19¼ x 27 in.) Condition Report: Under glass, unexamined out of glazed frame. Appears to be in original condition. Condition Report Disclaimer
James Abbott McNeill Whistler (American 1834-1903) The Unsafe Tenement Drypoint etching Image 15.3 x 22.1cm (6 x 8½ in.) Condition Report: Under glass, unexamined out of glazed frame. Light discoloration throughout. Plate marks hardly visible. Misalignment visible to the upper edge. Slight undulation throughout the sheet. Condition Report Disclaimer
After Edward Burne Jones Flamma Vestalis by Eugène Gaujean, Etching on vellum, published by Thomas Agnes & Sons, 1887 Signed by Gaujean (lower right) 40.5 x 15cm (15¾ x 5¾ in.) Condition Report: Under glass, unexamined out of glazed frame. undulation and discoloration to the sheet. Condition Report Disclaimer
Y After Newton Fielding (1797-1856) Cock fighting- the set of 6 Etching and aquatint, with hand-colouring Trimmed, title labels to reverse 14 x 19cm (5½ x 7¼ in.) Gilt slips, rosewood frames (6) Condition Report: All trimmed- and reframed- late Victorian probably- various old labels to reverse- browning and fading throughout- some mild veneer losses to frame margins- no publisher details Condition Report Disclaimer
AFTER K VERNON "The Wind on the Heath" black and white engraving signed and titled in pencil 16.5cm x 21cm together with AFTER JOSEPH KIRKPATRICK "Study of Working Horses and Plough" black and white etching, signed in pencil lower right 27.5cm x 43cm, AFTER EDWARD STAMP "Winter Evening", limited edition print 25/75 signed, titled and numbered in pencil 17.5cm x 13.5cm together with various other paintings and prints
COLONEL JAMES ALEXANDER GRANTE (ACTIVE 1745-6) RARE JACOBITE MAP OF GREAT BRITAIN 1745-6, PUBLISHED engraving and etching, printed on paper, being a map of the routes, battles and sieges of the campaign of Prince Charles Edward Stuart in Great Britain, 1745-6 (Jacobite Rebellion (1745-6)), titled A CHART/ Wherein are mark’d all the different Routs of P. Edward in Great Britain, and the Marches of his Army, and the English. The Sieges are distinguish’d, and the Battles that were Fought in this Enterprise [process]/ This Chart with the Book will be very useful in History, the Dates of the principle Events, being marked with the greatest care and exactness./ More care has been taken in this Chart to mark out the motions of the Armies / than to make an exact Geographical Description of the Counties: An / old Map of Morden was our Model, as being proper for the Design. INSCRIB’D – to all –The HONEST(63.7cm x 41.5cm)Provenance: Property from Tornaveen House, AberdeenshireFootnote: Note: This map, a reduced version of a larger map held in the Royal Collection, was issued folded inside a ‘Book’ which is referred to in the title. The ‘Book’ is a small explanatory text entitled: ‘A / Description / of a / chart / wherein are marked out / All the different Routes / of / Prince Edward / in / Great Britain / and the Marches of his Army and the / E - gl - sh.’ According to Blaikie p.106, it was published in 1749. A description of the map and booklet is given in Shirley 1988, pp.63-4. Shirley records no variant states for this map which is thought to have been a proof and therefore very few copies would have been seen by the public. Copies of this map are held in the Royal Collection (RCIN 729135); and The National Archives, Kew (TNA MPF 1/2 extracted from SP 36/79.)
Sheila Oliner (1930-2020)'Oliver's Screen' etching and aquatint, numbered 56/75, signed in pencil lower right, 75cm x 57cm and one other by the same artist 'Girl with plants' etching and aquatint, numbered 56/75, signed in pencil lower right, 75cm x 57cm, both unframed (2)Condition report: Both with some creases, foxing and small stains, particularly to edges and corners.
Tessa Beaver (1932-2018)'Enfield Centre, New Hampshire' etching and aquatint, numbered 11/125, signed in pencil lower right, 77cm x 56cm and 'Pelham, Massachusetts' etching and aquatint, numbered 11/125, signed in pencil lower right, 77cm x 56cm and another by the same artist 'Vines: Ibiza' etching and aquatint, 24/100, signed in pencil lower right, 56cm x 50cm all unframed (3)Condition report: Minor creasing and foxing to edges, consistent with age and use. Unframed and unmounted.
20th Century School'Market stall' etching, numbered 2/25, signed indistinctly and dated 1977 lower right, 27cm x 32cmCondition report: Minimal display wear and scuffs to the frame, consistent with age and use. Otherwise ok. Please note we have not removed this piece from the frame to examine.
* * Elphinstone (20th Century)'Ibis' drypoint etching, signed in pencil lower right, 17cm x 23cmCondition report: Some small losses and signs of wear to the frame. Some minor foxing and some stains to the picture and mount. Please note we have not removed this piece from the frame to examine.
Salvador Dali (1904-1989)'Planetary and scatological vision' drypoint etching over lithograph, numbered 65/195, signed in pencil lower right, 93cm x 63cmProvenance: Halcyon Gallery, 29 Bruton Street, Mayfair, London, W1J 6QP label to the reverse of the frame. Condition report: Minor area of damage to the top border of the frame. Otherwise good overall condition with minor wear throughout.
A George VI Royal Engineers officer's dress sword with acid etched blade marked for Alkit of Cambridge Circus, wired shagreen grip and brown leather scabbard. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots). Condition report: major loss of leather to scabbard, blade has light pitting and rust towards the tip. Bullion loop almost gone. blade etching still good and blade is straight with no visible damage. Shagreen with light wear but otherwise good.
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71174 item(s)/page