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Lot 90

KATHRYN ASH: A framed and glazed surrealist etching entitled "Peril with the Pink", pencil signed and dated '84, 49cm x 49cm

Lot 233

MICHAEL COLE. BRITISH 20TH CENTURY Rural landscape. 'Love at First Sight' Signed and inscribed. Etching 16' x 13'

Lot 39

David Hockney R.A. (British 1937-) A Picture of Ourselves from "The Blue Guitar", 1976-77, signed and numbered 122/200 in pencil in the margin, (S.A.C. 210; Tokyo 189), colour etching and aquatint.plate size 34.5cm x 42.5cm (13.5in x 16.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition. There are some minor spots of foxing and browning across the sheet. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 41

David Hockney R.A. (British 1937-) "Portrait of Cavafy II", signed and dated '66 in pencil in the margin, from Illustrations for Fourteen Poems from C.P. Cavafy, 1966, etching with aquatint.plate size 35cm x 22.5cm (13.75in x 8.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition. There are one or two minor spots of foxing across the sheet and the paper has some minor undulations. The print is ornately framed and glazed.

Lot 3015

Two Victorian oil on canvas river running through wooded area along with etching of Claybury.

Lot 3085

Sheila Oliver Flower for Jetta (? - indistinct)coloured etching, plate size 39.5 x 30cm, Artist's Proof, signed in pencil , framed 

Lot 3089

17th century Methuen Family member etching from 1745 in period frame.

Lot 3098

A collection of watercolours and prints to include:The Cunard Liner "Andania" at London Docks, w/c signed J R Dominy; Tregony Cornwall, pen & ink, signed Iris FoulkesContinental Street scene with figures, watercolour, signed and dated 37?Pair of Winnie the Pooh prints Waiting for the Wind, etching by M Lloyd with further prints and watercolours, various subjects (1 box) Q

Lot 3107

A collection of frames: Framed prints, signed etching ‘Napoleon Salute with Cuirassiers approx 30cm x 30cm, a framed print of the Duke of Cambridge giving Crimea medals to French Troops approx 30cm x 25cm. With a large signed framed print of a group of French soldiers by Frank Sternberg forVirtue & Co Ltd 1924 approx 60cm by 50cm.Framed Print, Life in the Army, ‘On the March’  &At a Field Day’ plate 10 & 13. With one other of the same artist. Approx 38cm x 30cm. Signed & framed engraving titled ‘Evelyn’. (7)

Lot 110

λ John Bellany (British 1944-2013) Raised Beach Etching Signed, numbered 24/45 46 x 40.5cm (18 x 15¾ in.) Unframed- sheet size 63 by 56.5cm Condition Report: Some paper discolouration - slight paper cockling Condition Report Disclaimer

Lot 111

λ Eileen Cooper (British b.1953) Laugh out Loud, 1996 Etching, litho, woodcut & Chine Colle Signed, numbered 23/100 60.5 x 42cm (23¾ x 16½ in.) Frame 85 by 65cm Condition Report: Good- slight paper cockling Condition Report Disclaimer

Lot 128

λ Richard Robbins (British 1927-2009) Pilgrims way, Etching Signed in pencil, titled and inscribed 'Working Proof' 54.5 x 69cm (21¼ x 27 in.) Condition Report: paper browning, scattered spotting but with larger marks to left hand margin and under inscription Condition Report Disclaimer

Lot 129

λ Richard Robbins (British 1927-2009) Lyme Regis Beach Etching Signed in pencil, titled and inscribed Artists Proof 45.5 x 59cm (17¾ x 23 in.) Condition Report: Some paper discolouration and scattered spotting Condition Report Disclaimer

Lot 140

James Gillray (British 1756-1815) Hero's Recruiting at Kelsey's; -or- Guard-Day at St James's Etching with later hand-colouring, 1797 published by H. Humphrey, London 35.5 x 24.5cm (13¾ x 9½ in.) Condition Report: Under glass, unexamined out of glazed frame. Slight undulation to the sheet. Bleaching to the lower edge with a tear to the lower right corner. Condition Report Disclaimer

Lot 144

Shiraishi La Cloture (The Enclosure) 2004 etching signed and numbered 30/45 (in the margin) The plate 13 x 10cm (5 x 3¾ in.) Provenance Doric Arts, Kings Lynn, 2004. Condition Report: good condition Condition Report Disclaimer

Lot 206

λ Elizabeth Blackadder (British b. 1931) Orchidaceae Taeniophyllum Latipetulum, 2003 Etching Signed, artist's proof from the edition of 40 28 x 15cm (11 x 5¾ in.) Frame 17 by 58.5cm Condition Report: looks to be in good condition Condition Report Disclaimer

Lot 214

λ Richard Beer (British1928-2017) Palermo Coloured etching Signed, numbered 2/70 and inscribed 52 x 29cm (20¼ x 11¼ in.) Framed and glazed. Condition Report: mild pigment fade Condition Report Disclaimer

Lot 226

λ Brenda Hartill (1940-) Silver Mountain II Etching with aquatint Signed, numbered 18/50, dated 1999 50 x 38cm (19½ x 14¾ in.) and another 'Alchemy II', A/P, dated 1999 (2) Provenance: From the collection of the late Mrs Guri Scotford and by family descent Condition Report: generally good but some discolouration to paper. Condition Report Disclaimer

Lot 231

λ Valerie Thornton (British 1931-1991) Monterde, Spain Etching and aquatint in colours, 1980 Signed in pencil, titled, dated and numbered '80 3/40 Plate 49.5 x 69cm (19¼ x 27 in.) Condition Report: Under glass, unexamined out of glazed frame. Appears to be in original condition. Condition Report Disclaimer

Lot 234

James Abbott McNeill Whistler (American 1834-1903) The Unsafe Tenement Drypoint etching Image 15.3 x 22.1cm (6 x 8½ in.) Condition Report: Under glass, unexamined out of glazed frame. Light discoloration throughout. Plate marks hardly visible. Misalignment visible to the upper edge. Slight undulation throughout the sheet. Condition Report Disclaimer

Lot 235

James Abbott McNeill Whistler (American 1834-1903) The Pool Etching, 1859 Plate 13.5 x 21.2cm (5¼ x 8¼ in.) Mounted, unframed Condition Report: Paper browned- scattered spotting throughout Condition Report Disclaimer

Lot 237

λ Marie Laurencin (French 1883-1956) L'Eventail Rose Etching and aquatint Signed in pencil and numbered 54/100 Plate 30 x 25cm (11¾ x 9¾ in.) Condition Report: some paper undulations, paper slightly discoloured and pigments slightly faded Condition Report Disclaimer

Lot 244

After Edward Burne Jones Flamma Vestalis by Eugène Gaujean, Etching on vellum, published by Thomas Agnes & Sons, 1887 Signed by Gaujean (lower right) 40.5 x 15cm (15¾ x 5¾ in.) Condition Report: Under glass, unexamined out of glazed frame. undulation and discoloration to the sheet. Condition Report Disclaimer

Lot 267

Y After Newton Fielding (1797-1856) Cock fighting- the set of 6 Etching and aquatint, with hand-colouring Trimmed, title labels to reverse 14 x 19cm (5½ x 7¼ in.) Gilt slips, rosewood frames (6) Condition Report: All trimmed- and reframed- late Victorian probably- various old labels to reverse- browning and fading throughout- some mild veneer losses to frame margins- no publisher details Condition Report Disclaimer

Lot 426

Dirk Langendijk (Dutch 1848-1905) etching of a soldier with a fur hat, on paper. W:26cm x H:34cm

Lot 431

TIM MAJOR. British. Etching and aquatint of a sparrowhawks at night. Signed in pencil TM 04. 1 of 30. W:28cm x H:23cm

Lot 469

A large coloured etching of a cathedral in antique frame signed W Monk. W:79cm x H:97cm

Lot 455

AFTER K VERNON "The Wind on the Heath" black and white engraving signed and titled in pencil 16.5cm x 21cm together with AFTER JOSEPH KIRKPATRICK "Study of Working Horses and Plough" black and white etching, signed in pencil lower right 27.5cm x 43cm, AFTER EDWARD STAMP "Winter Evening", limited edition print 25/75 signed, titled and numbered in pencil 17.5cm x 13.5cm together with various other paintings and prints

Lot 499

PAUL PRY "A Misconception" colour etching pub. 1829 by T. M. McLean, plate size 26.5 cm x 38 cm

Lot 3136

After Giovanni Andrea Podesta. Bacchus and Ariadne, etching, 32cm x 39cm.

Lot 3142

Alphonse Legra. Gentleman sleeping, artist signed etching, 25cm x 19cm, and another after Rose Manry, Le Main Claude, 10cm x 14.5cm.

Lot 291

COLONEL JAMES ALEXANDER GRANTE (ACTIVE 1745-6) RARE JACOBITE MAP OF GREAT BRITAIN 1745-6, PUBLISHED engraving and etching, printed on paper, being a map of the routes, battles and sieges of the campaign of Prince Charles Edward Stuart in Great Britain, 1745-6 (Jacobite Rebellion (1745-6)), titled A CHART/ Wherein are mark’d all the different Routs of P. Edward in Great Britain, and the Marches of his Army, and the English. The Sieges are distinguish’d, and the Battles that were Fought in this Enterprise [process]/ This Chart with the Book will be very useful in History, the Dates of the principle Events, being marked with the greatest care and exactness./ More care has been taken in this Chart to mark out the motions of the Armies / than to make an exact Geographical Description of the Counties: An / old Map of Morden was our Model, as being proper for the Design. INSCRIB’D – to all –The HONEST(63.7cm x 41.5cm)Provenance: Property from Tornaveen House, AberdeenshireFootnote: Note: This map, a reduced version of a larger map held in the Royal Collection, was issued folded inside a ‘Book’ which is referred to in the title. The ‘Book’ is a small explanatory text entitled: ‘A / Description / of a / chart / wherein are marked out / All the different Routes / of / Prince Edward / in / Great Britain / and the Marches of his Army and the / E - gl - sh.’ According to Blaikie p.106, it was published in 1749. A description of the map and booklet is given in Shirley 1988, pp.63-4. Shirley records no variant states for this map which is thought to have been a proof and therefore very few copies would have been seen by the public. Copies of this map are held in the Royal Collection (RCIN 729135); and The National Archives, Kew (TNA MPF 1/2 extracted from SP 36/79.)

Lot 145

Sheila Oliner (1930-2020)'Oliver's Screen' etching and aquatint, numbered 56/75, signed in pencil lower right, 75cm x 57cm and one other by the same artist 'Girl with plants' etching and aquatint, numbered 56/75, signed in pencil lower right, 75cm x 57cm, both unframed (2)Condition report: Both with some creases, foxing and small stains, particularly to edges and corners.

Lot 150

June Berry (b.1924)'Le Verger' etching and aquatint, artists proof, signed in pencil lower right, unframed, 53.5cm x 46.5cmCondition report: Some foxing and minor stains. Minor creasing to corners and edges in particular. Slight damp odour.

Lot 157

June Berry (b.1924)'The farmyard from passing days' etching and aquatint, numbered 28/50, signed and dated in pencil lower right, unframed, 32cm x 37cmCondition report: Some minor creases to edges and corners. Foxing throughout. Slight damp odour. Otherwise ok.

Lot 160

Tessa Beaver (1932-2018)'Enfield Centre, New Hampshire' etching and aquatint, numbered 11/125, signed in pencil lower right, 77cm x 56cm and 'Pelham, Massachusetts' etching and aquatint, numbered 11/125, signed in pencil lower right, 77cm x 56cm and another by the same artist 'Vines: Ibiza' etching and aquatint, 24/100, signed in pencil lower right, 56cm x 50cm all unframed (3)Condition report: Minor creasing and foxing to edges, consistent with age and use. Unframed and unmounted.

Lot 182

Richard Beer (1928-2017) 'Palais Royal I' etching and aquatint, numbered 13/90, signed in pencil lower right, unframed, 76cm x 58cmCondition report: Overall ok, with minimal creasing to edges and corners as expected. This piece is unframed.

Lot 213

Ando Shinji (b.1960)'Botanical study' etching and aquatint, numbered 14/50, signed and dated 1981 in pencil lower right, 31cm x 22cmCondition report: Overall ok, with minimal display wear to the frame. Please note we have not removed this piece from the frame to examine.

Lot 214

Ando Shinji (b.1960) 'Botanical study in pink' etching and aquatint, numbered 5/35, signed in pencil lower right, 44cm x 29cmCondition report: Minimal display wear to the frame, otherwise ok. Please note we have not removed this piece from the frame to examine.

Lot 215

Ando Shinji (b.1960) 'Botanical study in blue' etching and aquatint, numbered 6/35, signed in pencil lower right, 44cm x 29cmCondition report: Minimal display wear to the frame, otherwise ok. Please note we have not removed this piece from the frame to examine.

Lot 224

M Deja (Contemporary)'Vat Arun, Bangkok' etching, numbered 77/300, signed in pencil lower right, 23cm x 29cmCondition report: Overall ok. Minimal wear and display scuffs to the frame. No major damage or restoration.

Lot 232

20th Century School'Market stall' etching, numbered 2/25, signed indistinctly and dated 1977 lower right, 27cm x 32cmCondition report: Minimal display wear and scuffs to the frame, consistent with age and use. Otherwise ok. Please note we have not removed this piece from the frame to examine.

Lot 237

20th Century School'Untitled Arab scene' etching, unsigned, 49cm x 67cmCondition report: Some slight wrinkling/waviness to the paper under the glass. Otherwise ok. Minimal display wear and scuffs to the frame. Please note we have not removed this piece from the frame.

Lot 241

* * Elphinstone (20th Century)'Ibis' drypoint etching, signed in pencil lower right, 17cm x 23cmCondition report: Some small losses and signs of wear to the frame. Some minor foxing and some stains to the picture and mount. Please note we have not removed this piece from the frame to examine.

Lot 316

Salvador Dali (1904-1989)'Planetary and scatological vision' drypoint etching over lithograph, numbered 65/195, signed in pencil lower right, 93cm x 63cmProvenance: Halcyon Gallery, 29 Bruton Street, Mayfair, London, W1J 6QP label to the reverse of the frame. Condition report: Minor area of damage to the top border of the frame. Otherwise good overall condition with minor wear throughout.

Lot 324

Donald Wilkinson (b.1937)'Towards the sea, Eigg' etching and aquatint, numbered 14/150, signed in pencil lower right, 45cm x 56cmCondition report: Overall good condition with minimal display wear to the frame. Please note we have not removed this piece from the frame to examine.

Lot 122

After Andre Bicat, 'Bocchignano, Sabino', an Italian mountain village, limited edition etching no 2/5, signed in pencil by the artist. 31 x 41cm approx. Together with two further etchings by Bicat. All framed and glazed.(B.P. 21% + VAT)

Lot 3217

A George VI Royal Engineers officer's dress sword with acid etched blade marked for Alkit of Cambridge Circus, wired shagreen grip and brown leather scabbard. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots). Condition report: major loss of leather to scabbard, blade has light pitting and rust towards the tip. Bullion loop almost gone. blade etching still good and blade is straight with no visible damage. Shagreen with light wear but otherwise good.

Lot 611

Charles Edward Holloway; engraving of the Thames with St Paul's in the background; Huardel Bly etching, both framed and glazed

Lot 626

MINIATURE OIL PAINTING OF TREES IN LANDSCAPE, SIGNED WITH INITIALS ''AH'' TOGETHER WITH A COLOUR ETCHING SIGNED & INSCRIBED IN PENCIL AND NUMBERED 55/100

Lot 781

A LIGHTWOOD FRAMED DRESSING MIRROR the patinated glass with Art Nouveau inspired etching, 160cm high

Lot 596

INA PICKARD: (CONTEMPORARY BRITISH) 'FIGURINE, CRETE, 30,000 YEARS' etching 3/10, 30 x 38cm (framed)

Lot 635

ROWLAND LANGMAID: RIVER VIEW Etching, 47 x 35cms

Lot 662

WILLAM MONK RA: 'LONDON'S RIVER' AND 'PICCADILLY CIRCUS, LONDON' etching, and other similar items

Lot 505

A Scovell, Pear Branches, ltd ed etching 5/50, signed. 20x17cm, framed and glazed.

Lot 381

Albany Howarth, "Richmond Castle, Yorks", drypoint etching, signed in pencil, with margins, with label for C.W. Wilson & Sons Ltd. of Sunderland verso, 30 cm x 40 cm, framed.

Lot 382

William Walcot (1874 - 1943) : The House of Sallust, Pompeii, drypoint etching, signed in pencil, with the label for G.J. Milbirn Ltd. of Sunderland verso, 15cm x 20cm, framed.

Lot 383

William Walcot (1874 - 1943) : Figures in a Continental Square with Two Church Doorways, drypoint etching, signed in pencil, with the label for G.J. Milbirn Ltd. of Sunderland verso, 13 cm x 12 cm, framed.

Lot 384

Arthur L. Cherry : Church with Spire, etching, signed in pencil, 14 cm x 9 cm, together with another similar by the same artist, both parts framed though not as a pair. (2)

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