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Click here to subscribe§ John Brunsdon ARCA (1933-2014) Sea Townsigned 'John Brunsdon' (lower right); numbered 9/15etching and aquatint24 x 31cmSome slight undulation of the page which could be corrected by reframing and remounting. The perspex 'glazing' with some scuffs and surface scratches. The print itself with some very minor toning to the margins, though this is light and even, overall in nice, presentable condition.
§ John Brunsdon ARCA (1933-2014) Glaciated Valleysigned 'John Brunsdon' (lower right); numbered 94/150etching and aquatint24.5 x 32cmScratches visible in the secondary images are on the perspex 'glazing' only and not on the print itself. The work has not been examined out of the frame, the outer margins are obscured by the mount so not available for inspection. Overall the work appears to be in nice and presentable condition throughout with no foxing noted.
§ John Brunsdon ARCA (1933-2014) Dusksigned 'John Brunsdon' (lower right); numbered 24/100etching and aquatint47 x 62cmNot examined out of the frame. The margins display some light and uniform toning, the perspex 'glazing' with surface scratches and scuffs throughout visible under raking light and with one loss in the top left corner. Otherwise in nice overall condition.
John Northwood for Thomas Webb, an etched green vaseline wine glass, circa 1880, the rounded bowl with stylised laburnum festoons below a beaded border, 11cm highNote: the Northwood workshop's technique of etching even the thinnest and finest wine glasses was perfected during the 1870s and became a popular method of decorating services by the major Stourbridge factories. The petal motifs and style are distinctively by Northwood, while the shape and manufacture of this glass is by Thomas Webb.
(Victorian and Edwardian Illustrated Books, Caricatures & Humour, Engraving, Etching etc.) Fourteen assorted volumes, including Muirhead Bone (ill.); Gertrude Bone: 'Children's Children', London, Duckworth, 1908, limited edition, number 126 of 215 copies only, numbered and signed by the illustrator Muirhead Bone, tissue guarded frontispiece and many further full page and vignette illustrations by Muirhead Bone as called for, 4to, original Japanese vellum gilt, top edge gilt, armorial bookplates of Walter McLennan Citrine, 1st Baron Citrine (1887–1983), and Norman Arthur Citrine, 2nd Baron Citrine (1914–1997), to FFEP and front pastedown; "Phiz" (Hablot Knight Browne): 'Sketches of the Seaside & Country', L, Ward Lock & Tyler, c.1870, 28 full page sepia/black & white plates as called for, oblong large 4to, orig. cloth backed pictorial paper covered boards; Edward Tennyson Reed: 'Mr. Punch's Prehistoric Peeps.', L, Bradbury Agnew, c.1895, ills. throughout, oblong large 4to, original pictorial cloth gilt, all edges gilt; 'Phil May's Gutter-Snipes. 50 Original Sketches in Pen & Ink', L, Leadenhall Press, c.1896, illustrations throughout, large 4to, original pictorial cloth gilt; Charles Knight: 'Old England', L, Sangster, c.1870, 2 volumes, coloured litho plates and b/w engraved ills. throughout, folio, original blindstamped decorative cloth gilt, all edges gilt; F. Carruthers Gould: 'The Westminster Cartoons No.2', 1896, limited edition, No.55 of 250 copies, numbered & signed, b/w ills. throughout, ex library, folio, original cloth gilt; plus 7 others John Leech, Birket Foster/Brothers Dalziel, L. Raven-Hill, Phil May, Charles Keene, William Rothenstein & Charles E. Brock (14)
RUBAIYAT OF OMAR KHAYYAM, FITZGERALD (EDWARD), GEORGE HARRAP & CO., LONDON 1930 no. 333 from a limited edition of 750, with illustrations by Willy Pognay, signed by the illustrator, including etching also signed by the illustrator in pencil, gilt tooled full morocco boards, housed in original cardboard case
AFTER STEPHEN PEASE "Study of huntsman on horseback and hounds", black and white etching, signed lower left, 64 cm x 90 cm, AFTER "T.C. Garth Esq. M.F.H, Haines Hill Twyford Berks 1890", artist's proof coloured engraving, written in ink on the right hand side, 56 cm x 35 cm, together with a box of various prints, engravings, etc. (1 box plus 2 loose)
AFTER ALBANY E HOWARTH "Tom Tower Oxford", etching, signed in pencil lower right, 30 cm x 17 cm, together with others in the same hand to include "St. Giles Edinburgh", "Ely Cathedral", "Richmond Yorkshire", "Choir Transept and Pilgrim Steps Canterbury", "La Porte Guillaune Chartres", "Micklegate Bar York", "The Great Screen Winchester", "The Choir and Screen Toledo", "The Great Screen and Choir Burgos", "Chancel Ely Cathedral", together with another untitled, varying sizes and AFTER TOM WHITEHEAD "Port St. Michael Paris", etching, signed and titled to the bottom margin, 28 cm x 37.5 cm (13)
ARR Henry Wilkinson (1921-2011)Retriever with Dead Gamesigned in pencil to margin, ed 110/150etching and aquatint23.5cm x 28cmwith a second sporting etching by the same hand (2) Both framed and glazed. The leading print in the lot is generally in good condition, with some undulation below the glazing and limited foxing. The second etching is in worse condition, with very prominent foxing.
* Howard (Thomas, 1473-1554), 3rd Duke of Norfolk. A fine vellum document dated 24 May 1553, made in the first year of the reign of our sovereign Lady Mary Queen of England, the document from Thomas Duke of Norfolk, Earl Marshall of England relates to him having had and received from Edward Lord Clynton [Clinton] (1512-1584/5 English Admiral) the sum of £300 for all his woods and underwoods in his manor, document signed by Thomas Duke of Norfolk with large fragment of his pendant wax seal remaining, together with a vellum deed, 30 October 1553, being a settlement between Thomas Melkforde of Radwinter in Essex and Richard Westleye of Hempstead, to Robert Mordaunte of Hempstead, relating to the manor of Wynslowes and Goldingham, both in Hempstead, with 2 red wax seals appended (1 with 'TM'), plus 2 other 16th-century vellum deeds with fragments of wax seals appended, plus Hollar (Wenceslaus). Illustris & Excellent D.mus Dominus Thomas Howard comes Arundeliae Surriae..., 1646, uncoloured etching after A. Van Dyck, trimmed to neat line and window mounted, 265 x 195 mmQTY: (5)
Porch Gate, St Mary-the-Virgins, Oxford, etching on laid paper, signed, titled and dated 1884 in the plate, unframed, 14½ x 10½in. (36.8 x 26.7cm.), together with a collection of sixteen unframed 19th century etchings by various artists of mostly architectural subjects, some signed in pencil, largest 14½ x 10½in. (36.8 x 26.7cm.), and twenty-six hand coloured etchings and engravings, various artists and subjects. (43)*Joseph Pennell etching with very light foxing, otherwise in good condition with generous margins.
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