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Lot 967
A QUANTITY OF PICTURES AND PRINTS ETC, to include five Sheila Richards landscape watercolours, a Boris O'Klein signed and titled hand coloured etching 'Like our Masters', an indistinctly signed Southeast Asian coastal watercolour, a Barbara Wells watercolour of Daffodils, a Van Gogh poster print, 1985 Pirelli calendar, copies of The Times, assorted prints etc
Lot 297
unique hand-coloured etching, signed and titled mounted, framed and under glass image size 27cm x 33cm, overall size 58cm x 64cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. The Fine Art Society, Edinburgh staged "John Byrne: In The Studio" in December 2024.
Lot 99
limited edition aquatint etching on paper, signed, titled and numbered 23/200 mounted, framed and under glass image size 76cm x 60cm, overall size 102cm x 86cm Label verso: Duncan R. Miller Fine Arts, London. Note: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficult to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer) and in our auction of 9th November, lot 92, "Harbour" a 90 x 120cm oil by Bellany sold for £11000 (hammer). Most recently, "The Players" lot 50 in our auction of 28th March 2024 sold for £30000 (hammer).
Lot 89
I.S Alexander etching of a Bentley 3-litre nr 48/50, signed in the pencil to the margin, approx 21 x 16 cms, framed and glazed. An engraving of an unknown woman after a painting by Hans Holbein engraved by F. Bartolozzi titled In His Majesty's Collection published August 1799, approx 34 x 28 cms, framed and glazed. This lot concludes with a print Hall after West entitled William Penn's Treaty with the Indians, when he founded The Province of Pennsylvania in North America 1681, published June 12th 1775 by John Boydell, approx 61.5 x 48.5 cms, framed and glazed. (3)
Lot 65
Ashevak, Kenojuak (1927 Inuit-Camp Ikirasaq - Kinngait 2013) "Owls Soliloquy", so mit Bleistift betitelt, sign. mit Inuit-Namen "Kenojuak....", dat. Dorset 2002, bez. Etching & Aquatint und Ex. 5/50. Farbradierung, li. u. mit Blindprägung des Druckers PM mit Symbolen. 25,5x 28 cm. Im verglasten Rahmen. Ashevak war eine der bedeutendsten Inuit-Künstlerinnen Kanadas.
Lot 548
After Rembrandt (1606-1669)/ Ferdinand Bol (1616-1680) Vertumnus and Pomona Etching Inscribed in the print 'Rembrandt ft. 1640' The original drawing was previously attributed to Rembrandt, before being re-attributed to one of his pupils, Ferdinand Bol. The drawing was sold at Christie's in 2007. Property of a Lady To be sold without reserve Dimensions: (Frame) 10.5 in. (H) x 10 in. (W) (Paper) 6 in. (H) x 6 in. (W)
![Arthur Briscoe (British, 1873-1943) Flooded Decks and The Seine Net Etching on paper [a] The Seine Net Signed and](https://cdn.globalauctionplatform.com/496b9297-ec3c-4aca-be9d-b29d00a131fc/8592829b-53b9-416b-bf8d-b29d00a4fc37/468x382.jpg)
Lot 418
Walter Greaves (British, 1846-1930) Old Chelsea, The Last Regatta Circa 1871 Oil and gouache over etching on paper mounted on original board Inscribed in pencil ''Old Chelsea's Last Regatta' / By Walter Greaves / 525 Fulham Road / Waltham Green' Exhibited: Chelsea Reach 2010 (2) Property of a gentleman Dimensions: (Frame) 17 in. (H) x 28.75 in. (W) (Board) 11 in. (H) x 22 in. (W)
![A mixed lot To include: [a] British, 19th Century A pair of hunting scenes Oil on board [b] Charles Joseph Hullmandel (Briti](https://cdn.globalauctionplatform.com/496b9297-ec3c-4aca-be9d-b29d00a131fc/c9b465e5-06c6-4e35-a2c9-b29d00a46637/468x382.jpg)
Lot 432
A mixed lot To include: [a] British, 19th Century A pair of hunting scenes Oil on board [b] Charles Joseph Hullmandel (British, 1789-1850) The Aquaduct of Cairo Inscribed 'On Stone by J. C. Bourne from a Drawing by Rob. Hay Esq' (lower left), 'Printed by C Hullmandel' (lower centre), 'THE AQUADUCT OF CAIRO AND PART OF MASR-EL-ATEE KAH FROM THE ISLAND OF ER RODAH' (lower right) Inscribed and dated on glazing 'PRESENTED TO LORD SELSDON BY MEMBERS OF COMET 26 MARCH 1986' [c] Frank Harding (British, 1935-1990) Blackfriars Bridge Etching on paper Signed and titled lower margin [d] British 20th Century Near Barmouth, North Wales Watercolour on paper Signed 'Lee L' (?) lower left Inscribed 'near Barmouth, North Wales, 13' (verso) Property of a Lady To be sold without reserve Dimensions: [a] (Frame) 12 in. (H) x 29.75 in. (W) (Board) 9.25 in. (H) x 27 in. (W) [b] (Frame): 18 in. (H) x 25.5 in. (W) (Image): 10.5 in. (H) x 18.5 in. (W) [c] (Frame) 15 in. (H) x 22.25 in. (W) (Paper) 13 in. (H) x 20.25 in. (W) [d] (Frame) 16.5 in. (H) x 20.75 in. (W) (Paper) 9 in. (H) x 13.5 (W)
![James Jacques Joseph Tissot (French 1836-1902) Etching ''Paris 1877'', signed. [Frame 60x47cm]](https://cdn.globalauctionplatform.com/4d4529a7-7b7b-4a02-95ce-b2a700f4abd7/876ee575-de18-4ee7-afa0-b2aa00f5ccec/468x382.jpg)
![Fred SlocombeAntique Etching ''Bridge View'', dated 1886.[Frame 82x58cm]](https://cdn.globalauctionplatform.com/4d4529a7-7b7b-4a02-95ce-b2a700f4abd7/681e7736-0665-4711-abc3-b2aa00a5ad7f/468x382.jpg)
![Roger Raveel (1921-2013): 'Waarom', etching in colours, ed. E.A. VII/XV, [2002]Work: 10 x 10 cmPaper: 53,5 x 39,5 cmFrame: 87](https://cdn.globalauctionplatform.com/ef0eba29-1c7c-476a-91bd-b29e00b1e701/39d63a66-bb65-491d-b443-b2a7000bc202/468x382.jpg)
Lot 165
Hollar (Wenceslaus) Dobrá kočzka která nemlsá/ Dass ist eine gǔtte Khatz, die nicht nascht. (A good cat is not greedy), etching, on laid paper affixed onto card support, image 167 x 128 mm (6 1/2 x 5 in), trimmed within the platemark, small loss to the lower right corner, small hole within the lettering in the upper centre, some spotting and minor browning, unframed, [1646]Literature:Pennington 2109; New Hollstein 910
Lot 245
India.- Daniell (Thomas) N.W. View of Rotas Ghur, Bahar, from Oriental Scenery, etching and aquatint with hand-colouring, on Whatman wove paper with watermark date '1794', 475 x 605 mm (18 3/4 x 23 3/4 in), under glass, some minor toning and surface dirt, [Abbey Travel 420, no. 25], framed, 1796Provenance:Thomas Agnew & Sons, London***Rohtasgarh, Bihar, the fortress stands 900 feet above a sheer precipice with superb views of the surrounding plains of the Son river which flows north to the Ganges above Patna.
Lot 246
India.- Daniell (Thomas) and William Daniell. View from the Ruins of the Fort of Currah, on the River Ganges, from Oriental Scenery, etching and aquatint with hand-colouring, on Whatman wove paper 455 x 600 mm (17 7/8 x 23 3/4 in), under glass, some minor toning and surface dirt, [Abbey Travel 420, no. 97], framed, 1803Provenance:Thomas Agnew & Sons, London
Lot 439
John Sell Cotman (1782-1842), 'North Wales' soft ground etching, no.21 in 'Liber Studiorum: A Series of Sketches and Studies' 1838 Bohn edition, together with 'Norwich Thorpe', no.18, 1834 (originally created 1805-14), 18x11cm, 14x12cm respectively, framed and glazed (2) From Christopher Glanville RWA collection.
Lot 1509
HERBERT THOMAS DICKSEE RE (BRITISH 1862 - 1942), ETCHING 'OH FOR THE TOUCH OF A VANISHED HAND' etching on paper, framed and behind glass, mounted with lighter wood to the frame, and adorned with a bone plaque stating 'OH FOR THE TOUCH OF A VANISHED HAND', relating to the forlorn expression of the Irish Wolfhound, clutching a much loved owner's glove50cm x 82cm Overall, good condition for the age of the lot. A good amount of surface dust etc to the frame and glass. Bone plaque in good conditon, and framing appears to be sound.
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