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Lot 335

MODERN MASTERS OF ETCHING - H. RUSHBURY A.R.A., R.E Number 18, introduction by Malcolm C. Salaman, containing 12 tissue guarded photogravure plates, all "from proofs in the possession of the artist", published by The Studio Ltd, London 1928 and William Edwin Rudge, New York.

Lot 378

WILLIAM LIONEL WYLLIE (British, 1851 - 1931) ABERDEEN HARBOUR, Etching, signed in pencil lower left, title inscribed to verso, mounted and framed under glass. 18cm x 39cm.

Lot 379

WILLIAM LIONEL WYLLIE (British, 1851 - 1931) H.M.S. ORION, Etching, signed in pencil lower left, titled to label verso, mounted and framed under glass. 29cm x 21cm.

Lot 406

MAURICE DE VLAMNICK (French, 1876-1958) ETCHING STREET SCENE, signed in pencil to lower margin, mounted and framed under glass. 34cm x 28cm

Lot 43

Henry Wilkinson (20th century). Spaniels. Colour etching. Signed in pencil lower left. Numbered 62/110 lower right. 25.5cm x 34cm;. K. J. Sykes. Spaniel retrieving grouse. 47cm x 37cm

Lot 67

G.F. O'Shee (late 19th century). Grand National 20-3-1894. Watercolour. Signed and dated 11-4-94 lower right. Inscribed lower left. 16cm x 26cm. Together with. C.S.H. (early 20th century). A Cotswold Meet. Watercolour. Signed with initials lower left. 17cm x 19.5cm. and. George Vernon Stokes. Mallard in flight. Etching with hand colouring. Signed lower right. Numbered 54/75 lower left. 19cm x 25cm (3)

Lot 638

A presentation folder containing a certificate making Adolf Hitler an honorary citizen of the town of Cronberg in Taunus, dated May 1933, signed by the magistrate and town councillors, and with an etching of a stylised wheat sheaf, the cover coated with coarse fabric and embellished with a swastika, the wax town seal attached by a cord. GC (covers worn, the wax seal damaged). Lots 633 - 641 were aquired by the Vendor's Grandfather, André Le Gonidec. He served with the Free French in the 2nd Armoured Division under General Leclerc. The items were taken from a train used by Hermann Goering which was derailed by the 2nd Armoured Division near Bertchesgarten in the Winter of 1944-45

Lot 814

A good .177" BSA Cadet Major break action air rifle, c 1949-55, number CA 51964 VGWO & C, retaining virtually all original blued finish, the air chamber etching clear.

Lot 46

Kara Walker (American, b. 1969) Canisters, 1997; Sand etching on glass (six parts); From an edition of 100; 11 1/4'' x 4 1/8'' x 4'' (each); Publisher: The Renaissance Society, The University of Chicago; Provenance: Private Collection, New York

Lot 134

Wayne Thiebaud (American, b. 1920) Bird on a Swing, from Recent Etchings II, 1979; Softground etching and aquatint in colors; Signed, dated and numbered 35/50; 10'' x 12 1/2'' (image), 23'' x 29 3/4'' (sheet); Publisher: Crown Point Press, San Francisco; Provenance: Private Collection, California

Lot 141

The Atelier Project 1983-1986; Portfolio of 14 prints: Philip Pearlstein (American, b. 1924) Untitled, 1985; Etching; Signed, dated and numbered 66/85; 30 1/4'' x 22 1/2'' (sheet); Lee Bontecou (American, b. 1931) Untitled, 1986; Offset lithograph; Signed, dated and numbered 66/84; 30'' x 22 1/8'' (sheet); Leon Golub (American, 1922-2004) The Brank, 1984; Offset lithograph; Signed, titled and numbered 66/85; 30'' x 22'' (sheet); Richard Bosman (American, b. 1944) Untitled, 1983; Collagraph; Signed and numbered 66/85; 30'' x 22 1/4'' (sheet); Jackie Ferrara (American, 1929) Untitled, 1986; Hand colored etching; signed, dated and numbered 66/85; 22'' x 30'' (sheet); Rafael Ferrer (Puerto Rican, b. 1933) Untitled, 1984; Collograph; Signed and numbered 20/42; 30'' x 22'' (sheet); Greg Gillespie (American, 1936-2000) Self portrait, 1984; Offset lithograph; Signed, dated and numbered 66/85; 30'' x 22'' (sheet); Lester Johnson (American, b. 1919) Gold Series 3, 1984; Screenprint; Signed, titled and numbered 66/85; 22 1/2'' x 30 1/4'' (sheet); George McNeil (1908-1995) Untitled, 1986; Offset lithograph; Signed, dated and numbered 66/84; 21 3/4'' x 28'' (sheet); Reuben Nakian (American, 1897-1986) Leda and the Swan, 1983; Lithograph; Signed and numbered 66/86; 22'' x 30'' (sheet); Judy Pfaff (American, b. 1946) Squash, 1986; Woodcut; Signed, titled and numbered 66/85; Steve Poleskie (American, b. 1938) Aerobatic Sky Art Project for SUNY Purchase, 1979; Screenprint; Signed, titled and numbered 66/100; 22 1/2'' x 30 1/4'' (sheet); Katherine Porter (American, b. 1941) Untitled, 1986; Woodcut; Signed and numbered 66/85; 30'' x 22'' (sheet); George Sugarman (American, 1912-1999) Untitled, 1984; Offset lithograph; Signed, dated and numbered 66/85; 14'' x 22 1/2'' (irregular) four sheets attached together; (missing William Tucker and Mary Frank); Provenance: Private Collection, New York

Lot 143

Helen Frankenthaler (American, b. 1928) Spring Veil, 1987; Etching and aquatint in colors; Signed, dated and numbered; 17 1/4'' x 25 3/4'' (sheet); Provenance: Staempfli Gallery, Inc., New York (label on verso); Private Collection, New York

Lot 154

Donald Baechler (American, b. 1956) Owls, 1992; Four etching and aquatints (framed separately); Each signed, dated and numbered 22/24; 16'' x 11'' (plate) each, 25 1/4'' x 19'' (sheet) each; Publisher: Baron/Boisante Editions, New York; Provenance: Private Collection, New York

Lot 156

Victor Pasmore (British, 1908-1998) Composition, 1992; Etching and aquatint in colors; Signed, dated and numbered 69/90; 23 1/2'' x 49 1/2'' (sheet); Publisher: 2RC Edizioni de'Arte, Rome; Provenance: Staempfli Gallery, Inc., New York (label on verso); Private Collection, New York

Lot 333

DAVID YOUNG CAMERON (SCOTTISH, 1865-1945), "ARRAN", etching, inscribed and signed in the plate and signed in pencil in the margin. 12cm by 24cm

Lot 268

Etching, river scene; dunes; Ludham church small early drawing

Lot 325

R.Allman etching 'Dolphin Bridge Norwich'

Lot 121

Frank Brangwyn (1867-1956), "Caravans", signed in pencil in the margin, produced in 1923, zinc etching, plate size 28 x 94cm.; 11 x 37in. * Only 5-9 impressions were taken before the plate was reduced in size. Examples can be found in the Brangwyn-Belleroche Museum in Orange, Belgium and the William Morris Museum in Walthamstow.

Lot 174

Clare Harrison, (early 20th Century), River sprites and nymphs in a waterfall, signed in pencil, dated Christmas 1928 verso, etching, 30 x 20cm.

Lot 175

Percy Lancaster, (1878-1951), "First Editions", an antiquarian book dealer perusing a trunk of books, signed and numbered 21.50 in pencil, etching, 25 x 22.5cm. According to the label verso, the etching plate was destroyed after making 50 copies of this print.

Lot 181

Wilhelm Ropke, (early 20th Century), A pair of portraits of bearded men, both signed in pencil, one dated 1930 in the plate, etching, 24 x 17.5cm, pl. (2)

Lot 182

Harry Becker, (1865-1928), Two farmworkers reaping in a field, etching, 15 x 12.5cm, pl.

Lot 184

Rowland Langmaid, (1897-1956), "London. St Paul's from the South Side. (H.M.S. President and Blackfriars Bridge)", signed in pencil, drypoint etching, pl. 12.5 x 25cm.

Lot 812

An etching "Dreamy Spires of Oxford" signed GRAHAM CHILVERED

Lot 232

WILLIAM CHARLES - 'John Bull Making a New Batch of Ships to Send to the Lakes' etching, hand coloured, 10" x 13" and two further satirical prints to include 'An Author and Book Seller' and 'An Auction Extraordinary', HB Sketches No. 522 (3).

Lot 233

FRANCOIS BOHN - Map of Europe, engraving with hand colouring, c.1816, 15" x 19" and three further engravings to include 'Cartier'; 'Halls Library at Margate' and an etching by May Tremmel of Old Shepherd Bush (4).

Lot 261

SCHELTE ADAMS BOLSWERT AFTER RUBENS - Landscape with horseman at a brook, engraving, published by Gillis Hendricx, Antwerp, 12" x 17 1/2"; together with an abstract, lithograph, indistinctly signed and dated '57, No. 30/30, 25 1/2" x 16 1/2"; an etching signed Fliegerbauer; and a pen, ink and colour wash scene design by Carl Toms (4).

Lot 263

NATHANIEL SPARKS (1880-1957) - View of the National Gallery, London, etching, pencil signed in the margin, 30 1/2" x 10 1/2".

Lot 276

RICHARD GALL (b.1914) - 'Femmes au Soleil', colour relief etching, 11/75, titled and pencil signed in the margin, 15" x 9 1/2". Ex. Mark Gallery, 9 Porchester Place, Marble Arch, London.

Lot 281

AXEL HERMAN HAIG (1835-1921) - 'Towing in The Prize' (Notes from Old Wisby), etching, pencil signed in the margin and titled, 11 1/4" x 8", the work bears a letter attached to verso inscribed with details of the etching and signed by the artist.

Lot 282

ANA MARIA PACHECO (b.1943) - 'Study II', etching, pencil signed and dated '94 in the margin, artist proof V/X, 15" x 23 1/2".

Lot 287

VALERIE THORNTON (1931-1991) - Cliff design, etching with aquatint, pencil signed in the margin and No. 3/50, 16 1/2" x 26", mounted but unframed.

Lot 297

MARTIN HARDIE (1875-1952) - 'Newlyn Harbour 1907', etching, inscribed in pencil with the inscription 'To E.A. Reid' and with title, 6" x 8".

Lot 313

GIOVANNI BATTISTA PIRANESI - 'Altra Veduta Degli Avanzi del Pronao del Tempio Della Concordia', etching, 18 1/2" x 28".

Lot 315

WILLIAM HENRY SWEET AFTER JOHN SHAPLAND - View of St. Mark's Square with the Duge's Palace, etching, pencil signed in the margin, 5 1/4" x 7".

Lot 317

ALBRECHT DURER - St. George on horseback, etching, 5" x 4"; Malcolm Patterson (b.1873) View of a clock tower with buildings, etching, pencil signed in the margin, 8" x 7"; and a lithograph by Jean Lodge titled 'Earth I' dated 1980 (3).

Lot 318

CIRCLE OF ROWLAND LANGMAID - View of St. Paul's from the Thames, etching, 9 1/2" x 12"; Bernard Carr 'The Home Coming', etching, pencil signed in the margin, 8" x 10 1/2" and four colour prints after Ethel Parkinson (6).

Lot 321

GIOVANNI BATTISTA PIRANESI - 'Avanzi di un antico Sepolcro, aggi detto la Conocchia...', etching, 28" x 19".

Lot 334

ALBANY E. HOWARTH (1872-1936) - Town scene with Tudor buildings and figures on the pavement, etching, signed in the plate and dated 1919, also pencil signed in the margin, 10" x 12", together with various other prints or engravings to include an accurate prospect of 'Vienna, The Capital of Germany', engraved for Millar's New Complete and Universal System of Geography, a pastoral scene; a United Grand Lodge certificate (unframed); four further unframed prints; a watercolour view of Dartmeet Bridge by Cunningham Bridgman and a town view in the manner of Samuel Prout.

Lot 467

ROUSSEAU, J-J, 'The Confessions of Jean Jacques Rousseau', Privately Printed, 1904. Etching by Hedouin. 4to. cl bd. 2 vols. Tog.with WHEATLEY,H.B. 'The Dedication of Books To Patron & Friend', Elliot Stock, 1887. Tog.with 'How to Form a Library', by same, 1886. 1/4 leather scuffed, plus SOMERSET MAUGHAM, W. 'A Writer's Notebook', Heinemann, 1949, 1st edn. ltd. 342/1000, signed. 1/4 vellum, T.e.g. Plus 4 others. 9

Lot 1801

** Lock (early 20th century), A horse watering with rider, etching, indistinctly signed in pencil,

Lot 1833

Charles W. Cain (1893-1962), Westminster Bridge and the Houses of Parliament, etching, signed, unframed, 18.5cm x 38cm.

Lot 1834

Walter Henry Sweet after John Shapland, The Bridge of Sighs, Venice, etching, unframed, signed, 30cm x 20.5cm.

Lot 1838

William Lee Hankey (1869-1952), The Old Warrior, etching, signed in pencil, 20.5cm x 15cm.

Lot 281A

EMIL ORLIK (1870-1932) MICHEL ANGEL BUONARRUOTTI etching, signed and sated in pencil 1911. 63cm x 41cm

Lot 14

EDWARD D. CHERRY "York Minster", etching. graphite signed lower left margin. 12.5 x 8.5 cms.

Lot 16

IAN STRANG "Harley Street", etching, graphite signed lower right margin, 25 x 34 cms.

Lot 18

KATHE KOLLWITZ [1867-1945] 'Ende', etching with aquatint, blindstamp for A. M. Breke, Munchen-22, plate size 24.5 x 30.5 cms. One of a series of works by the artist depicting life in concentration camps during the second world war.

Lot 61

WILLIE RAWSON 'Bishops House, Meersbrook', etching, graphite signed lower right margin, 17 x 25 cms. Together with another of Coastal Castle. Lithographs of 'Chatsworth' and Hardwick Hall'. (4)

Lot 103

JAMES HENRY DOWD [1883-1956] Children watching a Punch and Judy, etching, signed in pencil lower right, 11 x 16 cms.

Lot 155

WILLIE RAWSON (Exh. 1913-14) A village scene with a figure on a road, etching, signed lower right, 17.5 x 12.5 cms. Another, of Holy Island. (2)

Lot 498

Norman Wilkinson (1882-1971), Below the Falls, Drypoint etching, signed, 22x30cm

Lot 504

John Houston RSA,l SSA RSW (1930-2008), Beach Party, Signed etching, 4 of 50, 24x19cm

Lot 506

Elyse Ashe Lord (1931-1971), New Moon, Signed coloured etching, 23of 63, 32x22cm

Lot 398

A large Baxter print of a lady wearing a blue dress reading a letter beneath a tree, 14 3/4" x 10 3/4", an etching of an alley way, indistinctly signed G Croner and dated '35, 10 3/4" x 4", a mirror and further decorative pictures and prints.

Lot 457

Leonard Robert Brightwell (1889-1983), The Dominant, Signed etching, 25x37cm

Lot 458

Leonard Robert Brightwell (1889-1983), Kings in exile, Signed etching, 23x37.5cm

Lot 459

Leonard Robert Brightwell (1889-1983), Tea on the Terrace, Signed etching, 25x19.5cm

Lot 460

Leonard Robert Brightwell (1889-1983), The babes in the wood, Signed etching, 30x22cm

Lot 476

Mathilde le Coedlake (20th century), Sir Stephen Herbert Gatty. KT, Signed etching, 24x17cm, Patricia Fishwick (b1929) ARR, Haldon Tower, oil on board dated 1970, 15x35cm and an unknown oil on canvas, woodland and, Hester Gatty (1906-1973), a collection of sketches (Hester Getty was married to Siegried Sassoon)

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