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Frank Archer, R.A., R.W.S. (British, 1912-1995): Coronation, etching, signed, titled & dated '37 in pencil, H 10.5 x W 10 cm image size; William Palmer Robins (1882 - 1959): Workers in a landscape with windmill beyond, etching, hand signed in pencil & dated 1922, H 12 x W 19 cm; together with two further prints of figural subjects by different hands (4)
After RICHARD COSWAY R.A. (1742 - 1821) Framed, unsigned, stipple engraving on paper, engraved by JOHN CONDE, couple embracing with cherub, together with SIR DAVID YOUNG CAMERON R.S.A., R.A., R.W.S., R.S.W. (1865 - 1945) Framed, signed in plate and additionally in pencil to margin, 1899 etching on paper, 'Newgate', 21cm x 17.2cm and 16.8cm x 13.3cm, (2). (ARR).
Louis Icart (1880 - 1950) A fashionable lady holding a letter, signed in pencil, numbered 105, coloured etching, together with two further works by the same artist each signed in pencil and numbered 138/250 and 60/500, 44cm by 31cm, 23cm by 17cm and 27.5cm by 14cm respectively (3) (all oval) CONDITION REPORT:
Jean Hardy (19th/20th century) A fashionable lady wearing a broad brimmed hat in a garden setting, signed in pencil, numbered 84/350, coloured etching, together with a further signed and numbered example by the same artist depicting a female form, possibly as an allegory of Autumn and a further example of a young lady admiring blossom, together with three coloured engravings by Georges Grellet (1869-1959) depicting elegant ladies in interiors and two further drawings of a similar subject matter by another hand, 53.5cm by 39cm and various other sizes (all oval) (8) CONDITION REPORT:
Emanuele Brugnoli (1859-1944) Italian A procession before Santa Maria della Salute, Venice, signed in pencil and dated 1924, etching, together with a further etching by the artist depicting a procession on the Grand Canal, Venice an etching after Jules Bastien-Lepage depicting a peasant girl holding a rake over her shoulder, a landscape etching by Oliver Hall and a collection of further prints and pictures, 17.5cm by 22.5cm and various other sizes (a collection) CONDITION REPORT:
After Giovanni Battista Piranesi (1720-1778) ''Colonna Trajana'' etching, together with three further etchings ''Colonna Antonina'', ''Veduta della Basilica di S. Giovanni Laterano'', ''Veduta dell' esterno della gran basilica di S. Pietro in Vatanico'', 56cm by 41.5cm and 54.5cm by 75cm respectively (4) CONDITION REPORT:
After Giovanni Battista Piranesi (1720-1778) ''Veduta della Piazza de Popolo'', etching, together with six further etchings, ''Veduta della Basilica di S. Maria Maggiore'', ''Veduta della Basilica di S. Paolo fuori della mura'', ''Spaccato interno della Basilica di S.Paolo fuori delle mura'', ''Veduta interna della Basilica S. Pietro in Vaticano'', ''Veduta di Piazza di Spagna'' and a further view of Roman ruins, 43cm by 56.5cm and various other sizes (7) CONDITION REPORT:
Italy, ca. 19th century CE. This is an etching -- done using an acid called a "mordant" -- depicting two saints on the back of magnificent horses. Greek writing around their heads declares them to be Saints Theodore of Amasea (always shown in military dress when on horseback) and Theodore Stratelates, who is also known as a warrior saint. The artwork of this piece is clear and had many interesting details that will draw the eye over and over again. Size: 14.5" W x 18.5" H (36.8 cm x 47 cm). Provenance: Ex. M. Reiniger collection, Chicago, IL Condition: Very slight watermarks on the paper; in modern frame. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111586
BRITISH SCHOOL (EARLY 20TH CENTURY) The Houses of Parliament and the River Thames, etching, unsigned, 21cm x 27.5cm; together with a woodcut, limited edition 9/30, indistinctly signed and dated '[19]56', 17cm x 9.5cm; and a later print of a Venetian waterway, limited edition, 2/20, indistinctly signed, 31.5cm x 11.5cm, (3).
[MISCELLANEOUS] Salaman, Malcolm, intro. Modern Masters of Etching: James McBey, The Studio, London, 1924, boards with onlaid title label, dustjacket, plate illustrations throughout, oblong quarto; and Salaman, Malcolm, intro. Modern Masters of Etching: Sir D.Y. Cameron, second volume, The Studio, London, 1932, boards with onlaid title label, dustjacket (poor), plate illustrations throughout, oblong quarto, (2).
A selection of framed pictures and prints to include an oil on canvas depicting a dusk lake view signed bottom right hand side Goldthwait.98, a framed oriental silkwork panel of rectangular form with foliate detail, a pair of watercolours depicting French sail boats upon stormy scenes, further watercolours to include a small landscape with church spire in distance, further landscapes, coloured prints/etching to include views of Gloucester, Malmesbury Abbey, etc
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71082 item(s)/page