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Click here to subscribe▴ Richard Bawden RWS NEAC RE (b.1936)'Fishermen's Huts'etching and linocut, signed 'Richard Bawden' in pencil l.r., inscribed with title and numbered '3/85'image 40 x 57.5cmCondition ReportFramed 62 x 77.5cmThe left hand margin is slightly dirty, however the printed area appears to be in generally good order. Uninspected out of glazed frame.
▴ Richard Bawden RWS NEAC RE (b.1936)'Hydrangeas'etching and aquatint in colours, signed 'Richard Bawden' in pencil l.r., inscribed with title and numbered '29/75' l.l.image 43.5 x 32cmCondition ReportFramed 66.5 x 54.5cmIn good overall condition and well presented. Unexamined out of glazed frame.
▴ Julian Trevelyan RA (1910-1988)'Macclesfield'Etching and aquatint in colours, signed 'Julian Trevelyan' in pencil l.r., inscribed with title and numbered '53/75'image 46.5 x 34.5cmCondition ReportFramed: 88.5 x 68cmTime staining and light foxing with some slight creasing to the top half of the print. Unexamined out of glazed frame.
▴ Julian Trevelyan RA (1910-1988)'San Gimignano'etching in colours, AP, signed 'Julian Trevelyan' in pencil, l.r., inscribed with title l.c., and 'Artists Proof' l.l.image 49 x 37.5cmCondition ReportFramed: 75.5 x 65.5cmLight rippling to the paper with some minor spots of surface dirt to the margins, however the printed area appears to be unaffected. Unexamined out of glazed frame.
▴ Julian Trevelyan RA (1910-1988)'Thames Barge'etching and aquatint in colours, 1984, signed 'Julian Trevelyan' in pencil l.r., inscribed with title and numbered '36/50'image 47.5 x 34.5cmCondition ReportFramed: 74 x 54cmSome light rippling to the paper, the print has an acidic mount. Unexamined out of glazed frame.
▴ Dame Paula Rego RA (Portuguese-British, 1935-2022)'Flying out of the Window'etching and aquatint on Somerset paper, 1992, published by the Artist and Marlborough Graphics, printed by Paul Coldwell at Culford Press, London, signed 'Paula Rego' and numbered '8/25' in pencilplate mark 19.5 x 11.5cmCondition ReportNot viewed out of glazed frame. Appears to be in good condition.
Bob Dylan (American, b.1941)'Sidewalk Café'Fine art giclée print on Hahnemühle 350gsm Museum Etching paper, from 'The Drawn Blank Series' published by Washington Green Fine Art in association with Black Buffalo Artworks, 2011, signed 'Bob Dylan' in pencil l.r., and numbered '194/295', complete with Washington Green Fine Art certificate of authenticityimage 51 x 40cmCondition ReportFramed: 85 x 68cmIn good condition. There are two small thunderbugs trapped between the glazing and the mount to the lower half, however the printed area is unaffected. Unexamined out of glazed frame.
Bob Dylan (American, b.1941)'Amagansett'fine art giclée print on Hahnemühle 350gsm Museum Etching paper, from 'The Drawn Blank Series' published by Washington Green Fine Art in association with Black Buffalo Artworks, 2008, signed 'Bob Dylan' in pencil l.r., and numbered '225/295', complete with Washington Green Fine Art certificate of authenticityimage 74 x 54cmCondition ReportFramed: 106.5 x 83cmIn good condition and well presented. Unexamined out of glazed frame.
AN EAST INDIA COMPANY SWORD, CIRCA 1830with 32in. etched pipe backed blade, half basket hilt with hinged thumb piece and company device, wire bound leather handle with stepped pommel, contained in metal scabbard with belt loops -- 39in. (99cm.) overallEtching worn, device on handle worn, scabbard may be associated.
A Georgian hallmarked silver footed salver plate. The salver of round serpentine form having a beaded border spaced by foliate motifs & etching to centre, raised on three cabriole legs to clawed ball feet. Hallmarked for London 1781, makers marks for I.S - John Schofield. Total weight approx 201.8g. Measures approx 16cm.
A hallmarked silver maritime interest bosun's whistle. The boatswain's call pipe having banded detailing to the mouthpiece & repeated down the shaft, coiled wirework, foliate etching to the body & etched crown, anchor & monogrammed initials to the whistle bowl to a spring ring clasp. Hallmarked for Birmingham 1896, makers marks for H&T - Hilliard & Thomason. Total weight approx 22g. Measures approx 9.5cm.
Original black etched drawing on board, depicting a street in Paris leading to Norte Dame Cathedral.Artist s signatures on the lower left and lower right of the etching. Board size: 7.25in x 10in. Sight size: 4in x 5.75in. Artist: Edgar James MayberryCountry of Origin: EnglandCondition: Age related wear.
Ca. 1100-1200 AD. An open-type bracelet featuring a prominent central ridge and reinforced edges, giving it a bold and striking appearance. The exterior wall of the bracelet is smooth and adorned with very fine etchings comprising calligraphy and decorative roundels, adding a delicate and intricate touch to the overall design. Jewelry production in the Seljuk era was a highly specialized craft, with skilled artisans using a variety of techniques to create stunning pieces of metalwork. Silver, gold, and other precious metals were used to create a wide range of jewelry, including bracelets, necklaces, earrings, and rings. Etching and engraving were popular techniques, with artists creating intricate designs and patterns on metal surfaces using chisels and other tools.Size: L:65mm / W:68mm ; 225gProvenance: Acquired from A.D.; previously in a collection formed on the UK/International art market in the 1990s.
James Gillray (British 1756-1815): 'British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan trying Billy's Old Boat, and the Little Corsican tottering on the Clouds of Ambition', early 19th century etching with hand-colour pub. Hannah Humphrey, London, 1st October 1807, 25cm x 35cm with full marginsCondition Report:A good impression with nice colour, slight toning to the margins and the odd isolated fox mark
KOLLWITZ, KÄTHE (1867-1945), "Selbstbildnis", 1921, Radierung (Strichätzung und Polierstahl)/Papier (mit Wasserzeichen: Signé und letzten beiden Buchstaben eines Schriftzugs 'nd', wohl für Holland), u.re. mit Bleistift von Hand signiert, HxB: Platte ca. 21,6x26,6 cm, Blatt ca. 30x37 cm. Alters- und Knickspuren, gebräunt und Lichtrand. LITERATUR: Alexandra von dem Knesebeck, Käthe Kollwitz, Werkverzeichnis der Graphik, Bern 2002, WVZ-Nr. 171, Zustand VI.| KOLLWITZ, KÄTHE (1867-1945), "Self-Portrait", 1921, etching (line etching and polishing steel)/paper (with watermark: Signé and the last two letters of a lettering 'nd', probably for Holland), signed by hand in pencil, HxW: plate approx. 21, 6x26.6 cm, sheet approx. 30x37 cm. Signs of age and creases, browned and light edge. LITERATURE: Alexandra von dem Knesebeck, Käthe Kollwitz, catalog raisonné of graphics, Bern 2002, catalog no. 171, state VI.
ÉMILE GALLÉ, Art Nouveau Glasvase “Tempus Stellae”, 1895-1900, grünstichiges, oben opalisiertes Glas, geätzter Dekor von Sternen und Christrosen, diese mit Emaillefarben noch staffiert und gehöht, unter dem Standfuß durch Nadelätzung signiert: „Gallé Déposé Nancy“. HxD: 14,5/18 cm. Guter Erhalt mit Alters- und Gebrauchsspuren, Vergoldungen berieben. Tempus Stellae (die Zeit der Sterne) ein Dekor welches an den Stern von Bethlehem bzw. den Christlichen Weihnachtsstern erinnern soll.| Émile Gallé, Art Nouveau glass vase " Tempus Stellae", 1895-1900, green-tinged, opalescent glass at the top, etched decoration of stars and Christmas roses, these decorated and heightened with enamel colors, signed with needle etching below the base: "Gallé Déposé Nancy". HxD: 14.5/18 cm. Good content with signs of age and wear, gilding rubbed. Time of the Stars (the time of the stars) a decoration which should remind of the star of Bethlehem or the Christian Christmas star
Brian Hanscomb RE (b.1944)"Child of the Lake"Signed, inscribed and numbered 48/50 in pencil, engraving and etching, together with four further works by the same hand, "Exmoor Longstone", "Moonrise Cornwall", "Culbone Church II" and "My Sleeping Butterfy", 27cm by 21cm and various other sizes (5)
639 Friedensreich HundertwasserDIE SEEREISE ITHE JOURNEY IVOYAGE PAR MER IParis, 196745 x 31,7 cmHerausgegeben von: Jacques Lazar-Vernet, Paris, 1967Radierung auf den 4 Farbauszugsklischees (Rot, Grün, Gelb, Blau) der Reproduktion der VorlageGedruckt von: Jacques David, Paris, 1967 (begonnen mit Roger Lacourière, Paris)Auflage:200 Exemplare, unsigniert und eingebunden im Buch "Paroles peintes III", 1967 (Ein Band von 66 Seiten mit 7 Radierungen von Robert Motherwell, Calder, Jorge Perez-Roman, Sima, Joan Miró, Hundertwasser, Yoshibara. Format 385 x 290 mm).Nummeriert: I (Japan-Glanzpapier), 2-15 (Japan-Glanzpapier), 16-50 (Richard-de-Bas Papier) 51-200 (Johannot-Papier)Zusätzlich: 1-14 H.C hors commerce, I-V für die Mitarbeiter, I-XXV für die KünstlerNummerierung von Hundertwasser 1-18/18 (signiert), 1-107/107 (Nummerierung nicht von Hundertwassers Hand)Viele Blätter wurden aus dem Verbund des Buches entnommen. 11 Blätter der unsignierten Auflage wurden von Hundertwasser später signiert.Published by: Jacques Lazar-Vernet, Paris, 1967Etching on the 4 blocks of the colour extracts (red, green, yellow, blue) of the reproduction of the originalPrinted by: Jacques David, Paris, 1967 (started with Roger Lacourière, Paris)Edition:200 numbered, unsigned and bound in the book "Paroles peintes III", 1967, (a volume of 66 pages with mit 7 etchings by Robert Motherwell, Calder, Jorge Perez-Roman, Sima, Joan Miró, Hundertwasser, Yoshibara. Format 385 x 290 mm).Numbered: I (Japan Glossy Paper), 2-15 (Japan Glossy Paper), 16-50 (Richard-de-Bas Paper) 51-200 (Johannot paper) Additionally: 1-14 H.C hors commerce, I-V for the printers, I-XXV for the artists Numbering by Hundertwasser 1-18/18 (signed), 1-107/107 (numbering not by Hundertwasser) Many prints were taken from the compound of the book. 11 sheets of the unsigned edition were later signed by Hundertwasser.Koschatzky / Fürst HWG 24Probedruck bezeichnet: un de sept exemplaires trouves après numerotage / proof inscribed: one of seven specimen found after numbering639 Friedensreich HundertwasserDIE SEEREISE ITHE JOURNEY IVOYAGE PAR MER IParis, 196745 x 31,7 cmHerausgegeben von: Jacques Lazar-Vernet, Paris, 1967Radierung auf den 4 Farbauszugsklischees (Rot, Grün, Gelb, Blau) der Reproduktion der VorlageGedruckt von: Jacques David, Paris, 1967 (begonnen mit Roger Lacourière, Paris)Auflage:200 Exemplare, unsigniert und eingebunden im Buch "Paroles peintes III", 1967 (Ein Band von 66 Seiten mit 7 Radierungen von Robert Motherwell, Calder, Jorge Perez-Roman, Sima, Joan Miró, Hundertwasser, Yoshibara. Format 385 x 290 mm).Nummeriert: I (Japan-Glanzpapier), 2-15 (Japan-Glanzpapier), 16-50 (Richard-de-Bas Papier) 51-200 (Johannot-Papier)Zusätzlich: 1-14 H.C hors commerce, I-V für die Mitarbeiter, I-XXV für die Künstlerzusätzliche Nummerierung von Hundertwasser 1-18/18 (signiert), 1-107/107 (Nummerierung nicht von Hundertwassers Hand)Viele Blätter wurden aus dem Verbund des Buches entnommen. 11 Blätter der unsignierten Auflage wurden von Hundertwasser später signiert.Published by: Jacques Lazar-Vernet, Paris, 1967Etching on the 4 blocks of the colour extracts (red, green, yellow, blue) of the reproduction of the originalPrinted by: Jacques David, Paris, 1967 (started with Roger Lacourière, Paris)Edition:200 numbered, unsigned and bound in the book "Paroles peintes III", 1967, (a volume of 66 pages with mit 7 etchings by Robert Motherwell, Calder, Jorge Perez-Roman, Sima, Joan Miró, Hundertwasser, Yoshibara. Format 385 x 290 mm).Numbered: I (Japan Glossy Paper), 2-15 (Japan Glossy Paper), 16-50 (Richard-de-Bas Paper) 51-200 (Johannot paper) Additionally: 1-14 H.C hors commerce, I-V for the printers, I-XXV for the artists Additional numbering by Hundertwasser 1-18/18 (signed), 1-107/107 (numbering not by Hundertwasser) Many prints were taken from the compound of the book. 11 sheets of the unsigned edition were later signed by Hundertwasser.Koschatzky / Fürst HWG 24Probedruck un de sept exemplaires / proof un de sept exemplaires
728 Friedensreich HundertwasserWIESENMANNMEADOWMANL'HOMME PREWien 197465,5 x 49,8 cmHerausgegeben von: Gruener Janura AG (für die Graphische Sammlung Albertina, Wien), Glarus, 1974Mehrfarbige Radierung und Aquatinta von 3 KupferplattenGedruckt von: Robert Finger, Wien, 1974Auflage: 240, signiert und nummeriert 1-240/240, XL Probedrucke, signiert und nummeriert I-XL/XLPublished by: Gruener Janura AG (for The Albertina, Vienna), Glarus, 1974Colour etching and aquatint in various colours from 3 copper platesPrinted by: Robert Finger, Vienna, 1974Edition: 240, signed and numbered 1-240/240, XL proofs, signed and numbered I-XL/XL3 Farbversionen von jeweils 80 Exemplaren / 3 colour variants of 80 specimen each:a) pastellbraun / pastel brown b) pastellblau / pastel bluec) dunkelblau / deep blueKoschatzky / Fürst HWG 65Nr. 71/240728 Friedensreich HundertwasserWIESENMANNMEADOWMANL'HOMME PREWien 197465,5 x 49,8 cmHerausgegeben von: Gruener Janura AG (für die Graphische Sammlung Albertina, Wien), Glarus ,1974Mehrfarbige Radierung und Aquatinta von 3 KupferplattenGedruckt von: Robert Finger, Wien, 1974Auflage: 240, signiert und nummeriert 1-240/240, XL Probedrucke, signiert und nummeriert I-XL/XLPublished by: Gruener Janura AG (for The Albertina, Vienna)Colour etching and aquatint in various colours from 3 copper platesPrinted by: Robert Finger, Vienna, 1974Edition: 240, signed and numbered 1-240/240, XL proofs, signed and numbered I-XL/XL3 Farbversionen von jeweils 80 Exemplaren / 3 colour variants of 80 specimen each:a) pastellbraun / pastel brown b) pastellblau / pastel bluec) dunkelblau / deep blueKoschatzky / Fürst HWG 65Nr. 71/240
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