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Oxford. New (Edmund Hort), Christchurch, Oxford, Founded by Thomas Wolsey..., 1916, uncoloured photo-etching, laid on card, 460 x 670 mm, together with Loggan (David). Collegium St. Trinitatis, circa 1675, hand-coloured engraving, laid on card, 325 x 410 mm, mounted, with Monk (William). The Latin Chapel Christ Church, The Garden Gate of Trinity College [and] The Quadrangle of the University Press, 1901 - 03, together 3 uncoloured etchings, mount stained, each approximately 300 x 410 mm, mounted, with another 6 prints and engravings of Oxford, including examples by or after Stadler and Knight, plus Morden (Robert). Oxfordshire [1695 or later], hand-coloured engraved map, repaired closed tears, creased, 425 x 365 mm, mounted, and Brewer (H. W.). Birds-Eye View of Oxford, 1894, uncoloured photolithograph, trimmed to image with aperture mount for the key plate and title, several long closed tears affecting the image, one small hole, 290 x 885 mm, mounted, framed and glazedQTY: (13)

Raverat (Gwen, 1885-1957). An album of 81 wood engravings by Gwen Raverat, 1939-1950, compiled by the artist as a record of her later work, containing 81 wood engravings of which 6 are signed in pencil, small etching by Stephen Gooden pasted to front endpaper, handwritten index written in ink to verso and following leaf, all mounted on album leaves, some with title and date in pencil to lower margin, original plain cream cloth, rubbed and some marks, spine lettered in gilt: WOOD CUTS G. R. 4 (crossed out and renumbered 3 by hand), index numbered from 491-569, rebacked with original spine laid down, thick folio, leaves measure 32.5 x 27 cm QTY: (1)NOTE:Provenance: Estate of the artist, thence by descent.Selborne & Newman 492 (two states), 548, 549, 550, 551, 553 (two states), 554, 555, 556, 557, and 558 for the separately published engravings.This album contains sets of proofs for The Bird Talisman, and The London Bookbinders, as well as: Winter Morning (uncoloured and coloured versions), the latter signed and titled, Escures, Mill by Moonlight, Childe Roland, Queen's College, Essex Building, Ponies (coloured and uncoloured versions), Swans, Mill Lane, Europa, Horses at Night, and Boat Race.Those signed are Winter Monring, The Magicians Chariot, The Mill by Moon Light, Childe Roland, Europa, and Boat Race.

A 19th century etching of the Thames with views of St Paul's Cathedral, 17cm x 11cm, signed in pencil to lower right, framed and glazed.

WILLIAM LIONEL WYLLIE RA (1851-1931); pencil signed etching, HMS Victory firing a salute, 41 x 76cm, framed and glazed.Additional InformationCreases and folds to the paper in parts especially to the centre of the image, there is a possible stain to the lower side of the border, light scuffs to the frame.

WILLIAM LIONEL WYLLIE RA (1851-1931); pencil signed etching, maritime scene also signed by Tiffany Howard, approx 35 x 72cm, framed and glazed.Additional InformationStaining to the outside border, minor creases to the paper, small areas of foxing to the centre.

DAVID WOODFORD; pencil signed etching, roof tops with Snowdonia in the background, 20.5 x 44cm, framed and glazed. (D)Additional InformationThe etching is in good order, the mount slightly stained and discoloured.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

AN ETCHING OF JAN CORNELIUS PREACHER ON REVERSE IN PENCIL WRITTEN REMBRANDT (5359.2)

AN ETCHING IN PENCIL OF AN OLD MAN SEATED WITH FLOWING BEARD AND VELVET CLOAK 92-11 HIND VOLUME 2 ON REVERSE REMBRANDT (5359.1)

AN ETCHING SHOWING 3 IMAGES ON ONE PLATE IN THE STYLE OF REMBRANDT INCLUDING A SELF PORTRAIT AND CUPID NUMBER 130 SHOWING IN CENTRE (5359.3)

Samuel Palmer, "Christmas or Folding The last Sheep", etching old label information verso, measurement of plate 13cm x 11cm 

Pierre August Renoir 1841-1919, an etching entitled "La Chapeaux Epingle", 114cm x 10cm

Group of Victorian & later silver & white metal items. To include; a pocket watch with floral enamel to face & scrolling floral etching to case, hallmarked Birmingham 1887. Matching cufflinks & pin in box hallmarked Birmingham 1970. Bone & silver brush marked sterling to the metal & france to the bone. Mother of pearl & silver fruit knife hallmarked Sheffield 1875 - sponsors marks J&S. Two piece pieced white metal belt buckle, test suggest silver. A white metal pocket watch. Two transparent enamel & white metal discs in box, tests suggest silver. White metal miniature scissor & pocketknife charm. White metal sewing scissors with cherub & floral design. Weight approx; 134 grams.

GEORGES BRAQUE (1882-1963)Aout (Visage au Lierre)Etching and aquatint, 25.5 x 33cmSigned and inscribed 'H.C.'Provenance: Private Collection, Dublin

SIR TERRY FROST RA (1915-2003)San Rafael (Cadoba) (1989)Etching with aquatint, 56 x 37cm; (76 x 57cm sheet size)Signed and numbered 5/5Provenance: Private Collection, Dublin

ROSSI, Aldo (1931-1997). "Senza titolo, [=Relique], su un'antica carta francese". 1989. Photo-engr. etching. 149 x 410 mm. Framed and glazed (full margins of paper visible). NOTE:Numbered 20/70, signed, dated and titled by the artist in pencil. In fine condition.

GUBBELS -- LENSINK, T. Het kind met de grote voeten. Arnhem, 1983. 21 pp. W. 22 illustr. on 11 lvs. by K. Gubbels. Ohcl. One of 21 copies, signed by the author, and w. a separately published or. drawing by K. Gubbels, dated and monogrammed by the artist in pencil. -- Added: the same work in owrps. -- And: G. BOOSTEN. Opus 94. 1984. Etching. 198 x 240 mm. Signed, numb. & dated in pencil. -- (4).

ROSSI, Aldo (1931-1997). "Progetto px un scuderia". 1991. Photo-engr. etching. 451 x 704 mm. Framed, glazed and under passepartout. NOTE:Numbered 3/30, signed, dated and titled by the artist in pencil. In fine condition.

PIRANESI, Giovanni Battista (1720-1778). "Veduta del Tempio di Giove Tonante". (1756). Etching, captioned in the plate. 402 x 604 mm. Recently framed, glazed and under acid-free passepartout. NOTE:Presenting the Temple of Vespasian. Uninspected out of frame, but apparently in fine condition. - Hind 44, 2nd state.

KULHÁNEK, Oldrich (1940-2013). (No title). 1975. Cold. etching. 155 x 112 mm. Annotated 16/40 and signed & dated in pencil. Framed, glazed and under passepartout. -- Id. Ex libris Dick Wentzel. (1981). Cold. etching. 150 x 90 mm. Signed and dated in pencil. -- Added: L. v. MARIS & F. MONTENS. Jan Krejci & Oldrich Kulhánek. Overzicht van hun grafisch werk, 1966-74. Leiden, De Bange Duivel, 1974. W. 98 plates. & 2 or. etchings. 4°. Owrps. Printed in 750 numb. copies. -- (3).

William Walcot,Bank of England and the Royal Exchange,monochrome etching, signed,9x13.5cm.Condition report:Good condition, modern frame and mounted under glass.

William Walcot, St Pancras,monochrome etching, signed,15x24.5cm.Condition report:Slightly discoloured but this is even, modern frame, mounted under glass.

William Lionel Wyllie,Down Stream to Tower Bridge from London Bridge, monochrome etching, signed, Deighton's Strand Gallery label to the reverse,27.5x19cm.Condition report:Good condition, mounted and framed under glass.

A 19th century hand coloured etching - Cathedral

A 19th century hand coloured etching - Cathedral

ALLA SIG CRISTIANA ANDERSON Amatrice delle Belle Artiel, etching

CORNELIS DUSART (1660-1704) 'The Large Village Fair' signed and dated 1685 in plate lower left, etching, the image 24.5cm x 32.5cm

JOHN BRUNSDEN: LYME BAY WITH LOW CLOUD 4/150 colour etching 14 x 31cm (visible) (some staining to margins)

MALCOLM LLOYD, LONDON BRIDGE 1866 watercolour, with two Victorian marine pictures by A Cavalla, two continental landscapes by C Bianchiotto, an etching of the Thames by H P Evans and other paintings

An 1805 Pattern Midshipman's sword, possibly West India Company, with 73cm long single edged, single fullered blade, with faint etching of a crown and above a lance and drum, with engraved chappes/rain covers, engraved with anchors, fish skin grip with brass guard

Jean Herblet (1893-1985) - Two Setters, etching in colour, signed by the artist in pencil, 37 x 48cm, four other similar etchings in colour by Henry Wilkinson, all signed and a watercolour of birds by Christopher M Lee, signed (6) First item foxed, the others in good condition

A coloured limited edition etching

PAINTINGS AND PRINTS ETC, to include a signed mezzotint print by Francis S Walker of 'The Blue Boy' after Thomas Gainsborough, numbered 97 in roman numerals, approximate size 46cm x 32cm, signed John Brian Evanson print 'Schoolboy Dreams', Eileen Greenwood etching with colours 'Early morning - Grand Canal' 45/150, watercolour and pen sketch of country scene with a wire fence, indistinctly signed, early 20th century style oil on canvas depicting a horse and cart at the entrance to a grand house, unsigned oil on canvas, an oil on canvas after Joshua Reynolds 'Miss Bowles and her dog' signed T Weddle, two Cornish prints after Reubens Southey, prints of Italian scenes, two horse racing prints together with assorted other prints etc (Qty)

Limited edition coloured etching - Paris, indistinctly signed, numbered 399/500, titled, 29cm x 20cm, in glazed gilt frame

After Hogarth etching on wove - Characters, Charicturas, signed and dated 1741 to plate, 21 x 24cm, glazed frame together with another - The Battle of the Pictures, both in glazed frames

Henry Heath, Paul Pry's extrachan-ary peep into Piccadillo, rare hand-coloured etching dated May 29 1826, published by S.W. Fores, 25.5cm x 34cm, framed and glazed Provenance: Andrew Dando Antiques, Bath

G.M. Woodward, Insulted Virtue, hand-coloured satirical etching, published 1806 by Rudolph Ackermann, 27cm x 37.5cm, framed and glazed Provenance: Andrew Dando Antiques, Bath

Winifred Austen (1876- 1964) one signed etching and a print - 'The first shot' 14cm x 22cm and mallards in flight, 29cm x 20cm, both in glazed frames (2)Upon closer inspection the image of 'The first shot' is a print of the original etching. The title and signature are also printed.

Willi Kissmer (b. 1951) signed limited edition etching, female torso, no. 209 / 250, mounted in glazed frame, 37 x 64cm

Willi Kissmer (b. 1951) signed limited edition etching, female torso, no. 50 / 50, mounted in glazed frame, 27 x 54cm, together with another similar no. 165 / 250, 24 x 35cm (2)

Boris O’Klein “Dirty Dogs of Paris” etching - 'Sus aux curieux', 51cm overall in glazed Hogarth frame

Early 20th century etching - High Holborn London, 34cm x 24cm in glazed frame

Lewis Baumer (1870-1963), pencil signed etching - 'The Little Columbine', ex RA 1921, 18cm x 21cm in glazed frame

Jan Christian Poortenaar (1886-1958) coloured etching, backs of houses, signed and with blind stamp, image 29 x 44cm, glazed frame

SIR DAVID YOUNG CAMERON ARSA RSW RA RSA (SCOTTISH 1865 - 1945), ARRAN etching on paper, titled and dated 1889 label verso image size 13cm x 25cm, overall size 38cm x 48cm Mounted, framed and under glass. Label verso: Liz McKenzie, The Studio, Glasgow.

WALKER LOWARS (SCOTTISH 19TH/20TH CENTURY), GLASGOW UNIVERSITY etching on paper, signed and titled, dated 1928 in the plate image size 22cm x 30cm, overall size 43cm x 54cm Mounted, framed and under glass.

Wilhelm Kuhnert (Oppeln 1865 - Flims/CH 1926). Zebra und Gnus. 1923. Radierung mit Roulette, 10 x 15 cm, r. u. mit Bleistift sign. Wilh. Kuhnert, l. u. in der Platte datiert, sowie num. 4 - 100 mit Elefanten-Blindstempel, unter Passepartout und Glas gerahmt, ungeöffnet. - Deutscher Tiermaler. K. studierte als Stipendiat 1883-87 an der Berliner Akademie bei F. K. Bellermann und P. F. Meyerheim. Er unternahm zahlreiche Reisen nach Skandinavien, vor allem aber nach Afrika und Indien, wo er seine Motive fand und sich in Auseinandersetzung mit der tropischen Tierwelt zum bedeutendsten Vertreter seines Genres entwickelte. Seine Werke wurden nicht nur auf den wichtigsten europäischen Ausstellungen gezeigt, sondern auch in zahlreichen Reproduktionen verbreitet, u.a. schuf er Illustrationen zu Brehms Tierleben. Mus.: Hannover, Leiden, Enschede, Fort Worth. Lit.: Thieme-Becker, Bénézit, A. Grettmann-Werner: W. K., Tierdarstellung zwischen Wissenschaft und Kunst, 1981 u.a. Kuhnert, Wilhelm (Oppeln 1865 - Flims/CH 1926). Zebra and Gnus. 1923. Etching with roulette, 10 x 15 cm, lo. ri. autograhed Wilh. Kuhnert, lo. le. dated in the plate and num. 4 - 100 with blind stamp of an elephant, matted and framed under glass, uninspected out of frame. - German animal painter. K. studied as a scholarship holder 1883-87 at the Berlin Academy with F. K. Bellermann and P. F. Meyerheim. He made numerous trips to Scandinavia, but especially to Africa and India, where he found his motifs and developed into the most important representative of his genre by dealing with the tropical animal world. His works were not only shown at the most important European exhibitions, but also distributed in numerous reproductions, among others he created illustrations for 'Brehms Tierleben'. Mus.: Hannover, Leiden, Enschede, Fort Worth. Lit.: Thieme-Becker, Bénézit a. others.

Heinrich Vogeler (Bremen 1872 - Karaganda/Sibirien 1942). Im Mai. Radierung und Aquatinta, 31,5 x 23 cm, r. u. mit Bleistift sign. H. Vogeler, l. u. Signatur des Druckers Felsing, unter Glas gerahmt, ungeöffnet. - Deutscher Maler, Graphiker und Architekt. V. studierte mit Unterbrechungen 1890-92 an der Düsseldorfer Akademie. Er gehörte zur ersten Generation der Worspweder Künstlerkolonie und war durch seine zunächst vor allem vom Jugendstil beeinflusste Kunst ihr lyrischster Vertreter. Nach den verstörenden Erfahrungen des Ersten Weltkrieges begeisterte er sich für die Ideale der Russischen Revolution, für deren Propagierung er seine sog. Komplexbilder entwickelte. 1931 emigrierte er endgültig in die Sowjetunion. Mus.: Worpswede, Bremen (Kunsthalle), Dresden u.a. Lit.: Thieme-Becker, Vollmer, Bénézit, Rief: H.V. - Das graphische Werk, 1983, Elze: H.V. - Buchgraphik. Das Werkverzeichnis 1895-1935, 1997, Stenzig: Worpswede-Moskau. Das Werk von H.V., 1991 u.a. Vogeler, Heinrich (Bremen 1872 - Karaganda/Sibirien 1942). In May. Etching and aquatint, 31,5 x 23 cm, lo. ri. autographed H. Vogeler, lo. le. signature of the printer Felsing, framed under glass, uninspected out of frame. - German painter, graphic artist and architect from the first generation of the Worpswede artist's colony. The early phase of his creative career was influenced by art nouveau. After the disturbing experience of WW I he got enthusiastic about the ideals of the Russian Revolution, for the propaganda of which he developed his so called 'Komplexbilder'. In 1931 he emigrated definitely to the Sowjet Union. Mus.: Worpswede, Bremen (Kunsthalle), Dresden a. others. Lit.: Thieme-Becker, Vollmer, Bénézit, Rief: H.V. - Das graphische Werk, 1983, Elze: H.V. - Buchgraphik. Das Werkverzeichnis 1895-1935, 1997, Stenzig: Worpswede-Moskau. Das Werk von H.V., 1991 a. others.

Jean Miotte (Paris 1926 - Pignans 2016). Komposition. Farbradierung, 98 x 65 cm, r. u. mit Bleistift sign. J. Miotte, l. u. num. 10/80, min. unregelmäßig, unter Glas gerahmt, ungeöffnet. - Französischer Maler, einer der Pioniere des Informel. Mus.: New York (MoMA), München (Neue Pinakothek), Köln (Mus. Ludwig) u.a. Lit.: Vollmer, Bénézit. Miotte, Jean (Paris 1926 - Pignans 2016). Composition. Etching in colours, 98 x 65 cm, lo. ri. autographed J. Miotte, lo. le. num. 10/80, shallow bends, framed under glass, uninspected out frame. - French painter, pioneer of Informel. Mus.: New York (MoMA), Munich (Neue Pinakothek), Cologne (Mus. Ludwig) a. others. Lit.: Vollmer, Bénézit.

Ernst Fuchs (Wien 1930 - Wien 2015). Eva Triptychon. Radierung, Aquatinta und vernis mou, 28,5 x 70 cm, r. u. sowie u. Mitte mit Bleistift sign. Ernst Fuchs, unter Passepartout und Glas gerahmt, ungeöffnet. - Provenienz: Sammlung Wolfgang Brudermüller; seitdem durch Erbgang. - Maler, Graphiker, Bildhauer und Architekt, einer der Hauptvertreter des Phantastischen Realismus. Bereits mit 16 Jahren begann er ein Studium an der Wiener Akademie, u.a. bei A. Gütersloh, und schon 1949 hatte er seine erste Einzelausstellung in Paris, wo er sich auch niederließ. 1962 kehrte er nach Wien zurück, zehn Jahre später erwarb er die Otto-Wagner-Villa, die heute das Ernst-Fuchs-Museum beherbergt. Mus.: Wien (Ernst-Fuchs-Mus.). Fuchs, Ernst (Wien 1930 - Wien 2015). Eva Triptychon. Etching, aquatint and vernis mou, 28,5 x 70 cm, lo. ri. autographed Ernst Fuchs, matted and framed under glass, uninspected out of frame. - Painter, graphic artist and architect, one of the main exponents of Phantastic Realism. Already at the age of 16 he began studying at the Vienna academy, among others under A. Gütersloh, and as early as 1949 he had his first solo exhibition in Paris where he settled in 1950. In 1962 he returned to Vienna where he bought the Otto Wagner Mansions in 1972 that later became the Ernst Fuchs Museum. Mus.: Wien (Ernst-Fuchs-Mus.).

Ernst Fuchs (Wien 1930 - Wien 2015). Der Triumph des Einhorns. Radierung, 69,5 x 31,5 cm, r. u. mit Bleistift sign. Ernst Fuchs, l. u. num. 24/60, unter Passepartout und Glas gerahmt, ungeöffnet. - Provenienz: Sammlung Wolfgang Brudermüller; seitdem durch Erbgang. - Maler, Graphiker, Bildhauer und Architekt, einer der Hauptvertreter des Phantastischen Realismus. Bereits mit 16 Jahren begann er ein Studium an der Wiener Akademie, u.a. bei A. Gütersloh, und schon 1949 hatte er seine erste Einzelausstellung in Paris, wo er sich auch niederließ. 1962 kehrte er nach Wien zurück, zehn Jahre später erwarb er die Otto-Wagner-Villa, die heute das Ernst-Fuchs-Museum beherbergt. Mus.: Wien (Ernst-Fuchs-Mus.). Fuchs, Ernst (Wien 1930 - Wien 2015). Triumph of the Unicorn - Der Triumph des Einhorns. Etching, 69,5 x 31,5 cm, lo. ri. autographed Ernst Fuchs, lo. le. num. 24/60, matted and framed under glass, uninspected out of frame. - Painter, graphic artist and architect, one of the main exponents of Phantastic Realism. Already at the age of 16 he began studying at the Vienna academy, among others under A. Gütersloh, and as early as 1949 he had his first solo exhibition in Paris where he settled in 1950. In 1962 he returned to Vienna where he bought the Otto Wagner Mansions in 1972 that later became the Ernst Fuchs Museum. Mus.: Wien (Ernst-Fuchs-Mus.).

Franz Nölken (Hamburg 1884 - La Capelle 1918). Badende, sitzend. Radierung und Kaltnadel, 15,5 x 19,5 cm, r. u. mit Bleistift sign. Nölken, l. u. in der Platte sign. und dat. Nölken 1915, unter Passepartout und Glas gerahmt, ungeöffnet. - Literatur: WVZ: Robinow 38. - N. ist einer der wichtigsten Künstlerrepräsentanten der anbrechenden Moderne in Hamburg von weit überregionalem Rang. Er war ab 1900 zusammen mit F. Ahlers-Hestermann Schüler von A. Siebelist. 1904 trat er dem Hamburgischen Künstlerclub bei, 1907 wurde er auf Vorschlag von K. Schmidt-Rottluff kurzzeitig Mitglied der 'Brücke'. Nach einer Ausstellung mit den Brücke-Künstlern in Dresden 1909 ging er gemeinsam mit Ahlers-Hestermann und W. Rosam nach Paris, um Unterricht bei H. Matisse zu nehmen. Die Hamburger Sammler E. Rump und O. Troplowitz, der Besitzer von Beiersdorf, erkannten früh sein Talent und förderten ihn; der Komponist M. Reger gehörte zu seinen Freunden. N.s malerisches Oeuvre wurzelt im Naturalismus und nahm später Einflüsse des französischen Neoimpressionismus' sowie seines Lehrers Matisse auf. Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) u.a. Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, C. Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897, Kat. Galerie Herold mit WVZ von C. Meyer-Tönnesmann 1984 u.a. Nölken, Franz (Hamburg 1884 - La Capelle 1918). Bather, seated. Etching and dry point, 15,5 x 19,5 cm, lo. ri. autographed Nölken, lo. le. in the plate sign. and dat. Nölken 1915, matted and framed under glass, uninspected out of frame. - Literature: Cat. rais.: Robinow 38. - N. is one the most important artist's of early modernism in Hamburg and of international importance. He was pupil of A. Siebelist since 1900. In 1904 he joined the Hamburgische Künstlerclub, in 1907 he became member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann and W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism and later received influences of French neoimpressionism and of Matisse. Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, C. Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897, Kat. Galerie Herold with cat. rais. by Meyer-Tönnesmann 1984 a. others.

Stefan Wewerka (Magdeburg 1928 - Berlin 2013). Paris. 1971. Radierung und Farbaquatinta, 59 x 59 cm, r. u. mit Bleistift sign. und dat. St. Wewerka 71, l. u. num. 51/55, u. Mitte betitelt, unter Glas gerahmt, ungeöffnet. - Provenienz: Sammlung Wolfgang Brudermüller; seitdem durch Erbgang. - Deutscher Architekt, Designer und vielseitiger Künstler. W. war Sohn des Bildhauers Rudolf Wewerka. Er studierte Architektur in Berlin und war seit den 50er Jahren als freischaffender Künstler tätig. Ab 1978 entwarf er für die Firma Tecta Möbel und Mode. Wewerka, Stefan (Magdeburg 1928 - Berlin 2013). Paris. 1971. Etching and aquatint in colours, 59 x 59 cm, lo. ri. autographed and dat. St. Wewerka 71, lo. le. num. 51/55, lo. middle titleld, framed under glass, uninspected out of frame. - German architect, designer and versatile artist. W. was the son of the sculptor Rudolf Wewerka. He studied architecture in Berlin and worked as a freelance artist since the 1950s. From 1978 he designed furniture and fashion for the company Tecta.

Joseph Beuys (Kleve 1921 - Düsseldorf 1986). Petticoat. 1985. Radierung und Farbaquatinta, 18 x 12 cm, u. Mitte mit Bleistift sign. Joseph Beuys sowie num. 15/75, ungerahmt. - B. war einer der einflussreichsten deutschen Künstler der Nachkriegszeit. Er studierte an der Kunstakademie Düsseldorf bei J. Enseling und E. Mataré; er stellte mehrfach auf der Documenta aus. Mus.: New York, Chicago, Boston, Zürich, Dublin, Berlin, Düsseldorf, Stuttgart, London u.a. Beuys, Joseph (Kleve 1921 - Düsseldorf 1986). Petticoat. 1985. Etching and aquatint in colours, 18 x 12 cm, lo. middle autographed Joseph Beuys as well as num. 15/75, unframed. - One of the most influential German artists of the post-war time, studied at the Düsseldorf Academy under J. Ensling and E. Mataré, exhibited repeatedly at the Documenta. Mus.: New York, Chicago, Boston, Zürich, Dublin, Berlin, Düsseldorf, Stuttgart, London a. others.

Salvador Dalí (Figueres 1904 - Figueres 1989). Les huit péchés capiteaux. 1966/67. Acht farbige Aquatintaradierungen, 19 x 14 cm, r. u. mit Bleistift sign. Dalí, l. u. num. 70/125, ungerahmt in Originalkassette, jede Radierung in einem grauen Umschlagblatt mit Bildtitel in Deutsch, Französisch und Englisch. - Spanischer Universalkünstler, Hauptvertreter des Surrealismus. Nach dem Studium an der Madrider Akademie machten sich zunächst Einflüsse der 'pittura metafisica' de Chiricos und Carràs auf Dalís Werk bemerkbar. Während seiner Paris-Reise 1929 schloß er sich der Gruppe der Surrealisten um A. Breton an. Die künstlerische Auseinandersetzung mit den Schriften S. Freuds zur Traumdeutung förderte seine Neigung zum Phantastischen und Irrealen. Viele seiner Motive sind als Ikonen der modernen Kunst auf der ganzen Welt bekannt. Mus.: Figueres, St. Petersburg (Florida), Zürich u.a. Lit.: Etherington-Smith, Salber, Schiebler, Michler/Löpsinger 'S.D. - Das druckgraphische Werk 1924-1980' (1994) u.a. Dalí, Salvador (Figueres 1904 - Figueres 1989). Les huit péchés capiteaux. 1966/67. Eight coloured aquatint etchings, 19 x 14 cm, lo. ri. autographed Dalí, lo. le. num. 70/125, unframed in original case, each etching in a grey wrapper with picture title in German, French and English. - Multitalented spanish artist, main exponent of surrealism. He studied at the Madrid Academy a. was initially influenced by the 'pittura metafisica' of de Chirico and Carrà. During a Paris trip in 1929 he affiliated at the surrealist A. Breton. Freuds theories of interpretation of dreams fostered D.s inclination to the fantastac a. surreal. Some of his motifs are among the most famous and popular creations of modern art. Mus.: Figueres, St. Petersburg (Florida), Zürich a. others. Lit.: Etherington-Smith, Salber, Schiebler, Michler/Löpsinger 'S.D. - Catalogue raisoné of etchings and mixed-media prints, 1924-1980' (1994) a. others.

Zoran Music (1909 Bukovica bei Gorizia - 2005 Venedig)"Motif végétal. Hommage à Caspar David Friedrich". OriginaltitelFarbradierung u. -aquatinta/BFK Rives, 1974. Sign., dat. u. nummeriert 10/100. Trockenstempel der Galerie Schmücking. Plattenmaß ca. 56,5 cm x 40 cm; Blatt ca. 75 cm x 56 cm. Rahmen.Etching and aquatint in colour on BFK rives paper, 1974. Hand-signed and numbered 10/100. Blind stamp of the Galerie Schmücking.

Franz Hecker (1870 Bersenbrück - 1944 Osnabrück)"Barenaue". OriginaltitelRadierung u. Aquatinta/Papier, 1921. R. u. sign.; Wvz. Hamm D54. Eines von 100 Exemplaren. Das Blatt zeigt die winterlich verschneite Wasserburg Alt Barenaue in Kalkriese in der Gemeinde Bramsche. Plattenmaß ca. 39,5 cm x 32,3 cm. Rahmen.Etching and aquatint on paper, 1921. Hand-signed. One from an edition of 100 copies.

Horst Janssen (1929 Hamburg - 1995 ebenda)"Nach Kyôsai Kyôsai Selbst". OriginaltitelRadierung/chamoisfarbenes Papier, 1970/71. Sign., dat. (19)71 u. römisch nummeriert "XXV/XXV". In der Platte betitelt u. dat. "20(.)11(.19)70". Plattenmaß ca. 26,5 x 18,7 cm.Etching on chamois-coloured paper, 1970/71. Hand-signed, dated (19)71 and numbered in Roman numerals "XXV/XXV". Further titled in the plate and dated "20(.)11(.19)70".

Horst Janssen (1929 Hamburg - 1995 ebenda)"Svanshall verkehrt". OriginaltitelRadierung in Rotbraun/Japanpapier, 1987. Sign., dat. u. nummeriert 89/100; überdies in der Platte betitelt u. dat. "17(.)9(.19)87". Plattenmaß ca. 17 cm x 23,8 cm; Blatt mit vollem Schöpfrand ca. 19,5 cm x 26 cm. Etching in reddish brown on Japan paper, 1987. Hand-signed, dated and numbered 89/100. Further titled and dated "17(.)9(.19)87" in the plate.

Wilhelm Kuhnert (1865 Oppeln - 1926 Flims)Elch in LandschaftRadierung mit feinem Plattenton/Papier, 1924. Sign. u. nummeriert "6 - 30", Künstlerstempel (Elefant). In der Platte dat.; Wvz. Hirzel 104. Sehr breitrandiges Exemplar. Plattenmaß ca. 27 cm x 47,5 cm; Blatt ca. 48,5 cm x 67 cm. Rahmen.Etching on paper, 1924. Hand-signed and numbered "6 - 30", artist's stamp (elephant). Dated in the plate. Very wide margins.

Franz Eichhorst (1885 Berlin - 1948 Innsbruck)Betende Tiroler Bergbauern unter einem Bildstock1929 entstandene Szene aus dem Volksleben vor einer Hochalpenlandschaft. Eichhorst studierte bei Friedrich Kallmorgen an der Hochschule für die Bildenden Künste in Berlin. 1909 erhielt er auf der Großen Berliner Kunstausstellung eine kleine Goldmedaille. Ab den frühen 1920er Jahren malte er während der Sommermonate in einem Atelier in Matrei in Osttirol, das für ihn zur zweiten Heimat wurde. In der Weimarer Republik beschickte er häufig die Großen Berliner Kunstausstellungen und die Akademie-Ausstellungen; ab 1933 gehörte Eichhorst zu den favorisierten Künstlern des "Dritten Reiches": 1937-1943 war er mit 56 Bildern auf den Großen Deutschen Kunstausstellungen in München vertreten, 1938 erhielt er von Hitler den Titel eines Professors. Öl/Lwd.; L. u. sign. u. dat. 1929. 75 cm x 75 cm. Rahmen.Beigefügt: Signierte Radierung des Künstlers mit Widmung Eichhorsts von 1934.Oil on canvas. Signed and dated 1929. Accompanied by an etching from the same artist, signed, dedicated and dated 1934.