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Lot 1

*Drury (Paul, 1903-1987). Man with an ink quill, 1927, uncoloured etching, signed and dated in pencil to lower margin, plate size approx. 130 x 120 mm, framed and glazed (1)

Lot 1

*Goff (Colonel Robert Charles, R.E., 1837-1922). Bethesda Quarry, 1900, uncoloured etching, signed, dated and titled, plate size approx. 250 x 350 mm, with margins (1)

Lot 1

*Kasimir (Luigi, 1881-1962). The Musik Verein, Vienna, colour etching of the interior of the concert hall in Vienna, signed in pencil, plate size approx. 585 x 500 mm (23 x 19.5 ins), framed and glazed (1)

Lot 1

*Long (Sydney, 1871-1955). Kookaburra & Grasshopper, etching on japan, signed and titled in pencil, some ink marks to left margin, mounted as frontispiece to The Etched Work of Sydney Long A.R.E., A Complete Catalogue of His Etchings, ed. Dorothy Ellsmore Paul, Attic Press, 1928, orig. cloth backed boards, rubbed and some minor marks, 4to (1)

Lot 1

*Macbeth (Robert Walker, R.A., R.E., 1848-1910). Rural landscape, with farmer's daughter, two sheepdogs and cows by a gate, with windmill in the distance, sepia etching, signed in pencil, image size approx. 345 x 725 mm, framed and glazed (1)

Lot 1

*McBey (James 1883-1959). Log Yard at Hoorn, 1910, uncoloured etching, signed, a few marks and overall toning, paper partly broken along upper plate margin, image size approx. 127 x 215 mm, with margins, laid on card Hardie & Carter, 68 (two proofs only). (1)

Lot 1

*Menpes (Mortimer L., 1860-1938). A square in Rome, col. etching, signed in pencil, approx. 212 x 325 mm (8.5 x 12.75 in), framed and glazed (1)

Lot 1

*Milliere (Maurice, 1871-1946). Young woman kneeling on a chair holding a vanity mirror, 1911, colour etching, signed, dated, and numbered 1/100, plate size approx. 580 x 345 mm (23 x 13.5 ins), wide margins, old gilt frame, glazed (1)

Lot 1

*Osborne (Malcolm, 1880-1963). Stirling Church, drypoint etching, image size approx. 260 x 202 mm, framed and glazed (1)

Lot 1

*Richards (Walter, 19th-20th c.). 'Lusitania' at Liverpool Landing Stage, b&w etching, signed and titled in pencil to lower margin, plate size approx. 205 x 300 mm, some foxing to margins, mounted (1)

Lot 1

*Robins (William Palmer, 1882-1959). 'The Creek', etching with drypoint, signed and dated 1918, in pencil to lower margin, image size approx. 177 x 253 mm, framed and glazed (1)

Lot 1

*Signac (Paul, 1863-1935). Le Pont des Arts avec Remorqueurs, etching, plate size approx. 125 x 190 mm (5 x 7.5 ins), framed and glazed (1)

Lot 1

*Strang (William, R.A., R.E., 1859-1921). Puritans assembling for Worship, 1893, uncol. etching, signed in pencil, image size approx. 200 x 175 mm, framed and glazed (1)

Lot 1

*Whistler (James McNeill, 1834-1903). Putney Bridge, etching, unsigned, some overall toning and back board stain, plt. size approx. 132 x 206 mm, framed and glazed (1)

Lot 1

*Bawden (Richard, b.1936). 'View Through a Window', colour etching, signed, titled, and numbered 85/100, image size approx. 400 x 605 mm, framed and glazed, together with 'The Poppy', colour etching, signed, titled, and marked A/P, plate size approx. 580 x 405 mm, framed and glazed (2)

Lot 1

*Eliasberg (Paul, 1907-84). 'Ourscamp', 1967, uncoloured etching, artist's proof, signed and marked 'Epreve d'artiste' in pencil to lower margin, image size approx. 240 x 320 mm, wide margins, together with six other etchings by the same artist, including two printed in colour, and one uncoloured aquatint, each signed and numbered, image size approx. 545 x 335 mm and sl. smaller, all with wide margins, framed and glazed (7)

Lot 1

*Matta (Roberto, 1911-2002). Untitled, colour etching, signed and numbered II/XXV, image size 670 x 505 mm (26.5 x 20 ins), framed and glazed (1)

Lot 1

*Sutherland (Graham, 1903-1980). Composition, with diving figures, etching, printed in green, signed and numbered 69/75, approx. 490 x 760 mm, with margins (1)

Lot 1

*Thornton (Valerie). Amboise, 1973, aquatint etching, signed and titled by the artist in pencil, image size approx. 40 x 57 cm, framed and glazed Limited edition 64/150. Provenance: Purchased by the current owner from CCA Galleries, October 1973. (1)

Lot 1

Paul Webb (20th century British) etching titled 'Cafe Girl' signed and dated '74, titled and numbered 10/50, 35 x 17cms, and Martin Renton Ware (20th century British) etching titled 'Domingos' signed and dated '72, titled and numbered 1/30, 40 x 41cms (2)

Lot 1

An early 20th century etching of Harlech castle, and another etching of a gypsy camp (2)

Lot 1

DUTCH SCHOOL mother and child on a beach, etching indistinctly signed, ? BLAM ....D, 8" x 5 1/2"; and a watercolour of a Cotswold landscape by Florence Quinlan (2)

Lot 1

DOUGLAS ION SMART (1879-1970),"Woolwich", etching, pencil signed in the margin, 6 3/4"x 10 3/4", two further by the same hand to include Berrick and "Old Lambeth Bridge", and two further etchings (5).

Lot 1

SYDNEY HERBERT PAVIERE (1891-1971), Magdalen Tower and Bridge, etching, pencil signed in the margin, 9 3/4"x 6 3/4"; another, view of The Spires of Oxford; a Venetian etching by another hand and a small engraving of Oxford Cathedral (4).

Lot 1

JACOB PHILIPP HACKERT (1737-1807),"Sappin", 1802, etching, 19 1/4"x 14 1/2"; assorted other prints and engravings to include three small mezzotints engraved by David Lucas after John Constable, Oxford Almanac prints after Edward Bawden, The Benevolent Cottager, after George Morland, fashion plates etc., all unframed and contained in a portfolio.

Lot 1

VALERIE THORNTON (1931-1991), "Le Besset", etching with aquatint, pencil signed and dated 88' and numbered 59 of 75, 14"x 21 1/2".

Lot 1

MANNER OF THOMAS ROWLANDSON (1756-1827), A battle scene, possibly French Revolution, etching with aquatint and hand coloured, 13"x 20" .

Lot 1

R DENHOLM grouse in flight, etching, pencil signed in the margin, 8 3/4" x 12"

Lot 1

LUIGI KASIMIR (1881-1962), A busy Continental river scene, etching, pencil signed in the margin and numbered 92 of 100, 17 3/4"x 12 1/2"; and a lithograph of a mother suckling her infant, indistinctly signed in pencil to the margin (2).

Lot 1

JOHN CROME (1768-1821), "A Wayside Rest", etching, circa 1813, 14 1/2"x 10 1/2" .

Lot 1

OLIVER HALL (1869-1957),"St Martin's Bridge, Toledo", etching in dry point, pencil signed in the margin, 7"x 9 3/4".

Lot 1

LIONEL LINDSAY (1874-1961), "The Wash, Jaomina", etching in dry point, pencil signed in the margin, 10"x 6 1/2".

Lot 1

STANLEY ROY BADMIN (1906-1989), "Burford, Oxfordshire", etching, pencil signed in the margin and numbered 11 of 45, 5 1/4"x 7 1/4" .

Lot 1

J EDWARD HOMERVILLE HAGUE (19th/20th Century), A country view with barn and open pathway; and an etching indistinctly signed and numbered three of ten (2).

Lot 1

WILLIAM H NORTH (20th Century), "Summer Breeze", signed and dated 1987, watercolour, 7 1/4"x 10"; and an etching after Rembrandt and another work by William H North (3)

Lot 1

Charles Bartlett (b.1921) ‘Blue Foreshore’ Aquatint and colour etching Signed Titled to verso Limited edition 24/100 42cm x 51cm Jeremy King (born 1933) River scene Lithograph Signed 30cm x 63cm. (2) Bartlett - Painter and printmaker. Royal College of Art 1946-50. President of the RWS. Showed regularly at the RA. Examples of his work found at the V&A, National Gallery of South Australia and others. See Buckman, D. p.116. King - has exhibited widely throughout England, including the Royal Academy. His work can also be found in the Tate Gallery’s print collection.

Lot 1

Sir Alfred East, 1849-1913 - Figures in an ornamental garden; etching with aquatint, signed within the plate with monogram, 17 x 12.2cm

Lot 1

Attributed to Egidius Sadeler, circa 1570-1629 - Figures in a mountain pass with cottages and woodland, after P. Stephens; etching, 16.5 x 26cm: together with a large collection of Old Master Prints, to include examples by or after: Esaias van de Velde, Michael van der Gucht, Bartelommeo Biscaino, Stefano Della Bella, Jacob Matham, Pietro Santi Bartoli, Robert Gaywood, Gabriel Perelle, Pieter van Laer, Salvator Rosa, Jan van Aken, and many others, (a lot), (unframed)

Lot 1

Marcel Vertes, 1895-1961 - Erotic scene; etching, signed and inscribed ‘Epreuve d’artiste’ in pencil, 30.826.5cm., (unframed)

Lot 1

After Georges Rouault, 1871-1958 - ‘Arabesques’ and ‘Nocturne’; wood engravings, (4), on two folded sheets, three signed and dated 1932 within the plate, 44 x 33cm., (half sheet size): together with six photogravures after Holman Hunt, an etching of a street scene signed with monogram HSD and dated 1911 within the plate, various sizes, (a lot), (unframed)

Lot 1

James Gillray, 1757-1815 - ‘Phaeton alarm’d! Now all the horrors of the heav’ns he spies, And monstrous shadows of prodigious size, That deck’d with stars, lie scatter’d o’er the skies...’, plate 340, publ. March 22 1808 by H. Humphrey, 27 St. James’s Street; hand-coloured etching, 34.5 x 37.7cm: together with five other prints by Gilray titled: ‘Disciples catching the Mantl!...’, ‘British Tars towing the Danish Fleet into Harbour...’, ‘Politiacl Mathematician’s, shakign the Broad bottom’d Hemispheres...’, ‘Making Decent; ie- Braod-bottomitesgetting into Grand Costume!’; ‘Delicious Dreams! Castles in the Air! Glorious Prospects!’, various publishing dates, (6)

Lot 1

EDOUARD MANET Le Chat et Les Fleurs Etching 8 x 5 3/4 inches plate size

Lot 1

ALEX ORSI A Siamese cat Etching Signed in the margin 6 x 3 inches

Lot 1

TOM MAXWELL Campbelltown, Scotland Etching Signed in pencil 7 1/4 x 12 5/8 inches plate size

Lot 1

Westminster from the south bank an etching Indistinctly signed 22 x 32 inches

Lot 1

A James McBey etching 14" x 9" Isle of Ely" signed with a receit from GEORGE DAVIDSON, Glasgow

Lot 1

Edmund Blampied (1886-1966)-The Water Carrier dry point etching, signed in pencil to the margin, 25cm x 17cm

Lot 1

Sir Frank Brangwyn (1867-1956)-The Venetian Procession etching, signed in pencil to the margin, titled to the mount, 18cm x 25cm; and a Continental etching depicting harbour scene, indistinctly signed in pencil to the margin (2) (Part Illus.).

Lot 1

Richard Dighton-Hand coloured etching His Friend Rothschild on the Change published by T McLean 1824, 21.5cm x 31cm.

Lot 1

Richard Dighton-Hand coloured etching A View of Norfolk published by Dighton, February 1796, 25cm x 20cm; and one other A View of Yarmouth published by Dighton, 1818, 29.5cm x 22.5cm (2).

Lot 1

William Douglas MacLeod, Signed Black and White Etching "Approach to Chioggia" in black frame, 24.5cm x 36.5cm

Lot 1

WINSTON MEGORAM, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, ‘Down with the ebb’, 10” x 14”

Lot 1

J LEWIS STANT, SIGNED IN PENCIL TO MARGIN, ARTIST’S PROOF ETCHING, ‘Buttermarket Square – Shrewsbury’, 6” x 9”

Lot 1

ALFRED DE BREANSKI, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Figure with sheep in a country landscape, 11” x 17”

Lot 1

IN THE MANNER OF SIR FRANK BRANGWYN, BLACK AND WHITE ETCHING, Wartime subject, 14” x 13”

Lot 1

R T COWERN, SIGNED AND DATED 1939 TO MARGIN, BLACK AND WHITE ETCHING, ‘The Valley of the Piare, Nr Sartocasfello’, 7” x 9”

Lot 1

CHARLES W CAIN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Wild dogs by riverside and buildings, 14” x 9” 335-45

Lot 1

JOHN CROME, BLACK AND WHITE ETCHING, inscribed ‘At Trowse’ (see gallery label verso), 8” x 7”

Lot 1

BENJAMIN WILLIAMS LEADER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Extensive woodland landscape, 21” x 16”

Lot 1

HARRY BECKER, WORKING DRYPOINT ETCHING, Cattle in landscape, 7” x 9”

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