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Lot 452

AFTER EVA HOLMER "Sj`on", limited edition black and white etching No`d 42/100, signed, titled and No`d in pencil

Lot 455

AFTER N. BROWN "Shakespeare, King Richard the Second", black and white etching in birds eye maple frame

Lot 590

JACKSON SIMPSON (FL. 1930 - 40 BRITISH) `Guessing the Catch`, drypoint etching, signed and titled in pencil to lower margin, image size 15 x 20cms, framed and glazed

Lot 20A

ALEXANDER P. THOMSON (SCOTTISH 1817 - 1875) Paisley Abbey etching, signed 20cm x 28cm

Lot 225

SIR WILLIAM RUSSELL FLINT RA PRSW (1880 - 1969) The Posada Kitchen etching, signed on the mount 16.5cm x 22cm

Lot 232

JAMES ABBOTT MCNEILL WHISTLER (American 1834 - 1903) Fulham etching signed in the plate with the butterfly mark 13cm x 19.5cm

Lot 420

Michael Ayrton (British, 1921-1975), Rising, signed lower right "Michael Ayrton", proof, etching, 52 x 74cm (20.28 x 28.86in)

Lot 422

William Lionel Wyllie, RA, RI, RE (British, 1851-1931), The Tower of London, signed lower left "W L Wyllie", drypoint etching, 22 x 26cm (8.58 x 10.14in)

Lot 428

East: a signed etching, "Edge of the Coppice", a 19th Century engraved portrait of Napoleon and two other prints

Lot 436

A coloured lithograph, "Old Oak at Chenies, Hertfordshire", M Oliver Rae: a signed etching, "Clovelly High Street", and W S Law: a signed engraving, "The Doctor"

Lot 438

William Lionel Wylie: an etching, view of the Thames and Tower Bridge with numerous figures and boats in foreground, 10" x 14", signed

Lot 445

NORMAN ACKROYD RA. ARCA. RE (1938- ) A Field Gate, etching, limited edition 75/120, signed in pencil and dated (19)86, plate size 4 1/4" x 5 1/4", framed Born in Leeds, Norman Ackroyd attended the Leeds College of Art followed by the Royal College of Art in London. He became an R.A. in 1930, and he is one of Britain`s foremost contemporary print makers specialising in etchings. He currently teaches extensively in the UK and USA

Lot 178

JAMES HAMILTON HAY (1874-1916), MARKET TOWN, etching, signed in pencil, framed. 18.5cm by 26.5cm

Lot 179

JAMES HAMILTON HAY (1874-1916), CORFE CASTLE, etching, signed in pencil, framed. 12.5cm by 19cm

Lot 180

JAMES HAMILTON HAY (1874-1916), RUNCORN BRIDGE, etching, signed in pencil, framed. 16cm by 18.5cm

Lot 181

JAMES HAMILTON HAY (1874-1916), THE MILL, etching, signed in pencil, framed. 17cm by 25cm

Lot 182

JAMES HAMILTON HAY (1874-1916), MOUNTAINOUS LANDSCAPE, etching, signed in pencil, framed. 18cm by 26cm

Lot 183

JAMES HAMILTON HAY (1874-1916), CLAPHAM COMMON, etching, 1913, signed in pencil, framed. 21cm by 26cm

Lot 184

JAMES HAMILTON HAY (1874-1916), "HALTON", etching, titled, signed in pencil, framed. 11cm by 18cm

Lot 185

JAMES HAMILTON HAY (1874-1916), FARMSTEAD IN THE VALLEY, etching, signed in pencil, framed. 12cm by 27cm

Lot 186

JAMES HAMILTON HAY (1874-1916), THE TOWER, etching, signed in pencil, framed. 25cm by 17cm

Lot 187

JAMES HAMILTON HAY (1874-1916), HYDE PARK SCREEN, etching, signed in pencil, framed. 22.5cm by 30c,

Lot 188

JAMES HAMILTON HAY (1874-1916), LIVERPOOL LIME STREET STATION, etching, 1913, signed in pencil. 22cm by 23cm

Lot 189

JAMES ABBOTT McNEILL WHISTLER (1834-1903), "THAMES POLICE", etching, signed and dated 1859 within the plate, framed. 15cm by 22.5cm Note: This is one of sixteen from "A Series of Etchings on the Thames".

Lot 190

GEORGE VERNON STOKES (1873-1954), TWO DOGS BY A FENCE, limited edition etching, signed and numbered to the margin 48/75, framed. 20cm by 25cm

Lot 5

WILLIAM LIONEL WYLLIE, R.A., R.E. (1851-1931) Hot Walls of Portsmouth pencil signed, etching, published by W.R. Howell & Co, 1911, printed by Chas Welch with some surface paper discolouration Pl 7 1./2 x 9 1/2in (19.1 x 24.2cm); and two other etchings by Wyllie (3)

Lot 615

Matthew Day Jackson, American b.1974- "Metamorphosis A-G", 2007, published by the Lower East Side Printshop; seven pieces, unnumbered from the edition of 16, aquatint, etching, screenprint, archival ink jet, gold leaf and hand additions, printed in colours, all mounted in ebonised and perspex box frames, 117x57, 72x55 48x69 42x56 24x59 45x59 40x59cm., (7)

Lot 801

A late 19th/early 20th Century four glass panel mantel clock, the enamelled roman dial probably inscribed `Smiths Company, London,` the eight day striking movement with mercury pendulum, open brocot escapement, with pierced lantern top, above decorative mask and leaf columns, raised on claw feet, the front panelled door with etching of `Daily News Premises` with dedication below, `opened 9th February 1885`, 18in. (46cms) high. See Illustration

Lot 1

Ingeborg Surgensen Hiscox (Canadian, b.Schleswig Germany 1938) YOUNG WOMAN STANDING signed in pencil, dated 1967 and numbered 3 from an edition limited to 6 etching and aquatint 24.6 x 19.2cms; 9 3/4 x 7 5/8in.; and AN ABSTRACT COMPOSITION signed on the plate. lithograph in black on buff coloured paper. (2)

Lot 2

Julian Trevelyan (1910-1988) EASTER FESTIVAL signed and inscribed in pencil and numbered 31 from an edition limited to 100 etching and aquatint with colour highlights 35.2 x 47.8cms; 13 7/8 x 18 3/4in.

Lot 4

Anthony Gross (1905-1984) TOBACCO HARVESTERS signed and inscribed in pencil and numbered 12 from an edition limited to 50 etching 25.2 x 39cms; 10 x 15 3/8in. PROVENANCE: Ex collection of Dr. Jane Sherman.

Lot 12

Pablo Picasso (Spanish 1881-1973) THE ARTIST IN HIS ATELIER etching 20.3 x 14cms; 8 x 5 1/2in.

Lot 15

Rembrandt Harmensz. van Rijn (Dutch 1606-1669) THE PERSIAN (MAN STANDING IN AN ORIENTAL COSTUME) B, N-U 152, H93, BB 32-A signed on the plate with initials and dated on the plate "1632" with the last two date numbers reversed etching, good late impression on laid paper, good margins 10.8 x 8cms; 4 1/4 x 3 1/8in. PROVENANCE: Purchased at Harrods, Knightsbridge, London, February 1974, sold with original bill of sale and certificate of originality. See illustration

Lot 592

AFTER TOM CARR Limited Edition Etching `Full Cry`, Signed 10in. by 12in., Framed

Lot 593

AFTER TOM CARR Limited Edition Etching `February Fill Dyke`, Signed, 9in. by 13in., Framed

Lot 10

Valerie Thornton (1931-91) - `Castillo Nuevo`, etching, ltd ed 27/50, pencil signed and titled to margin, 38 x 56 cm

Lot 20

W. L. Wyllie - Incident at sea - sailing boat being bombarded by distant warship, etching, pencil signed to margin, 16 x 23.5 cm

Lot 84

Staimen Stoilov (b. 1944) - `Running Animal`, etching, pencil signed and titled to margin, 22.5 x 26 cm

Lot 100

Dorothy E C Woolland - Redcliffe Wharf, etching, artist proof, pencil signed to margin, 22.5 x 12 cm bearing Frost & Reed Bristol label

Lot 101

Elyse Ashe Lord (1900-1971) - `Chinese`, etching, pencil signed to margin, ltd ed 31/75, 34 x 24 cm

Lot 110

Henry Wallace - Study of a spaniel with bird in its mouth, ltd ed etching 22/250, pencil signed to margin, 12 x 12.5 cm

Lot 174

After Lucas Van Leyden - Interior scene with figures, etching, 12 x 17 cm

Lot 27

BONARELLI, Prospero (1588-1659). Il Solimano. Florence: Pietro Cecconcelli, 1620. 4° (202 x 160mm). Engraved title, 5 double-page plates by Jacques Callot after the designs of Giulio Parigi (2 repaired tears on plate 2, slight abrasion on F1 affecting a few letters, some occasional pale spotting.) 18th-century vellum, morocco lettering-piece (front hinge cracked, lettering-piece chipped). Provenance: Wilmot Vaughan, first Earl of Lisburne, Ireland (1730-1800, bookplate). FIRST EDITION, second state of the title. Bonarelli's great tragedy was performed in Florence in 1618. Jacques Callot illustrated the work, following the designs of his tutor and colleague, Giulio Parigi, an architect and the chief designer of courtly festivities under the Grand Duke, Cosimo II de' Medici. Both Parigi and Callot were employed by the Medicis, and under their patronage Callot made his many improvements in etching. This is one of the last books he produced for the Medicis, since he returned to his native Nancy following the death of Cosimo II in 1621. "The dramatic finale shows the city of the tyrant Soliman in flames, The moveable scenes -- THE FIRST IN THE HISTORY OF THE THEATRE -- picture contemporary Florence. The whole of its effective contrasts of dark and light, seems fantastic, yet it is the rational and realistic portrait of a fantastic, imaginary subject" (Otto Benesch, Artistic and Intellectual Trends from Rubens to Daumier, Cambridge, 1942, p.17). Berlin Katalog 4112; Brunet I, 1089; Cicognara 1086; Gamba 1810; Lieure 363-368. View on Christie's.com

Lot 758

A Geo V 1897 pattern infantry officer’s sword, straight blade 31½”, with traces of maker’s name and etching, regulation WM hilt, in its leather FS scabbard. QGC

Lot 260

`Autumn Leaves` etching in tone, etched by Henry Macbeth Raeburn after the original by Sir John Everett Millais, published by The Magazine of Art 1895, and measuring approximately 10.5 by 7.5 inches.

Lot 622

Gerald Leslie Brockhurst ARA RE (1890-1978) Casper Signed etching, 20cm x 14.5cm

Lot 625

Anders Zorn (1860-1920) Princess Margeritta Signed etching, 1914, 25cm x 17.5cm

Lot 705

Mary Simpson (fl. 1887-1888) Children in a back street Signed watercolour, 31cm x 25cm, Albany Howard, Richmond, etching (2)

Lot 720

Rowland Langmaid (1897-1955) Holy Island, Arran Signed etching, 16cm x 30.5cm

Lot 418

After A Simes SS Neuralia signed black and white etching 10.5cm x 16cm

Lot 713

A signed etching of children playing on a round-a-bout, signed Soper, various prints of the Lake District, Salisbury etc, a pencil sketch painted by Aldersley, a Moorland Scene oil on canvas initialled C H, a watercolour signed M Reddoch Smith of Alfriston in Sussex, various photographic prints, a lithograph titled Maiden`s Prayer, a photograph of Manchester Dental School "Final Student`s Year - 1920-21", a school photograph, an oil painting signed by Sarah Greenhaulsh of the East Cornwall Society of artists etc

Lot 235

"Mary George, (20th century) A pair of miniature hand coloured etchings, signed in pencil and another etching"

Lot 115

FRANK BRANGWYN(1857-1956). Unframed, signed in pencil, etching on paper, a crowded street scene from `L`ambre de la Croix`, see verso. 7" x 5.1.-2"

Lot 183

Indistinctly signed and dated 1938 pencil etching on paper, night scene with low flying monoplanes. 9.3-4" x 6.3-4"

Lot 425

A hardbound copy of The Modern Masters of Etching, Volume V, Sir Frank Short, also a copy of Hunting With "The Fox", Toulouse-Lautrec, Bruno Cassirer, Oxford, 1948 (2).

Lot 459

RODERICK BOOTH JONES. Architectural view; etching; signed; 20in by 19in

Lot 601

Lewis Christ. Edward Baumer (1892-1977), a pencil signed etching, semi-nude female figures on a beach, signed Lewis Baumer, 12 ¾" x 17 ½"

Lot 618

A Graham Clarke, "Johnny Garlic Sausage", hand coloured limited edition etching, 339/400, 30" x 22 ½"

Lot 625

An original etching of Westminster Abbey, signed Edward J Cherry, 14" x 10 ½", and an etching of Huntley House, Edinburgh, signed F Robson, 15 ½" x 10 ½"

Lot 508

B. Eyre Walker `High Tide below Boston`, signed etching, no. 35/50, 14cm x 25cms.

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