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Albrecht Dürer (1471, Nürnberg - 1528, ebda.) Kupferstich auf Bütten, 1496, "Der verlorene Sohn", Wasserzeichen Schrobenhausener Wappen, ca. 23,5x18,5cm, ungerahmt, beschnitten, unterer Motivrand mit Monogr. fehlt, am oberen Rand auf Pappe montiert Provenienz: Privatsammlung Offenbach, Kaufbeleg (Kopie) Karl Vonderbank, Frankfurt a.M. und Echtheitsbestätigung, je dat. 4.Oktober 1973 beiliegend Lit.:Jaro Springer (Hrsg..), Albrecht Dürer, Kupferstich, Holbein-Verlag, München, 1914, Abb. 5 (B.28) Campbell Dodgson, Masters of Engraving and Etching, Albrecht Dürer, The Medici Society, London, 1926, S. 13, Abb. 10 Erich Schneider (Hrsg.), Dürer als Erzähler, Ludwig & Höhne, Schweinfurth, 1997, S. 178/179

Albrecht Dürer (1471, Nürnberg - 1528, ebda.) Kupferstich auf Bütten, 1523, "Apostel Bartholomäus", u.l. im Druck monogr. und dat. 1523, ca. 12x7,5cm, ungerahmt, auf dem Plattenrand beschnitten, verso von fremder Hand bleistiftbetitelt, oberer Rand auf Pappe montiert Provenienz: Privatsammlung Offenbach, original Kaufbeleg Karl Vonderbank, Frankfurt a.M., dat. 26. September 1972 beiliegend Lit.:Jaro Springer (Hrsg..), Albrecht Dürer, Kupferstich, Holbein-Verlag, München, 1914, Abb. 96 (B.47) Campbell Dodgson, Masters of Engraving and Etching, Albrecht Dürer, The Medici Society, London, 1926, S. 127, Abb. 97

BACHEM, BELE (1916-2005), Konvolut: Bronzefigur UND Radierung, die Bronze: vollplastische Figur einer jungen Frau, einen Blumenkorb auf dem Kopf tragend, H: ca. 43 cm; die Radierung: Surreale Stadtansicht mit liegender Frau im Vordergrund, mit Bleistift von Hand signiert und num. 132/165, HxB: Platte ca. 17x14 cm (Außenmaße Rahmen ca. 36x30 cm), mit Rahmen. Je Altersspuren, die Radierung mit Lichtrand.| BACHEM, BELE (1916-2005), mixed lot: bronze figure AND etching, the bronze: fully plastic figure of a young woman, carrying a basket of flowers on her head, H: approx. 43 cm; Etching: Surreal city view with a woman lying in the foreground, signed by hand in pencil and numbered. 132/165, HxW: plate approx. 17x14 cm (external dimensions of frame approx. 36x30 cm), with frame. Each with signs of age, the etching with a light edge.

NÄGELE, REINHOLD (1884-1972), 2 Radierungen für Dr. Willy Tropp, Höchst am Main, 1.) "Viel Glück 1923", Radierung, in der Platte signiert und datiert 1922, darunter mit Bleistift von Hand signiert, HxB: Platte ca. 7,5x12 cm. 2.) "Ex Libris", Radierung, in der Platte u.li. monogrammiert und datiert 'RN 23', HxB: Platte ca. 6,5x8 cm. Je Altersspuren, gebräunt und leichter Lichtrand. Je im Passepartout hinter Glas gerahmt (Außenmaße bis ca. 20,5x24,5 cm).| NÄGELE, REINHOLD (1884-1972), 2 etchings for Dr. Willy Tropp, Höchst am Main, 1.) "Good luck 1923", etching, signed in the plate and dated 1922, signed by hand in pencil underneath, HxW: plate approx. 7.5x12 cm. 2.) "Ex Libris", etching, in the plate l.l. monogrammed and dated 'RN 23', HxW: plate approx. 6.5x8 cm. Signs of age, browned and slight light edge. Each framed behind glass in a passe-partout (external dimensions up to approx. 20.5x24.5 cm).

George Soper RA (1870-1942)The Hay BarnSigned in pencil, wood block print; together with an engraving by Robert Alexander, Bringing in the hay, dated in pencil 1915 and an etching attributed to R. S. Chattock, The barn door, 13cm by 27cm, 10..5cm by 13cm and10cm by 15cm (3)

Claude Rowbotham (1864-1949)"The Port of London"Signed and inscribed in pencil, etching, 16cm by 24cm; together with three further etchings: Wilfrid Huggins, The Rialto Bridge; Kenneth Holmes, Venice; and R. S. Chattock, a view of Aylesford from the River Medway? (4)

British School (20th Century)The harbour houseSigned in pencil, etching; together with various decorative prints, a working textile or tile design and a contemporary pottery sile (Qty)

Allan Beveridge RSA (1946-2017) "North Side"Signed, inscribed and dated (19)83, etching; together with two further etchings by the same hand "South Side" and "Kingston Bridge" Glasgow, 48cm by 64cm (3)

Earlom after Claude Lorrain (1600-1682)Cattle crossing a riverMezzotint and etching, together with a further work by the same hand, a print of Bartolozzi and a print after Reynolds (4)The largest work (after Reynolds) measures 32cm by 25.5cm.

Louis Thomson (1883-1962) "Low Tide, Chelsea" Signed, inscribed and numbered 3, etching, 20cm by 15cmProvenance: Michael Parkin Gallery, London, label verso; together with an etching of Staple Inn (2)

Alberto Giacometti, Annete facing front, etching for Derriere Le Miroir 1956, unsigned, plate 20cm x 5cm, framedGood condition, no foxing

Michael B White, Madame Cyli's pussy, etching, signed in pencil, no. 4/10, plate 18cm x 15cm, framedSlight even paper discolouration

Edouard Goerg, surreal landscape, etching, signed in pencil, plate 39cm x 24cm, a Christmas card etching for Sagot, an etching sonnet of autumn, and lithograph for Baudelaire poem 1947 (4), mounted in 3 framesGood condition with slight paper discolouration

Lucien Coutaud (1904 - 1977), surreal interior, original etching, signed in pencil dated '51, no. 59/100, plate 27cm x 16cm, framedGood condition

Douglas Portway )1922-93), South African, female nude, etching, signed in pencil, no. 4/6, plate 8.5cm x 18cm, framed Good condition

Jan Poortenaa - etching Dutch farmyard, 24 x 30cm

Folding etching of an 18th century ball, featuring Lady Milbourne, The Duchess of Devonshire and Lady Townsend, approx   cms, together with three Georgian ladies with fans, coloured etching, approx   cms, framed and glazed, and Marie Camargo (1710-1770) print after Nicolas Lancret, approx   cms, framed and glazed. 

18th century etching and stipple, printed in brown, portrait of the dancer Marie Auguste Vestris, performing a dance in the character of Colas in the Ballet of Ninette a la Cour, 1781, after a drawing by Scorodoomoff, published in London May 9th 1781 by C.Ruotte, No 18 Wells Street Oxford Street, and to be had of Mrs Vivares Printseller, Great Newport Street, approx 24 x 32.3 cms, framed but not glazed. This lot includes a print of Monsieur Vestris Senior, by J.Miller, published in London April 1781, approx 10w x 18 h cms and another of Monsieur Vestris Junior, published London April 1781, approx 9.4 x 14 cms, both framed and glazed.  Note: These two were the most celebrated 18th century father and son ballet virtuoso. Vestris Junior helped establish ballet as a stand alone pursuit quite separate from Opera, this propelled ballet into the serious art form we see today.  Note: Property of a Yorkshire lady. 

Caricature portrait of French dancer Auguste Vestris (1760-1842) on stage, etching with aquatint printed in sepia, titled a Stranger at Sparta, Greek inscription after Plutarch Lacome Apothegms, loosely translated 'A stranger at Sparta standing long upon one leg, said to a Lacedaemonian, I do not believe you can do as much , true (said he) but every goofe (s) can, published in London 2nd April 1781 the year of his debut on the London stage, approx 32 x 37 cms, framed and glazed.  Note: Property of a Yorkshire lady. 

Bodo W Klos (German, born 1952), 'Nix Wie Weg', 'Besinger Raben No. XXXI', limited edition etching, signed and numbered 35/200 in pencil, 4.75" x 7", framed 14" x 18" overall

Bodo W Klos (German, born 1952), '3 Black Crows', 'No. XIV', limited edition etching, signed and numbered 122/200 in pencil, 10" x 9.5", framed 14" x 18" overall

Pablo Picasso (1881-1973) - Two reclining nudes, from Series 156 (Bloch 1995, Baer 2005), black and white etching, 1971, on woven paper, from the Posthumous Edition, stamp signed (as issued), numbered 12/50 in pencil, published by Galerie Louise Leris, Paris, 1978, unframed, 14.25" x 19.5" (pl), overall size 20" x 26" - ** Sold together with a photocopied receipt from The Chelsea Garden Market, Chelsea Harbour, giving the details of the etching and the original price of £4600 including carriage and packing

Bodo W Klos (German, born 1952), 'Der Irrtum, (Zwei Flasche Rotwein? Nein! Awei Glaser am tag sollen gesund sein)' (Two bottles of red wine? No!, a few glasses a day should be healthy), limited edition etching, signed and numbered 108/200 in pencil, 4.5" x 7", framed 14" x 18" overall

Boris O’Klein (1893-1985) - "Dirty Dogs of Paris" series, 'A la Queue!', coloured etching, signed and titled in pencil, framed 20.5" x 9.5" overall

Clerk, John, of Eldin [Collection of etchings] on laid or wove paper, apparently either proof impressions or impressions otherwise independent from either of the two Bannatyne Club editions (q.v.), all in card window-mounts, variable margins, many with pencilled captions in margin or on verso, plate number on which each etching appears in the 1855 edition of Clerk's etchings given in square brackets:[Trees bordering road] [Unnumbered plate];[After Weirotter] [Unnumbered plate];[After Rembrandt] [Unnumbered plate];[Studies of Heads] [Unnumbered plate];[Volunteer 1745] [Unnumbered plate], trimmed to platemark along right edge;Arthur's Seat from Lochend [2];Tower at Leith [5];Tower at Leith [5], with added grey wash;Sherriff Hall [9];Melville Milne [10];Borthwick Castle [13], trimmed to platemark along left edge;Borthwick Castle from the South-West [13], trimmed to platemark along all sides;Crichton Castle [14];Blackness Castle [15];Ravensheuch [16];Rossyth Castle [16], with added grey wash, trimmed to platemark along top edge, small chip to upper left corner;Ibid., probably a later impression (plate worn);Adam's Tower [18], printed in sanguine;Clackmannan Tower [21], in a mount with Elen Stalker, with a Tree [34];Dunstaffnage [34];Trees and Church, Composition [38];A River Scene, After Weirotter [38];[Arthur's Seat and Salisbury Crags] [N/A], trimmed to edge of platemark;[Roslin Castle] [N/A], 2 copies, apparently different statesNote: Note: 'A true child of the Enlightenment' (ODNB), John Clerk of Eldin (1728-1812) was a Scottish polymath remembered especially today for his Essay on Naval Tactics (1790). After his death a selection of 28 of his etchings of Scottish views were presented by his son to the Bannatyne Club of Edinburgh, who published them in book form in 1825. A few months after publication a large number of additional plates were discovered. In 1848 the Bannatyne Club purchased the entirety of the rediscovered plates 'and such impressions as had been printed' and in 1855 issued them in a greatly enlarged edition containing some 90 drawings in total. 'Clerk was an exceptional amateur artist. His wealthy background afforded him the luxury of entertaining numerous careers, including medicine and business, and he also showed a considerable interest in geology. In the 1740s he began sketching alongside his brother-in-law, Robert Adam, and the artist Paul Sandby. Clerk travelled extensively throughout Scotland, recording a wide range of landscapes and ancient buildings. His sketches of Edinburgh and the surrounding areas are highly personal representations of his native countryside' (National Galleries of Scotland, online).

Australia - Racism and Emigration George Cruikshank Probable Effects of Over Female Emigration, or Importing the Fair Sex from the Savage Islands in Consequence of Exporting all our own to Australia!!!. Hand-coloured etching by George Cruikshank, 16 x 40.5 cm, pasted into a Victorian scrapbook with other lithographs, etchings, cartoons, some of Crystal Palace; includes large double page cartoon "The Australian Gold Diggings. A Stirling Picture. The Consequences of the Diggins over there", 33 x 49cm [n.d.] Note: Note: From its first colonisation, men outnumbered women in Australia to a huge degree, resulting in grave social problems for the new colony. Active attempts to address the imbalance included drives for women in Britain to emigrate. Cruikshank's now very politically incorrect cartoon imagines that the supposed departure of women who took up offers of assisted passage to Australia has created a critical shortage of women in England. His dockside scene depicts a large gathering of Pacific Island women - all of whom are stereotyped as "savages" with exaggerated features, who have responded to the desperate call of the assembled pallid Englishmen, greeting them upon arrival.The satirical etching is an example of 19th-century racist stereotyping.

William Lionel Wyllie(1851-1931)"North Shields",pencil signed to the margin,etching,16 x 37.5cms (plate), in frame.

William Lionel Wyllie(1851-1931)"High and Low Lights",pencil signed to the margin,etching,16 x 37.5cms (plate), in frame.

Veron Stokes Original coloured etching 'Grouse' 50/75. [Frame 47x47cm]

Highly detailed Polish winged Husaria on horseback etching/ print? signed in pen and dated 1976.

An assorted collection of silver and white metal rings. The lot to include band rings, 925 silver, hallmarks, pierced design, knots, belt buckle rings, rose flower, braiding, granulation, etching, hearts, Egyptian marks and more. All marked as or test as silver. Total weight approx 72.7g. Approx sizes I.5 - X.5.

A hallmarked 9ct yellow gold bangle bracelet. The bangle having scrolling foliate etching to the body with a polished verso to hinged opening with clasp and safety chain. Hallmarked for Birmingham 2003, sponsors marks for CPM. Visible dents. Total weight approx 15.0g. Measures approx 5.5cm. In black leatherette tooled box.

Collection of mid 20th century miniatures, prints, etching and lap tray

ROWLAND LANGMAID, YACHTS CALM drypoint etching, signed in pencilmounted, framed and under glass19cm x 18cm

JAMES MACINTYRE, PAISLEY etching, along with a printeach mounted, framed and under glassQty: 2

HENRY WILKINSON (1929-2011) - An angler bringing a fish to the net, hand coloured etching, signed in pencil and numbered 57/75, framed, 22cm x 32cm, frame size 47cm x 57cm, also the companion - a pair. (2) NB - This lot may be subject to Artist's Resale Right levy.

§ Henri Matisse (French 1869-1954). 'Nu au Collier', etching, signed and numbered 24/25 lower right, 11 x 15.5cm. Framed and glazed. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.Condition Report: § Under glass, paper discoloured, abrasions to paper by signature, needs a light clean.

Willem Steelink II (Dutch, 1856 - 1928). A young woman in a punt, etching, 19 x 14.5cm.; together with a similar scene by the same hand, 13 x 17.5cm (2). Both framed and glazed.Condition Report: Both under glass, paper slightly discoloured, would benefit from a clean.

Dame Paula Rego R.A. (British, 1935-2022)Ride a Cock-Horse, from Nursery Rhymes signed and inscribed A/P in pencil, one of 14 artist's proofs aside from the edition of fiftyEtching and aquatint with hand-colouring by Charlotte Hodes, 198952 x 38cm (20 1/2 x 14 15/16in).printed by Culford Press, London, with their blindstamp, published by the artist and Marlborough Graphics, LondonFootnotes:LiteratureT.G. Rosenthal, Paula Rego The Complete Graphic Work, Thames & Hudson, London, 2012 (R.42)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Man Ray (American, 1890-1976)Symphony (Anselmino 11) Etching and aquatint in colours, 1973, on Arches wove paper, signed with the artist's monogram and numbered 99/99 in pencil, with margins, framedPlate 472 x 319mm (18 5/8 x 12 5/8in)Sheet 746 x 549mm (28 3/8 x 21 5/8in)For further information on this lot please visit Bonhams.com

Robert Motherwell (American, 1915-1991)Untitled (Belknap 105; Engberg & Banach 134) Etching and aquatint, 1973, on Arches wove paper, signed and numbered 36/50 in pencil (there were also ten artist's proofs in Roman numerals), printed by Catherine Mosley at the artist's studio, Greenwich, Connecticut, co-published by the artist and Dain-Schiff Gallery, New York, with full margins, framedPlate 900 x 604mm (35 3/8 x 23 3/4in)Sheet 1054 x 748mm (41 1/2 x 29 1/2in)For further information on this lot please visit Bonhams.com

Ben Nicholson O.M. (British, 1894-1982)Moonshine (Lewinson AC53) Etching, 1966, on wove paper, signed, dated and numbered 9/50 in pencil, published by Galerie Beyeler, Basel, with Lafranca's blindstamp, with full margins, framedPlate 195 x 250mm (7 3/4 x 9 7/8in)Sheet 321 x 375mm (12 1/2 x 14 3/4in)Footnotes:This etching was created using a plate which had previously been used to print the 1948 drypoint 'I.C.I.shed' (Lewinson AC23).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Blowing up the Pic Nic's; -or- Harlequin Quixotte attacking the puppets. Vide Tottenham Street pantomine (BM 9916) Etching with aquatint and hand-colouring, 2nd April 1802, on wove paper, published by Hannah Humphrey, London, with narrow margins, framedPlate 350 x 252mm (13 3/4 x 9 7/8in)Sheet 352 x 270mm (13 7/8 x 10 5/8in)For further information on this lot please visit Bonhams.com

Damien Hirst (British, born 1965)To Belong - Butterfly Etching in colours, 2008, on wove paper, signed and numbered 33/75 in pencil, published by Other Criteria, London, with their ink stamp, with full margins, framedImage 245 x 295mm (9 5/8 x 11 5/8in)Sheet 410 x 445mm (16 1/8 x 17 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child X, from Mother and Child (Cramer 680) Etching with aquatint, 1983, on Arches wove paper, signed and inscribed 'PL X 3/65' in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full marginsPlate 232 x 382mm (9 1/8 x 15 1/8in)Sheet 521 x 618mm (20 1/2 x 24 3/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sonia Delaunay (French, 1885-1979)One Plate, from Avec Moi-Même Etching and aquatint, 1970, on Arches wove paper, signed, dated and numbered 58/75 in pencil (there were also 20 proofs numbered in Roman numerals), published by Société Internationale d'Art XXème Siècle, Paris, with full margins, framedPlate 495 x 397mm (19 1/2 x 15 5/8in)Sheet 660 x 502mm (26 x 19 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Ai Weiwei (Chinese, born 1957)Bomb Inkjet print, 2020, on Hahnemühle German etching paper, signed in black felt-tip pen, numbered 90/100 in pencil (there were also 25 artist's proofs), published by The Kitchen, New York, the full sheetSheet 1300 x 948mm (51 1/8 x 37 3/8in)For further information on this lot please visit Bonhams.com

Georges Braque (French, 1882-1963)Pichet Noir Et Citrons (Maeght 1004) Etching and aquatint in colours, 1952, on BFK Rives paper, signed and numbered 86/200 in pencil, published by Maeght Éditeur, Paris, the full sheet, framedPlate 375 x 453mm (14 3/4 x 17 7/8in)Sheet 503 x 647mm (19 3/4 x 25 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pierre-Auguste Renoir (French, 1841-1919)Le Chapeau Épinglé, 3e planche (Delteil 8) Etching and drypoint, circa 1894, on cream laid paper, an impression of the second (final) state, with wide margins, framedPlate 117 x 83mm (4 3/8 x 3 1/4in)Sheet 301 x 246mm (11 7/8 x 9 3/4in)For further information on this lot please visit Bonhams.com

Robert Motherwell (American, 1915-1991)Untitled (Belknap 104; Engberg & Banach 133) Etching and aquatint, 1973, on Arches wove paper, signed and numbered 44/50 in pencil (there were also ten artist's proofs in Roman numerals), printed by Catherine Mosley at the artist's studio, Greenwich, Connecticut, co-published by the artist, with his blindstamp and Dain-Schiff Gallery, New York, with full margins, framedPlate 902 x 606mm (35 1/2 x 23 3/4in)Sheet 1054 x 749mm (41 1/2 x 29 1/2in)For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Sketchbook 1928 The West Wind Relief (Edition B) (Cramer 573) The complete portfolio comprising one etching and aquatint in colours, 1980, on Arches wove paper, signed and numbered 53/75 in pencil, with full margins, loose (as issued), with the accompanying catalogue and the facsimile, signed in ink and numbered 'B 53/75' in pencil on the artist's label affixed to the inside cover, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, within the original green paper-covered Solander box Plate 225 x 300mm (8 7/8 x 11 7/8in)Folio 415 x 330 x 43mm (16 3/8 x 13 x 1 3/4in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (Russian/French, 1887-1985)David montant la Colline des Oliviers, from The Bible (Cramer books 30) Etching with hand-colouring in watercolour, 1958, on Arches wove paper, signed with initials and numbered 92/100 in pencil, published by Tériade Éditeur, Paris, with full margins, framedPlate 325 x 250mm (12 3/4 x 9 7/8in)Sheet 535 x 394mm (21 x 15 3/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)In the Dull Village, from Illustrations for Fourteen Poems from C.P. Cavafy (Scottish Arts Council 54; M.C.A. Tokyo 54) Etching and aquatint, 1966, on Crisbrook handmade paper, signed and numbered 7/75 in pencil (there were also 25 proofs in Roman numerals), printed by Maurice Payne and Danyon Black at Alecto Studios, published by Editions Alecto, London, with their ink stamp verso, with full margins, framedPlate 350 x 225mm (13 3/4 x 8 7/8in)Sheet 570 x 400mm (22 1/2 x 15 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Reclining Figure 4, from The Reclining Figure (Cramer 475) Etching, 1977-78, on Richard de Bas paper, signed and numbered 'Pl.4 G17/25' in pencil (there were also 15 artist's proofs), printed by Atelier Lacourière et Frélaut, Paris, published by Ganymed Original Editions, London, with margins, framedPlate 225 x 298mm (8 7/8 x 11 3/4in)Sheet 518 x 444mm (20 3/8 x 17 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)In An Old Book, from Illustrations for Fourteen Poems from C.P. Cavafy (Scottish Arts Council 52; M.C.A. Tokyo 52) Etching, 1966, on Crisbrook handmade paper, signed, dated and inscribed 'A.P.' in pencil, one of 15 artist's proofs aside from the numbered edition of 75, printed by Maurice Payne and Danyon Black at Alecto Studios, published by Editions Alecto, London, framedPlate 348 x 222mm (13 3/4 x 8 3/4in)Sheet 562 x 387mm (22 1/8 x 15 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Stromboli (Lynton G10) Etching and aquatint in colours, 1980, on Magnani wove paper, signed with the initials, dated and numbered 14/90 in pencil (there were also 15 artist's proofs in Roman numerals), printed by Vigna Antoniniana Stamperia d'Arte, Rome, co-published by Marlborough Fine Art Ltd., London and 2RC Edizioni d'Arte, Rome, with the 2RC blindstamp, with full margins, framedPlate 725 x 1420mm (28 1/2 x 55 7/8in)Sheet 885 x 1660mm (34 7/8 x 65 3/8in)This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)When Reason Dreams III Etching with aquatint in colours, 1997, on Chine collé to wove paper, signed with the initials, dated and numbered 10/35 in pencil, printed by Hope (Sufferance) Press, published by Marlborough Graphics, London, with marginsPlate 585 x 445mm (23 x 17 1/2in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Rapunzel Growing in the Garden, from Illustrations from Six Fairy Tales Brothers Grimm (Scottish Arts Council 81; M.C.A. Tokyo 78) Etching and aquatint, 1969, on Hodgkinson handmade paper, watermarked DH/PP, signed in pencil, and inscribed verso 'Grimm Ed. A. IX. A.P.' in ink, from book edition A, one of 20 artist's proofs aside from the numbered edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, the full sheet, framedSheet 445 x 310mm (17 7/8 x 12 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Magic Eye 5, from Magic Eye Etching with aquatint in colours, 1995, on Chine collé on Somerset wove paper, signed with the initials, dated and numbered 31/35 in pencil, with full margins, framedImage 318 x 370mm (12 1/2 x 14 1/2in)Sheet 515 x 504mm (20 1/4 x 19 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child XXX, from Mother and Child (Cramer 700) Etching in sepia, 1983, on Arches wove paper, signed and inscribed 'PL XXX 46/65' in pencil, printed by James Collyer and John Crossley, London, with their blindstamp, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full marginsPlate 246 x 161mm (9 3/4 x 6 3/8in)Sheet 516 x 437mm (20 3/8 x 17 1/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com