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Lot 205
A group of antique and vintage prints and pictures - including two hunting prints (one unframed, the other lacks glass); a signed oil on board coastal landscape by C. Wilson-Harper, 12 x 16in, unframed; a pair of reproduction Cries of London prints, early 20th century; 'The Letter', an etching by Tony Robert-Fleury; and an etching of a gentleman reading, signed with initials and dated (18)76 to plate. (7)
Lot 541
A group of assorted pictures and prints, to include an oil still life by Charvet, signed with initials and dated 1976; a Chinese textile; a modern etching 'Unless you knew you wouldn't know, a rook is different from a crow'; A reproduction print of Indian horsemen, an oil of horse and cart; a 19th century carved oak panel; an oil of a figure on a riverbank; an oil coastal scene by H A Russell ; a print of a cat; an oval oil panel of a harvesting representation of Britannia and various loose watercolours drawings and prints. (qty)
Lot 1353
BLADE RUNNER (1982) - Douglas Trumbull Collection: Model Miniature Pyramid Brass Etching Sheets with Photos - Model miniature pyramid brass etching sheets with photos from Ridley Scott's Blade Runner. Model miniatures were created to depict the futuristic cityscape of 2019 Los Angeles, including the outerwall of the Tyrell Corporation pyramid. This lot comes from the collection of special photographic effects artist Douglas Trumbull. This lot consists of one brass sheet with panels that creates the appearance of windows, shafts, and support beams for the elevators; one Blade Runner booklet by Scott Bukatman; a 122-page Blade Runner 2 script dated 1996; three color photographs; one black-and-white photo with a photo negative; six strips of photo negatives; hand-written inscriptions to Douglas Trumbull ; and one paper folder hand-marked "Blade Runner 2." This lot exhibits creasing, fold lines, and discoloration. Dimensions: (largest) 17.25" x 4" x 2.5" (44 cm x 10.25 cm x 6.5 cm)Visual effects pioneer Douglas Trumbull was born in Los Angeles in 1942. After abandoning architecture for technical drawing and cartooning, his talent for photorealism soon earned him work at Graphic Films, an esteemed Hollywood studio for which he designed groundbreaking cosmic effects for the 1964 New York World's Fair. After seeing Trumbull's work, director Stanley Kubrick hired him to create animations and VFX shots - including the iconic Star Gate sequence - for what would become his seminal masterpiece 2001: A Space Odyssey. From that film's success, Trumbull became one of the industry's most trusted photographic effects experts, designing and producing legendary screen moments in such sci-fi landmarks as Close Encounters of the Third Kind, Star Trek: The Motion Picture, and Blade Runner, all three of which earned him Academy Award® nominations. In addition to directing the cult classics Silent Running and Brainstorm, Trumbull later received a Scientific and Engineering Award for his high-speed photography process Showscan in 1993, one of two specialty awards given to him by the Academy of Motion Picture Arts and Sciences before his death in 2022. 60 years since he first made his mark on global cinema, Propstore today celebrates Douglas Trumbull by presenting a selection of rare memorabilia from his personal collection to the public.Estimate: $1,000 - 2,000Bidding for this lot will end on Saturday, August 17th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Friday, August 16th or Sunday, August 18th.
Lot 797
SIR DAVID YOUNG CAMERON ARSA RSW RA RSA (SCOTTISH 1865 - 1945), THE ROYAL SCOTTISH ACADEMY, EDINBURGH etching on paper, signed, titled label versomounted, framed and under glassimage size 18cm x 36cm, overall size 44cm x 59cm Label verso: T. & R. Annan & Sons, GlasgowNote 1: Issued with the Special Edition of The Royal Scottish Academy, Edited by Frank RinderNote 2: David Young Cameron (1865–1945) was one of Scotland’s most prolific and influential artists. He was born in Glasgow, the son of a minister, and in the early 1880s he went to study at Glasgow School of Art. By 1885 he had gained a place at Edinburgh School of Art, where he was encouraged to take up etching because of the strength of his pen drawings. Although he also made many paintings, drawings and watercolors, it was as a printmaker that he initially received the most recognition. Cameron had a rare ability to capturehis subjects with remarkably few lines. During his career he produced over five hundred etching plates, with subjects ranging from atmospheric interiors to dramatic landscapes, as well as detailed studies of buildings and figures.
Lot 798
* JAMES MCBEY (SCOTTISH 1883 - 1959), MACDUFF limited edition etching on paper, signed and numbered VIIImounted, framed and under glassimage size 30cm x 20cm, overall size 56cm x 46cm Note: Self-taught as an artist, McBey was born in Newburgh near Aberdeen. He worked as a bank clerk from the age of fifteen, learning about art from books. After reading about etching, he became interested in printmaking, producing his first prints using a domestic mangle and building his own printing press. An admirer of Rembrandt’s prints, McBey launched his artistic career in 1910 by travelling to Holland. He returned to live in London before working in Egypt as an Official War Artist in 1917. McBey reached the peak of his popularity as an etcher in the 1920s, but when the print market collapsed due to the Depression he mainly produced portraits on commission. McBey didn’t associate himself with artistic movements, but saw himself as a traditional, skilled craftsman.
Lot 153
Three swords, to include a Solingen made French 1845/55 sabre, a German WWII Waffenamt marked NCO's sword and a British 1822 pattern sword with Aldershot Stores ricasso etching, also a section of a 1796 pattern infantry officer's sword and a leather scabbard. THIS LOT CANNOT BE POSTED. This is due to Parcelforce and other courier regulations which prohibit the postage of bladed items. If you are unable to collect in person, this lot would have to be sent via specialist couriers such as Bradleys. Please contact us for more information. Buyer must be over the age of 18. Age verification ID will be required. The largest measures 98cm long
Lot 161
Victorian 1822/45 pattern sword and scabbard, 32inch blade with faint traces of etching, retailed by C.Smith and Son. London, pierced guard bearing VR monogram fitted with folding section to protect uniform, wire bound fish skin grip, with knot.THIS LOT CANNOT BE POSTED. This is due to Parcelforce and other courier regulations which prohibit the postage of bladed items. If you are unable to collect in person, this lot would have to be sent via specialist couriers such as Bradleys. Please contact us for more information. Buyer must be over the age of 18. Age verification ID will be required. 101cm long
Lot 147
Bernard Kay (1927-2021) 'Composition', etching and aquatint, artists proof, signed in pencil lower right, unframed, 52.5cm x 69cm and one other untitled etching, unframed, 25cm x 31.5cm (2) The large Bernard Kay etching has some rips and tears. Overall wear, creases and marks. The smaller etching has some smudges and marks to the edges, but otherwise seems ok.
Lot 178
Peter Matthews (b.1942)'Northern Cliff', etching and aquatint, numbered 24/50, signed and dated 1974 in pencil lower right, 40cm x 47cm and 'Burnt Hill', etching and aquatint, artists proof, signed and dated 1974 in pencil lower right, 41cm x 46cm (2) Some display wear and scuffs to the frame. The etchings themselves seem ok.
Lot 154
Collection of various pictures to include: Maria Luisa Amaral, 'Untitled I', mixed media, 23cm x 16cm, Albert Duplock (Contemporary), 'Hot Sunny Beach', silk screen, signed and titled in pencil lower right, 63.5cm x 48.5cm, Margaret Geddes (1914-1998), 'Two heads', pencil sketch, stamped signature lower right, 14cm x 9.5cm, K. Dowding 'By the canal, Paris', etching, signed and dated 1970 in pencil lower right, 34cm x 24cm, 'Battersea morning', etching, numbered 11/30, signed indistinctly and dated 2003 in pencil lower right, 14cm x 18.5cm, and others, all unframed (14) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Lot 275
Meyrick (Robert). The Etchings and Engravings of Edgar Holloway, a catalogue raisonné, 1st edition, Aldershot: Scolar Press, 1996, inscribed by the artist to the limitation page, original limited edition etching frontispiece numbered in pencil to bottom left 57/100 with tissue guard, numerous monochrome illustrations, original cloth in dust jacket & slipcase, 4to, limited edition 57/100, together with:Gosse (Irene), A Florilege Chosen from the old Herbals, Old Woking: Gresham Books, 1981, 20 monochrome wood engravings by Gertrude Hermes, original green quarter calf to marbled boards, spine lightly rubbed, large 8vo, limited edition 33/250, plusWright (Christopher Buckland, editor), The Engravings of John Buckland Wright, 1st edition, Aldershot: Ashgate Editions, 1990, numerous monochrome illustrations, original cloth in dust jacket, 8vo, andRussell (Judith, editor), The Wood-Engravings of Gertrude Hermes, 1st edition, Aldershot: Scolar Press, 1993, numerous monochrome illustrations, original cloth in dust jacket, covers lightly rubbed, folio, plusUllman (Anne, et al), The Wood-Engravings of Tirzah Ravilious, 1st edition, London: Gordon Fraser, 1987, numerous monochrome illustrations, original paper wrappers in dust jacket, slim large 8vo, andGarton (Robin), The Catalogue Raisonné of the Prints of Paul Drury 1903-1987, 1st edition, London: Garton & Co., 1992, numerous monochrome illustrations, original cloth in dust jacket, 8vo, plusSmith (Alison), John Petts and the Caseg Press, 1st edition, Aldershot: Ashgate, 2000, numerous monochrome illustrations, original cloth in dust jacket, 4to, and other modern engravings reference & illustrated literature, mostly original cloth, many in dust jackets, G/VG, 8vo/folioQTY: (5 shelves)
Lot 125
* Blot (Maurice, 1753-1818). Voyage de Faunes, de Satyres et d'Hamadryades, after Nicolas Poussin, circa 1816-1818, fine etching with engraving on paper (from the 2 volume publication entitled Le Musée Royal publié par Henri Laurent, graveur du cabinet du roi; ou, Recueil de gravures d'apres les plus beaux tableaux, statues et bas-reliefs de la collection royale, Paris, P. Didot l'Aîné, 1816-18), together with Zanetti (Antonio Maria, 1690-1757). Six heads representing the passions, together six etchings on laid paper, each with artist monogram to lower or upper corner, four marked with a printed V, and two marked with a printed W to upper right corner of the image, plate size 10 x 8 cm (4 x 3 ins)or similar, sheet size 13 x 10.5 cm (5 x 4 ins), and similarQTY: (7)
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78408 item(s)/page