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Click here to subscribeMAXIME LALANNE (FRENCH, 1827-1886) (2)Boulevard Montmartre, Paris, 1884signed 'Maxime Lalanne' (lower right), titled and dated '1884' (lower left)pen and ink24 x 34cmtogether with an etching of the same scene by the same hand, 15.5 x 21.5cm(2)Condition reportDrawing: some small pale dark spots to central sky and a small pale brown mark to upper left.Generally appears in good conditionNot inspected under UV light.EtchingPale brown mark to left in trees.
COX, David. A Treatise on Landscape Painting and Effect in Water Colours: from the first Rudiments to the Finished Picture. London: for S. and J. Fuller, 1814. First edition, second issue, oblong folio (290 x 466mm.) Title, dedication, advertisement, 54 plates, comprising 23 soft-ground etchings, 16 uncoloured aquatints and 15 hand-coloured aquatint. (Toning, browning to some margins, occasional minor soiling, lacking 1 soft-ground etching and 1 hand-coloured aquatint plate.) Contemporary brown half morocco over marbled paper-covered boards, brown morocco lettering piece to the upper cover (rubbing to all extremities).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Alfred Walter Bayes [British 1831-1909]. Titled Disturbers of the Peace Girl and her mother at the well frightened by geese. Oil on canvas. Signed lower right. c. Circa 1880 Height 52 cm; Length 42 cm; Depth 3 cm inscribed verso, The great grand daughter of the artis has a matched etching entitled 'Disturbers of the Peace' that was published in English Etchings volume 16, April 1888 along with a preparatory painting in likeness to this piece
BRADFORD, Rev. William.- Sketches of the country, character, and costume, in Portugal and Spain, made during the campaign, and on the route of the British Army, in 1808 and 1809. / Engraved and coloured from the drawings by the Rev. William Bradford...- London: printed for John Booth, by William Savage, 1810.- [2], 38 f.: [1, 40] gravuras color.; 36 cm.- E., together with: -----.- Sketches of military costume in Spain and Portugal. Intended as a supplement to the Rev. Mr. Bradford's Sketches of country, character, and costume, in Portugal and Spain.- London: printed by William Savage, for John Booth, 1810.- [2], 8 p.: [13] gravuras coloridas; 36 cm.- E., The Reverend William Bradford (1780-1857) was a military chaplain and accompanied Wellington's forces in the Peninsular campaign against Napoleon's troops. His drawings were perfected and engraved by J. Clark to illustrate one of the most beautiful books on Portugal and Spain published in the 19th century. Variant of the 1809 edition, containing both parts in English. The first part (Sketches of the country...) is illustrated with a monochromatic frontispiece, copperplate print (etching and stipple) and 40 hand-coloured aquatints, representing, above all, popular costumes and views of localities. The second part (Sketches of military costume...), with its own title page, includes 13 aquatints, also hand-coloured, with Portuguese, French and Spanish military uniforms. The engravings exactly match the index (List of plates) that appears on the second sheet (after the main title page). Clean copy, slightly cropped (marbled edges). The plates have great freshness and the original cellophane separators. 19th century binding, full crushed sheepskin, with light wear, triple gold fillet and blind tooling roll, squared on the covers and golden roll on the squares, with new endpapers in plain wrought paper. Duarte de Sousa, 102 (for the 1809 edition). Tooley, 107.
Nelson Dawson (1859-1941) assorted original artworks and an etching1. HMS Laforey picks up British seaplane...., pencil, 20 x 26cm.2. Warships at sea, pencil, 20 x 26cm.3. '8 enemy Goskes retg from a raid, attacked by F.Com,hille single handed...', pen and ink, 20 x 26cm.4. 'Escorts 2 shiploads wounded from Dunkirk..', ink and pencil, 17 x 25cm.5. Pencil sketch; 'Miranda', 25 x 19cm.6. 'HMS Amazon' watercolour and pencil, 19 x 25cm.7. Ship study, inscribed, 19 x 25cm.8. 'Ma 25/1918 off Dover...', pencil, 17 x 25cm.9. 'Airship ...HMS Gen Crawford', signed etching, 17 x 25cm.10. 'Lower S.Foreland from aeroplane Ma 17/1918', pen and ink, 20 x 26cm.
LOUISE HILL (BRITISH, B. 1968) Donated by Louise Hill 'Chinoiserie in Aquamarine & Powder Blues' Hand finished in gold ink Limited Edition of 100 Framed. 81cm high x 125cm wide. White frame Printed on to 350gsm Hahnemuhle German Etching Paper, this print is signed, numbered and stamped with a Louise Hill Design ‘blind embossing stamp’ on the front. Each print also includes a 'Certificate of Authenticity' sticker sealed with gold foil logo, embossed stamp, signature and edition number attached to the back of the frame. Louise Hill is a creative graphic designer and multimedia artist with a passion for her work. Having lived for many years in Shanghai, Hong Kong and now Singapore, her love for Asia shines through in her highly detailed, colourful and vibrant prints. You will find her either working at her computer or drawing board, or walking the streets with her camera on the lookout for vintage props and imagery, planning her next artwork. www.louise-hill-design.com/chinoiserie-in-powder-blues RRP $2,425.00 SGD 107 cm wide x 62 cm high (unframed) Condition: No obvious condition issues
Unbekannter Künstler der 1.H. 19.Jh., Münchner Schule, Figurengruppe in ländlicher Idylle, symbolistische Aufladung, hervorragende Beobachtung der vor dem Schoß gefalteten Frauenhände, Öl/Kupferplatte, Kupferplatte des 18. Jh. wohl ehemals als Druckplatte für Ätzradierung mit Resten der Zeichnung, Alterssp., ca. 18x24/32x38 cmUnidentified artist of the 1.H. 19th century, Munich school, group of figures in a rural idyll, symbolist charge, excellent observationof the woman's hands folded in front of the lap, oil / copper plate, copper plate of the 18th C. probably formerly as a printing plate for etching with remnants of the drawing, age space, approx. 18x24 / 32x38 cm
Konvolut aus 7 historischen Stichwerken, 18.- 20.Jh., Holzschnitt nach Albrecht Dürers Hl. Christopherus (1511), Wilhelm Pech: Radierung von F. Schiller, J.M. Bernigeroth (1713- 1776): Porträt Margaretha C. Albrechtin nach Anton Paulsen (1718-1748), u. weitere, z.T. stockfleckig, lose in Mappe, div. Formate, Alterssp.Mixed lot of 7 historical engravings, 18-20th century, woodcut after Albrecht Dürer's St. Christopher (1511), Wilhelm Pech: Etching of F. Schiller, J.M. Bernigeroth (1713-1776): portrait Margaretha C. Albrechtin after Anton Paulsen (1718-1748), and others, partly foxy, loose in folder, various formats, age spec.
ACKERMANN, MAX (1887-1975, Prof.), "Stuttgart, Bau des Tagblatt-Turms", mit Blick auf die Eberhardstraße, mit zahlreichen Flanierenden, Radierung (Kaltnadel)/Papier, in der Platte monogrammiert und datiert 'MA, Juli 1928', darunter mit Bleistift von Hand signiert und datiert 1928/73, u.li. mit Bleistift num. 19/80, HxB: Platte ca. 53x17 cm, Passepartoutausschnitt ca. 56x20 cm, Außenmaße Rahmen ca. 81x39 cm. Leicht gebräunt. Im Passepartout hinter Glas gerahmt. Altersspuren. | ACKERMANN, MAX (1887-1975, Prof.), "Stuttgart, construction of the Tagblatt tower", with a view of Eberhardstraße, with numerous people strolling, etching (drypoint)/paper, monogrammed and dated 'MA, July 1928 ', below signed by hand in pencil and dated 1928/73, lower left with pencil no. 19/80, HxW: plate approx. 53x17 cm, passe-partout cut-out approx. 56x20 cm, outer dimensions of frame approx. 81x39 cm. Lightly tanned. Framed behind glass in a passe-partout. signs of age.
37 Jahrmarkt- und Zirkus-Zeichnungen 1) Tusche mit weißer Handkolorierung, M. Flashay, 1914, "Grösster Cirkus", 43 x 56 cm, oben links beschädigt. - 2) Bleistift, E. Heine, 1901, "Wunderbalsam", 44 x 52 cm. - 3) 4 Tuschezeichnungen, Karl G. Hannover, um 1950, "Rummelplatz", je 29 x 22 cm. - 4) Bleistift, Uwe Schuhknecht, 1985, Druck Nr. 4/17, "Zirkusleute", 30 x 40 cm. - 5) Tuschfeder- und Pinselzeichnung, unleserlich signiert, 1928, "Auf dem Rummelplatz", 32 x 39 cm. - 6) Tuschfeder, Norbert Engels, um 1920, "Jahrmarkt", 29 x 22 cm. - 7) Bleistift, Wilhelm Kelter, um 1930, "Karussells vor Hafenkulisse", 49 x 35 cm. - 8) Tuschfeder, A. Hengeley, 1922, "1 Wurf 10 Pfg", 30 x 32 cm. - 9) 6 Lithographien, 1884, "Französische Karikaturen", je 49 x 31 cm. - 10) Radierung, Bernhard Rose, um 1775, "Diogenes mit der Laterne auf dem Markte", 33 x 22 cm. - 11) Serie von 7 Blättern, Tuschfederzeichnungen, A. Hengeler, um 1910, "Der kluge Elefant und die gefährliche Konkurrenz", je 48 x 33 cm. - 12) Serie von 3 Blättern, Tuschfederzeichnungen, A. Hengeler, 1904, "Die rabiate Eierfrau", 37 x 33 cm. - 13) Tuschfeder und Bleistift, unleserlich signiert, um 1930, "Am Schießstand", 37 x 50 cm. - Und: 14) 8 weitere Zeichnungen. Start Price: EUR 240 37 Fairground and Circus Drawings 1) Ink with gouache, M. Flashay, 1914, "Grösster Cirkus", 43 x 56 cm, damaged upper left. - 2) Pencil, E. Heine, 1901, "Wunderbalsam", 44 x 52 cm. - 3) 4 ink drawings, Karl G. Hannover, c. 1950, "Rummelplatz", 29 x 22 cm. - 4) Pencil, Uwe Schuhknecht, 1985, print no. 4/17, "Zirkusleute", 30 x 40 cm. - 5) Pen, ink and brush, illegibly signed, 1928, "Auf dem Rummelplatz", 32 x 39 cm. - 6) Pen-and-ink, Norbert Engels, c. 1920, "Jahrmarkt", 29 x 22 cm. - 7) Pencil, Wilhelm Kelter, c. 1930, "Karussells vor Hafenkulisse", 49 x 35 cm. - 8) Pen-and-ink, A. Hengeley, 1922, "1 Wurf 10 Pfg", 30 x 32 cm. - 9) 6 lithographs, 1884, "Französische Karikaturen", 49 x 31 cm. - 10) Etching, Bernhard Rose, c. 1775, "Diogenes mit der Laterne auf dem Markte", 33 x 22 cm. - 11) Series of 7 sheets, pen-and-ink, A. Hengeler, c. 1910, "Der kluge Elefant und die gefährliche Konkurrenz", each 48 x 33 cm. - 12) Series of 3 sheets, pen-and-ink, A. Hengeler, 1904, "Die rabiate Eierfrau", 37 x 33 cm. - 13) Pen, ink and pencil, illegibly signed, c. 1930, "Am Schießstand", 37 x 50 cm. - And: 14) 8 further drawings. Start Price: EUR 240
Ansicht des Kornmarkts, Heidelberg.Kolorierte Aquatintaradierung von J.J. Tanner, um 1840. Szenische Schilderung der Anlage mit zentralem Madonnenbrunnen und Blick zum Heidelberger Schloß. Hinter Glas gerahmt. 15,5 x 22,5 cm (Bl), 30 x 37 cm (Ra). Bis an die Darstellung geschnitten. Angebräunt. View of the Kornmarkt in Heidelberg with Madonna fountain and castle in the background. Coloured etching by JJ Tanner, around 1840. Framed behind glass. Cut to the motif, tanned brownish.
Hampel, Angela. Geb. 1956 Räckelwitz - lebt und arbeitet in Dresden"Umarmung", 1982. Radierung/ Ätzung, sign., dat., betitelt und num. Ex. 3/ 10. 59,5 x 48,5 cm (Pl). Hinter Glas mit Pp. gerahmt. Rahmen 90 x 74 cm Angela Hampel (born 1956): couple embracing each other, 1982, etching, signed, dated, entitled, numbered copy 3 of 10. Framed with glass. Frame size 90 x 74 cm
PETER HOWSON OBE (SCOTTISH b. 1958) SAMANTHA Etching, signed lower right, titled and inscribed AP (Artist?s proof), dated (19)85, 33 x 24cm, (13 x 9?) Peter Howson was born in London, and studied at The Glasgow School of Art from 1975-1977, later returning as a part time tutor. Howson is an internationally recognised artist, and his work derives inspiration from the human condition, as well as from the streets of Glasgow. Since the 1980s, Howson has exhibited with Flowers Gallery, and other exhibits and collections include the Museum of Modern Art, New York; the Tate Gallery, London; the Victoria & Albert Museum, London; the Scottish National Gallery of Modern Art, Edinburgh; the British Museum, London, and the Gallery of Modern Art, Glasgow. Condition Report:Available upon request
Three framed watercolour landscape / seascape scenes, largest approximately 25 cm x 37 cm image size and a limited edition etching of Balliol College by J W Winkleman, signed, dated and numbered 181/250 in pencil, approximately 38 cm x 54 cm image size, a further framed etching and a watercolour coastal scene. [6]
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![Alfred Walter Bayes [British 1831-1909]. Titled Disturbers of the Peace Girl and her mother at the well frightened by g](https://cdn.globalauctionplatform.com/5832eac4-2543-4a1e-8729-ae5100e2a988/ea18bc66-1ffd-4972-a611-ae5300fdbb70/468x382.jpg)
