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Lot 688
An oil painting on board of a beach scene, inscribed verso William Henderson, Antigua, 48 x 64 cm approx, a triple black and white etching showing emaciated figures, indistinctly inscribed John Bolam, 32 x 69 cm approx, an abstract geometric mixed media study in tones of green, white and blue, etc.
Lot 663
A 19th century miniature portrait of oval form, half length study of a lady in feathered hat, inscribed verso Baroness De Abercorn, 9 cm approx together with a 19th century photographic portrait of a seated lady, a small landscape etching signed M Hicks, etc., together with an acrylic painting of rocks signed Graeme Bell dated 1988, with New South Wales details verso, a signed limited edition etching of a Cornish fishing harbour by Graham Barry Cliverd and a coloured map of Hertfordshire after Robert Morden, all framed.
Lot 660
An ink and watercolour study of a woodland pathway, signed bottom right Anne Anderson together with a pastel study of a landscape, signed Marjorie Vivian, an embroidered crest of the Monmouth Regiment in oak frame with gilt slip, an etching of the Old Star Inn, Alfriston, Sussex, signed Albany E Howarth, various sizes, all framed.
Lot 694
A collection of unframed pictures and prints including 19th century coloured ornithological prints after J Stewart, a late 18th century black and white engraving showing the Battle of Culloden, published by Laurie & Whittle 1797, sheet size 48 x 60 cm approx, a 20th century limited edition black and white etching of a cat amongst foliage in a conservatory, signed bottom right Meg Dutton, edition 6/10, etc.
Lot 113
Isle of Wight Art Glass vase of baluster form, 'Horizon' by Jonathan Harris.This piece is in perfect condition & shows no signs of chips, grazes or breaks etc & is signed 2001. We believe it to be rarer than the 'Blue Horizon' vase by the same artist. It stands approx 23cm tall and we have added an extra image showing some of the etching on the bottom. The scene is based on the idyllic Shropshire landscape surrounding the Jonathan Harris Studio.
Lot 245A
James Priddy, Three colour etchings, In The Elan Valley, Worcestershire and Derwent Water, All titled and signed in pencil, Largest 27cm x 37cm, with a David Coster limited edition etching, moths, No 44/150, a print of a blue cockerel, a pencil drawing and a Chinese textile panel, all framed and glazed (7)
Lot 278
AFTER JAMES MCBAY "Middle Eastern town scene", dry point etching, signed lower right, together with AFTER S JONES "Ploughing", dry point etching, AFTER JAMES GILLRAY "Morning ride", black and white engraving, later hand-coloured and AFTER MICHAEL BLACKER "Prior's Gate Rochester", limited edition colour print No'd. 6/175, signed in pencil lower right, together with various other prints and engravings
Lot 254
CLEMENT COWLES "Seated Nude", pencil and wash study, signed lower right, dated 1965, together with HAYNES "Man with Spear", nude study, pencil, unsigned, watercolour, another by the same hand , together with AFTER SHEPPERSTON "Young child", study of child's head, limited edition etching 12/75, artists' blind studio stamp lower left
Lot 470
*Palmer (Samuel, 1805-1888). The Herdsman's Cottage, 1850, etching on pale cream laid paper, with initials SP to lower left, the second state, as published in The Portfolio, 1872 (also issued in Hamerton's Modern Etching of 1875 and Etching and Etchers of 1880), a fine, rich impression, with wide margins, remains of sellotape mark to centre of the lower edge of the sheet, plate size 122 x 100 mm (4.75 x 4 ins), sheet size 340 x 247 mm (13.4 x 9.75 ins), framed and glazed Provenance: Craddock & Barnard's pencil annotation attached to verso of the frame. Lister E3, ii/ii. (1)
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